Scanned and OCR'd by a loyal fan with a loose sense of ethics.
Death to the big-bucks "The Big U" auctions on Ebay!
Please submit all changes/fixes to bigwheel@hushmail.com
Buy Neal's other (reasonably priced) books.

From a recent (4/29/99) interview:
Lomax: Above, you said that you were "no damn good at writing short stories" 
    What about these days? Do you think you will write exclusively in the long
    form? Oh, and what's the deal with the Big U. Will that ever see print
    again?

Stephenson: I still find short stories very difficult to write, and I admire 
    people who can do that. At the moment, novels are working for me and so I
    think I'll stick with them. Concerning the Big U... It is an okay novel,
    but I'm in no hurry to put it back into the world. There is a lot of other
    good stuff that people could be reading.



v0.9    - First public release. Missing introduction quotes/author info. 
        [bigwheel@hushmail.com]
v0.9.5  - Bugfix. Recreated proper paragraph breaks, formatted to 78 columns, 
        corrected OCR errors, replace 8-bit characters with 7-bit equivelants,
        properly centered what should be, undid hyphenation. [kmfahey@toast.net]


------------------------------------------------------------------------------


                           ------------------------
                           -- The Go Big Red Fan --
                           ------------------------

The Go Big Red Fan was John Wesley Fenrick's, and when ventilating his System
it throbbed and crept along the floor with a rhythmic chunka-chunka-chunk.
Fenrick was a Business major and a senior. From the talk of my wingmates I
gathered that he was smart, yet crazy, which helped. The description weird was
also used, but admiringly. His roomie, Ephraim Klein of New Jersey, was in
Philosophy. Worse, he was found to be smart and weird and crazy, intolerably
so on all these counts and several others besides.

As for the Fan, it was old and square, with a heavy rounded design suitable
for the Tulsa duplex window that had been its station before John Wesley
Fenrick had brought It out to the Big U with him. Running up one sky-blue
side was a Go Big Red bumper sticker. When Fenrick ran his System-- that
is, bludgeoned the rest of the wing with a record or tape-- he used the Fan
to blow air over the back of the component rack to prevent the electronics
from melting down. Fenrick was tall and spindly, with a turkey-like head and
neck, and all of us in the east corridor of the south wing of the seventh
floor of E Tower knew him for three things: his seventies rock-'n'-roll
souvenir collection, his trove of preposterous electrical appliances, and his
laugh-- a screaming hysterical cackle that would ricochet down the long shiny
cinderbiock corridor whenever something grotesque flashed across the 45-Inch
screen of his Video System or he did something especially humiliating to
Ephraim Klein.

Klein was a subdued, intellectual type. He reacted to his victories with a
contented smirk, and this quietness gave some residents of EO7S East the
impression that Fenrick, a roomie-buster with many a notch on his keychain,
had already cornered the young sage. In fact, Klein beat Fenrick at a rate of
perhaps sixty percent, or whenever he could reduce the conflict to a rational
discussion. He felt that he should be capable of better against a power-punker
Business major, but he was not taking into account the animal shrewdness that
enabled Fenrick to land lucrative oil-company internships to pay for the
modernization of his System.

Inveterate and cynical audio nuts, common at the Big U, would walk into their
room and freeze solid, such was Fenrick's System, its skyscraping rack of
obscure black slabs with no lights, knobs or switches, the 600-watt Black Hole
Hyperspace Energy Nexus Field Amp that sat alone like the Kaaba, the shielded
coaxial cables thrown out across the room to the six speaker stacks that made
it look like an enormous sonic slime mold in spawn. Klein himself knew a few
things about stereos, having a system that could reproduce Bach about as well
as the American Megaversity Chamber Orchestra, and it galled him.

To begin with there was the music. That was bad enough, but Klein had
associated with musical Mau Maus since junior high, and could inure himself
to it in the same way that he kept himself from jumping up and shouting back
at television commercials. It was the Go Big Red Fan that really got to him.
"Okay, okay, let's just accept as a given that your music is worth playing.
Now, even assuming that, why spend six thousand dollars on a perfect system
with no extraneous noises in it, and then, then, cool it with a noisy fan that
couldn't fetch six bucks at a fire sale?" Still, Fenrick would ignore him. "I
mean, you amaze me sometimes. You can't think at all, can you? I mean, you're
not even a sentient being, if you look at it strictly."

When Klein said something like this (I heard the above one night when going
down to the bathroom), Fenrick would look up at him from his Business
textbook, peering over the wall of bright, sto record-store displays he had
erected along the room's centerline; because his glasses had slipped down his
long thin nose, he would wrinkle it, forcing the lenses toward the desired
altitude, involuntarily baring his canine teeth in the process and causing the
stiff spiky hair atop his head to shift around as though inhabited by a band
of panicked rats.

"You don't understand real meaning," he'd say. "You don't have a monopsony
on meaning. I don't get meaning from books. My meaning means what it means
to me." He would say this, or something equally twisted, and watch Klein for
a reaction. After he had done it a few times, though, Klein figured out that
his roomie was merely trying to get him all bent out of shape-- to freak his
brain, as it were-- and so he would drop it, denying Fenrick the chance to
shriek his vicious laugh and tell the wing that he had scored again.

Klein was also annoyed by the fact that Fenrick, smoking loads of
parsley-spiked dope while playing his bad music, would forget to keep an eye
on the Go Big Red Fan. Klein, sitting with his back to the stereo, wads of
foam packed in his ears, would abruptly feel the Fan chunk into the back of
his chair, and as he spazzed out in hysterical surprise it would sit there
maliciously grinding away and transmitting chunka-chunka-chunks into his
pelvis like muffled laughs.

If it was not clear which of them had air rights, they would wage sonic wars.

They both got out of class at 3:30. Each would spend twenty minutes dashing
through the labyrinthine ways of the Monoplex, pounding fruitlessly on
elevator buttons and bounding up steps three at a time, palpitating at the
thought of having to listen to his roommate's music until at least midnight.
Often as not, one would explode from the elevator on EO7S, veer around to the
corridor, and with disgust feel the other's tunes pulsing victoriously through
the floor. Sometimes, though, they would arrive simultaneously and power up
their Systems together. The first time they tried this, about halfway through
September, the room's circuit breaker shut down. They sat in darkness and
silence for above half an hour, each knowing that if he left his stereo to
turn the power back on, the other would have his going full blast by the time
he returned. This impasse was concluded by a simultaneous two-tower fire drill
that kept both out of the room for three hours.

Subsequently John Wesley Fenrick ran a fifty-foot tin-lead extension cord
down the hallway and into the Social Lounge, and plugged his System into
that. This meant that he could now shut down Klein's stereo simply by turning
on his burger-maker, donut-maker, blow-dryer and bun-warmer simultaneously,
shutting off the room's circuit breaker. But Klein was only three feet from
the extension cord and thus could easily shut Fenrick down with a tug. So
these tactics were not resorted to; the duelists preferred, against all
reason, to wait each other out.

Klein used organ music, usually lush garbled Romantic masterpieces or what he
called Atomic Bach. Fenrick had the edge in system power, but most of that
year's music was not as dense as, say, Heavy Metal had been in its prime, and
so this difference was usually erased by the thinness of his ammunition. This
did not mean, however, that we had any trouble hearing him.

The Systems would trade salvos as the volume controls were brought up as high
as they could go, the screaming-guitars-from-Hell power chords on one side
matched by the subterranean grease-gun blasts of the 32-foot reed stops on
the other. As both recordings piled into the thick of things, the combatants
would turn to their long thin frequency equalizers and shove all channels up
to full blast like Mr. Spock beaming a live antimatter bomb into Deep Space.
Finally the filters would be thrown off and the loudness switches on, and the
speakers would distort and crackle with strain as huge wattages pulsed through
their magnet coils. Sometimes Klein would use Bach's "Passacaglia and Fugue in
C Minor," and at the end of each phrase the bass line would plunge back down
home to that old low C, and Klein's sub-woofers would pick up the temblor of
the 64-foot pipes and magnify it until he could watch the naked speaker cones
thrash away at in the air. This particular note happened to be the natural
resonating frequency of the main hallways, which were cut into 64-foot, 3-inch
halves by the fire doors (Klein and I measured one while drunk), and therefore
the resonant frequency of every other hail in every other wing of all the
towers of the Plex, and so at these moments everything in the world would
vibrate at sixteen cycles per second; beds would tremble, large objects would
float off the edges of tables, and tables and chairs themselves would buzz
around the rooms of their own volition. The occasional wandering bat who might
be in the hall would take off in random flight, his sensors jammed by the
noise, beating his wings against the standing waves in the corridor in an
effort to escape.

The Resident Assistant, or RA, was a reclusive Social Work major who,
intuitively knowing she was never going to get a job, spent her time locked in
her little room testing perfumes and watching MTV under a set of headphones.
She could not possibly help.

That made it my responsibility. I lived on EO7S that year as
faculty-in-residence. I had just obtained my Ph.D. from Ohio State in an
interdisciplinary field called Remote Sensing, and was a brand-shiny-new
associate professor at the Big U.

Now, at the little southern black college where I went to school, we had no
megadorms. We were cool at the right times and academic at the right times
and we had neither Kleins nor Fenricks. Boston University, where I did my
Master's, had pulled through its crisis when I got there; most students had no
time for sonic war, and the rest vented their humors in the city, not in the
dorms. Ohio State was nicely spread out, and I lived in an apartment complex
where noisy shit-for-brains undergrads were even less welcome than tweedy
black bachelors. I just did not know what to make of Klein and Fenrick; I did
not handle them well at all. As a matter of fact, most of my time at the Big U
was spent observing and talking, and very little doing, and I may bear some of
the blame.

This is a history, in that it intends to describe what happened and suggest
why. It is a work of the imagination in that by writing it I hope to purge the
Big U from my system, and with it all my bitterness and contempt. I may have
fooled around with a few facts. But I served as witness until as close to the
end as anyone could have, and I knew enough of the major actors to learn about
what I didn't witness, and so there is not so much art in this as to make it
irrelevant. What you are about to read is not an aberration: it can happen in
your local university too. The Big U, simply, was a few years ahead of the
rest.

                             --------------------
                             -- First Semester --
                             --------------------

                                --September--                                 

On back-to-school day, Sarah Jane Johnson and Casimir Radon waited, for a
while, in line together. At the time they did not know each other. Sarah had
just found that she had no place to live, and was suffering that tense and
lonely feeling that sets in when you have no place to hide. Casimir was just
discovering that American Megaversity was a terrible place, and was not happy
either.

After they had worked their way down the hail and into the office of the Dean
of the College of Sciences and Humanities, they sat down next to each other on
the scratchy Dayglo orange chairs below the Julian Didius III Memorial Window.
The sunlight strained in greyly over their shoulders, and occasionally they
turned to look at the scene outside.

Below them on one of the Parkway off-ramps a rented truck from Maryland had
tried to pass under a low bridge, its student driver forgetting that he was
in a truck and not his Trans-Am. Upon impact, the steel molding that fastened
the truck's top to its sides had wrapped itself around the frame of a green
highway sign bolted to the bridge. Now the sign, which read:

AMERICAN MEGAVERSITY

VISITOR PARKING

SPORTS EVENTS

EXIT 500 FT

was suspended in the air at the end of a long strip of truck that had been
peeled up and aside.

A small crowd students, apparently finished with all their line-waiting, stood
on the bridge and beside the ramp, throwing Frisbees and debris into the
torn-open back of the truck, where its renters lounged in sofas and recliners
and drank beer, and threw the projectiles back. Sarah thought it was idiotic,
and Casimir couldn't understand it at all.

Out in the hallway, people behind them in the line were being verbally abused
by an old derelict who had penetrated the Plex security system. "The only
degree you kids deserve is the third degree!" he shouted, waving his arms and
staggering in place. He wore a ratty tweed jacket whose elbow patches flapped
like vestigial wings, and he drank in turns from a bottle of Happy's vodka and
a Schlitz tall-boy which he kept holstered in his pockets. He had the full
attention of the students, who were understandably bored, and most of them
laughed and tried to think of provocative remarks.

As the drunk was wading toward them, one asked another how her summer had
been. "What about it?" asked the derelict. "Fiscal conservatism? Fine in
theory! Tough, though! You have to be tough and humane together, you see, the
two opposites must unite in one great leader! Can't be a damn dictator like S.
S. Krupp!" This brought cheers and laughter from the upperclassmen, who had
just decided the drunk was a cool guy. Septimius Severus Krupp, the President
of American Megaversity, was not popular. "Jesus Christ!" he continued through
the laughter, "What the hell are they teaching you savages these days? You
need a spanking! No more circuses. Maybe a dictator is just what you need!
Alcibiades! Pompilius Numa! They'd straighten things out good and fast."

Sarah knew the man. He liked to break into classes at the Big U and lecture
the professors, who usually were at a loss as to how to deal with him. His
name was Bert Nix. He had taken quite a shine to Sarah: for her part, she did
not know whether or not to be scared of him. During the preceding spring's
student government compaign, Bert Nix had posed with Sarah for a campaign
photo which had then appeared on posters all over the Plex. This was just
the kind of thing that Megaversity students regarded as a sign of greatness,
so she had won, despite progressive political ideas which, as it turned out,
nobody was even aware of. This was all hard for Sarah to believe. She felt
that Bert Nix had been elected President, not the woman he had appeared with
on the campaign poster, and she felt obliged to listen to him even when he
simply jabbered for hours on end. He was a nice lunatic, but he was adrift in
the Bert Nix universe, and that stirred deep fears in Sarah's soul.

Casimir paid little attention to the drunk and a great deal to Sarah. He
could not help it, because she was the first nice-seeming person, concept or
thing he had found in his six hours at the Big U. During the ten years he had
spent saving up money to attend this school, Casimir had kept himself sane by
imagining it. Unfortunately, he had imagined quiet talks over brunch with old
professors, profound discussions in the bathrooms, and dazzling, sensitive
people everywhere just waiting to make new friends. What he had found, of
course, was American Megaversity. There was only one explanation for this
atmosphere that he was willing to believe: that these people were civilized,
and that for amusement they were acting out a parody of the squalor of high
school life, which parody Casimir had been too slow to get so far. The obvious
explanation-- that it was really this way-- was so horrible that it had not
even entered his mind.

When he saw the photo of her on the back page of the back-to-school edition
of the Monoplex Monitor, and read the caption identifying her as Sarah Jane
Johnson, Student Government President, he made the most loutish double take
between her and the photograph. He knew that she knew that he now knew who she
was, and that was no way to start a passionate love affair. All he could do
was to make a big show of reading about her in the Monitor, and wait for her
to make the first move. He nodded thoughtfully at the botched quotations and
oversimplifications in the article.

Sarah was aware of this; she had watched him page slowly and intensely through
the paper, waiting with mild dread for him to get to the back page, see the
picture and say something embarrassing. Instead-- even more embarrassing -- he
actually read the article, and before he reached the bottom of the page, the
student ahead of Sarah stomped out and she found herself impaled on the azure
gaze of the chief bureaucrat of the College of Sciences and Humanities. "How,"
said Mrs. Santucci crisply, "may I help you?"

Mrs. Santucci was polite. Her determination to be decent, and to make all
things decent, was like that of all the Iranian Revolutionary Guards combined.
Her policy of no-first-use meant that as long as we were objective and polite,
any conversation would slide pleasantly down greased iron rails into a pit
of despair. Any first strike by us, any remarks deemed improper by this
grandmother of twenty-six and player of two dozen simultaneous bingo cards,
would bring down massive retaliation. Sarah knew her. She arose primly and
moved to the front chair of the line to look across a barren desk at Mrs.
Santucci.

"I'm a senior in this college. I was lucky enough to get an out-of-Plex
apartment for this fall. When I got there today I found that the entire block
of buildings had been shut down for eight months by the Board of Health. I
went to Housing. Upon reaching the head of that line, I was told that it was
being handled by Student Affairs. Upon reaching the head of the line there, I
was given this form and told to get signatures at Housing and right here.

Mrs. Santucci reached out with the briskness that only old secretaries can
approach and seized the papers. "This form is already signed," she informed
Sarah.

"Right. I got that done at about one o'clock. But when I got to my new
temporary room assignment it turned out to be the B-men's coffee lounge and
storeroom for the northeast quad of the first sublevel. It is full of B-men
all the time. You know how they are-- they don't speak much English, and you
know what kinds of things they decorate their walls with"-- this attempt to
get Mrs. Santucci's sympathy by being prissy was not obviously successful--
"and I can't possibly live there. I returned to Housing. To change my room
assignment is a whole new procedure, and I need a form from you which says I'm
in good academic standing so far this semester."

"That form," Mrs. Santucci noted, "will require signatures from all your
instructors."

"I know," said Sarah. All was going according to plan and she was approaching
the center of her pitch. "But the semester hasn't started yet! And half my
courses don't even have teachers assigned! So, since I'm a senior and my GPA
is good, could the Dean okay my room change without the form? Doesn't that
make sense? Sort of?" Sarah sighed. She had broken at the end, her confidence
destroyed by Mrs. Santucci's total impassivity, by those arms folded across
a navy-blue bosom like the Hoover Dam, by a stare like the headlights of an
oncoming streetsweeper.

"I'm sure this is all unnecessary. Perhaps they don't know that their lounge
has been reassigned. If you can just explain matters to them, I'm sure that
Building Maintenance will be happy to accommodate you."

Sarah felt defeated. It had been a nice summer, and while away she had
forgotten how it was. She had forgotten that the people who ran this place
didn't have a clue as to how reality worked, that in their way they were all
as crazy as Bert Nix. She closed her eyes and tilted her tense head back, and
the man in the chair behind her intervened.

"Wait a minute," he said righteously. His voice was high, but carried
conviction and reasonable sensitivity. "She can't be expected to do that.
Those guys don't even speak English. All they speak is Bosnian or Moldavian or
something."

"Moravian," said Mrs. Santucci in her Distant Early Warning voice, which was
rumored to set off burglar alarms Within a quarter-mile radius.

"The language is Crotobaltislavonian, a modern dialect of Old Scythian,"
announced Sarah, hoping to end the conflict. The B-Men are refugees from
Crotobaltislavonia."

"Listen, I talk to Magrov all the time, and I say it's MoraVian." Sarah felt
her body temperature begin to drop as she chanced a direct look at Mrs.
Santucci.

Trying to sound prim, Sarah said, "Have you ever considered the possibility
that you are confusing Magrov with Moravian?" Seeing the look on Mrs.
Santucci's face, she then inhaled sharply and shifted away. Just as the old
bureaucrat's jaw was starting to yawn, her chest rising like the return of
Atlantis, Casimir Radon leaned way across and yanked something out of Sarah's
lap and-- in a tone so arresting that it was answered by Bert Nix outside--
exclaimed, "Wait a minute!"

Casimir was meek and looked like a nerd and a wimp, but he was great in a
crisis. The lost continent subsided and Mrs. Santucci leaned forward with
a dangerous frown. Out in the hallway the exasperated Bert Nix cried, "But
there's no more minutes to wait! To save the Big U we've got to start now!"

Casimir had taken Sarah's room assignment card from the stack of ammunition
on her lap, and was peering at it like a scientific specimen. It was an IBM
card, golden yellow, with a form printed on it in yellow-orange ink. In the
center of the form was a vague illustration of the Monoplex, looking decrepit
and ruined because of the many rectangular holes punched through it. Along the
top was a row of boxes labeled with tiny blurred yellow-orange abbreviations
that were further abbreviated by rectangular holes. Numbers and letters were
printed in black ink in the vicinity of each box.

Bert Nix was still carrying on outside. "Then fell the fires of Eternity with
loud & shrill Sound of loud Trumpet thundering along from heaven to heaven,
A mighty sound articulate Awake ye dead & come To Judgement from the four
winds Awake & Come away Folding like scrolls of the Enormous volume of Heaven
& Earth With thunderous noises & dreadful shakings rocking to & fro: The
heavens are shaken & the Earth removed from its place; the foundations of the
eternal Hills discovered; The thrones of Kings are shaken they have lost their
robes and crowns ... and that's what poetry is! Not the caterwaulings of the
Unwise!"

Finally, Casimir looked relieved. "Yeah, I thought that might be it. You were
reading this number here. Right?" He got up and stood beside Sarah and pointed
to her temporary room number. "Sure," said Sarah, suddenly feeling dreadful.

"Well," said Casimir, sounding apologetic, "that's not what you want. Your
room is not identified by room number, because some rooms repeat. It's
identified by door number, which is unique for all doors. This number you
were looking at isn't either of those, it's your room ID number, which has to
do with data processing. That ID number refers to your actual door number,
incorrectly called room number. It is the middle six digits of this character
string here. See?" He masked the string of figures between the dirty backward
parenthesis of his thumbnails. "In your case we have E12S, giving tower, floor
and wing, and then 49, your actual room number."

Sarah did not know whether to scream, apologize or drop dead. She shoved
her forms into her knapsack and stood. "Thank you for your trouble, Mrs.
Santucci," she said quickly. "Thank you," she said to Casimir, then snapped
around and headed for the door, though not fast enough to escape a withering
harrrumph from Mrs. Santucci. But as she stepped into the hallway, which in
order to hold down utility costs was dimly lit, she saw a dark and ragged
figure out of the corner of her eye. She looked behind to see Bert Nix grab
the doorframe and swing around until he was leaning into the office.

"Listen, Genevieve," he said, "she doesn't need any of your phlegm! She's
President! She's my friend! You're just a doorstop!" As much as Sarah wanted
to hear the rest of this, she didn't have the energy.

Casimir was left inside, his last view of Sarah interrupted by the dangling
figure of the loony, caught in a crossfire he wanted no part of.

"I'll call the guards," said Mrs. Santucci, who for the first time was showing
uneasiness.

"Today?" Bert Nix found this a merry idea. "You think you can get a guard
today?"

"You'd better stop coming or we'll keep you from coming back."

His eyes widened in mock, crimson-rimmed awe, "Ooh," he sighed, "that were
terrible. I'd have no reason to live." He pulled himself erect, walked in and
climbed from the arm of Casimir's chair to the broad slate sill of the window.
As Mrs. Santucci watched with more terror than seemed warranted, the derelict
swung one window open like a door, letting in a gust of polluted steam.

By the time he was leaning far outside and grinning down the seventy-foot drop
to the Parkway and the interchange. she had resolved to try diplomacy-- though
she motioned that Casimir should try to grab his legs. Casimir ignored this;
it was obvious that the man was just trying to scare her. Casimir was from
Chicago and found that these Easterners had no sense of humor.

"Now, Pert," said Mrs. Santucci, "don't give an old lady a hard time."

Bert Nix dropped back to the sill. "Hard time! What do you know about hard
times?" He thrust his hand through a hole in his jacket, wiggling his long
fingers at her, and wagging his out-of-control tongue for a few seconds.
Finally he added, "Hard times make you strong."

"I've got work to do, Pert."

This seemed to remind him of something. He closed the window and cascaded to
the floor. "So do I," he said, then turned to Casimir and whispered, "That's
the Julian Didius III Memorial Window. That's what I call it, anyway. Like the
view?"

"Yeah, it's nice," said Casimir, hoping that this would not become a
conversation.

"Good," said the derelict, "so did J. D. It's the last view he ever saw.
Couldn't handle the job. That's why I call it that." The giggling Bert Nix
ambled back into the hail, satisfied, pausing only to steal the contents of
the office wastebasket. Through most of this Casimir sat still and stared at
the faded German ti 1 poster on the wall. Now he was really in the talons of
Mrs. Santucci, who had probably shifted into adrenaline overdrive and was
likely to fling her desk through the wall. Instead, she was perfectly calm and
professional. Casimir disliked her for it.

