The Celtic Twilight

Regina, Regina, Pigmeorum, Veni!1

One night a middle-aged man, who had lived all his life far from the noise of cab-wheels, a young girl, a relation of his, who was reported to be enough of a seeress to catch a glimpse of unaccountable lights moving over the fields among the cattle, and myself, were walking along a far western sandy shore. We talked of the Forgetful People, as the faery people are sometimes called, and came in the midst of out talk to a notable haunt of theirs, a shallow cave amidst black rocks, with its reflection under it in the wet sea sand. I asked the young girl if she could see anything, for I had quite a number of things to ask the Forgetful People. She stood still for a few minutes, and I saw that she was passing in to a kind of walking trance, in which the cold sea breeze no longer troubled her, not the dull boom of the sea distracted her attention. I then called aloud the names of the great faeries, and in a moment or two she said that she could hear music far inside the rocks, and then a sound of confused talking, and of people stamping their feet as it to applaud some unseen performer. Up to this my other friend had been walking to and fro some yards off, but now he passed close to us, and as he did so said suddenly that we were going to be interrupted, for he heard the laughter of children somewhere beyond to rocks. We ere, however, quite alone. The spirits of the place had begun to cast their influence over him also. In a moment he was corroborated by the girl, who said that bursts of laughter had begun to mingle with the music, the confused talking, and the noise of feet. She next saw a bright light streaming out of the cave, which seemed to have grown much deeper, and a quantity of little people,2 in various coloured dresses, red predominating, dancing to a tune which she did not recognize.

I then bade her call out to the queen of the little people to come and talk with us. There was, however, no answer to her command. I therefore repeated the words aloud myself, and in a moment she described a very beautiful tall woman, who came out of the cave. I too had by this time fallen into a kind of trance,3 in which what we call the unreal had begun to take upon itself a masterful reality, and I has an impression, not anything I could call an actual vision. of gold ornaments and dark hair. I then bade the girl tell this tall queen to marshal her followers according to their natural divisions, that we might see them. I found as before that I had to repeat the command myself. The beings then came out of the cave, and drew themselves up, if I remember rightly, in four bands. One of these bands, according to her description, carried boughs of mountain-ash in their hands, and another had necklaces made apparently of serpents’ scales, but their dress I cannot remember. I asked their queen to tell the seeress whether these caves were the greatest faery haunts in the neighborhood. Her lips moved, but the answer was inaudible. I bade the seeress lay her hand upon the breast of the queen, and after that she heard every word quite distinctly. No, this was not the greatest faery haunt, for there was a greater one a little farther ahead. I then asked her whether it was true that she and her people carried away mortals, and if so, whether they put another soul in the place of the one they had taken. ‘We change the bodies,’ was her answer. ‘Are any of you ever born into mortal life?’ ‘Yes.’ ‘Do I know any who were among you people before birth?’ ‘You do.’ ‘Who are they?’ ‘It would not be lawful for you to know.’ I then asked whether she and her people were not ‘dramatizations of our moods’? ‘She does not understand,’ said my friend, ‘but says that her people are much like human beings, and do most of the things human beings do.’ I asked her other questions, as to her nature, and her purpose in the universe, but only seemed to puzzle her. At last she appeared to lose patience, for she wrote this message for me upon the sands—the sands of vision—‘Be careful, and do not seek to know too much about us.’ Seeing that I had offended her, I thanked her for what she had shown and told, and let her depart again into her cave. In a little while the young girl awoke out of her trance, and felt the cold wind from the sea, and began to shiver.

 

1. These words were used as an evocation in Windsor Forest by Lilly, the astrologer. (1924.)

2. The people and faeries in Ireland are sometimes as big as we are, sometimes bigger, and sometimes, as I have been told, about three feet high. The old Mayo woman I so often quote thinks that it is something in our eyes that makes them seem big or little.

3. The word ‘trance’ gives a wrong impression. I had learned from MacGregor Mathers and his pupils to so suspend the will that the imagination moved itself. The girl was, however, fully entranced, and the man so affected by her that he heard the children’s voices as if with his physical ears. On two occasions, later on, her trance so affected me that I also heard or saw some part of what she did as if with physical eyes and ears. (1924.)

 

Index | A Teller of Tales | Belief and Unbelief | Mortal Help | A Visionary | Village Ghosts | ‘Dust Hath Closed Helen’s Eye’ | A Knight of the Sheep | An Enduring Heart | The Sorcerers | The Devil | Happy and Unhappy Theologians | The Last Gleeman | Regina, Regina, Pigmeorum, Veni! | ...