"I'm a junior physics major and I transferred in from a community college in
Illinois. I know the first two years of physics inside and out, but there's
a problem. The rules here say physics courses must include 'socioeconomic
contexts backgrounding,' which I guess means it has to explain how it fits in
with today's something or other.

"In order to context the learning experience with the real world," said Mrs.
Santucci gravely, "we must include socioeconomic backgrounding integral with
the foregrounded material." "Right. Anyway, my problem is that I don't think I
need it. I'm not here to give you my memoirs or anything, but my parents were
immigrants, I came from a slum, got started in electronics, sort of made my
own way, saw a lot of things, and so I don't think I really need this. It'd
be a shame if I had to start all over, learning, uh, foregrounded material I
already know."

Mrs. Santucci rolled her eyes so that the metal-flake blue eyeshadow on her
lids flashed intermittently like fishing lures drawn through a murky sea.
"Well, it has been done. It must be arranged with the curriculum chair of your
department."

"Who is that for physics?"

"Distinguished Professor Sharon," she said. Bulging her eyeballs at Casimir,
she made a respectful silence at the Professor's name, daring him to break it.

When Casimir returned to consciousness he was drifting down a hallway, still
mumbling to himself in astonishment. He had an appointment to meet the
Professor Sharon. He would have been ecstatic just to have sat in on one of
the man's lectures!

Casimir Radon was an odd one, as American Megaversity students went. This was
a good thing for him, as the Housing people simply couldn't match him up with
a reasonable roommate; he was assigned a rare single. It was in D Tower, close
to the sciences bloc where he would spend most of his time, on a floor of
single rooms filled by the old, the weird and the asinine who simply could not
live in pairs.

ln order to find his room he would have to trace a mind-twisting path through
the lower floors until he found the elevators of D Tower. So before he got
himself lost, he went to the nearest flat surface, which was the top of a
large covered wastebasket. From it he cleared away a few Dorito bags and
a half-drained carton of FarmSun SweetFresh brand HomeLivin' Artificial
Chocolate-Flavored Dairy Beverage and forced them into the overflowing maw
below. He then removed his warped and sweat-soaked Plex map (the Plexus) from
his pocket and unfolded it on the woodtoned Fiberglass surface.

As was noted at the base of the Plexus, it had been developed by the AM
Advanced Graphics Workshop. Rather than presenting maps of each floor of the
Plex, they had used an Integrated Projection to show the entire Plex as a
network of brightly colored paths and intersections. The resulting tangle was
so convoluted and yet so clean and spare as to be essentially without meaning.
Casimir, however, could read it, because he was not like us. After applying
his large intelligence to the problem for several minutes he was able to find
the most efficient route, and following it with care, he quickly became lost.

The mistake was a natural one. The elevators, which were busy even in the dead
of night, were today clogged with catatonic parents from New Jersey clutching
beanbag chairs and giant stuffed animals. Fortunately (he thought), adjacent
to each elevator was an entirely unused stairwell.

Casimir discovered shortly afterward that in the lower floors of the Plex all
stairwell doors locked automatically from the outside. I discovered it myself
at about the same time. Unlike Casimir I had been a the Plex for ten days,
but I had spent them typing up notes for my classes, It is unwise to prepare
two courses in ten days, and I knew it. I hadn't gotten to it until the last
minute, for various reasons, and so I'd spent ten days sitting there in my
bicycling shorts, drinking beer, typing, and sweating monumentally in the
fetid Plex air. So my first exposure to the Plex and its people really came
that afternoon, when I wandered out into the elevator lobby and punched the
buttons. The desperate Tylenol-charged throngs in the elevators did not budge
when the doors opened, because they couldn't. They stared at me as though I
were Son of Godzilla, which I was used to, and I stared at them and tried to
figure out how they got that way, and the doors clunked shut. I discovered the
stairways, and once I got below the bottom of the tower and into the lower
levels, I also found that I was locked in.

For fifteen minutes I followed dimly lit stairs and corridors smelling of
graffiti solvent and superfluous floor wax, helplessly following the paths
that students would take if the Plex ever had to be evacuated. Through little
windows in the locked doors I peered out of this twilight zone and into the
different zones of the Plex-- Cafeteria, Union, gymnasia, offices-- but my
only choice was to follow the corridors, knowing they would dump me into the
ghetto outside. At last I turned a corner and saw the wall glistening with
noisy grey outside light. At the end of the line, a metal door swung silently
in the breeze, emblazoned thus: FIRE ESCAPE ONLY. WARNING-- ALARM WILL SOUND.

I stepped out the door and looked down along, steep slope into the canyon of
the Turnpike.

The American Megaversity Campustructure was three blocks on a side, and
squatted between the Megalopolitan Turnpike on the north and the Ronald Reagan
Parkway on the south. Megaversity Stadium, the only campus building not inside
the Plex proper, was to the west, and on the east was an elaborate multilevel
interchange interconnecting the Pike, the Parkway, the Plex and University
Avenue. The Pike ran well below the base of the Plex, and so as I emerged from
the north wall of the building I found myself atop a high embankment. Below me
the semis and the Audis shot past through the layered blue monoxide, and their
noises blended into a waterfall against the unyielding Plex wall. Aside from
a few wretched weeds growing from cracks in the embankment, no life was to be
seen, except for Casimir Radon.

He had just emerged from another emergency exit. We saw each other from a
hundred feet apart, waved and walked toward each other. As we converged,
I regarded a tall and very thin man with an angular face and a dense
five-o'clock shadow. He wore round rimless glasses. His black hair was in
disarray as usual; during the year it was to vary almost randomly between
close-cropped and shoulder-length. I soon observed that Casimir could grow a
shadow before lunch, and a beard in three days. He and I were the same age,
though I was a recent Ph.D. and he a junior.

Later I was to think it remarkable that Casimir and I should emerge from those
fire doors at nearly the same moment, and meet. On reflection I have changed
my mind. The Big U was an unnatural environment, a work of the human mind, not
of God or plate tectonics. If two strangers met in the rarely used stairways,
it was not unreasonable that they should turn out to be similar, and become
friends. I thought of it as an immense vending machine, cautiously crafted so
that any denomination too ancient or foreign or irregular would rattle about
randomly for a while, find its way into the stairway system, and inevitably
be deposited in the reject tray on the barren back side. Meanwhile, brightly
colored graduates with attractively packaged degrees were dispensed out front
every June, swept up by traffic on the Parkway and carried away for leisurely
consumption. Had I understood this earlier I might have come to my senses and
immediately resigned, but on that hot September day, with the exhaust abrading
our lungs and the noise squashing our conversation, it seemed worthwhile to
circle around to the Main Entrance and give it another try.

We headed east to avoid the stadium. On our right the wall stretched and away
for acres in a perfect cinderblock grid. Alter passing dozens of fire doors
we came to the corner and turned into the access lot that stretched along the
east wall. Above, at many altitudes, cars and trucks screeched and blasted
through the tight curves of the interchange. People called it the Death
Vortex, and some claimed that parts of it extended into the fourth dimension.
As soon as it had been planned, the fine old brownstone neighborhood that was
its site plummeted into slumhood; Haitians and Vietnamese filled the place up,
and the feds airproofed the buildings and installed giant electric air filters
before proceeding.

Here on the access lot we could look down a long line of loading docks,
the orifices of the Plex where food and supplies were ingested and trash
discharged, serviced by an endless queue of trucks. The first of these docks,
by the northern corner, was specially designed for the discharge of hazardous
wastes produced in Plex labs and was impressively surrounded by fences, red
lights and threatening signs. The next six loading docks were for garbage
trucks, and the rest, all the way down to the Parkway, for deliveries. We
swung way out from the Plex to avoid all this, and followed the fence at the
border of the lot, gazing into the no-man's-land of lost mufflers and shredded
fanbelts beyond, and sometimes staring up into the Plex itself.

The three-by-three block base had six stories above ground and three below.
Atop it sat eight 25-story towers where lived the 40,000 students of the
university. Each tower had four wings 160 feet long, thrown out at right
angles to make a Swiss cross. These towers sat at the four corners and four
sides of the base. The open space between them was a huge expanse of roof
called Tar City, inhabited by great machines, crushed furniture thrown from
above, rats, roaches, students out on dares, and the decaying corpses of
various things that had ventured out on hot summer days and become mired
in the tar. All we could see were the neutral light brown towers and their
thousands and thousands of identical windows reaching into the heavens. Even
for a city person, it was awesome. Compared to the dignified architecture of
the old brownstones, though, it caused me a nagging sense of embarrassment.

The Vortex whose coils were twined around those brown-stones threw out two
ramps which served as entrance and exit for the Plex parking ramp. These ran
into the side of the building at about third-story level. To us they were
useless, so we continued around toward the south side.

Here was actually some green: a strip of grass between the walk and the
Parkway. On this side the Plex was faced with darker brown brick and had many
picture windows and signs for the businesses of the built-in mall on the first
floor. The Main Entrance itself was merely eight revolving doors in a row, and
having swished through them we were drowned in conditioned air, Muzak, the
smell of Karmel Korn and the idiotic babble of penny-choked indoor fountains.
We passed through this as quickly as possible and rode the long escalators
("This must be what a ski lift is like," said Casimir) to the third floor,
where a rampart of security booths stretched across our path like a thruway
toll station. Several of the glass cages were occupied by ancient guards in
blue uniforms, who waved us wearily through the turnstiles as we waved our ID
cards at them. Casimir stopped on the other side, frowning.

"They shouldn't have let me in," he said.

"Why?" I asked. "Isn't that your ID?"

"Of course it is," said Casimir Radon, "but the photo is so bad they had no
way of telling." He was serious. We surveyed the rounded blue back of the
guard. Most of them had been recruited out of Korea or the Big One. The glass
cages of the Plex had ruined their bodies. Now they had become totally passive
in their outlook; but, by the same token, they had become impossible to faze
or surprise.

We stepped through more glass doors and were in the Main Lobby.

The Plex's environmental control system was designed so that anyone could
spend four years there wearing only a jockstrap and a pair of welding goggles
and yet never feel chilly or find the place too dimly lit. Many spent their
careers there without noticing this. Casimir Radon took less than a day to
notice the pitiless fluorescent light. Acres of light glanced off the Lobby's
polished floor like sun off the Antarctic ice, and a wave of pain now rolled
toward Casimir from near the broad vinyl information desk and washed over him,
draining through a small hole in the center of his skull and pooling coldly
behind his eyes. Great patches of yellow blindness appeared in the center of
his vision and he coasted to a stop, hands on eyes, mouth open. I knew enough
to know it was migraine, so I held his skinny arm and led him, blind, to his
room in D Tower. He lay cautiously down on the naked plastic mattress, put a
sock over his eyes and thanked me. I drew the blinds, sat there helplessly for
a while, then left him to finish his adjustment to the Big U.

Alter that he wore a uniform of sorts: old T-shirt, cutoffs or gym shorts,
hightop tennis shoes ("to keep the rats off my ankles") and round purple
mountain-climbing goggles with leather bellows on the sides to block out
peripheral light. He was planning such a costume as I left his room. More
painfully, he was beginning to question whether he could live in such a place
for even one semester, let alone four. He did not know that the question would
be decided for him, and so he felt the same edgy uncertainty that nagged at
me.

Some people, however, were quite at home in the Flex. At about this time,
below D Tower in the bottom sublevel, not far from the Computing Center,
several of them were crossing paths in a dusty little dead end of a hallway.
To begin with, three young men were standing by the only door in the area,
taking turns peering into the room beyond. The pen lights from their shirt
pockets illuminated a small windowless room containing a desk, a chair and a
computer terminal. The men stared wistfully at the latter, and had piled their
math and computer textbooks on the floor like sandbags, as though they planned
a siege. They had been discussing their tactical alternatives for getting past
the door, and had run the gamut from picking the lock to blowing it open with
automatic-weapon bursts, but so far none had made any positive moves.

"If we could remove that window," said one, a mole-faced individual smelling
of Brut and sweat and glowing in a light blue iridescent synthetic shirt and
hi-gloss dark blue loafers, "we could reach in and unlock it from inside."

"Some guy tried to get into my grandma's house that way one time," recalled
another, a skinny, long-haired, furtive fellow who was having trouble tracking
the conversation, "but she took a sixteen-ounce ball-peen hammer and smashed
his hand with it. He never came back." He delivered the last sentence like
the punchline to a Reader's Digest true anecdote, convulsing his pals with
laughter.

The third, a disturbingly 35-ish looking computer science major with tightly
permed blond hair, eventually calmed down enough to ask, "Hey, Gary, Gary!
Did she use the ball end or the peen end?" Gary was irked and confused, He
had hoped to impress them by specifying the weight of the hammer, but he was
stumped by this piece of one-upsmanship; he didn't know which end was which.
He radiated embarrassment for several seconds before saying, "Oh, gee, I don't
know, I think she probably used both of 'em before she was done with the guy.
But that guy never came back."

Their fun was cut short by a commanding voice. "A sixteen-ounce ball-peen
hammer isn't much good against a firearm. If I were a woman living alone I'd
carry a point thirty-eight revolver, minimum. Double action. Effective enough
for most purposes." The startling newcomer had their surprised attention.
He had stopped quite close to them and was surveying the door, and they
instinctively stepped out of his way. He was tall, thin and pale, with thin
brown Bryicreemed hair and dark red lips. The calculator on his hip was the
finest personal computing machine, and on the other hip, from a loop of
leather, hung a fencing foil, balanced so that its red plastic tip hung an
inch above the floor. It was Fred Fine.

"You're the guy who runs the Wargames Club, aren't you," asked the blond
student.

"I am Games Marshall, if that's the intent of your question. Administrative
and financial authority are distributed among the leadership cadre according
to the Constitution."

"The Wargames Club?" asked Gary, his voice suffused with hope. "What, is there
one?"

"The correct title is the Megaversity Association for Reenactments and
Simulations, or MARS," snapped Fred Fine. Still almost breathless, Gary said,
"Say. Do you guys ever play 'Tactical Nuclear War in Greenland?'"

Fred Fine stared just over Gary's head, screwing up his face tremendously and
humming. "Is that the earlier version of 'Martians in Godthaab,' "he finally
asked, though his tone indicated that he already knew the answer.

Gary was hopelessly taken aback, and looked around a bit before allowing his
gaze to rest on Fred Fine's calculator. "Oh, yeah, I guess. I guess 'Martians
in Godthaab' must be new." "No," said Fred Fine clearly, "it came out six
months ago." To soften the humiliation he chucked Gary on the shoulder. "But
to answer your question. Some of our plebes-- our novice wargamers-- do enjoy
that game. It's interesting in its own way, I suppose, though I've only played
it a dozen times. Of course, it's a Simuconflict product, and their games
have left a lot to be desired since they lost their Pentagon connections, but
there's nothing really wrong with it."

The trio stared at him. How could he know so much? "Uh, do you guys," ventured
the blue one, "ever get into role-playing games? Like Dungeons and Dragons?"

"Those of us high in the experiential hierarchy find conventional D and D
stultifying and repetitive. We prefer to stage live-action role-playing
scenarios. But that's not for just anyone." They looked timidly at Fred Fine's
fencing foil and wondered if he were on his way to a live-action wargame
at this very moment. For an instant, as he stood in the dim recess of the
corridor, light flickering through a shattered panel above and playing on his
head like distant lightning, his feet spread apart, hand on sword pommel, it
seemed to them that they beheld some legendary hero of ancient times, returned
from Valhalla to try his steel against modern foes.

The mood was broken as another man suddenly came around the corner. He brushed
silently past Fred Fine and nearly impaled Gary on a key, but Gary moved just
in time and the new arrival shoved the key home and shot back the deadbolt. He
was tall, with nearly white blond hair, pale blue eyes and a lean but cherubic
face, dressed in cutoffs and a white dress shirt. Shouldering through them, he
entered the little room.

Fred Fine reacted with uncharacteristic warmth. "Well, well, well," he said,
starting in a high whine and dropping in pitch from there. I had Fred Fine
in one of my classes and when in a good mood he really did talk like Colonel
Klink; it took some getting used to. "So they haven't caught up with you and
your master key yet, eh, Virgil? Very interesting."

Virgil Gabrielsen turned smoothly while stepping through the doorway, and
stared transparently through Fred Fine's head. "No," he said, "but I have
plenty of copies anyway. They aren't about to change every lock in the Plex on
my account. The only doors this won't open are in the hazardous waste area,
the Administration Bloc, Doors 1253 through 1778 and 7899 to 8100, which
obviously no one cares about, and Doors 753, 10100 and the high 12,500's, and
I'm obviously not going to go ripping off vending-machine receipts, am I?" At
this the three friends frowned and looked back and forth. Virgil entered the
room and switched on the awesomely powerful battery of overhead fluorescent
lights. Everything was somewhat dusty inside.

"No rat poison on the floor," observed Fred Fine. "Dusty. Still keeping the
B-men out, eh?"

"Yeah," said Virgil, barely aware of them, and began to pull things from his
knapsack. "I told them I was doing werewolf experiments in here."

Fred Fine nodded soberly at this. Meanwhile, the three younger students
had invited themselves in and were gathered around the 'terminal, staring
raptly into its printing mechanism. "It's just an antique Teletype," said the
blue one. He had already said this once, but repeated it now for Fred Fine.
"However, I really like these. Real dependable, and lots of old-fashioned
class despite an inferior character menu." Fred Fine nodded approvingly.
Virgil shouldered through them, sat before the terminal and, without looking
up, announced, "I didn't invite any of you in, so you can all leave NOW.' They
did not quite understand.

"Catch my drift? I dislike audiences."

Fred Fine avoided this by shaking his head, smiling a red smile and chuckling.
The others were unmanned and stood still, waiting to be told that Virgil was
kidding.

"Couldn't we just sit in?" one finally asked. "I've just got to XEQ one
routine. It's debugged and bad data tested. It's fast, it outputs on batch. I
can wait till you're done."

"Forget it," said Virgil airily, scooting back and nudging him away. "I won't
be done for hours. It's all secret Science Shop data. Okay?"

"But turnover for terminals at CC is two hours to the minus one!"

"Try it at four in the morning. You know? Four in the morning is a great time
at American Megaversity. Everything is quiet, there are no lines even at the
laundry, you can do whatever you want without fucking with a mob of freshmen.
Put yourselves on second shift and you'll be fine. Okay?"

They left, sheeshing. Fred Fine stopped in the doorway, still grinning broadly
and shaking his head, as though leaving just for the hell of it.

"You're still the same old guy, Virgil. You still program in raw machine code,
still have that master key. Don't know where science at AM would be without
you. What a wiz."

Virgil stared patiently at the wall. "Fred. I told you I'd fix your MCA and I
will. Don't you believe me?"

"Sure I do. Say! That invitation I made you, to join MARS anytime you want, is
still open. You'll be a Sergeant right away, and we'll probably commission you
after your first night of gaming, from what I know of you."

"Thanks. I won't forget. Goodbye."

"Ciao." Fred Fine bowed his thin frame low and strode off. "What a creep,"
said Virgil, and ferociously snapped the deadbolt as soon as Fred Fine was
almost out of earshot. Removing supplies from the desk drawer, he stuffed a
towel under the door and taped black paper over the window. By the terminal he
set up a small lamp with gel over its mouth, which cast a dim pool of red once
he had shut off the room lights. He activated the terminal, and the computer
asked him for the number of his account, Instead of typing in an account
number, though, Virgil typed: FIAT LUX.

Later, Virgil and I got to know each other. I had problems with the computer
only he could deal with, and after our first contacts he seemed to find me
interesting enough to stay in touch, He began to show me parts of his secret
world, and eventually allowed me to sit in on one of these computer sessions.
Nothing at all made sense until he explained the Worm to me, and the story of
Paul Bennett.

"Paul Bennett was one of these computer geniuses. When he was a sophomore here
he waltzed through most of the secret codes and keys the Computing Center uses
to protect valuable data. Well, he really had the University by the short
hairs then. At any time he could have erased everything in the computer--
financial records, scientific data, expensive software, you name it. He could
have devastated this university just sitting there at his computer terminal--
that's how vulnerable computers are. Eventually the Center found out who
he was, and reprimanded him. Bennett was obviously a genius, and he wasn't
malicious, so the Center then went ahead and hired him to design better
security locks. That happens fairly often-- the best lock-designers are people
who have a talent for picking locks."

"They hired him right out of his sophomore year?" I asked. "Why not? He had
nothing more to learn. The people who were teaching his classes were the same
ones whose security programs he was defeating! What's the point of keeping
someone like that in school? Anyway, Bennett did very well at the Center, but
he was still a kid with some big problems, and no one got along with him.
Finally they fired him.

"When they fire a major Computing Center employee, they have to be sneaky. If
they give him two weeks' notice he might play havoc with the computer during
those two weeks, out of spite. So when they fire these people, it happens
overnight. They show up at work and all the locks have been changed, and they
have to empty out their desks while the senior staff watch them. That's what
they did to Paul Bennett, because they knew he was just screwed up enough to
frag the System for revenge."

"So much for his career, then."

"No. He was immediately hired by a firm in Massachusetts for four times his
old salary. And CC was happy, because they'd gotten good work out of him and
thought they were safe from reprisals. About a week later, though, the Worm
showed up."

"And that is-- ?"

"Paul Bennett's sabotage program. He put it into the computer before he was
fired, you see, and activated it, but every morning when he came to work he
entered a secret command that would put it on hold for another twenty-four
hours. As soon as he stopped giving the command, the Worm came out of hiding
and began to play hell with things."

"But what good did it do him? It didn't prevent his being fired," "Who
the hell knows? I think he put it in to blackmail the CC staff and hold
on to his job. That must have been his original plan. But when you make a
really beautiful, brilliant program, the temptation to see it work is just
overwhelming. He must have been dying to see the Worm in action. So when he
was fired, he decided, what the hell, they deserve it, I'll unleash the Worm.
That was in the middle of last year. At first it did minor things such as
erasing student programs, shutting the System down at odd times, et cetera.
Then it began to worm its way deeper and deeper into the Operator-- the master
program that controls the entire System-- and wreak vandalism on a larger
scale. The Computing Center personnel fought it for a while, but they were
successful for only so long. The Operator is a huge program and you have to
know it all at once in order to understand what the Worm is doing to it."

"Aha," I said, beginning to understand, "they needed someone with a
photographic memory. They needed another prodigy, didn't they? So they got
you? Is that it?"

At this Virgil shrugged. "It's true that I am the sort of person they needed,"
he said quietly. "But don't assume that they 'got' me." "Really? You're a free
lance?"

"I help them and they help me. It is a free exchange of services. You needn't
know the details."

I was willing to accept that restriction. Virgil had told me enough so
that what he was doing made sense to me. Still, it was very abstract work,
consisting mostly of reading long strings of numbers off the terminal and
typing new ones in. On the night I sat in, the Worm had eaten all of the
alumni records for people living in states beginning with "M." ("M!," said
Virgil, "the worst letter it could have picked.") Virgil was puttering around
in various files to see if the information had been stored elsewhere. He found
about half of Montana hidden between lines of an illegal video game program,
retrieved the data, erased the illegal program and caused the salvaged
information to be printed out on a string of payroll check forms in a machine
in the administrative bloc.

On this night, the first of the new school year, Virgil was not nobly saving
erased data from the clutches of the Worm. He was actually arranging his
living situation for the coming year. He had about five choice rooms around
the Plex, which he filled with imaginary students in order to keep them
vacant-- an easy matter on the computer. To support his marijuana and ale
habits he extracted a high salary from various sources, sending himself
paychecks when necessary. For this he felt neither reluctance nor guilt,
because Fred Fine was right: without Virgil, whose official job was to work
in the Science Shop, scientific research at the Big U would simply stop.
To support himseIf he took money from research accounts in proportion to
the extent they depended on him. This was only fair. An indispensable place
like the Science Shop needed a strong leader, someone bold enough to levy
appropriate taxes against its users and spend the revenues toward the ends
those users desired. Virgil had figured out how to do it, and made himself a
niche at the Big U more comfortable than anyone else's.

Sarah lived in a double room just five floors above me and Ephraim Klein
and John Wesley Fenrick, on E12S-- E Tower, twelfth floor, south wing. The
previous year she had luxuriated in a single, and resolved never to share her
private space again; this double made her very angry. In the end, though, she
lucked out. Her would-be roommate had only taken the space as a front, to fake
out her pay-rents, and was actually living in A Tower with her boyfriend. Thus
Sarah did not have to live four feet away from some bopper who would suffer an
emotional crisis every week and explore the standard uses of sex and drugs and
rock-and-roll in noisy experimental binges on the other side of the room.

Sarah's problem now was to redecorate what looked like the inside of a water
closet. The cinderblock walls were painted chocolate brown and absorbed most
light, shedding only the garish parts of the spectrum. The shattered tile
floor was gray and felt sticky no matter how hard she scrubbed. On each side
of the perfectly symmetrical room, long fluorescent light fixtures were bolted
to the walls over the beds, making a harsh light nearby but elsewhere only
a dull greenish glow. After some hasty and low-budget efforts at making it
decent, Sarah threw herself into other activities and resigned herself to
another year of ugliness.

On Wednesday of the term's second week there was a wing meeting. American
Megaversity's recruitment propaganda tried to make it look as though the
wings did everything as a jolly group, but this had not been true on any of
Sarah's previous wings. This place was different When she had dragged her
duffel bags through the stairwell door on that first afternoon, a trio of
well-groomed junior matrons had risen from a lace-covered card table in the
lobby, helped her with the luggage, pinned a pink carnation on her sweaty
T-shirt and welcomed her to "our wing." Under her pillow she had found a
"starter kit" comprising a small teddy bear named Bobo, a white candle, a
GOLLYWHATAFACE-brand PERSONAL COLOUR SAMPLER PACQUET, a sack of lemon drops, a
red garter, six stick-on nametags with SARA written on them, a questionnaire
and a small calligraphied Xeroxed note inviting her to the wing meeting. All
had been wrapped in flowery pastel wrapping paper and cutely beribboned.

Most of it she had snarlingly punted into the nether parts of her closet. The
wing meeting, however, was quasi-political, and hence she ought to show up.
A quarter of an hour early, she pulled on a peasant blouse over presentable
jeans and walked barefoot down the hall to the study lounge by the elevator
lobby.

She was almost the last to arrive. She was also the only one not in a
bathrobe, which was so queer that she almost feared she was having one of
those LSD flashbacks people always warn you about. Her donut tasted like a
donut, though, and all seemed normal otherwise, so it was reality-- albeit a
strange and distant branch thereof.

Obviously they had not all been bathing, because their hair was dry and their
makeup fresh. There were terry robes, silk robes, Winnie-the-Pooh robes, long
plush robes, plain velvety robes, designer robes, kimonos and even a few
night-shirts on the cute and skinny. Also, many slippers, too many of them
high-heeled. Once she was sure her brain was okay, she edged up to a nearby
wingmate and mumbled, "Did I miss something? Everyone's in bathrobes!"

"Shit, don't ask me!" hissed the woman firmly. "I just took a shower, nwself."

Looking down, Sarah saw that the woman was indeed clean of face and wet of
hair. She was shorter than average and compact but not overweight, with
pleasant strong features and black-brown hair that fell to her shoulders. Her
bathrobe was short, old and plain, with a clothesline for a sash.

"Oh, sorry," said Sarah. "So you did. Uh, I'm Sarah, and my bathrobe is blue."

"I know. President of the Student Government."

Sarah shrugged and tried not to look stuck-up.

"What's the story, you've never lived on one of these floors?" The other woman
seemed surprised.

"What do you mean, 'one of these floors?'"

She sighed. "Ah, look. I'm Hyacinth. I'll explain all this later. You want to
sit down? It'll be a long meeting." Hyacinth grasped Sarah's belt loop and led
her politely to the back row of chairs, where they sat a row behind the next
people up. Hyacinth turned sideways in her chair and examined Sarah minutely.

The Study Lounge was not a pretty place. Designed to be as cheery as a breath
mint commercial, it had aged into something not quite so nice. Windows ran
along one wall and looked out into the elevator lobby, where the four wings of
E12S came together. It was furnished with the standard public-area furniture
of the Plex: cubical chairs and cracker-box sofas made of rectangular beams
and slabs of foam covered in brilliant scratchy polyester. The carpet was a
membrane of compressed fibers, covered with the tats and cigarette-burns and
barfstains of years. Overhead, the ubiquitous banks of fluorescent lights
cheerfully beamed thousands of watts of pure bluish energy down onto the
inhabitants. Someone was always decorating the lounge, and this week the theme
was football; the decorations were cardboard cutouts of well-known cartoon
characters cavorting with footballs.

The only other nonrobed person in the place was the RA, Mitzi, who sat bolt
upright at the lace-covered card table in front, left hand still as a dead
bird In her lap, right hand three inches to the side of her jaw and bent back
parallel to the tabletop, fingers curled upward holding a ballpoint pen at a
jaunty but not vulgar forty-five-degree angle. She bore a fixed, almost manic
smile which as far as Sarah could tell had nothing to do with anything-- charm
school, perhaps, or strychnine poisoning. Mitzi wore an overly formal dress
and a kilogram of jewelry, and when she spoke, though not even her jawbone
moved, one mighty earring began to swing violently.

Among other things, Mitzi welcomed new "members." There were three: another
woman, Hyacinth and Sarah, introduced in that order. The first woman explained
that she was Sandi and she was into like education and stuff. Then came
Hyacinth; she was into apathy. She announced this loudly and they all laughed
and complimented Hyacinth on her sense of humor.

Sarah was introduced last, being famous. "What are you into, Sarah Jane?"
asked Mitzi. Sarah surveyed the glistening, fiercely smiling faces turned
round to aim at her.

"I'm into reality," she said. This brought delighted laughter, especially from
Hyacinth, who screamed like a sow.

The meeting then got underway. Hyacinth leaned back, crossed her arms and
tilted her head back until she was staring openmouthed at the ceiling. As the
meeting went on she combed her hair, bit her nails, played with loose threads
from her robe, cleaned her toes and so on. The thing was, Sarah found all
of this more interesting than the meeting itself. Sarah looked interested
until her face got tired. She had spoken in front of groups enough to know
that Mitzi could see them all clearly, and that to be obviously bored would
be rude. Sometimes politeness had to give way to sanity, though, and before
she knew it she found herself trying to swing the tassels at the ends of her
sleeves in opposite directions at the same time. Hyacinth watched this closely
and patted her on the back when she succeeded.

Mainly what they were doing was filling a huge social calendar with parties
and similar events. Sarah wanted to announce that she liked to do things by
herself or with a few friends, but she saw no diplomatic way of saying so. She
did resurface for the discussion of the theme for the Last Night party, the
social climax of the semester: Fantasy Island Nite.

"Wonder how they're going to tell it apart from all the other nights,"
grumbled Hyacinth. Nearby wingmates turned and smiled, failing to understand
but assuming that whatever Hyacinth said must be funny.

Another phase of the social master plan was to form an official sister/brother
relationship with the wing upstairs, known as the Wild and Crazy Guys. This in
turn led to the wing naming idea. After all, if E13S had a name for itself,
shouldn't E12S have one too? Mari Meegan, darling of the wing, made this
point, and "Yeah!"s zephyred up all around.

Sarah was feeling pretty sour by this point but said nothing. If they wanted a
name, fine. Then the ideas started coming out: Love Boat, for example.

"We could paint our lobby with a picture of the Love Boat like it looks at the
start of the show, and we could, you know, do everything, like parties and
stuff, with like that kind of a theme. Then on Fantasy Island Nite, we could
pretend the Boat was visiting Fantasy Island!"

This idea went over well and the meeting broke up into small discussions
about how to apply this theme to different phases of existence. Finally,
though, Sarah spoke up, and they all smiled and listened. "I'm not sure I like
that idea. There are plenty of creeps on the floor already, because we're
all-female. If we name it Love Boat, everyone will think it's some kind of
outcall massage service, and we'll never get a break."

Several seconds of silence. A few nods were seen, some "yeah"s heard, and Love
Boat was dead. More names were suggested, most of them obviously dumb, and
then Mari Meegan raised her hand. All quieted as her fingernails fluttered
like a burst of redhot flak above the crowd. "I know," she said.

There was silence save for the sound of Hyacinth's comb rushing through her
hair. Man continued. "We can call ourselves 'Castle in the Air.' "

The lounge gusted with oohs and aahs.

"I like that."

"You're so creative, Mari."

"We could do a whole Dark Ages theme, you know, castles and knights and
shining armor."

"That's nice! Really nice!"

"Wait a sec." This came from Hyacinth.

At this some of the women were clearly exasperated, looking at the ceiling,
but most wore expressions of forced tolerance. Hyacinth continued flatly.
"Castle in the Air is derogatory. That mean's it's not-nice. When you talk
about a castle in the air, you mean something with no basis in reality. It's
like saying someone has her head in the clouds."

They all continued to stare morosely, as though she hadn't finished. Sarah
broke in. "You can call it anything you want. She is just making the point
that you're using an unflattering name." Man was comforted by two friends. The
rest of them defended the name, nicely. "I never heard that."

"I think it sounds nice."

"Like a Barry Manilow song."

"Like one of those little Chinese poems."

"I always thought if your head was in the clouds, that was nice, like you were
really happy or something. Besides, castles are a neat theme for parties and
stuff-- can't you see Mark dressed up like a knight?" Giggles.

"And this way we can call ourselves the Airheads!" Screams of delight.
Hyacinth's objection having been thus obliterated, Castle In the Air was voted
In unanimously, with two abstentions, and it was decided that paints and
brushes would be bought and the wing would be painted in this theme during the
weeks to come. Presently the meeting adjourned.

"We've got forty minutes until the Candle Passing," observed Mitzi, "and until
then we can have a social hour. But not a whole hour"

The meeting dissolved into chattering fragments. Sarah leaned towards Hyacinth
to whisper in her ear, and Hyacinth tensed. They had been whispering to each
other in turns for the last half hour, and as both had ticklish ears this had
caused much hysterical lip-biting and snorting. Sarah did not really have to
whisper now, but it was her turn. "What candle passing?" she asked.

Hyacinth's attempt to whisper back was met by violent resistance from Sarah,
so they laughed and made a truce. "It's kind of complicated. It means
something personal happened between someone and her boyfriend, so everyone
else has to know about it. Listen. We've got to escape, okay?"

"Okay."

"Go to Room 103 when the alarm sounds."

"Alarm?" But Hyacinth was already gliding out.

Sarah was quickly trapped in a conversation group including Mitzi and Mari.
She accepted a cup of Kool-Aid/vodka punch and smiled when she could. Everyone
was being nice to her in case she felt like an idiot for having said those
things during the meeting. Mari asked if her boyfriend helped out with the
hard parts of being President and Sarah had to say that just now she didn't
have a boyfriend.

"Ahaa!" said everyone. "Don't worry, Sarah, we'll see what we can come up
with. No prob, now you're an Airhead."

Sarah was groping for an answer when the local smoke alarm howled and the
Airheads moaned in disappointment. As they all trooped off to their rooms
to make themselves a little more presentable, Sarah headed for Room 103,
following a heavy trail of marijuana smoke with her nose. As this was only the
smoke alarm, only the twelfth floor would be evacuated.

Hyacinth pulled Sarah into the room and carefully fitted a wet reefer to her
lips. It was dark, and a young black woman was slumped over a desk asleep,
stereo on loud. Hyacinth Went to the vent window and released an amazing
primal scream toward F Tower. Alter some prompting from her hostess, Sarah
gave back the joint and followed suit. Hyacinth's Sleeping roommate, Lucy, sat
up, sighed, then went over and lay down on her bed. Sarah and Hyacinth sat on
Hyacinth's bed and drank milk from an illegal mini-fridge in the closet.

They silently finished the joint, shaking their heads at each other and
laughing in disbelief.

"Ever done LSD?" asked Sarah.

"No. Why? Got some?"

"Oh. jeez, I wasn't suggesting it. I was going to say, for a minute there I
thought I was back on it. That's how unreal those people are to me."

"You think they're strange?" said Hyacinth. "I think they're very normal."

"That's what I'm afraid of. Your room is pretty nice; I feel very much at
home here." It was a nice room, one of the few Plex rooms I ever saw that was
pleasant to be in. It was full of illegal cooking appliances and stashes of
food, and the walls had been illegally painted white. Wall hangings and plants
were everywhere.

"Well, we were in the Army-- Lucy and me," said Hyacinth, carefully fitting a
roach clip. "That's almost like LSD." By now their wing had been evacuated,
and a couple of security guards were plodding up and down the hallways
pretending to inspect for sources of smoke. Sarah and Hyacinth leaned together
and spoke quietly.

"You're not real presidential," said Hyacinth. "People like you aren't
supposed to take LSD."

"I don't take it anymore. See, back when I was about fourteen, my older sister
was really into it, and I did it a few times." "Why'd you stop?"

Sarah squinted into the milk carton and said nothing. Outside, the guards
cursed to each other about students in general. Sarah finally said, "I kept an
eye on my sister, and when she got cut loose completely-- lost track of what
was real and stopped caring-- I saw it wasn't a healthy thing."

"So now you're President. I don't get it."

"The important thing is to get your life anchored in something. I think
you have to make contact with the world in some way, and one way is to get
involved."

"Student government?"

"Well, it beats MTV."

A guard beat on their door, attracted by the stereo-noise. "Screw off," said
Hyacinth in a loud stage whisper, flipping the bird toward the door. Sarah
put her face in her hands and bent double with suppressed laughter. When she
recovered, the guard had left and Hyacinth was smiling brightly.

"Jeezus!" said Sarah, "you're pretty blatant, aren't you?" "If it's the quiet,
polite type you want, go see the Air-heads." "You've lived with people like
this before. Why don't they kick you off the wing?"

"Tokenism. They have to have tokens. Lucy is their token black, I'm their
token individual. They love having a loudmouth around to disagree with them--
makes them feel diverse."

"You don't think diplomacy would be more effective?" I'm not a diplomat. I'm
me. Who are you?"

Instead of answering this difficult question, Sarah leaned back comfortably
against the wall and closed her eyes. They listened to music for a long time
as the Airheads breezed back onto the wing. "I'd feel relaxed," said Sarah,
"except I'm actually kind of guilty about missing the Candle Passing."

"That's ridiculous."

"You're right. You can say that and be totally sure of yourself, can't you? I
admire you, Hyacinth."

"I like you, Sarah," said Hyacinth, and that summed it up.

In the Physics Library, Casimir Radon read about quantum mechanics. The
digital watch on the wrist of the sleeping post-doc across the table read
8:00. That meant it was time to go upstairs and visit Professor Emeritus
Walter Abraham Sharon, who worked odd hours. Casimir was not leaving just
yet, though. He had found that Sharon was not the swiftest man in the world,
and though the professor was by no means annoyed when Casimir showed up on
time, Casimir preferred to come ten minutes late. Anyway, in the informal
atmosphere of the Physics Department, appointments were viewed with a certain
Heisenbergian skepticism, as though being in the right place at the right time
would involve breaking a natural law and was therefore impossible to begin
with. Outside the picture windows of the library, the ghettos of the City were
filled with smoky light, and occasionally a meteor streaked past and crashed
in flames in the access lot below. They were not actual meteors, but merely
various objects soaked in lighter fluid, ignited and thrown from a floor in E
Tower above, trailing fire and debris as they zoomed earthward.

Casimir found this perversely comforting. It was just the sort of insanity
he hadn't been able to get away from during his first week at American
Megaversity. Soon the miserable Casimir had taken me up on my offer to stop by
at any time, showing up at my door just before midnight, wanting to cry but
not about to. I took coffee, he took vodka, and soon we understood each other
a little better. As he explained it, no one here had the least consideration
for others, or the least ability to think for themselves, and this combination
was hard to take after having been an adult. Nor had academics given him any
solace; owing to the medieval tempo of the bureaucracy, he was still mired in
kindergarten-level physics. Of course he could speed these courses up just by
being there. Whenever a professor asked a question, rhetorical or not, Casimir
shouted the answer immediately. This earned him the hatred and awe of his
classmates, but it was his only source of satisfaction. As he waited for his
situation to become sensible, he sat in on the classes he really wanted to
take, in effect taking a double load.

"Because I'm sure Sharon is going to bring me justice," Casimir had declared,
raising his voice above a grumble for the first time. "This guy makes sense!
He's like you, and I can't understand how he ended up in this place. I never
thought I'd be surprised by someone just because he is a sensible and a good
guy, but in this place it's a miracle. He c. out me, asks questions about my
life-- it's as though discovering what's best for me is a research project
we're working on as a team. I can't believe a great man like him would care."
Long, somber pause. "But I don't think even he can make up for what's wrong
with this place. How about you, Bud? You're normal. What are you doing here?"
Lacking an answer, I changed the subject to basketball.

A trio of meteors streaked across the picture windows and it was 8:10. Casimir
returned his book and exited into the dark shiny hail. He was now at the upper
limit of the Burrows, the bloc of the Plex that housed the natural sciences.
Two floors above him, on the sixth and top floor of the base, was Emeritus
Row, the plush offices of the academic superstars. He made his way there
leisurely, knowing he was welcome.

Emeritus Row was dark and silent, illuminated only by the streak of warm
yellow splashed away from Sharon's door. Casimir removed his glacier glasses.
"Come in," came the melodious answer to his knock, and Casimir Radon entered
his favorite room in the world.

Sharon looked at him with raised eyebrows. "Veil! You haff made a decision?"

"I think so."

"Let's have it! Leaving or staying? For the sake of physics I hope the
latter."

Casimir abruptly realized he had not really made up his mind. He shoved his
hands into his pockets and breathed deeply, a little surprised by all this.
He could not keep a smile from his face, though, and could not ignore the
hominess of Sharon's chaotic office. He announced that he was going to stay.

"Good, good," Sharon said absently. "Clear a place to sit." He gestured at a
chair and Casimir set about removing thirty Pounds of high-energy physics from
it. Sharon said, "So you've decided to cross the Rubicon, eh?"

Casimir sat down, thought about it, and said with a half grin, "Or the Styx,
whichever the case may be."

Sharon nodded, and as he did a resounding thump issued from above. Casimir
jumped, but Sharon did not react.

"What was that?" Casimir asked. "Sounded big."

"Ach," said Sharon. "Throwing furniture again, I should guess. You know, don't
you, that many of our students are very interested in the physics of falling
bodies?" He delivered this, like all his bad jokes, slowly and solemnly, as
though working out long calculations in his head. Casimir chuckled. Sharon
winked and lit his pipe. "I am given to understand, from grapevine talk, that
you are smarter than all of our professors except for me." He winked again
through thick smoke.

"Oh. Well, I doubt it."

"Ach, I don't. No correlation between age and intelligence! You're just afraid
to use your smarts! That's right. You'd rather suffer-- it is your Polish
blood. Anyway, you have much practical experience. Our professors have only
book experience." "Well, it's the book experience I want. It's handy to know
electronics, but what I really like is pure principles. I can make more money
designing circuits, if that's what I want."

"Exactly! You prefer to be a poor physicist. Well, I cannot argue with you
wanting to know pure things. Alter all, you are not naďve, your life has been
no more sheltered than mine."

Embarrassed, Casimir laughed. "I don't know about that. I haven't lived
through any world wars yet. You've lived through two. I may have escaped
from a slum, but you escaped from Peenemunde with a suitcase full of rocket
diagrams."

Sharon's eyes crinkled at the corners. "Yet. A very important word, nicht
wahr? You are not very old, yet."

"What do you mean? Do you expect a war?"

Sharon laughed deeply and slowly. "I have toured your residential towers with
certain students of mine, and I was reminded of certain, er, locations during
the occupation of the Sudetenland. I think from what I see"-- the ceiling
thumped again, and he gestured upward with his pipestem -- "and hear, that
perhaps you are in a war now."

Casimir laughed, but then sucked in his breath and sat back as Sharon glowered
at him morosely. The old professor was very complicated, and Casimir always
seemed to be taking missteps with him.

"War and violence are not very funny," said Sharon, "unless they happen to
you-- then they are funny because they haff to be. There is more violence up
there than you realize! Even speech today has become a form of violence-- even
in the university. So pay attention to that, and don't worry about a war in
Europe. Worry about it here, this is your home now."

"Yes, sir." Alter pausing respectfully, Casimir withdrew a clipboard from his
pack and put It on Sharon's desk. "Or it will be my home as soon as you sign
these forms. Mrs. Santucci will tear my arms off if I don't bring them in
tomorrow."

Sharon sat still until Casimir began to feel uncomfortable. "Ja," he finally
said, "I guess you need to worry about forms too. Forms and forms and forms.
Doesn't matter to me."

"Oh. It doesn't? You aren't retiring, are you?"

"Ja, I guess so."

Silently, Sharon separated the forms and laid them out on the Periodic Table
of the Elements that covered his desk. He examined them with care for a
few minutes, then selected a pen from a stein on his desk, which had been
autographed by Enrico Fermi and Niels Bohr, and signed them.

"There, you're in the good courses now," he concluded. "Good to see you are so
well Socioeconomically Integrated." The old man sat back in his chair, clasped
his fingers over his flat chest, and closed his eyes.

A thunderous crash and Casimir was on the floor, dust in his throat and pea
gravel on his back. Rubble thudded down from above and Casimir heard a loud
inharmonious piano chord, which held steady for a moment and moaned downward
in pitch until it was obliterated by an explosive splintering crack. More
rubble flew around the room and he was pelted with small blocks. Looking down
as he rubbed dust from his eyes he saw scores of strewn black and white piano
keys.

Sharon was slumped over on his desk, and a trickle of blood ran from his head
and onto the back of his hand and puddled on the class change form beside his
pipe. Gravel, rainwater and litter continued to slide down through the hole in
the ceiling. Casimir alternately screamed and gulped as he staggered to his
feet. lie waded through shattered ceiling panels and twisted books to Sharon's
side and saw with horror that the old man's side had been pierced by a shard
of piano frame shot out like an arrow in the explosion. With exquisite care
he helped him lean back, cleared the desk of books and junk, then picked up
his thin body and set him atop the desk. He propped up Sharon's head with the
1938 issues of the Physical Review and tried to ease his breathing. The head
wound was superficial and already clotting, but the side wound was ghastly
and Casimir did not even know whether to remove the splinter. Blood built up
at the corners of Sharon's mouth as he gasped and wheezed. Brushing tears and
dirt from his own face, Casimir looked for the phone.

He started away as a small bat fluttered past.

"Troglodyte! No manners! This is what you're supposed to see!" Casimir whirled
to see Bert Nix plunging from the open door toward Sharon's desk. Casimir
tried to head him off, fearing some kind of attack, but Bert Nix stopped short
and pointed triumphantly to Sharon. Casimir turned to look. Sharon was gazing
at him dully through half-shut eyes, and weakly pounding his finger into a
spot on the tabletop. Casimir leaned over and looked. Sharon was pointing at
the Table of the Elements, indicating the box for Oxygen.

"Oxygen! Oh two! Get it?" shouted Bert Nix.

Bill Benson, Security Guard 5, was arguing with a friend whether it was
possible that F.D.R. committed suicide when the emergency line rang. He let
it ring four times. Since ninety-nine calls out of a hundred were pranks, by
letting each one ring four times he was delaying the true emergency calls by
an average of only four one-hundredths of a ring apiece-- nothing compared
with the time it took to respond. Anyway, fed up with kids getting stoned
at parties and falling on the way out to barf and spraining their wrists,
then (through some miracle of temporary clearheadedness) calling Emergency
and trying to articulate their problems through a hallucinogenic miasma
while monster stereos in the background threatened to uncurl his phone cord.
Eventually, though, he did pick up the phone, holding the earpiece several
inches from his head in case it was another of those goddamn Stalinist
whistle-blasters.

"Listen," came the voice, sounding distant, "I've got to have some oxygen. Do
you have some there? It's an emergency!" Oh, shit, Did he have to get this
call every night? He listened for a few more seconds. "It's an oxygen freak,"
he said to his friend, covering the mouthpiece with his hand.

"Oxygen freak? What do they do with oxygen?"

Benson swung his feet down from the counter, put the receiver in his lap,
and explained. "See, nitrous oxide, or laughing gas, is the big thing. They
breathe it through masks, like for surgery. But if you breathe it pure you'll
kick in no time, because you got to have oxygen. And they are so crazy about
laughing gas they don't want to take off that mask even to breathe, so they
like to get some oxygen to mix with it so that they can sit there all goddamn
night long and breathe nothing else and get blasted out of their little minds.
So we always get these calls."

He picked up the receiver again, took a puff on his cigar, exhaled slowly.
"Hello?" he said, hoping the poor gas-crazed sap had hung up.

"Yeah? When will it be here?"

"Cripes!" Bill Benson shouted, "look, guy, hang it up. We don't have any and
you aren't allowed to have it."

"Well, shit then, come up here and help me. Call an ambulance! For God's sake,
a man's dying here."

Some of these kids were such cretins, how did they make it into college?
Money, probably. "Listen, use your head, kid," he said, not unkindly. "We're
the Emergency Services desk. We can't leave our posts. What would happen if
there was an emergency while we were gone?"

This was answered by silence; but in the background, Benson could just make
out another voice, which sounded familiar: "You should have listened to what
he was trying to tell you! He wasn't farting around! We had to sack the
Cartography Department to afford him. And you don't listen!"

"Shut up!" shouted the gas freak.

"Hey, is that Bert? Is that Bert Nix on the phone?" asked Bill Benson. "Where
are you, kid?"

"Emeritus Row!' shouted the kid, and dropped the phone. Bill Benson continued
to listen after the BONKITY-BONK of the phone's impact, trying to make sure
it was really good old Bert Nix. I think he heard this poem; on the news, he
claimed he heard a poem, and it could well have been this, which Bert Nix
quoted regularly and liked to write on the walls:

                  Tenuring and tenuring in the ivory tower!
                   The flagon cannot fill the flagoneers.
                Krupp cuts a fart! The sphinxter cannot hold
                    Dear academe, our Lusitanta, recoils.
               The time-limned dons are noosed. With airy webs
                   The cerebrally infarcted bring me down.
                The East affects conscription, while the curst
                   Are gulled with Fashionate Propensities.

                   Shrilly, sum reevaluation is demanded.
                 Earlier-reckoned commencement is programmed!
               What fecund mumming! Outly ward those words hard
                 When a glassed grimace on an animal Monday
          Rumbles at night; unaware that the plans aren't deserved
               Escapists' lie-panoply aims to head off the Fan.
                     A sign frank and witless as the Sun
                Is mute in the skies, yet from it are shouted
                  Real shadows of endogenous deserted words.
                  The concrete drops down in; but know I now
                    That thirty-storied stone steel keeps
                When next the might of Air are rooks unstable.
                What buff be; its towers coming down deglassed
                       Slumps amid Bedlam in the morn?

"Holy shit!" cried Bill Benson. "Bert? Is that you? Hell, maybe something's
up. Sam, punch me onto line six there and Ill see if I can raise the folks
down at nine-one-one."

Casimir was careening through the halls, cursing himself for having had to
leave Sharon alone with a derelict, adrenaline blasting through him as he
imagined coming back to find the old man dead. He didn't know how he was going
to open the door when he got where he was going, but at the moment it did not
matter because no slab of wood and plastic, it seemed, could stand in his way.
He veered around a corner, smashing into a tail young man who had been coming
the other way. They both sprawled dazed on the floor, but Casimir rolled and
sprang to his feet and resumed running. The man he had collided with caught up
with him, and he realized that it was Virgil Gabrielsen, King of the Burrows.

"Virgil! Did you hear that?"

"Yeah, I was coming to check it out. What's up?"

"Piano fell into Sharon's office... pierced lung... oxygen." "Right," said
Virgil, and skidded to a stop, fishing a key from his pocket. He master-keyed
his way into a lab and they sent a grad student sprawling against a workbench
as they made for the gas canisters. Casimir grabbed a bottle-cart and they
feverishly strapped the big cylinder onto it, then wheeled it heavily out the
door and back toward Sharon.

"Shit," said Virgil, "no freight elevator. No way to get it upstairs." They
were at the base of the stairs, two floors below Sharon. The oxygen was
about five feet tall and one foot in diameter, and crammed with hundreds of
pounds of extremely high-pressure gas. Virgil was still thinking about it
when Casimir, a bony and unhealthy looking man, bear-hugged the canister,
straightened up, and hoisted it to his shoulder as he would a roll of carpet.
He took the stairs two at a time, Virgil bounding along behind.

Shortly, Casimir had slammed the cylinder down on the floor near Sharon. Bert
Nix was holding Sharon's hand, mumbling and occasionally making the sign of
the cross. As Virgil closed the door, Casimir held the top valve at arm's
length, buried one ear in his shoulder, and opened it up. Virgil just had time
to plug his ears.

The room was inundated in a devastating hiss, like the shriek of an injured
dragon. Casimir's hands were knocked aside by the fabulously high pressure of
the escaping oxygen. Papers blizzarded and piano keys skittered across the
floor. Ignoring it, Bert Nix stuffed Kleenex into Sharon's ears, then into
his own. In a minute Sharon began to breathe easier. At the same time his
pipe-ashes burst into a small bonfire, ignited by the high oxygen levels.
Casimir was making ready to stomp it out when Virgil pushed him gently aside;
he had been wise enough to yank a fire extinguisher from the wall on their way
up. Once the fire was smothered, Virgil commenced what first aid was possible
on Sharon. Casimir returned to the Burrows and, finding an elevator, brought
up more oxygen and a regulator. Using a garbage bag they were able to rig a
crude oxygen tent.

The ambulance crew arrived in an hour. The technicians loaded Sharon up and
wheeled him away, Bert Nix advising them on Sharon's favorite foods.

I passed this procession on my way there-- Casimir had called to give me
the news. When I arrived in the doorway of Sharon's office, I beheld an
unforgettable scene: Virgil and Casimir knee-deep in wreckage; a desk littered
with the torn-open wrappers of medical supplies; Virgil holding up a sheaf of
charred, bloodstained, fire-extinguisher-caked forms; and Casimir laughing
loudly beneath the opened sky.

                                  --October--                                 

At the front of the auditorium, Professor Embers spoke. He never lectured;
he spoke. In the middle of the auditorium his audience of five hundred sat
back in their seats, staring up openmouthed into the image of the Professor
on the nearest color TV monitor. In the back of the auditorium, Sarah sat in
twilight, trying to balance the Student Government budget.

"So grammar is just the mode in which we image concepts," the professor was
saying. "Grammar is like the walls and bumpers of a pinball machine. Rhetoric
is like the flippers of a pinball machine. You control the flippers. The rest
of the machine-- grammar-- controls everything else. If you use the flippers
well, you make points. If you fail to image your concepts viably, your ball
drops into the black hole of nothingness. If you try to cheat, the machine
tilts and you lose-- that's like people not understanding your interactions.
That's why we have to learn Grammar here in Freshman. That, and because S. S.
Krupp says we have to."

There was a pause of several seconds, and then a hundred or so people laughed.
Sarah did not. Unlike the freshmen in the class, who thought Professor Embers
was a cool guy, Sarah thought he was a bore and a turkey. He continued to
speak, and she continued to balance.

This was the budget for this semester, and it was supposed to have been done
last semester. But last semester the records had been gulped by a mysterious
computer error, and now Sarah had to reconstruct them so that the government
could resume debate. She had some help from me in this, though I don't know
how much good it did. We had met early in the year, at a reception for
faculty-in-residence, arid later had a lunch or two together and talked about
American Megaversity. If nothing else, my suite was a quiet and pleasant
enough place where she could spread her papers out and work uninterrupted when
she needed to.

She could also work uninterrupted in her Freshman English class, because she
was a senior English major with a 3.7 average and didn't need to pay much
attention.

Her first inkling that something was wrong had been in midsummer, when the
megaversity's computer scheduling system had scheduled her for Freshman
English automatically, warning that she had failed to meet this requirement
during her first year. "Look," she had said to the relevant official when she
arrived in the fall, "I'm an English major. I know this stuff. Why are you
putting me in Freshman English?"

The General Curriculum Advisor consulted little codes printed by the computer,
and looked them up in a huge computer-printed book. "Ah," he said, "was one of
your parents a foreign national?" "My stepmother is from Wales."

"That explains it. You see." The official had swung around toward her
and assumed a frank, open body-language posture. "Statistical analysis
shows that children of one or more foreign nationals are often gifted with
Special Challenges." Sarah's spine arched back and she set her jaw. "You're
saying I can't speak English because my stepmother was Welsh?" "Special
Challenges are likely in your case. You were mistakenly exempted from Freshmen
English because of your high test scores. This exemption option has now been
retroactively waived for your convenience."

"I don't want it waived. It's not convenient."

"To ensure maintenance of high academic standards, the waiver is avolitional."

"Well, that's bullshit." This was not a very effective thing to say. Sarah
wished that Hyacinth could come talk for her; Hyacinth would not be polite,
Hyacinth would say completely outrageous things and they would scatter
in terror. "There's no way I can accept that." Drawn to the noise like
scavengers, two young clean-cut advisors looked in the door with open and
understanding smiles. Everyone smiled except for Sarah. But she knew she was
right this time-- she knew damn well what language was spoken in Wales these
days. They could smile stupidly until blue in the face. When the advisor
hinted that she was asking for special treatment because she was President,
she gave him a look that snapped his composure for a second, a small but
helpful triumph.

She had done it by the books, filing a petition requesting to be discharged
from Freshman English. But her petition was rejected because of a computer
error which made it appear that she had gotten 260 instead of 660 on her SATs.
By the time an extra score report from the testing company proved that she was
smart after all, it was too late to drop or add classes-- so, Freshman English
it was.

The end of the class approached at last, and Professor Embers handed back this
week's essays. The assignment was to select a magazine ad and write about how
it made you feel.

"I've been epiphanied by the quality of your essays this week," said Professor
Embers. "We hardly had to give out any C's this time around. I have them
alphabetized by your first names up here in sixteen stacks, one for each
section."

All five hundred students went down at once to get theirs. Sarah worked for
ten minutes. then gathered her things and headed for the front, dawdling on
purpose. Clustered around the stack of papers for her section she could see
five of the Stalinists-- for some reason they had all ended up in her section.
Since she never attended section meetings, this was no problem, but she did
not want to encounter them at times like this either. Standing there tall and
straight as a burned-out sapling in a field was Dexter Fresser, an important
figure in the Stalinist Underground Battalion. Most of all, she Wanted to
avoid him. Sarah and Dex had gone to the same high school in Ohio, ridden
the same bus to school, slept in the same bed thirteen times and shared the
same LSD on three occasions. Since then, Dex had hardly ever not taken lots
of acid. Sarah had taken none. Now he was a weird rattle-minded radical who
nevertheless remembered her, and she avoided him scrupulously.

About halfway down the aisle she found a television monitor displaying an
image of Dex. She sank deeply into a seat and watched him and his comrades.
Dex was reading a paper desultorily and she knew it was hers. He flipped
aimlessly through it, as though searching for a particular word or phrase,
then shook his head helplessly and dropped it back on the stack. Finally the
last of them excavated his paper and they were collectively gone, leaving
behind several dozen essays no one had bothered to pick up.

Associate Professor Archibald Embers, Learning Facilitator of Freshman English
G Group, was regarding a young woman on his sofa and endeavoring to keep his
pipe lit. This required a lot of upside-down work with his butane lighter
and he thought the burn on his thumb might be second-degree. This particular
woman was definitely confrontational, though, and it was no time to show pain.
He held the pipe cautiously and reached out with the other hand to drape
his thumb casually over the rim of a potted plant, thrusting the roasted
region deeply into the cool humus. I am Antaeus, he thought, and yet I am
Prometheus, singed by my own flame. They were sitting in the conversation pit
he had installed so as to avoid talking to students across his desk like some
kind of authoritarian. Or was it totalitarian? He could never remember the
distinction.

This woman was clearly high voltage, Type A, low-alpha and left-hemisphere,
with very weird resonances. Seeing her through to the end of her crisis would
be painful. She had ripped off a lot of papers from the auditorium and had
brought them into his space to fine-tooth comb them. She had a problem with
her grade, a B.

"Now," she continued, whipping over another page, "let's look at page two of
this one, which is about an advertisement for Glans Essence Cologne. 'The
point of this is about these foxes. He has a bunch. On him. He a secret agent,
like Bond James Bond or something. Or some other person with lots of foxes.
Why he has foxes? Is Glans Essence Cologne. They hope you figuring that out,
will buy some of it. Which is what they are selling.' Now, next to that in the
margin you wrote, 'excellent analysis of the working of the ad.' Then at the
end you wrote, 'Your understanding of how the System brainwashes us is why I
gave you an A on this paper.' Now really, if you want to give him an A for
that it's up to you, but you can you then give me a B? Mine was three times as
long, I had an introduction, conclusion, an outline, no grammatical errors, no
misspelled words-- what do you expect?"

"This is a very good question," said Embers. He took a long draw on his pipe.
"What is a grade? That is the question." He chuckled, but she apparently
didn't get it. "Some teachers grade on curves. You have to be a math major to
understand your grade! But forget those fake excuses. A grade is actually a
form of poetry. It is a subjective reaction to a learner's work, distilled and
reduced down to its purest essence-- not a sonnet, not a haiku, but a single
letter. That's remarkable, isn't it?"

"Look, that's just groovy. But you have to grade in such a way that I'm shown
to be a better writer than he is. Otherwise it's unfair and unrealistic."

Embers recrossed his legs and spent a while sucking his pipe back into a
blaze. His learner picked up a paper and fanned smoke away from her face.
"Mind if I smoke?" he said.

"Your office," she said in a strangled voice.

Fine, if she didn't want to assert herself. He finally decided on the best
approach. "You aren't necessarily a better Writer. You called some of them
functional illiterates. Well those illiterates, as you called them, happen to
have very expressive prose voices. Remember that in each person's own dialect
he or she is perfectly literate. So in the sense of having escaped orthodoxy
to be truly creative, they are highly advanced wordsmiths, while you are
still struggling to break free of grammatical rules systems. They express
themselves to me and I react with little one-letter poems of my own-- the
essence of grading! Poetry! And being a poet I'm particularly well suited for
it. Your idea of tearing down these proto-artists because they aren't just
like you smacks of a kind of absolutism which is very disturbing in a temple
of academic freedom."

They sat there silent for a while.

"You really said that, didn't you?" she finally asked. I did."

"Huh. So we're just floating around without any standards at all."

"You could put it that way. You should interact with the department chairman
on this. Look, there is no absolute reality, right? We can't force everyone to
express themselves through the same absolute rules."

When the young woman left she seemed curiously drained and quiet. Indeed,
absorbing new world-views could be a sobering experience. Embers found a
blister on his thumb, and was inspired to write a haiku.

There came the sound of a massive ring of keys being slapped against the
outside of Casimir Radon's door. He looked up from the papers on his desk, and
in his lap Spike the illicit kitten followed suit, scrambling to red-alert
status and scything sixteen claws into his thigh. Before Casimir had opened
his mouth to say "Who is it" or Spike could spring forward to engage the foe,
the door was unlocked and thrown open. A short, heavy man with a disconcerting
resemblance to Leonid Brezhnev stepped into the room.

"Stermnator," he mumbled, rolling the r's on his tongue like Black Sea caviar.
Casimir covered Spike with his hand, hoping to prevent detection, and the
kitten grasped a finger between its forepaws and began to rasp with its
tongue.

Behind the man was a small wiry old guy with chloracne, who bore metal
canister with a pump on top and a tube leading to a nozzle in his hand. Before
Casimir could even grunt in response, this man had stepped crisply into the
room and begun to apply a heavy mist to the baseboards. The B-man glowered
darkly at Casimir, who sat in silence and watched as the exterminator walked
around the room, nozzle to wall, spraying everything near the baseboards,
including shoes, Spike's food and water dishes, a typewriter, two unmatched
socks, a book and a calculator charger. Both the strangers looked around the
inside of his nearly barren room with faint expressions of incomprehension or
disdain.

By the time Casimir got around to saying, "That's okay, I haven't seen
any bugs in here since I moved in," the sprayer was bearing down on him
inexorably. Casimir pushed the kitten up against his stomach, grasped the
hem of his extra-long seven-year-old Wall Drug T-shirt, and pulled it up to
form a little sling for the struggling creature, crossing his arms over the
resulting bulge in an effort to hold and conceal. At the same time he stood
and scampered out of the path of the exterminator, who bumped into him and
knocked him off balance onto the bed, arms still crossed. He bounced back up,
weaved past the exterminator, and stood with his back to the door, staring
nonchalantly out the window at the view of E Tower outside. Behind him, the
exterminator paused near the exit to soak the straps of an empty duffel bag.
As Casimir watched the reflection of the two men closing the door he was
conscious of a revolting chemical odor. Immediately he whirled and tossed
Spike onto the bed, then took his food and water dishes out to wash them in
the bathroom.

Casimir had seen his first illicit kitten on the floor above his, when he had
forgotten to push his elevator button. He got off on the floor above to take
the stairs down one flight, and saw some students playing with the animal in
the hallway. After some careful inquiries he made contact with a kitten pusher
over the phone. Two weeks later Casimir, his directions memorized, went to the
Library at 4:15 in the morning. He proceeded to the third floor and pulled
down the January-- March 1954 volume of the Soviet Asphalt Journal and placed
two twenty-dollar bills inside the cover. He then went to the serials desk,
where he was waited on by a small, dapper librarian in his forties.

"I would like to report," he said, opening the volume, "that pages 1738
through 1752 of this volume have been razored out, and they are exactly the
pages I need."

"I see," the man said sympathetically.

"And while I'm here, I have some microfilms to pick up, which I got on
interlibrary loan."

"An, yes, I know the ones you're talking about. Just a moment, please." The
librarian disappeared into a back office and emerged a minute later with a
large box filled with microfilm reel boxes. Casimir picked it up, finding it
curiously light, smiled at the librarian and departed. A pass had already been
made out for him, and the exit guard waved him through. Back in his room, he
pulled out the top layer of microffim boxes to find, curled up on a towel, a
kitten recovering from a mild tranquilizer.

Since then Spike had been neither mild nor tranquil, but that at least
provided Casimir with some of the unpredictability that Plex life so badly
lacked. He almost didn't mind having a kitten run around the obstacle course
of his room at high speed for hours at a time in the middle of the night,
because it gave his senses something not utterly flat to perceive. Even though
Spike tried to sleep on his face, and hid all small important articles in odd
places, Casimir was charmed.

He pulled on his glacier glasses in a practiced motion and stepped out
into the hail. Casimir's wing was only two floors away from allies of the
Wild and Crazy Guys, best partiers in the Plex, and two Saturdays ago they
had come down with their spray paint and painted giant red, white and
blue twelve-spoked wheels between each pair of doors. These were crude
representations of the Big Wheel, a huge neon sign outside the Plex, which the
Wild and Crazy Guys pretended to worship as a joke and initiation ritual. This
year they had become aggressive graffitists, painting Big Wheels almost every
in the Plex. Casimir, used to it, walked down this gallery of giant wheels to
the bathroom, Spike's dishes in hand.

The bathrooms in the wings looked on the inside like microwave ovens or
autoclaves, with glossy green tile on the walls, brilliant lighting, overwaxed
floors and so much steam that entering one was like entering a hallucination.
At one end of the bathroom, three men and their girlfriends were taking
showers, drinking, shouting a lot and generally being Wild and Crazy. They
were less than coherent, but most of what Casimir could make out dealt with
Anglo-Saxon anatomical terms and variations on "what do you think of this"
followed by prolonged yelling from the partner. Casimir was tempted to stay
and listen, but reasoned that since he was still a virgin anyway there was no
point in trying to learn anything advanced, especially by eavesdropping. He
went down the line of closely spaced sinks until he found one that had not
been stuffed with toilet paper or backed up with drain crud.

As he was washing Spike's dishes, a guy came in the door with a towel
around his waist. He looked conventional, though somewhat blocky, athletic
and hairless. He came up and stood very close to Casimir, staring at him
wordlessly for a long time as though nearsighted; Casimir ignored him, but
glanced at him from time to time in the mirror, looking between two spokes of
a Big Wheel that had been drawn on it with shaving cream.

After a while, he tugged on Casimir's sleeve. "Hey," he mumbled, "can I borrow
your"

Casimir said nothing.

"Huh?" said the strange guy.

"I don't know," said Casimir. "Depends on what you want. Probably not."

A grin gradually sprouted on the man's face and he turned around as though
smirking with imaginary friends behind him. "Oh, Jeez," he said, and turned
away. "I hate fuckers like you!" he yelled, and ran to the lockers across
from the sinks, running a few steps up the wall before sprawling back down on
the floor again. Casimir watched him in the mirror as he went from locker to
locker, finally finding an unlocked one. The strange guy pawed through it and
selected a can of shaving cream. "Hey," he said, and looked at the back of
Casimir's head. "Hey, Wall."

Casimir looked at him in the mirror. "What is it?"

The strange guy did not understand that Casimir was looking right at him. "Hey
fucker! Cocksucker! Mr. Drug! You!" Rhythmic female shrieking began to emanate
from a shower stall. "What is it," Casimir yelled back, refusing to turn. The
strange guy approached him and Casimir turned half around defensively. He
stood very close to Casimir. "Your hearing isn't very good," he shouted, "you
should take off your glasses." "Do you want something? If so, you should just
tell me." "Do you think he'd mind if I used this?"

"Who?"

The strange guy smirked arid shook his head. "Do you know anything about
terriers?"

"No."

"Ah, well." The strange guy put the shaving cream on the shelf in front of
Casimir, muttered something incomprehensible, laughed, and walked out of the
bathroom.

Casimir dried the food bowl under an automatic hand dryer by the door. As he
was on his third push of the button, a couple from one of the showers walked
nude into the room, getting ten feet from cover before they saw Casimir.

The woman screamed, clapping her hands over her face. "Oh Jeez, Kevin, there's
a guy in here!" Kevin was too mellowed by sex and beer to do anything but
smile wanly. Casimir walked out without saying anything, breathed deeply of
the cool, dry air of the hallway, and returned to his room, where he filled
Spike's water bowl with spring water from a bottle.

As soon as Casimir had heard about Neutrino, the official organization of
physics majors, he had crashed a meeting and got himself elected President and
Treasurer. Casimir was like that, meek most of the time with occasional bursts
of effectiveness. He walked into the meeting, which so far consisted of six
people, and said, "Who's the president?"

The others, being physics majors and therefore accustomed to odd behavior of
all sorts, had answered. "He graduated," said one. "No, when he graduated, he
stopped being our president. When the guy who was our president graduated, we
instantaneously ceased to have one," another countered.

"I agree," a third added, "but the proper term is 'was graduated.'"

"That's pedantic."

"That's correct. Where's the dictionary?"

"Who cares? Why do you want to know?" the first asked. As the other two
consulted a dictionary, a fourth member held a calculator in his hand, gnawing
absently on the charger cord, and the other two members argued loudly about an
invisible diagram they were drawing with their fingers on a blank wall.

"I want to be president of this thing," Casimir said. "Any objections?"

"Oh, that's okay. We thought you were from the administration or something."

Casimir's motivation for all this was that after the Sharon incident, it was
impossible for him to escape from his useless courses. The grimness of what
had happened, and the hopelessness of his situation, had left him quiet and
listless for a couple of weeks to the point where I was beginning to feel
alarmed. One night, then, from two to four in the morning, Casimir's neighbor
had watched Rocky on cable and the sleeping Casimir had subconsciously
listened in on the soundtrack. He awoke in the morning with a sense of
mission, of destiny, a desire to go out and beat the fuckers at their own
game. Neutrino provided a suitable power base, and since his classes only
consumed about six hours a week he had all the time in the world.

Previous to Casimir's administration most of the money allotted to Neutrino
had been dispersed among petty activities such as dinners, trips to nuclear
reactors, insipid educational gadgets and the like. Casimir's plan was to
spend all the money on a single project that would exercise the minds of the
members and, in the end, produce something useful. Once he had convinced the
pliable membership of Neutrino that this was a good idea, his suggestion for
the actual project was not long in coming: construction of a mass driver.

The mass driver was a magnetic device for throwing things. It consisted of a
long straight rail, a "bucket" that slid along the rail on a magnetic cushion
and powerful electromagnets that kicked the bucket down the rail When the
bucket slammed to a halt at the rail's end, whatever was in it kept on going--
theoretically, very, very fast. Recently this simple machine had become a pet
project of Professor Sharon, who had advocated it as a lunar mining tool.
Casimir argued that the idea was important and interesting in and of itself,
and that Sharon's connection to it lent it sentimental value. As a tribute
to Sharon, a fun project and a toy that would be a blast to play with when
finished, the mass driver was irresistible to Neutrino. Which was just as
well, because nothing was going to stop Casimir from building this son of a
bitch.

Casimir had been drawing up a budget for it on this particular evening,
because budget time for the Student Government was coming up soon. Not long
after the exterminator's visit, Casimir got stuck. Many of the supplies he
needed were standard components that were easy for him to get, but certain
items, such as custom-wound electromagnets, were hard to budget for. This was
the sort of fabrication that had to be done at the Science Shop, and that
meant dealing with Virgil Gabrielsen. After nailing down as much as he could,
Casimir gathered his things and set out on the half-hour elevator ride to the
bottom of the Burrows.

In the interests of efficiency, security, ease of design and healthy interplay
among the departments, the designers of the Campustructure had put all the
science departments together in a single bloc. It was known as the Burrows
because it was mostly below street level, and because of the allegedly
Morlockian qualities of its inhabitants. At the top of the Burrows were the
departmental libraries and conference rooms. Below were professors' offices
and departmental headquarters, followed by classrooms, labs, stockrooms and at
the very bottom, forty feet below ground level, the enormous CC-- Computing
Center-- and the Science Shop. Any researcher wanting glass blown, metal
shaped, equipment fixed, circuits designed or machines assembled, had to come
down and beg for succor at the feet of the stony-hearted Science Shop staff.
This meant trying to track down Lute, the hyperactive Norwegian technician,
rumored to have the power of teleportation, who held smart people in disdain
because of their helplessness in practical matters, or Zap, the electronics
specialist, a motorcycle gang sergeant-at-arms who spent his working hours
boring out engine blocks for his brothers and threatening professors with
bizarre and deadly tortures. Zap was the cheapest technician the Science Shop
steering committee had been able to find, Lute had been retained at high
salary after dire threats from all faculty members and Virgil, to the immense
relief of all, had been hired three years earlier as a part-time student
helper and had turned the place around.

Science Shop was at the end of a dark unmarked hallway that smelled of machine
oil and neoprene, half blocked by junked and broken equipment. When Casimir
arrived he relaxed instantly in the softly lit, wildly varied squalor of the
place, and soon found Virgil sipping an ale and twiddling painstakingly with
wires and pulleys on an automatic plotter.

They went into his small office and Virgil provided himself and Casimir with
more ale. "What's the latest on Sharon?" he asked. "The same. No word,"
Casimir said, pushing the toes of his tennis shoes around in the sawdust and
metal filings on the floor. Not quite in a coma, definitely not all there.
Whatever he lost from oxygen starvation isn't coming back."

"And they haven't caught anyone."

"Well, E14 is the Performing Arts Floor. They used to have a room with a piano
in It. The E13S people didn't like it because the Performing Artists were
always tap dancing."

"We know how sensitive those poor boys are to noise." "A couple of days
before the piano crash, the piano was stolen from E14. Two of the tap-dancers
had their doors ignited the same night. A couple of days later, E13S had a
burning-furniture-throwing contest, and it just happens that at the same time
a piano crashed through Sharon's ceiling. Circumstantial evidence only."

Virgil clasped his hands over his flat belly and looked at the ceiling.
"Though a pattern of socio-heterodox behaviors has been exhibited by
individuals associated with E13S, we find it preferable to keep them within
the system and counsel them constructively rather than turn them over to
damaging outside legal interference which would hinder resocialization. The
Megaversity is a free community of individuals seeking to grow together
toward a more harmonious and enlightened future, and introduction of external
coercion merely stifles academic freedom and-- "

"How did you know that?" asked Casimir, amazed. "That's word for word what
they said the other day."

Virgil shrugged. "Official policy statement. They used it two years ago, in
the barbell incident. E13 dropped a two-hundred-pound barbell through the
roof of the Cafeteria's main kitchen area. It crashed into a pressure vat and
caused a tuna-nacho casserole explosion that wounded fifteen. And the pressure
is so high in those vats, you know, that Dr. Forksplit, the Dean of Dining
Services, who was standing nearby, had a nacho tortilla chip shard driven all
the way through his skull. He recovered, but they've called him Wombat ever
since. The people who handle this in the Administration don't understand how
deranged these students are. Now, Kruno and his people would like to pour
molten lead down their throats, but they can't do anything about it-- the
decisions are made by a committee of tenured faculty."

Casimir resisted an impulse to scream, got up and paced around talking through
clenched teeth. "This shit really, really pisses me off. It's incredible, Law
doesn't exist here, you can do what you please." "Well," said Virgil, still
blasé, "I disagree. There's always law. Law is just the opinion of the guy
with the biggest gun. Since outside law rarely matters in the Plex, we make
our own law, using whatever power-- whatever guns-- we have. We've been very
successful in the Science Shop."

"Oh, yeah? I suppose this was something to do with what you said the other
day about some unofficial work here for me." "That's a perfect example. The
researchers of American Megaversity need your services. It's illegal, but the
scientific faculty have more power than the rule-enforcers, so we make our own
law regarding technical work. You keep track of what you do, and I pay you
through the vitality fund.

"The what?"

"The fund made up of donations from various professors and firms who have a
vested interest in keeping the Science Shop running smoothly. Hell, it's all
just grant money. In the egalitarian system we had before, nobody got anything
done."

"Look." Casimir shook his head and sat back down. "I don't want even to
hear all this. You know, all I've ever wanted to be is a normal student.
They won't let me take decent classes, okay, so I work on the mass driver.
Now I come here to get your help and you start talking about local law
and free enterprise. I just want some estimates from you on getting these
electromagnets wound for the mass driver. Okay? Forget free enterprise."
Casimir dropped a page of diagrams and specifications on Virgil's desk.

Virgil looked it over. "Well, it depends," he finally said. "If we pretend
you're just a normal student, then I will charge you, oh, about ten thousand
dollars for this stuff and have it done by the time you graduate. Now,
unofficially, I could log it in as something much simpler and charge you less.
But you can't put that into a formal budget proposal. Very unofficially, I
might do it for a small bribe, like some help from you around the Shop. But
that's really abnormal to put in a budget. Looks like you're stuck."

"It wouldn't really take you three years."

"It would take me." Virgil waved at the door. "Zap could do it in a week.
Want to ask him? He's not hard to wake up." Casimir brooded momentarily.
"Well, look. I don't really care how it gets done. But it's necessary to have
something on paper, you know?"

Virgil shook his head, smiling. "Casimir. You don't think anyone pays any
attention to those budgets, do you?" "Aw, shit. This is too weird for me."

"It's not weird, you're just not used to it yet. Here is what we'll do. We
work out a friendly gentlemen's agreement by which I make the magnets for you,
probably over Christmas vacation, in exchange for a little of your expert help
around the Science Shop. When I'm done with the magnets I put them in an old
box and mark it, say, 'SPARE PARTS, 1932 AUTOMATIC BOMBSIGHT PROTOTYPE.' I
dump it in the storeroom. When budget time comes around you say, 'Oh, gee, it
happens I've designed this thing to use existing parts, I know just where they
are.' Ridiculous, but no one knows that, and those who understand won't want
to meddle in any arrangement of mine."

"Okay!" Casimir threw up his hands. "Okay. Fine. Ill do it. Just tell me what
to do and don't let me see any of this illegal stuff." "It's not illegal, I
said it was legal. Hang on a sec while I Xerox these pages."

Virgil opened the door and was met by a clamor of voices from several advanced
academic figures. Casimir looked around the room: a firetrap stuffed with
books and papers and every imaginable variety of electronic junk. A Geiger
counter hung out the window into a deep air shaft, clicking every second or
two. In one corner a 1940's radio was hooked up to a technical power supply
and wired into the guts of a torn-open telephone so that Virgil could make
hands-off phone calls. An old backless TV in another corner enabled Virgil to
monitor the shop outside. Electronic parts, hunks of wire, junk-food wrappers
and scraps of paper littered the floor. And in three separate places sat those
little plastic trays Casimir saw everywhere, overflowing with tiny seeds-- rat
poison.

"Damn!" spat Casimir as Virgil reentered. "There's enough of that poison in
this room alone to kill every rat in this city. What's their problem with that
stuff anyway?"

Virgil snorted. Everyone knew the rat poison was ubiquitous; the wastebaskets
might go a month without emptying, but when it came to rat poison the B-men
were fearsomely diligent, seeming to pass through walls and locked doors like
Shaolin priests to scatter the poison-saturated kernels. "It's cultural,"
he explained. "They hate rats. You should read some Scythian mythology. In
Crotobaltislavonia it's a capital crime to harbor them. That's why they had a
revolution! The old regime stopped handing out free rat poison."

"I'm serious," said Casimir. "I've got an illegal kitten in my room, and If
they keep breaking in to spread poison, they'll find it or let it out or
poison it."

"Or eat it. Seriously, you should have mentioned it, Casimir. Let me help you
out."

Casimir rested his face in his hand. "I suppose you also have an arrangement
with the B-men."

"No, no, much too complicated. I do almost all my work at the computer
terminal, Casimir. You can accomplish anything there. See, a few years ago a
student had a boa constrictor in his room that got poisoned by the B-men, and
even though it was illegal he sued the university for damages and won. There
are still a lot of residents with pets whom the administration doesn't want
to antagonize, because of connections or whatever. Some students are even
allergic to the poison. So, they keep a list of rooms which are not to be
given any poison. All I have to do is put your room on it."

Casimir was staring intently at Virgil. "Wait a minute. How did you get that
kind of access? Aren't there locks? Access checks?" "There are some annoyances
involved."

"I suppose with photographic memory you could do a lot on the computer."

"Helps to have the Operator memorized too."

"Oh, fuck! No!"

Casimir, I am sure, was just as surprised as I had been. The Operator was
an immense computer program consisting entirely of numbers-- machine code.
Without it, the machine was a useless lump. With the Operator installed, it
was a tool of nearly infinite power and flexibility. It was to the computer as
memory, instinct and intelligence are to the human brain.

Virgil handed Casimir a canister of paper computer tape. The label read, "1843
SURINAM CENSUS DATA VOLUME 5. FIREWOOD USAGE ESTIMATES AND PROJECTIONS."

"Ignore that," said Virgil. "It's a program in machine code. It'll put your
room on the no-poison list, and your cat will be safe, unless the B-men forget
or decide to ignore the rule, which is a possibility." Casimir barely looked
at the tape and stared distantly at Virgil. "What have you been doing with
this knowledge?" he whispered. "You could get back at E13S."

Virgil smiled. "Tempting. But when you can do what I can, you don't go for
petty revenge. All I do, really, is fight the Worm, which is really my only
passion these days. It's why I stay around instead of getting a decent job.
It's a sabotage program. It's probably the greatest intellectual achievement
of the nineteen-eighties, and it's the only thing I've ever found that is so
indescribably difficult and complex and beautiful that I haven't gotten bored
with it."

"Why would anyone do such a thing? It must be costing the Megaversity
millions."

"I don't know," said Virgil, "but it's great to have a challenge."

Sarah and I were in her room with my toolbox. Outside, the Terrorists were
trying to get in. I sat on her bed, as she had commanded, silent and neutral.

"When did they start calling themselves the Terrorists," she asked during a
lull.

"Who knows? Maybe Wild and Crazy Guys was too old-fashioned."

"Maybe the hijacking of that NATO tank yesterday gave them the idea. That got
lots of coverage. Shit, here they are again." Cheerfully screaming, another
Airhead was dragged down the hail to be given her upside-down cold shower. The
original Terrorist plan had been to drag the Airheads to the bathroom by their
hair, as in olden times, but after a few tries they were convinced that this
really was painful, so now they were holding on to the feet.

"Terrorists, Terrorists, we're a mean, sonofabitch," came a hoarse chant
as a new group gathered in front of Sarah's door. "Come on, Sarah," their
leader shouted in a heavy New York accent. He was trying to sound fatherly
and patient, but instead sounded anxious and not very bright. "It'll be a lot
better for you if you just come out now. We're tickling Mitzi right now and
she's going to tell us where the master key is, and once we get that we'll
come in and you'll get ad-dition-al pun-ish-ment."

"God," Sarah whispered to me, "these dorks think I'm just playing hard-to-get.
Hope they enjoy it."

"Give the word and I'll shoo them off," I said again. "Wouldn't help. I have
to deal with this myself. Don't be so mach."

"Sorry. Sometimes it works to be macho, you know."

Their previous effort to flash her out of her room had failed. "Flashing" was
the technique of squirting lighter fluid Under a door and throwing in a match.
It wasn't as dangerous as it sounded, but it invariably smoked the victim out.
Powdering was a milder form of this: an envelope was filled with powder, its
mouth slid under the door, and the envelope stomped on, exploding a cloud of
powder into the room. Three days earlier this had been done to Sarah by some
Air-heads. A regular vacuum cleaner just blew the powder out again, so we
brought my wet-dry vacuum up and filled it with water and had better results,
though she and her room still smelled like babies. She had purchased a heavy
rubber weatherstrip from the Mall's hardware store and we had just finished
installing it when the flashing attempt had taken place. From listening to the
Terrorists on the other side of the door, 1 had now become as primitive as
they had-- it was no longer a negotiable situation-- and was itching to knock
heads.

"Why don't you stop bothering me?" she yelled, trying too hard to sound strong
and steady. "I really don't want to play this game with you. You got what you
wanted from the others, so why don't you leave? You have no right to bother
me."

At this, they roared. "Listen, bitch, this is our sister floor, we decide what
our rights are! No one escapes from the rule of the Terrorists, Terrorists,
we're a mean, sonofabitch! We'll get in sooner or later-- face up to it!"

Another one played the nice guy. "Listen, Sarah-- hey, is that her name?
Right. Uh, listen, Sarah. We can make life pretty hard on you. We're just
trying to initiate you into our sister floor-- it's a new tradition. Remember,
if you don't lock your door, we can come in; and if you do lock it, we can
penny you in."

The Airheads had once pennied Sarah in. The doors opened inward and locked
with deadbolts. If the deadbolt was locked and the door pushed inward with
great force, the friction between the bolt and its rectangular hole in the
jamb became so great that it was impossible for the occupant to withdraw the
bolt to unlock the door. One could not push inward on the door all the time,
of course, but it was possible to wedge pennies between the front of the door
and the projecting member of the jamb so tightly that the occupant was sealed
in helplessly. Since this maneuver only worked when the owner of the room was
inside with the door locked, it was used discourage people from the unfriendly
habit of locking their doors. Sarah was pennied in just before a Student
Government meeting, and she had to call me so that I could run upstairs and
throw myself against the door until the pennies fell out.

"Look," said Sarah, also taking a reasonable tack, "When are you going to
accept that I'm not coming out? I don't want to play, I just want peace and
quiet." She knew her voice was wavering now, and she threw me an exasperated
look.

"Sarah," said the righteously perturbed Terrorist, "you're being very childish
about this. You know we don't want that much. It doesn't hurt. You just have
one more chance to be reasonable, and then it's ad-dition-al pun-ish-ment."

"Swirlie! Swirlie! Swirlie!" chanted the Terrorists. "Fuck yourselves!" she
yelled. Realizing what was about to happen, she yanked my pliers out of my
toolbox and clamped their serrated jaws down on the lock handle just as
Mitzi's master key was slid into the keyhole outside.

She held it firm. The Terrorists found the lock frozen. The key-turner called
for help, but only one hand can grip a key at a time. The handle did rotate a
few degrees in the tussle, and the Terrorists then found they could not pull
the key from the lock. Sarah continued to hold it at a slight twist as the
Terrorists mumbled outside.

"Listen, Sarah, you got a good point. We'll just leave you alone from now on."

"Yeah," said the others, "Sorry, Sarah."

Looking at me, Sarah snorted with contempt and held on to the pliers. A minute
or so after the Terrorists noisily walked away, an unsuccessful yank came on
the key.

"Shit! Fuck you!" The Terrorist kicked and pounded viciously on the door,
raging.

After a few minutes I got on my belly and pried up the rubber strip and
verified that the Terrorists were no longer waiting outside. Sarah opened
her door, pulled out the master key, and pocketed it. She smiled a lot, but
she was also shaking, and wanted no comfort from me. I was about to say she
could sleep on my Sofa for a few days. Sometimes, though, I can actually be
sensitive about these things. Sarah was obviously tired of needing my help.
I felt she needed my protection, but that was my problem. Suddenly feeling
that dealing with me might have been as difficult for her as dealing with the
Terrorists, I made the usual obligatory offers of further assistance, and
went home. Fortunately for what Sarah would call my macho side, I was on an
intramural football team. So were all of the Terrorists. We met three times.
I am big, they were average; they suffered; I had a good time and did not
feel so proud of myself afterward. The Terrorists did not even understand
that I didn't like them. Like a lot of whites, they didn't care much for
blacks unless they were athletic blacks, in which case we could do whatever we
wanted. To knock Terrorist heads for two hours, then have them pat me on the
butt in admiration, was frustrating. As for Sarah, she had no such outlets for
her feelings.

She lay on her bed for the rest of the afternoon, unable to think about
anything else, desperate for the company of Hyacinth, who was out of town for
the weekend. Ultra-raunch rock-'n'-roll pounded through from the room above.
The Terrorists figured out her number and she had to take her phone off the
hook. She ignored the Airheads knocking on her door. Finally, late in the
evening, when things had been quiet for a couple of hours, she slipped out to
take a shower-- a right-side-up, hot shower.

This was not very relaxing. She had to keep her eyes and ears open as much as
she could. As she rinsed her hair, though, a klunk sounded from the showerhead
and the water wavered, then turned bitterly cold. She yelped and swung the
hot-water handle around, to no effect, and then she couldn't stand it and had
to yank open the door and get out of there.

They were all waiting for her-- not the Terrorists, but the Airheads in their
bathrobes. One stood at every sink, smiling, hot water on full blast, and one
stood by every shower stall, smiling, steam pouring out of the door. With huge
smiles and squeals of joy, they actually grabbed her by the arms, shouting
Swirlie!, Swirlie!, took her to one of the toilets, stuck her head in, and
flushed.

She was standing there naked, toilet water running in thin cold ribbons down
her body, and they were in their bathrobes, smiling sympathetically and
applauding. Apologies came from all directions. Somehow she didn't scream, she
didn't hit anyone; she grabbed her bathrobe-- tearing her hand on the corner
of the shower door in her spastic fury-- wrapped it around herself and tied
it so tightly she could hardly breathe. Her pulse fluttered like a bird in
an iron box and tingles of hyperventilation ran down her arms and into her
fingertips.

"What the fuck is wrong with you? Are you crazy?"

They mostly tittered nervously and tried to ignore the way she had flown off
the handle. They were leaving her a social escape route; she could still
smooth it over. But she was not interested. "Listen to me good, you dumb
fucks!" She had let herself go, it was the only thing she could do. In a way
it felt great to bellow and cry and rage and scare the hell out of them; this
was the first contact with reality these women had had in years. "This is
rape! And I'm entitled to protect myself from it! And I will!"

She had stepped over the line. It was now okay to hate Sarah, and several took
the opportunity, laughing out loud to each other. Man did not. "Sarah! Jeez,
you don't have to take it so serious! You'll feel better later on. We've got
some punch for you in the Lounge. We were just letting you in to the wing. We
didn't think you were going to get so upset."

"Yeah."

"Yeah."

"Yeah."

"Well, I'm real sorry, excuse me, but I am going to take it seriously because
anyone who can't see why it's serious has bad, bad problems and needs to get
straightened out. If you think you're doing this because it's natural and fun,
you aren't thinking too fucking hard."

"But, Jeez, Sarah," said Marl, hardly believing anyone could be so weird,
"it's for the better. We've all been through it together now and we're all
sisters. We're all an equal family together. We were just welcoming you in."

"The whole purpose of a fucking university is not so that you can come and be
just like everyone else. I'm not equal to you people, never will be, don't
want to be, I don't want to be anyone's sister, I don't want your activities,
all I want is a decent place to live where I can be Sarah Jane Johnson, and
not be equalized... by a mob.. . of little powderpuff terrorists... who just
can't stand differentness because they're too stupid to understand it! What
goes on in your heads? Haven't you ever seen the diversity of... of nature?
Stop laughing. Look, you think this is funny? The next time you do this,
someone is going to get hurt very badly." She looked down at the little drops
of blood on the floor, dripping from her hand, and suddenly felt cleansed. She
clenched the fist and held it up. "Understand?"

They had been smug at her wild anger. Now they were scared and disgusted
and their makeup lay on their appalled skin like blood on snow. Most fled,
hysterically grossed out.

"Gag me green!"

"Barf me blue!"

Mari averted her gaze from this gore. "Well, that's okay if you want to give
all of this up. But I don't think it's like rape. I mean, we all scream a lot
and stuff, and we don't really want them to do it, if you know what I mean,
but when they do it's fun after all. So for us it's just sort of wild and
exciting, and for the guys, it helps them work off steam. You know what I
mean?" "No! Get out! Don't fuck with my life!" That was a lie-- she did know
exactly what Mari meant. But she had just realized she could never let herself
think that way again. Mari sadly floated out, sniffling. Sarah, alone now,
washed her hair again (though it had not been a "dirty swirlie") and retreated
to her room, a little ill in a gag-me-green sort of way, yet filled with a
tingling sense of sureness and power. She was not harassed anymore. Word had
gone out. Sarah had gotten additional punishment and was not to be bothered.

The door opened slightly, and a dazzling splinter of fluorescent light shot
out across the dusky linoleum. Within the room it was still. The door opened a
bit more. "Spike? It's me. Don't try to get out, kittycat."

Now the door opened all the way and a tall skinny figure stepped in quickly,
shut the door, and turned on a dim reading lamp. "Spike, are you sleeping?
What did you get into this time?" He found the kitten under his bed, next to
the overturned rat-poison tray that was not supposed to be there. Spike had
only been dead for a few minutes, and his body was still so warm that Casimir
thought he could be cuddled back to life. He sat on the floor by his bed and
rocked Spike for a while, then stopped and let the tiny corpse down into his
lap.

A convulsion took his diaphragm and his lungs emptied themselves in jolts.
He twisted around, breathless, hung on his elbows on the bed's edge, finally
sucked in a wisp of air and sobbed it out again. He rolled onto the bed and
the sobs came faster and louder. He pulled his pillow into his face and
screamed and sobbed for longer than he could keep track of. Into his lumpy
little standard-issue American Megaversity pillow he shuddered it all out:
Sharon, Spike, the desecration of his academic dream, his loneliness.

When he pulled himself together he was drained and queasy but curiously
relaxed. He put Spike in a garbage bag and slid him into an empty calculator
box, which he taped shut. Cradling it, he stared out the window. Around
him in even ranks rose the thousands of windows of the towers, and to his
tear-blurred vision it was as though he stood in a forest aflame "Spike," he
said, "What the hell should I do with myself?

"Yeah. Okay. That's what it's going to be.

"Well, Spike, now I have to do something unbelievably great. Something
impossible. Something these scum are too dumb even to imagine. To hell with
grades. There are much fairer ways of showing how smart you are. I'm smarter
than all of these fuckers, rules aside."

He cranked his vent window open. Outside a Tower War was raging: students
shouting to one another, shining lights and lasers into one another's rooms,
blaring their stereos across the gulfs. Now the countertenor cry of Casimir
Radon rode in above the tumult.

"You can make it as hard as you want, as hard as you can, but I'm going to be
the cleverest bastard this place has ever seen! I can make idiots of you all,
damn it!"

"Fuck you!" came a long-drawn-out scream from F Tower. It was precisely what
Casimir wanted to hear. He shut his window and sat in darkness to think.

At four in the morning the wing was quiet except for Sarah, who was up,
preparing her laundry. It was not necessary to do it at four in the morning--
one could find open machines as late as six or seven-- but this was Sarah's
time of day. At this time she could walk the halls like something supernatural
(or as she put it, "something natural, in a place that is sub-natural"). In
the corridors she would meet the stupid gotten-up-to-urinate, staggering
half-dead for the bathroom, and they'd squint at her-- clothed, up and
bright-- as though she were a moonbeam that had worked its way around their
room to splash upon their faces. The ultra-late partiers, crushed by alcohol,
floated, belched and slurred along in glitzy boogie dress, and the fresh and
sober Sarah, in soft clothes and tennis shoes, could dance through them before
they had even recognized her presence. The brightest nerds and premeds riding
the elevators home from all-nighters were so thick with sleep they could
hardly stand, much less appreciate the time of day. A dozen or so hard-core
athletes liked to rise as early as Sarah, and when she encountered them they
would nod happily and go their separate ways.

Being up at four in the morning was akin to being in the wilderness. It was as
close to the outside world as you could get without leaving the Plex. The rest
of the day, the harsh artificiality of the place ruled the atmosphere and the
unwitting inhabitants, but the calm purity of the predawn had a way of seeping
through the cinderblocks and pervading the place for an hour or so.

"Screw the laundry," is what she finally said. She had plenty of clean
clothes.

She was kneeling amid a heap of white cottons, and the grim brackishness of
her room was all around her. Suddenly she could not stand it. Laundry would
not make the room seem decent, and she had to do something that would.

Out in the wing it was easy to find the leftover paints and brushes. The
Castle in the Air paintings were just now getting their finishing touches. She
found the supplies in a storage closet and brought them to her room.

Normally this would have been a quick and dirty process, but the spirit of
four in the morning made her placid. She moved the furniture away from the
walls and in a few minutes had the floor, door, windows and furniture covered
with a Sunday New York Times. It looked better already.

The Castle in the Air, as will later be described, was a sickly yellow,
floating on white clouds in a blue sky. By mixing cloud-color with
Castle-color and a bit of Bambi-color (on the ground under the Castle, Bambis
cavorted) she made a mellow creamy paint. This she applied to the walls and
ceiling with a roller. It was breakfast-time. She wasn't hungry.

Sky-color and castle-color made green. She splayed open a cardboard box and
made it into a giant palette, mixing up every shade of green she could devise
and smearing them around to create an infinite variety. Then she began to dab
away on one wall with no particular plan or goal.

The light fixture was in the middle of the wall. She paused, thinking of the
dire consequences, then sighed blissfully and slapped it all over with thick
green daubs.

By noon the wall was covered with pied green splotches ranging from
almost-black to yellow. It was not a bad approximation of a forest in the sun,
but it lacked fine detail and branches. She had long since decided to cut all
her classes. She left her room for the first time since sunrise and started
riding the 'vators toward the shopping mall. She felt great.

"Doin' some paintin'?" asked a doe-eyed woman in leg warmers. Plastered with
paint, Sarah nodded, beaming. "Doin' your room?"

"Yep."

"Yeah. So did we. We did ours all really high-tech. Lots of glow-colors. How
bout you? Lotsa green?"

"Of course," said Sarah, "I'm making it look like the outside. So I don't
forget."

At the Sears in the Mall she got matte black paint and smaller brushes. She
returned to her room, passing the Cafeteria, where thousands stood in line for
something that smelled of onions and salt and hot fat, Sarah had not eaten in
twenty-four hours and felt great-- it was a day to fast. Back in her room she
cleared away a Times page announcing a coup in Africa and sat on her bed to
contemplate her forest. Infinitely better than the old wall, yet still just
a rude beginning-- every patch of color could be subdivided into a hundred
shades and crisscrossed with black branches to hold it all up. She knew she'd
never finish it, but that was fine. That was the idea.

Casimir immediately went into action. He had already daydreamed up this
plan, and to organize the first stages of Project Spike did not take long.
Since Sharon had sunk completely into a coma, Casimir had taken over the old
professor's lab in the Burrows, spending so much time there that he stored a
sleeping bag in the closet so he could stay overnight.

This evening-- Day Three-- he had found six rats crowded into his box trap
near the Cafeteria. Judging from the quantity of poison scattered around
this area, they were of a highly resistant strain. In the lab, he donned
heavy gloves, opened the trap, forced himself to grab a rat, pulled it out
and slammed shut the lid. This was a physics. not a biology, lab and so his
methods were crude. He pressed the rat against the counter and stunned it with
a piece of copper tubing, then held it underwater until dead.

He laid it on a bare plank and set before him an encyclopedia volume he had
stolen from the Library, opened to a page which showed a diagram of the rat's
anatomy. Weighing it open with a hunk of lead radiation shield, he took out
a single-edged razor and went to work on the little beast. In twenty minutes
he had the liver out. In an hour he had six rat livers in a beaker and six
liverless rat corpses in the wastebasket, swathed in plastic. He put the
livers in a mortar and ground them to a pulp, poured in some alcohol, and
filtered the resulting soup until it was clear.

Next morning he visited the Science Shop, where Virgil Gabrielsen was fixing
up a chromatograph that would enable Casimir to find out what chemicals were
contained in the rat liver extract. "We're ready for your mysterious test,"
said Virgil. "Hope you don't mind."

"I love working with mad scientists-- never dull. What's that?" "Mostly grain
alcohol. This machine will answer your question, though, if it's fixed."

A few hours later they had the results: a strip of paper with a line squiggled
across it by the machine. Virgil compared this graph with similar ones from a
long skinny book.

"Shit," said Virgil, showing rare surprise. "I didn't think anything could
live with this much Thalphene in its guts. Thalphene! These things have
incredible immunities."

"What is it? I don't know anything about chemistry." "Trade name for
thallium phenoxide." Virgil crossed his arms and looked at the ceiling.
"Dangerous Properties of Industrial Materials, my favorite bedtime reading,
says this about thallium compounds. I abbreviate. 'Used in rat poison and
depilatories ... results in swelling of feet and legs, arthralgia, vomiting.
insomnia, hyperaesthesia and paresthesia of hands and feet, mental confusion,
polyneuritis with severe pains in legs and loins, partial paralysis and
degeneration of legs, angina, nephritis, wasting, weakness ... complete loss
of hair . . ha! Fatal poisoning has been known to occur.'"

"No kidding!"

"Under phenols we have.. . 'where death is delayed, damage to kidneys, liver,
pancreas, spleen, edema of the lungs, headache, dizziness, weakness, dimness
of vision, loss of consciousness, vomiting, severe abdominal pain, corrosion
of lips, mouth, throat, esophagus and stomach'."

"Okay, I get the idea."

"And that doesn't account for synergistic effects. These rats eat the stuff
all the time."

"So they go through a lot of rat poison, these rats do." "It looks to me,"
said Virgil, "as though they live on it. But if you don't mind my prying, why
do you care?"

Casimir was slightly embarrassed, but he knew Virgil's secret, so it was only
fair to bare his own. "In order for Project Spike to work, they have to be
heavy rat-poison eaters. I'm going to collect rat poison off the floors and
expose it to the slow neutron source in Sharon's lab. It's a little chunk of
a beryllium isotope on a piece of plutonium, heavily shielded in paraffin--
looks like a garbage can on wheels. Paraffin stops slow neutrons, see. Anyway,
when I expose the rat poison to the neutrons, some of the carbon in the poison
will turn to Carbon- 14. Carbon- 14 is used in dating. of course, so there are
plenty of machines around to detect small amounts of it. Anyway, I set this
tagged poison out near the Cafeteria. Then I analyze samples of Cafeteria food
for unusually high levels of Carbon- 14. If I get a high reading. .

"It means rats in the food."

"Either rats, or their hair or feces."

"That's awesome blackmail material, Casimir. I wouldn't have thought it of
you.

Casimir looked up at Virgil, shocked and confused. After a few seconds he
seemed to understand what Virgil had meant. "Oh, well, I guess that's true.
The thing is, I'm not that interested in blackmail. It wouldn't get me
anything. I just want to do this, and publicize the results. The main thing is
the challenge."

A rare full grin was on Virgil's face. "Damn good, Casimir, That's marvelous.
Nice work." He thought it over, taken with the idea. "You'll have the biggest
gun in the Plex, you know." "That's not what I'm after with this project."

"Let me know if I can help. Hey, you want to go downstairs to the Denny's
for lunch? I don't want to eat in the Cafeteria while I'm thinking about the
nature of your experiment."

"I don't want to eat at all, after what I've just been doing," said Casimir.
"But maybe later on we can dissolve our own livers in ethanol." He put the
beaker of rat potion in a hazardous-waste bin, logged down its contents, and
they departed.

And lest anyone get the wrong idea, a disclaimer: I did not know about this
while it was going on. They told me about it later. The people who have
claimed I bear some responsibility for what happened later do not know the
facts.

"What makes you think you can just play a record?" said Ephraim Klein in a
keen, irritated voice. "I'm listening to harpsichord music,"

"Oh," John Wesley Fenrick said innocently. "I didn't hear it. I guess my ears
must have gone bad from all my terrible music, huh?" "Looks that way."

"But it's okay, I'm not going to play a record."

"I should hope not."

"I'm going to play a tape." Fenrick brushed his finger against an invisible
region on the surface of the System, and lights lit and meters wafted up and
down. The mere sound of Silence, reproduced by this machine, nearly drowned
out the harpsichord, a restored 1783 Prussian model with the most exquisite
lute stop Klein had. ever heard. Fenrick turned on the Go Big Red Fan, which
began to chunk away as usual.

"Look," said Ephraim Klein, "I said I was playing something. You can't just
bust in."

"Well," said John Wesley Fenrick, "I said I can't hear it. If I don't hear any
evidence that you are playing something, there's no reason I should take your
word for it. You obviously have a distorted idea of reality."

"Prick! Asshole!" But Klein had already pulled out one of his war tapes,
the "Toccata and Fugue in D Minor" as performed by Virgil Fox (what Fenrick
called "horror movie music") and snapped it into his own tape deck. He set the
tape rolling and prepared to switch from PHONO to TAPE at the first hint of
offensive action from Fenrick.

It was not long in coming. Fenrick had been sinking into a Heavy Metal
retrospective recently, and entered the competition with Back in Black by
AC/DC. Klein watched Fenrick's hands carefully and was barely able to squeeze
out a lead, the organist hitting the high mordant at the opening of the piece
before the ensuing fancy notes were stomped into the sonic dust by Back in
Black.

From there the battle raged typically. A hundred feet down the hall, I stuck
my head out the door to have a look. Angel, the enormous Cuban who lived
on our floor, had been standing out in the hallway for about half an hour
furiously pounding on the wall with his boxing gloves, laboriously lengthening
a crack he had started in the first week of the semester. When I looked, he
was just in the act of hurling open the door to Klein and Fenrick's room;
dense, choking clouds of music whirled down the corridor at Mach 1 and struck
me full in the face.

I started running. By the time I had arrived, Angel had wrapped Fenrick's
long extension cord around the doorknob, held it with his boxing gloves, put
his foot against the door, and pulled it apart with a thick blue spark and
a shower of fire. The extension cord shorted out and smoked briefly until
circuit breakers shut down all public-area power to the wing.

AC/DC went dead, clearing the air for the climax of the fugue. Angel walked
past the petrified Ephraim Klein and pawed at the tape deck, trying to get
at the tape. Frustrated by the boxing gloves, he turned and readied a mighty
kick into the cone of a sub-woofer, when finally I arrived and tackled him
onto a bed. Angel relaxed and sat up, occasionally pounding his bright-red
cinderblock-scarred gloves together with meaty thwats, sweating like the boxer
he was, glowering at the Go Big Red Fan.

The fugue ended and Ephraim shut off the tape. I went over and closed the
door. "Okay, guys, time for a little talk. Everyone want to have a little
talk?"

John Wesley Fenrick looked out the window, already bored, and nodded almost
imperceptibly. Ephraim Klein jumped to his feet and yelled, "Sure, sure,
anytime! I'm happy to be reasonable!" Angel, who was unlacing his right boxing
glove with his teeth, mumbled, "I been talking to them for two months and they
don't do shit about it."

"Hmm," I said, "I guess that tells the story, doesn't it? If you two refuse
to be reasonable, Angel doesn't have to be reasonable either. Now it seems to
me you need a set of rules that you can refer to when you're arguing about
stereo rights. For instance, if one guy goes to pee, the other can't seize air
rights. You can't touch each other's property, and so on. Ephraim, give me
your typewriter and we'll get this down."

So we made the Rules and I taped them to the wall, straddling the boundary
line of the room. "Does that mean I only have to follow the Rules on my half
of the page," asked Fenrick, so I took it down and made a new Rule saying that
these were merely typed representations of abstract Rules that were applicable
no matter where the typed representations were displayed. Then I had the two
sign the Rules, and hinted again that I just didn't know what Angel might do
if they made any more noise. Then Angel and I went down to my place and had
some beers. Law, and the hope of silence and order, had been established on
our wing.

                                 --November--                                 

Fred Fine was trying to decide whether to lob his last tactical nuke into
Novosibirsk or Tomsk when a frantic plebe bounced up and interrupted the
simulation with a Priority Five message. Of course it was Priority Five; how
else could a plebe have dared interrupt Fred Fine's march to the Ob'? "Fred,
sir," he gasped. "Come quick, you won't believe it." "What's the situation?"

"That new guy. He's about to win World War II!"

"He is? But I thought he was playing the Axis!"

Fred Fine brushed past the plebe and strode into the next room. In its center,
two Ping-Pong tables had been pushed together to make room for the eight-piece
World War II map. On one side stood the tall, aquiline Virgil Gabrielsen--
the "new guy"-- and on the other, Chip Dixon shifted from foot to foot and
snapped his fingers incessantly, Because this was the first wargame Virgil had
ever played, he was still only a Private, and held Plebe status. Chip Dixon, a
Colonel, had been gaming for six years and was playing the Allies, for God's
sake! Usually the only thing at question in this game was how many Allied
divisions the Axis could consume before Berlin inevitably fell.

At the end of the map, where the lines of longitude theoretically converged
to make the North Pole, Consuela Gorm, Referee, sat on a loveseat atop a
sturdy table. On the small stand before her she riffled occasionally through
the inch-thick rule b k, punched away at her personal computer, made notes on
scratch paper and peered down at Europe with a tiny pair of opera glasses.
Surrounding the tables were twenty other garners who had come to observe the
carnage shortly after Virgil had V-2'd Birmingham into gravel. Many stood on
chairs, using field glasses of their own, and one geek was tottering around
the area on a pair of stilts, loudly and repeatedly joking that he was a Nazi
spy satellite. The attention of all was focused on tens of thousands of little
cardboard squares meticulously stacked on the hexagonally patterned playing
field. The game had been on for nine and a half hours and Chip Dixon was
obviously losing it fast, popping Cheetos into his mouth faster than he could
grind them into paste with his hyperactive yellow molars, often gulping Diet
Pepsi and hiccuping. Virgil was calm, surveying the board through half-closed
eyes, hands behind back, lips slightly parted, wandering around in a world
inside his head, oblivious to the surrounding nerds. A hell of a warrior,
thought Fred Fine, and this only his first game!

"Here comes the Commander," shouted the guy on stilts as he rounded the
Japanese-occupied Aleutians, and the observers' circle parted so Fred Fine
could enter. Chip Dixon blushed vividly and looked away, moving his lips as he
cursed to himself. "Very interesting," said Fred Fine.

Great stacks of red cardboard squares surrounded Stalin-grad and Moscow, which
were protected only by pitiable little heaps of green squares. In Normandy an
enormous Nazi tank force was hurling the D-Day invasion back into the Channel
so forcefully that Fred Fine could almost hear the howl of the Werfers and
see the bodies fall screaming into the scarlet brine. In Holland, a Nazi
amphibious force made ready to assault Britain. In front of Virgil, lined up
on the edge of the table as trophies, sat the four Iowa-class battleships, the
Hornet, and other major ships of the American navy.

Chip Dixon was increasingly manic, his blood pressure Pumped to the hemhorrage
point by massive overdoses of salt and Diet Pepsi, his thirst insatiable
because of the nearly empty Jumbo Paic of Cheetos. Sweat dripped from his brow
and fell like acid rain on Scandinavia. He bent over and tried to move a stack
of recently mobilized Russians toward Moscow, but as he shoved one point of
his tweezers under the stack he hiccupped violently and ended up scattering
them all over the Ukraine. "Shit!" he screamed, dashing a Cheeto to the floor.
"I'm sorry, Consuela, I forget which hex it was on."

Consuela did not react for several seconds, and the reflection of the rule
book in her glasses gave her an ominous, inscrutable look. Everyone was still
and apprehensive. "Okay," she said in soft, level tones, "that unit got lost
in the woods and can't find its way out for another turn."

"Wait!" yelled Chip Dixon. "That's not in the Rules!" "It's okay," said Virgil
patiently. "That stack contained units A2567, A2668, A4002, and 126789, and
was on hex number 1,254.908. However, unit A2567 clashed with Axis A1009 last
turn, so has only half movement this turn-- three hexes."

Cowed, Chip Dixon breathed deeply (Fred Fine's suggestion) and reassembled
the stack. Unit A2567 was left far behind to deal with a unit of about twenty
King Tiger Tanks which was blasting unopposed up the Dniepr. Chip Dixon then
straightened up and thought for about five minutes, ruffling through his notes
for a misplaced page. Consuela made a gradated series of noises intended to
convey rising impatience. "Listen, Chip, you're already way over the time
limit. Done?"

"Yeah, I guess."

"Any engagements?"

"No, not this turn. But wait 'til you see what's coming." Okay, Virgil, your
turn."

Virgil reached out with a long probe and quickly shoved stacks of cardboard
from place to place; from time to time a move would generate a gasp from the
crowd. He then ticked off a list of engagements, giving Consuela data on what
each stack contained, what its combat strength was, when it had last fought
and so forth. When it was over, an hour later, there was long applause from
the membership of MARS. Chip Dixon had sunk to the floor to sulk over a tepid
Cola.

"Incredible," someone yelled, "you conquered Stalingrad and Moscow and
defeated D-Day and landed in Scotland and Argentina all at the same time!"

At this point Chip Dixon, who had refused to concede, stood up and blew most
of the little cardboard squares away in a blizzard of military might. Fred
Fine was angry but controlled. "Chip, ten demerits for that. I ought to bust
you down to Second Looie for that display. Just for that, you get to put the
game away. And organize it right." Chastened, Chip and two of his admirers
set about sorting all of the pieces of cardboard and fitting them into the
appropriate recesses in the injection-molded World War II carrying case. Fred
Fine turned his attention to Virgil.

"A tremendous victory." He drew his fencing foil and tapped Virgil once on
each shoulder as Virgil looked on skeptically. "I name you a Colonel in MARS.
It's quite a jump, but a battlefield commission is obviously in order."

"Oh, not really," said Virgil, bored. "It's more a matter of a good memory
than anything else."

"You're modest. I like that in a man."

"No, just accurate. I like that."

Fred Fine now drew Virgil aside, away from the dozen or so wargame aficionados
who were still gaping at one another and pounding their heads dramatically
on the walls. The massively corpulent Consuela was helped down from her
eleven-hour perch by several straining MARS officials, and began to roll
toward them like a globule of quicksilver.

"Virgil," said Fred Fine quietly, "you're obviously a special kind of man.
We need men like you for our advanced games. These board games are actually
somewhat repetitive, as you pointed out. Want a little more excitement next
time?"

Virgil drew away. "What do you have in mind?"

"You've heard of Dungeons and Dragons?" A gleam came to Fred Fine's eye, and
he glanced conspiratorially at Consuela. "Sure. Someone designs a hypothetical
dungeon on graph paper, puts different monsters and treasure in the rooms, and
each player has a character which he sends through it, trying to take as much
treasure as possible. Right?"

"Oh, only in its crudest, simplest forms, Virgil," said Consuela. "This one
and his friends prefer a more active version." "Sewers and Serpents," said
Consuela, nodding happily. "The idea is the same as D & D, but we use a real
place, and real costumes, and act it all out. Much more realistic. You see,
beneath the Plex is a network of sewer tunnels."

"Yeah, I know," said Virgil. "I've got the blueprints for this place
memorized, remember."

Fred Fine was taken aback. "How?"

"Computer drew them for me."

"Well, we'd have to give you a character who had some good reason for knowing
his way around the tunnels."

"Like maybe, uh," said Consuela, eyes rolled up, "maybe he happened to see
a duel between some hero who had just come out of the Dungeon of Plexor"--
"That's what we call the tunnels," said Fred Fine.

-- "and some powerful nonsentient beast such as a gronth, and the gronth
killed the hero, and then Virgil's character came and found a map on his body
and memorized it."

"Or we could make him a computer expert in TechnoPlexor who got a peek at
the plans the same way Virgil did "Excuse me a sec, but what do you do for
monsters?" asked Virgil Well we don t have real ones We Just have to pretend
and use the official S & S rules, developed by MARS through a constitutional
process over several years. We maintain two-way radio contact with our
referee, Consuela, who stays in the Plex and runs the adventure through a
computer program we've got worked out. The computer also performs statistical
combat simulation."

"So you slog around in the shit, and the computer says you're being attacked
by monsters, and she reads it off the CRT and says that according to the
computer you've lost a finger, or the monster's dead, that sort of thing?"

"Well, it's more exciting than you make it sound, and the Dungeon Mistress
makes it better by amplifying the description generated by the computer. I
recommend you try it. We've got an outing in a couple of weeks."

"I don't know, Fred, it's not my cup of tea. I'll think about it, but don't
count on my coming."

"That's fine. Consuela just needs to know a few hours ahead of time so she can
have SHEKONDAR-- the computer program-- prepare a character for you."

Virgil assented to everything, nodded a lot, said he'd be getting back to them
and hurried out, shaking his head in amazed disgust. Unlikely as it seemed,
this place could still surprise him.

My involvement with Student Government was due to my being
faculty-in-residence. I served as a kind of minister without portfolio,
investigating whatever topic interested me at the moment, talking to students,
faculty and administrators, and contributing to governmental discussions the
point of view of an older, supposedly wiser observer. As I had no idea what
was going on at the Big U until much later, my contributions can't have done
much good. I did visit the Castle in the Air on several occasions, anyway, and
whenever I did I was presented with a visual display in three stages.

The first was a prominent mural on the wall of the Study Lounge, clearly
visible through the windows from the elevator lobby. Even if I had been
visiting one of E12's other wings, therefore, I couldn't have failed to
notice that E12S was a wing among wings. Here, as described, the Castle was
painted in yellow-- not a typical color for castles, but much nicer than
realistic gray or brown. The Castle, stolen directly from a book of Disney
illustrations, floated on a cloud that looked like a stomped marshmallow,
not a thunderhead, Seemingly too meager to support its load. Below, more
Disney characters frolicked on an undulating green lawn, a combined golf
course/cartoon character refuge with no sand traps, one water hazard and no
visible greens. The book of illustrations was not large, and each character
was shown in only one or two poses which had to be copied over and over again
in populating this great lawn. Monotony had rendered the painters somewhat
desperate-- what was that penguin doing there? And why had they included that
evil gray wolf, wagging his red tongue at the stiff cloned Bambis from behind
a spherical shrub? But most agreed that the mural was nice-- indeed, so nice
that "nice" was no longer adequate by itself; in describing it, Airheads had
to amplify the word by saying it many, many times and making large gestures
with their hands.

The second stage of the presentation was the entryways -- two identical
portals, one at the beginning of each of the wing's two hallways. Here, at
the fire doors by the Study Lounge, the halls had been framed in thick wooden
beams-- actually papier-mâchéd boxes-- decorated with plastic flowers and
welcoming messages. The fire doors themselves had been covered with paper
and painted so that, when they were closed, I could see what looked like a
stairway of light yellow stone rising up from the floor and continuing skyward
until further view was blocked by the beam along the ceiling.

Going through these doors, and therefore up the symbolic stair, I found myself
in a light yellow corridor gridded with thin wavy black lines supposed to
represent joints between the great yellow building-stones of which the Castle
was constructed. These were closely spaced in the first part of the hallway,
but the crew had found this work tedious and decided that in the back sections
much larger stones were used to build the walls. Here and there, torches, fake
paintings, suits of armor and the like were painted on the walls.

Each individual room, then, was the province of the occupants, who could turn
it into any fantasy-land they wanted. One or two of them painted murals on
paper and pasted them to their doors. These murals purported to be windows
looking down on the scene below, an artistic challenge too great for most of
them.

On each visit to Sarah, then, I was introduced to the Castle in the Air in
the manner of a TV viewer. The elevator doors would fade out and there sat
the Castle on its cloud, viewed through a screen of glass. The view would
then switch to a traveling shot of the stairway leading up to the castle--
evidently a long one. Through the magic of video editing, the stair would
flatten, part and swing away, and I would be instantly jump-cut to the halls
of the Castle proper, where to confirm that it had all happened I could pause
at windows here and there and look down at the featureless plains from which I
had just ascended.

So much for the opening credits; what about the plot? The plot consisted
almost entirely of parties and tame sexual intrigue with the Terrorists.
The Airheads were not disturbed by the fact that their home was not much of
a castle -- the Terrorists or anyone else could invade at any time-- and
that far from being up in the air, it was squashed beneath nineteen other
Terrorist-infested floors. The Airheads got along by pretending that any man
who showed up on their floor was a white knight on beck and call. Certain evil
influences, though, could not be kept out by any amount of painting, and among
these was the fire alarm system.

Early in the morning of November the Fifth, Mari Meegan was ejected from her
chamber by three City firefighters investigating a full-tower fire alarm.
Versions differed as to whether the firefighters had used physical force, but
to the lawyers subsequently hired by Man's father it did not matter; the issue
was the mental violence inflicted on Man, who was forced to totter down the
stairway and join the sleepy throng below with only patches of bright blue
masque painted on her face.

This situation had not previously arisen because it usually took at least
half an hour between the ringing of the alarm and the arrival of the firemen
on their tour through the tower. Thirty minutes was time enough for Mari to
apply a quickie makeup job which would prevent her from looking "disgusting"
even during full moons outside, and, as the lawyers took pains to document
and photograph, her emergency thirty-minute face kit was set up and ready to
go on a corner of her dresser. Next to it was the masque container, which was
for "super emergencies"; given a severely limited time to prepare, she could
tear this open and paint a blue oval over her face that would serve partly to
diguise and partly to show those who recognized her that she cared about her
appearance. But on this particular morning, certain Terrorists from above had
demonstrated their mechanical aptitude by disabling the E12S alarm bell with
a pair of bolt cutters. The more distant ringing of the E12E bell had not
overborne the soft nocturnal beat of Marl's stereo, and by the time she had
realized what was happening, and energized the evening light simulation tubes
on her makeup center, the sirens were already wafting up from the Death Vortex
below.

The Fire Marshall was not amused. Alter a week's worth of rumors that
portrayed the Fire Marshall as a Nazi and a pervert, it was decreed that
henceforth during fire drills the RAs would go door-to-door with their master
keys and make sure everyone left their rooms immediately. This grim ruling
inspired a wing meeting at which Hyacinth wearily suggested they all purchase
ski masks, since it was getting cold outside anyway, and wear them down to the
street during fire drills. "Stay together and you will be totally anonymous,
by which I mean no one will know who you are, or what you look like at three
in the morning The Airheads appointed Teri, a Fashion Merchandising major to
pick out ski masks with a suitable color scheme.

In private Hyacinth came up with an acronym for them: SWAMPers. This meant
that as a bare minimum they found it necessary to Shave Wash Anoint Make up
and Perfume all parts of their body at least once a day. Their insistence
on doing this often made Sarah wonder about her own appearance-- her use
of cosmetics was minimal-- but Hyacinth and I and everyone else assured
her she looked fine. When preparing for the long nasty Student Government
budget meeting in early November Sarah looked briefly through her shoebox of
miscellaneous cosmetics then shoved it under the bed again. She had greater
things to worry about.

As for clothes, it came down to a choice between her most businesslike outfit,
a grey wool skirt suit, and a somewhat brighter dress. She picked the suit,
though she knew it would lay her open to accusations of fascism from the
Stalinist Underground Battalion (SUB), wound her hair into a bun, and steeled
herself for madness.

The SUB got there an hour before anyone else and had their banners planted
and their rabid handouts sown before the Government even showed up. We met
in the only room we could find that was reasonably private. Behind us came
the TV crews, and then the reporters from the Monoplex Monitor and the
People's Truth Publication, who sat in the first row, right in front of the
Stalinists. Finally Lecture Auditorium 3 filled up with supplicants from
various organizations, all deeply shocked and dismayed at how little funding
they were receiving, all bearing proposed amendments.

First we slogged through the parliamentary trivia, including a bit of
"new business" in which the SUB introduced a resolution to condemn the
administration for massive human rights violations and to call for its
abolition. Then we came to the real purpose of the meeting: amendments to the
proposed budget. A line formed behind the microphone on the stage, and at its
head was a SUB member. "I move." he said, "that we pass no budget at all,
because the budget has to be approved by the administration, and so we haven't
got any control over our own activity money." On cue, behind the press corps,
eight SUBbies rose to their feet bearing a long banner: TAKE BACK CONTROL
OF STUDENT ACTIVITIES CAPITAL FROM THE KRUPP JUNTA. "The money's ours, the
money's ours, the money's ours . ."

We had expected all this and Sarah was undisturbed. She sat back from her
microphone and took a sip of water. letting the media record the event for
the ages. Once that was done she gaveled a few times and talked them back
into their seats. She was about to start talking again when the last standing
SUBbie shouted, "Student Government is a tool of the Krupp cadre!"

Behind him, most of the audience shouted things like "eat rocks" and "shut up"
and "shove it."

"If you're finished interfering with the democratic process," Sarah said,
"this tool would like to get on with the budget. We have a lot to do and
everyone needs to be very, very brief." Student Government was made up of the
Student Senate, which represented each of the 200 residential wings of the
Plex, and the Activities Council, comprising representatives from each. of the
funded student organizations, numbering about 150. The distribution of funds
among the Activities Council members was decided on by a joint session, which
was our goal for the evening.

The Student Senate was crammed with SUBbies and members of an outlaw Mormon
splinter group called the Temple of Unlimited Godhead (TUG). Each of these
groups claimed to represent all the students. As Sarah explained, no one in
his right mind was interested in running for Student Senate, explaining why it
was filled with fanatics and political science majors. Fortunately, SUB and
TUG canceled each other out almost perfectly.

"I'm tired of having all aspects of my life ruled by this administration that
doesn't give a shit for human rights, and I think it's time to do something
about it," said the first speaker. There was a little applause from the front
and lots of jeering. A hum filled the air as the TUG began to OMMMM…at middle
C-- a sort of sonic tonic which was said to clear the air of foul influences
and encourage spiritual peace; overhead, a solitary bat, attracted by the
hum, swooped down from a perch in the ceiling and flitted around, occasioning
shrieks and violent motion from the people it buzzed. "At this university we
don't have free speech, we don't have academic freedom, we don't even have
power over our own money!"

At the insistence of the audience, Sarah broke in after a few minutes. "If
you've got any specific human rights violations you're concerned about, there
are some international organizations you can go to, but there's not much the
Student Senate can do. So I suggest you go live somewhere else and let someone
else propose an amendment."

Shocked and devastated, the speaker gaped at Sarah as the TV lights slammed
into action. He held the stare for several seconds to allow the camera
operators to focus and adjust light level, then surveyed the cheering and
OMming crowd, face filled with bewilderment and shock.

"I don't believe this," he said, staring into the lenses. "Who says we have
freedom of speech? My God, I've come up here to express a free opinion, and
just because I am opposed to fascism, the President of the Student Government
tries to throw me out of the Plex! My home! That's right, if these different
people don't like being oppressed, just throw them out of their homes into
the dangerous city! I didn't think this kind of savagery was supposed to
exist in a university." He shook his head in noble sadness, surveyed the
derisive crowd defiantly, and marched away from the mike to grateful applause.
Below, he answered questions from the media while the next student came to the
microphone.

He looked like a male cheerleader for a parochial school football team, being
handsome, well groomed, and slightly pimpled. As he took possession of the
mike the OM stopped. He kept his eye on a middle-aged fellow standing in the
aisle not far away, who in turn watched the SUBbie's press conference in front
of the stage. Finally the older gentleman held up three fingers. The TUGgie
shoved his fist between his arm and body and spoke loudly and sharply into the
mike.

"I'd like to announce that I have caught a bat here in my hand, and now
I'm going to bite the head off it right here as a sacrifice to the God of
Communism."

Below, the SUBbie found himself in absolute darkness, and tripped over a power
cord. Simultaneously the TUGgie squinted as all lights were swung around to
bear on him. He smiled and began to talk in a calm chantlike voice. "Well,
well, well. I've got a confession. I'm not really going to bite the head off
a bat, because I don't even have one, and I'm not a Communist." There was now
a patter of what sounded like canned TV laughter from the TUG section. "I
just did that as a little demonstration, to show you folks how easy it is to
get the attention of the media. We can come and talk about serious issues and
do real things, but what gets TV coverage are violent eye-catching events, a
thing which the Communists who wish to destroy our society understand very
well. But I'm not here to give a speech, I'm here to propose an amendment. .
." Here he was dive-bombed by the bat, who veered away at the last moment;
the speaker jumped back in horror, to the amusement of almost everyone. The
TUGgies laughed too, showing that, yes, they did have a sense of humor no
matter what people said. The speaker struggled to regain his composure.

"The speech! Resume the speech! The amendment!" shouted the older man.

"My budget proposal is that we take away all funding for the Stalinist
Underground Battalion and distribute it among the other activities groups."

The lecture hall exploded in outraged chanting, uproarious applause, and OM.
Sarah sat for about fifteen seconds with her chin in her hand, then began
smashing the gavel again. I was seated off to the side of the stage, poised to
act as the strong-but-lovable authority figure, but did not have to stand up;
eventually things quieted down.

"Is there a second to the motion?" she asked wearily. The crowd screamed YES
and NO.

The speaker yielded to another TUGgie, who stood rigidly with a stack of
3- x -5 cards and began to drone through them. "At one time the leftist
organizations of American Megaversity could claim that they represented some
of the students. But the diverse organizations of the Left soon found that
they all had one member who was very strident and domineering and who would
push the others around until he or she had risen to a position of authority
within the organization. These all turned out to be secretly members of the
Stalanist Underground Battalion who had worked themselves in organizations in
order to merge the Left into a single bloc with no diversity or freedom of
thought. The SUB took over a women's issues newsletter and turned it into the
People's Truth Publication, a highly libelous so-called newspaper. In the same
way…"

He was eventually cut off by Sarah. SUB spokespersons stated their views
passionately, then another TUGgie. Finally a skinny man in dark spectacles
came to the mike, a man whom Sarah recognized but couldn't quite place. He
identified himself as Casimir Radon and said he was president of the physics
club Neutrino. He quieted the crowd down a bit, as his was the first speech of
the evening that was not entirely predictable.

"I'd like to point out that you've only given us four hundred dollars," he
said. "We need more. I've done some analysis of the way our activity money
is budgeted, which I will just run through very quickly here-- " he fumbled
through papers as a disappointed murmur rose from the audience. How long
was this nerd going to take? The cameramen put new film and tape in their
equipment as lines formed outside by the restrooms.

"Here we go. I won't get too involved in the numerical details-- it's all
just arithmetic-- but if you look at the current budget, you see that a small
group of people is receiving a hugely disproportionate share of the money. In
effect, the average funding per member of the Stalinist Underground Battalion
is $114.00, while the figure for everyone else averages out to about $46.00,
and only $33.00 for Neutrino. That's especially unfair because Neutrino needs
to purchase things like books and equipment, while the expenses of a political
organization are much lower. I don't think that's fair."

The SUB howled at this preposterous reasoning but everyone else listened
respectfully.

"So I move we cut SUB funding to the bare minimum, say, twenty bucks per
capita, and give Neutrino its full request for a scientific research project,
$1500.00."

The rest of the evening, anyway, was bonkers, and I'll not go into detail.
It was insignificant anyway, since the administration had the final say; the
Student Government would have to keep passing budgets until they passed one
that S. S. Krupp would sign, and the only question was how long it would
take them to knuckle under. Time was against the SUB. As the members of the
government got more bored, they became more interested in passing a budget
that would go through the first time around. Eventually it became obvious
that the SUB had lost out, and the only thing wanting was the final vote.
The highlight of the evening came just before that vote: the speech of Yllas
Freedperson.

Yllas, the very substantial and brilliant leader of the SUB, was a heavy
black woman in her early thirties, in her fifth year of study at the Modern
Political Art Workshop. She had a knack for turning out woodblock prints
portraying anguished faces, burning tenements, and thick tortured hands
reaching for the sky. Even her pottery was inspired by the work of wretched
Central American peasants. She was also editor and illustrator of the People's
Truth Publication, but her real talent was for public speaking, where she had
the power of a gospel preacher and the fire of a revolutionary. She waited
dignified for the TV lights, then launched into a speech that lasted at least
a quarter of an hour. At just the right times she moaned, she chanted, she
sang, she reasoned, she whispered, she bellowed, she just plain spoke in a
fluid and hypnotically rhythmic voice. She talked about S. S. Krupp and the
evil of the System, how the System turned good into bad, how this society
was just like the one that caused the Holocaust, which was no excuse for
Israel, about conservatism in Washington and how our environment, economic
security, personal freedom, and safety from nuclear war were all threatened
by the greedy action of cutting the SUB's budget. Finally out came the names
of Martin Luther King, Jr., Marx, Gandhi, Che, Jesus Christ, Ronald Reagan,
Hitler, S. S. Krupp, the KKK, Bob Avakian, Elijah Mohammed and Abraham
Lincoln. Through it all, the bat was active, dipping and diving crazily
through the auditorium, divebombing toward walls or lights or people but
veering away at the last moment, flitting through the dense network of beams
and cables and catwalks and light fixtures and hanging speakers and exposed
pipes above us at great smooth speed, tracing a marvelously complicated path
that never brushed against any solid object. All of it was absorbing and
breathtaking, and when Yllas Freedperson was finished and the bat, perhaps no
longer attracted by her voice. slipped up and disappeared into a corner, there
was a long silence before the applause broke out.

"Thank you, Yllas," said Sarah respectfully. "Is there any particular motion
you wanted to make or did you just want to inject your comments?"

"I move," shouted Yllas Freedperson, "that we put the budget the way it was."

The vote was close. The SUB lost. Recounting was no help. They took the
dignified approach, forming into a sad line behind Yllas and singing "We Shall
Overcome" in slow tones as they marched out. Above their heads they carried
their big black-on-red posters of S. S. Krupp with a target drawn over his
face, and they marched so slowly that it took two repetitions of the song
before they made it out into the hallway to distribute leaflets and posters.

Sarah, three members of her cabinet and I gathered later in my suite for wine.
Alter the frenzy of the meeting we were torpid, and hardly said anything for
the first fifteen minutes or so. Then, as it commonly did those days, the
conversation came around to the Terrorists.

"What's the story on those Terrorist guys?" asked Willy, a business major who
acted as Treasurer. "Are they genuine Terrorists?"

"Not on my floor," said Sarah, "since they subjugated us. We're living in...
the Pax Thirteenica."

"I've heard a number of stories," I said. Everyone looked at me and I
shifted into my professor mode and lit my pipe. "Their major activity is
the toll booth concept. They station Terrorists in the E13 elevator lobby
who continually push the up and down buttons so that every passing elevator
stops and opens automatically. If it doesn't contain any non-students or
dangerous-looking people, they hold the door open until everyone gives them
a quarter. They have also claimed a section of the Cafeteria, and there have
been fights over it. But nothing I'd call true terrorism."

"How about gang rape?" asked Hillary, the Secretary, quietly. Everything got
quiet and we looked at her.

"It's just a rumor," she said. "Don't get me wrong. It hasn't happened to
me. The word is that a few of the hardcore Terrorists do it, kind of as an
initiation. They go to big parties, or throw their own. You know how at a big
party there are always a few women-- typical freshmen-- who get very drunk.
Some nice-looking Terrorist approaches the woman-- I hear that they're very
good at identifying likely candidates-- and gets into her confidence and
invites her to another party. When they get to the other party, she turns
out to be the only woman there, and you can imagine the rest. But the really
terrible thing is that they go through her things and find out where she
lives and who she is, then keep coming back whenever they feel like it. They
have these women so scared and broken that they don't resist. Supposedly the
Terrorists have kind of an invisible harem, a few terrified women all over the
Plex, too dumb or scared to say anything."

I was sitting there with my eyes closed, like everyone else a little queasy.
"I've heard of the same thing elsewhere," I said. "I wonder if it's happened
to any Airheads," murmured Sarah. "God, I'll bet it has. I wonder if any of
them know about it. I wonder if they even understand what is being done to
them-- some of them probably don't even understand they have a right to be
angry." "How could anyone not understand rape?" said Hifiary. "You don't know
how mixed up these women are. You don't know what they did to me, without
even understanding why I didn't like it. You can't imagine those people--
they have no place to stand, no ideas of their own-- if one is raped, and not
one of her friends understands, where is she? She's cut loose, the Terrorists
can tell her anything and make her into whatever they want. Shit, where are
those animals going to stop? We're having a big costume party with them in
December."

"There's a party to avoid," said Hillary.

"It's called Fantasy Island Nite. They've been planning it for months. But by
the time the semester is over, those guys will be running wild."

"They've been running wild for a long time, it sounds like," said Willy.
"You'd better get used to that, you know? I think you're living in the law of
the jungle." That sounded a trifle melodramatic, but none of us could find a
way to disagree.

Sarah and Casimir met in the Megapub, a vast pale airship hangar littered
with uncertain plastic tables and chairs made of steel rods bent around
into uncomfortable chairlike shapes that stabbed their occupants beneath
the shoulder blades. At one end was a long bar, at the other a serving bay
connected into the central kitchen complex. Casimir declined to eat Megapub
food and lunched on a peanut butter-and-jelly sandwich made from overpriced
materials bought at the convenience store and a plastic cup of excessively
carbonated beer. Sarah used the salad bar. They removed several trays from a
window table and stacked them atop a nearby wastebasket, then sat down.

"Thanks for coming on short notice," said Sarah. "I need all the help I can
get in selling this budget to Krupp, and your statistics might impress him."

Casimir, chewing vigorously on a big bite of generic white bread and generic
chunkless peanut butter, drew a few computer-printed graphs from his backpack.
"These are called Lorentz curves," he mumbled, "and they show equality of
distribution. Perfect equality is this line here, at a forty-five degree
angle. Anything less than equal comes out as a curve beneath the equality
line. This is what we had with the old budget." He displayed a graph showing
a deeply sagging curve, with the equality line above it for comparison. The
graph had been produced by a computer terminal which had printed letters at
various spots on the page, demonstrating in crude dotted-line fashion the
curves and lines. "Now, here's the same analysis on our new budget." The new
graph had a curve that nearly followed the equality line. "Each graph has a
coefficient called the Gini coefficient, the ratio of the area between the
line and curve to the area under the line. For perfect equality the Gini
coefficient is zero. For the old budget it was very bad, about point eight,
and for the new budget it is more like point two, which is pretty good."

Sarah listened politely. "You have a computer program that does this?"

"Yeah. Well, I do now, anyway. I just wrote it up."

"It's working okay?"

Casimir peered at her oddly, then at the graphs, then back at her. "I think
so. Why?"

"Well, look at these letters in the curves." She pulled one of the
graphs over and traced out the letters indicating the Lorentz curve:
FELLATIOBUGGERYNECROPHILIACUNNILINGUSANALINGUSBESTIALITY....

"Oh," Casimir said quietly. The other curve read:
CUNTFUCKSHITPISSCOCKASSHOLETITGIVEMEANENEMABEATMELICKMEOWNME.... Casimir's
face waxed red and his tongue was protruding slightly. "I didn't do this.
These are supposed to say, 'new budget' and 'old budget.' I didn't write
this into the program. Uh, this is what we call a bug. They happen from time
to time. Oh, Jeez, I'm really sorry." He covered his face with one hand and
grabbed the graphs and crumpled them into his bag.

"I believe you," she said. "I don't know much about computers, but I know
there have been problems with this one."

About halfway through his treatise on Lorentz curves it had occurred to
Casimir that he was in the process of putting his foot deeply into his mouth.
She was an English major; he had looked her up in the student directory to
find out; what the hell did she care about Gini coefficients? Sarah was still
smiling, so if she was bored she at least respected him enough not to show.
He had told her that he'd just now written this program up, and that was bad,
because it looked-- oy! It looked as though he were trying to impress her, a
sophisticated Humanities type, by writing computer programs on her behalf as
though that were the closest he could come to real communication. And then
obscene Lorentz curves!

He was saved by her ignorance of computers. The fact was, of course, that
there was no way a computer error could do that-- if she had ever run a
computer program, she would have concluded that Casimir had done it on
purpose. Suddenly he remembered his conversation with Virgil. The Worm! It
must have been the Worm. He was about to tell her, to absolve himself, when he
remembered it was a secret he was honor bound to protect.

He had to be honest. Could it be that he had actually written this just to
impress her? Anything printed on a computer looked convincing. If that had
been his motive, this served him right. Now was the time to say something
witty, but he was no good at all with words-- a fact he didn't doubt was
more than obvious to her. She probably knew every smart, interesting
man in the university, which meant he might as well forget about making
any headway toward looking like anything other than an unkempt, poor,
math-and-computer-obsessed nerd whose idea of intelligent conversation was to
show off the morning's computer escapades.

"You didn't have to go to the trouble of writing a program." "Ha! Well, no
trouble. Easier to have the machine do it than work it out by hand. Once you
get good on the computer, that is." He bit his up and looked out the window.
"Which isn't to say I think I'm some kind of great programmer. I mean, I am,
but that's not how I think of myself."

"You aren't a hacker," she suggested.

"Yeah! Exactly." Everyone knew the term "hacker," so why hadn't he just
said it? She looked at him carefully. "Didn't we meet somewhere before? I
could swear I recognize you from somewhere." He had been hoping that she had
forgotten, or that she would not recognize him through his glacier glasses.
That first day, yes, he had read her computer card for her-- a hacker's
idea of a perfect introduction! "Yeah. Remember Mrs. Santucci? That first
day?" She nodded her head with a little smile; she remembered it all, for
better or worse. He watched her intensely, trying to judge her reaction.
"Yes," she said, "sure. I guess I never properly thanked you for that, so--
thank you." She held out her hand. Casimir stared at it, then put out his
hand and shook it. He gripped her firmly-- a habit from his business, where
a crushing handshake was a sign of trustworthiness. To her he had probably
felt like an orangutan trying to dislocate her shoulder. Besides which, some
apple-blackberry jam had dripped out onto the first joint of his right index
finger some minutes ago, and he had thoughtlessly sucked on it.

She was awfully nice. That was a dumb word, "nice," but he couldn't come up
with anything better. She was bright, friendly and understanding, and kind to
him, which was good of her considering his starved fanatical appearance and
general fabulous ugliness. He hoped that this conversation would soon end and
that they would come out of it with a wonderful relationship. Ha.

No one said anything; she was just watching him. Obviously she was! It was his
turn to say something! How long had he been sitting there staring into the
navy-blue maw of his mini-pie? "What's your major?" they said simultaneously.
She laughed immediately, and belatedly he laughed also, though his laugh was
sort of a gasp and sob that made him sound as if he were undergoing explosive
decompression. Still, it relaxed him slightly. "Oh," she added, "I'm sorry. I
forgot Neutrino was for physics majors."

"Don't be sorry." She was sorry? I'm an English major."

"Oh." Casimir reddened. "I guess you probably noticed that English is not my
strong point."

"Oh, I disagree. When you were speaking last night, once you got rolling you
did very well. Same goes for today, when you were describing your curves. A
lot of the better scientists have an excellent command of language. Clear
thought leads to clear speech."

Casimir's pulse went up to about twice the norm and he felt warmth in the
lower regions. He gazed into the depths of his half-drained beer, not knowing
what to say for fear of being ungrammatical. "I've only been here a few weeks,
but I've heard that S. S. Krupp is quite the speaker. Is that so?"

Sarah smiled and rolled her eyes. At first Casimir had considered her just
a typically nice-looking young woman, but at this instant it became obvious
that he had been wrong; in fact she was speilbindingly lovely. He tried not to
stare, and shoved the last three bites of pie into his mouth. As he chewed he
tried to track what she was saying so that he wouldn't lose the thread of the
conversation and end up looking like an absent-minded hacker with no ability
to relate to anyone who wasn't destined to become a machine-language expert.

"He is quite a speaker," she said. "If you're ever on the opposite side of a
question from S. S. Krupp, you can be sure he'll bring you around sooner or
later. He can give you an excellent reason for everything he does that goes
right back to his basic philosophy. It's awesome, I think."

At last he was done stuffing junk food into his unshaven face. "But when he
out-argues you-- is that a word?"

"Well let it slip by."

"When he does that, do you really agree, or do you think he's just outclassed
you?"

"I've thought about that quite a bit. I don't know." She sat back pensively,
was stabbed by her chair, and sat back up. "What am I saying? I'm an English
major!" Casimir chuckled, not quite following this. "If he can justify it
through a fair argument, and no one else can poke any holes in it, I can't
very well disagree, can I? I mean, you have to have some kind of anchors for
your beliefs, and if you don't trust clear, correct language, how do you know
what to believe?"

'What about intuition?" asked Casimir, surprising himself. "You know the
great discoveries of physics weren't made through argument. They were made in
flashes of intuition, and the explanations and proofs thought up afterward."

"Okay." She drained her coffee and thought about it. "But those scientists
still had to come up with verbal proofs to convince themselves that the
discoveries were real."

So far, Casimir thought, she seemed more interested than peeved, so he
continued to disagree. "Well, scientists don't need language to tell them
what's real. Mathematics is the ultimate reality. That's all the anchor we
need."

"That's interesting, but you can't use math to solve political problems-- it's
not useful in the real world."

"Neither is language. You have to use intuition. You have to use the right
side of your brain."

She looked again at the clock. "I have to go now and get ready for Krupp." Now
she was looking at him-- appraisingly, he thought. She was going to leave! He
desperately wanted to ask her out. But too many women had burst out laughing,
and he couldn't take that. Yet there she sat, propped up on her elbows-- was
she waiting for him to ask? Impossible.

"Uh," he said, but at Lhe same time she said, "Let's get together some other
time. Would you like that?"

"Yeah."

"Fine!" With a little negotiation, they arranged to meet in the Megapub on
Friday night.

"I can't believe you're free Friday night!" he blurted, and she looked at him
oddly. She stood up and held out her hand again. Casimir scrambled up and
shook it gently.

"See you later," she said, and left. Casimir remained standing, watched her
all the way across the shiny floor of the Megapub, then telescoped into his
seat and nearly blacked out.

She did not have to wait long amid the marble-and-mahogany splendor of
Septimius Severus Krupp's anteroom. She would have been happy to wait there
for days, especially if she could have brought some favorite music and maybe
Hyacinth, taken off her shoes, lounged on the sofa and stared out the window
over the lush row of healthy plants. The administrative bloc of the Plex was
an anomaly, like a Victorian mansion airlifted from London and dropped whole
into a niche beneath C Tower. Here was none of the spare geometry of the rest
of the Plex, none of the anonymous monochromatic walls and bald rectangles and
squares that seemed to drive the occupants bonkers. No plastic showed; the
floors were wooden, the windows opened, the walls were paneled and the honest
wood and intricate parquet floors gave the place something of nature's warmth
and diversity. In the past month Sarah had seen almost no wood-- even the
pencils in the stores here were of blond plastic-- and she stared dumbly at
the paneling everywhere she went, as though the detailed grain was there for
a reason and bore careful examination. All of this was an attempt to invest
American Megaversity with the aged respectability of a real university; but
she felt at home here.

"President Krupp will see you now," said the wonderful, witty, kind, civilized
old secretary, and the big panel doors swung open and there was S. S. Krupp.
"Good afternoon, Sarah, I'm sorry you had to wait," he said. "Please come in."

Three of the walls of Krupp's office were covered up to about nine feet
high with bookshelves, and the fourth was all French windows. Above the
bookshelves hung portraits of the founders and past presidents of American
Megaversity. The founding fathers stared sullenly at Sarah through the gloom
of a century and a half's accumulated tobacco smoke, and as she followed the
row of dignitaries around to the other end of the room, their faces shone out
brighter and brighter from the tar and nicotine of antiquity until she got to
the last spaces remaining, where Tony Commodi, Pertinax Rushforth and Julian
Didius III gleamed awkwardly in modern Suits and designer eyeglasses.

The glowing red-orange wooden floor was covered by three Persian rugs,
and the ceiling was decorated with three concentric rings of elaborate
plasterwork surrounding a great domed skylight. A large, carefully polished
chandelier hung on a heavy chain from the center of the skylight. Sarah knew
that the delicate leaded-glass skylight was protected from above by a squat
geodesic dome covered with heavy steel grids and shatterproof Fiberglass
panels, designed to keep everything out of S. S. Krupp's office except for
the sunlight. Nothing short of a B-52 in a power dive could penetrate that
grand silence, though a ring of shattered furniture and other shrapnel piled
about the dome outside attested to the efforts of C Tower students to prove
otherwise.

Krupp led her to a long low table under the windows, and they sat in old
leather chairs and spread their papers out in the grey north light. Between
them Krupp's ever-ready tape recorder was spinning away silently. Shortly the
secretary came in with a silver tea service, and Krupp poured tea and offered
Sarah tiny, cleverly made munchies on white linen napkins embroidered with the
American Megaversity coat of arms.

Krupp was a sturdy man, his handsome cowboy face somewhat paled and softened
by the East. "I understand," he said, "that you had some trouble with those
playground communists last night." "Oh, they were the same as ever. No unusual
problems." "Yes." Krupp sounded slightly impatient at her nonstatement. "I was
pleased to see you disemboweled their budget."

"Oh? What if we'd stayed with the old one?"

"I'd have flushed it." He grinned brightly.

"What about this budget? Is it acceptable?"

"Oh, it's not bad. It's got some warts."

"Well, I want to point out at the beginning that it's easy for you to make
minor adjustments in the budget until the warts are gone. It's much more
difficult for the Student Government to handle. We almost had to call in the
riot police to get this through, and any budget you have approved will be much
harder."

"You're perfectly free to point that out, Sarah, and I don't disagree, doesn't
make much difference."

"Well," said Sarah carefully, "the authority is obviously yours. I'm sure you
can take whatever position you want and back it up very eloquently. But I hope
you'll take into account certain practicalities." Knowing instantly she had
made a mistake, she popped a munchie into her mouth and stared out the window,
waiting.

Krupp snorted quietly and sipped tea, then sat back in his chair and regarded
Sarah with dubious amusement. "Sarah, I didn't expect you, of all people, to
try that one on me. Why is it that everyone finds eloquence so inauspicious?
It's as though anyone who argues clearly can't be trusted-- that's the
opposite of what reasonable people ought to think. That attitude is common
even among faculty here, and I'm just at a loss to understand. I can't talk
like a mongoloid pig-sticker on a three-day drunk just so I'll sound like one
of the boys. God knows I can't support any position, only the right position.
If it's not right, the words won't make it so. That's the value of clear
language."

This was the problem with Krupp. He assumed that everyone always said exactly
what they thought. While this was true of him, it was rarely so with others.
"Okay, sorry," said Sarah. "I agree. I just didn't make my point too well. I'm
just hoping you'll take into account the practical aspects of the problem,
such as how everyone's going to react. Some people say this is a blind spot of
yours." This was a moderately daring thing for Sarah to say, but if she tried
to mush around politely with Krupp, he would cut her to pieces.

"Sarah, it's obvious that people's reactions have to be accounted for. That's
just horse sense. It's just that basic principles are far more important
than a temporary political squabble in Student Government. To you, all those
mono-maniacs and zombies seem more important than they are, and that's why
we can't give you any financial authority. From my point of view I can see a
much more complete picture of what is and isn't important, and one thing that
isn't is a shouting match in that parody of a democratic institution that we
call a government because we are all so idealistic in the university. What's
important is principles."

Suddenly Sarah felt depressed; she sat limply back in her chair. For a while
nothing was said-- Krupp was surprisingly sensitive to her mood.

"Student Government is just a sham, isn't it?" she asked, surprised by her own
bitterness.

"What do you mean by that?"

"It has nothing to do with the real world. We don't make any real decisions.
It's just a bunch of imaginary responsibilities to argue about and put down on
our résumés."

Krupp thought it over. "It's kind of like a dude ranch. If you lose your
dogies, there's someone there to round them up for you. But on the other
hand, if you stand behind your horse you can still get wet. My Lord, Sarah,
everything is real. There's no difference between the 'real' world and this
one. The experience you're gaining is real. But it's true that the importance
ascribed to Student Government is mostly imaginary."

"So what's the point?"

"The point is that we're here to go over this budget, and when I point out
the warts, you tell me why they aren't warts. If you can justify them, you'll
have a real effect on the budget." Krupp spread the pages of the budget out on
the table, and Sarah saw alarming masses of red ink scrawled across them She
felt like whipping out Casimir s graphs but she didn't have them with her and
couldn't risk Krupp's seeing what she had seen.

"Now one item which caught my eye," said Krupp half an hour later, after Sarah
had lost five arguments and won one, "was this money for this little group,
Neutrino. I see they're wanting to build themselves a mass driver."

"Yeah? What's wrong with that?"

"Well," said Krupp patiently, "I didn't say there's anything wrong-- just hold
on, let's not get adverserial yet. You see, we don't often use activities
funds to back research projects. Generally these people apply for a grant
through the usual channels. You see, first estimates of the cost of something
like this are often wildly low, especially when made by young fellows who
aren't quite on top of things yet. This thing is certain to come in over
budget, so we'll either end up with a useless, half-completed heap of junk
or a Neutrino floundering around in red ink. It seems kind of hasty and
ill-considered to me, so I'm just recommending that we strike this item
from the budget, have the folks who want to do this project do a complete,
faculty-supervised study, then try to get themselves a grant."

Sarah sighed and stared at a small ornament on the teapot's handle, thinking
it over.

"Don't tell me," said Krupp. "It's my blind spot again, right?" But he sounded
humorous rather than sarcastic.

"There are several good reasons why you should pass this item. The main factor
is the man who is heading the project. I know him, and he's quite experienced
with this sort of thing in the real world. I know you don't like that term,
President Krupp, but it's true. He's brilliant, knows a lot of practical
electronics-- he had his own business-- and he's deeply committed to the
success of this project."

"That's a good start. But I'm reluctant to see funds given to small
"organizations with these charismatic, highly motivated leaders who have
"pet projects, because that amounts to just a personal gift to the leader.
"Broad interest in the funded activity is important." This is not a personal
"vendetta. The plans were provided for the most part by Professor Sharon. The
"organization is already putting together some of the electronics with their
"own money." Professor Sharon. What an abominable thing that was." Krupp
"stared into the light for a long time. "That was a load of rock salt in the
"butt. If my damn Residence Life Relations staff wasn't tenured and unionized
"I'd fire 'em, find the scum who did that and boot 'em onto the Turnpike.
"However. We should resist the temptation to do something we wouldn't
"otherwise do just because a peripherally involved figure has suffered. We all
"revere Professor Sharon, but this project would not erase his tragedy."

"Well, I can only go on my gut feelings," said Sarah, "but I don't think what
you've said applies. I'm pretty confident about this project."

Krupp looked impressed. "If that's the case, Sarah, then I should meet this
fellow and give him a fair hearing. Maybe I'll have the same gut reaction as
you do."

"Should I have him contact you?" This was a reprieve, she thought; but if
Casimir had been so obviously nervous in front of her, what would he do under
rhetorical implosion from Krupp? It was only reasonable, though.

"Fine," said Krupp, and handed her his card.

Their other differences of opinion were hardly worth arguing over. Halving the
funding for the Basque Eroticism Study Cluster was not going to make political
waves. The meeting came to a civil and reasonable end. Krupp showed her out,
and she smiled at the old secretary and maneuvered the scarlet carpets of the
administration bloc and dawdled by each painting, finally exiting into a broad
shiny electric-blue cinderblock corridor. By the time she made it back to her
room she had adjusted to the Plex again, and taught herself to see and hear as
little of it as possible.

Ephraim Klein and some of his friends occasionally gathered in his room to
smoke cheap cigars, if only because they detested them slightly less than John
Wesley Fenrick did. Fenrick set the Go Big Red Fan up in the vent window and
blew chill November air across the room, forcing perhaps eighty percent of
the fumes out the door. A defect of the Rules was that they made no provision
for exchange of air pollution, unfortunately for Fenrick, who despite his
tradition of chemically induced states of awareness was fanatically clean.

Caught in a random eddy blown up by the Fan, a cigar resting in a stolen
Burger King tinfoil ashtray fell off one evening and rolled several inches,
crossing the boundary line into Fenrick's side of the room. It burned there
for a minute or two before its owner, a friend of Klein's, made bold to reach
across and retrieve it. The result was a brief brown streak on Fenrick's
linoleum. Fenrick did not notice it immediately, but after he did, he grew
more enraged every day. Klein was obligated to clean up "that mess," in his
view. Klein's opinion was that anything on Fenrick's side of the room was
Fenrick's problem; Klein was not paying fifteen thousand dollars a year
and studying philosophy so he could be a floor-scrubber for a rude asshole
geek like John Wesley Fenrick. He pointed to a clause in the Rules which
tentatively bore him out. They screamed across the boundary line on this issue
for nearly a week. Then, one day, I heard Ephraim yelling through their open
door.

"Jesus! What the hell are you-- Ha! I don't believe this shit!" He stuck his
head outside and yelled, "Hey, everybody, come look at what this dumb fucker's
doing!"

I looked.

For reasons I do not care to think about, John Wesley Fenrick kept a
milkbottle full of dirt. When I looked in, he had pulled its lid off and was
scattering red Okie loam over the boundary line and all over Ephraim's side of
the room. Ephraim appeared to be more amused than angry, though he was very
angry, and insisted that as many people as possible come and witness. Fenrick
sat down calmly to watch television, occasionally smiling a small, solitary
smile.

Again the question of my responsibility comes up. But how could I know it
was an event of great significance? I had also seen lovers' quarrels in the
Cafeteria; why should I have known this was much more important? I had no
authority to order these people around. Moreover, I had no desire to. I had
done as much as I could. I had shown them how to be reasonable, and if they
could not get the hang of it, it was not my problem.

The next time I spectated, Ephraim Klein was alone, studying on his bed with
Gregorian chants filling the room. I had come to see why he had borrowed my
broom. He had used it to make a welcome mat for his roomie. Right in front of
the Go Big Red Fan-- the movable portion of the wall that served as a gate--
he had swept all the dirt into an even rectangle about one by two feet and
half an inch thick. In the dirt he had inscribed with his finger:

                                  GET A BUTT
                                         
                             FUCK JOHNNIE-WONNIE

When Fenrick got home I followed him discreetly to his room, to keep an eye on
things. When I got to their doorway he was staring inscrutably at the welcome
mat. He bent and opened the fan-gate, stepped through without disturbing the
dirt and closed it. He turned, and looked for a while at the smirking Ephraim
Klein. Then, with quiet dignity, John Wesley Fenrick reached down and set the
Fan to HI, creating a small simulation of Oklahoma in the 1930's on the other
side of the room.

Once I was satisfied that there would be no violence, I left and abandoned
them to each other.

Septimius Severus Krupp stood behind a cheap plywood lectern in Lecture Hall
13 and spoke on Kant's Ethics. The fifty people in the audience listened or
did not, depending on whether they (like Sarah and Casimir and Ephraim and I)
had come to hear the lecture, or (like Yllas Freedperson) to see the Stalinist
Underground Battalion Operative throw the banana-cream pie into S. S. Krupp's
face.

I had come because I was fascinated by Krupp, and because opportunities to
hear him speak were rare. Sarah, I think, had come for like reasons. Ephraim
was a philosophy major, and Casimir came because this was the type of thing
that you were supposed to do in a university. As for the SUBbies, they were
getting edgy. What the fuck was wrong with the plan, man? they seemed to say,
looking back and forth at one another sincerely and shaking their heads. The
first phases had gone well. Operative 1 had gone out to the stageleft doorway,
twenty feet to Krupp's side, opened the door and propped it, then made a
show of smoking a cigarette and blowing smoke out the door. It was obvious
that she had severe reality problems by the way she posed there, putting on
a casual air so weirdly melodramatic that everyone could see she must be a
guerilla mime, a psycho or simply luded out of her big spherical frizzy-haired
bandanna-wrapped head. It was also odd that she would show so much concern
for others' lungs, considering that her friends were making loud, sarcastic
noises and distracting gestures, but unfortunately S. S. Krupp's aides were
too straight to tell the difference between a loony and a loony with a plan,
and so they suspected nothing when she returned to her seat and forgot to shut
the door again.

Ten minutes later, right on time, Operative 2 had arrived late, entering via
the stage-right doorway and leaving it, of course, propped open. He moved
furtively, like a six-foot mouse with thallium phenoxide poisoning, jerking
his head around as if to look for right-wing death squads and CIA snipers.

But Operative 3 did not appear with the banana-cream pie. Where was he?
Everyone knew about Krupp's CIA connections, and it was quite possible--
don't laugh, the CIA is everywhere, look at Iran-- that he might have been
intercepted by fascist goons and bastinadoed and wired to an old engine block
and thrown into a river. Perhaps the death squads were waiting in their rooms
now, test-firing their silenced UZIs into cartons of Stalinist pamphlets.

In fact, Operative 3, when making his plans for the evening, had forgotten
that once he bought the banana-cream pie at the convenience store it would
have to thaw out. There is little political relevance in bouncing a rock-hard
disc of frozen custard off S. S. Krupp's face-- the splatter is the point--
and so for half an hour he had been in a Plex restroom, holding the pie
underneath the automatic hand dryer as unobtrusively as possible. Whenever he
heard approaching steps, he stopped and dropped the pie into his knapsack, and
held his hands nonchalantly under the hot air; hence he had succeeded only in
liquefying the top two millimeters of the pie and ruffling the ring of whipped
cream. He then repaired to a spot not far from the lecture hail where he
rested the pie on a hot water pipe. There should be plenty of time left in the
lecture, though it was hard to judge these things when stoned: Krupp's voice
droned on and on, incomprehensible as all that logic and philosophy.

Operative 3 snapped to attention. How long had he been spacing off? Only one
way to tell. He stuck his finger in the pie: still kind of stiff, but not
stiff enough to break a nose and wet enough to explode mediagenically.

The time was now. Operative 3 pulled on his ski mask, stole to the open
stage-left door, and waited for the right moment. Shit! One of Krupp's CIA
men had seen him! One of the Frosted Mini-Wheat types with the three-piece
suits who ran Krupp's tape-recorder during speeches. No time to wait; the stun
grenade might be lobbed at any moment.

To us he looked like a strange dexed-out bird, not running across the front of
the hall so much as vibrating across at low frequency. He was tall, skinny,
pale and wore an old Tshirt; he never seemed to plant any part of his nervous
body firmly on the ground. He entered, bouncing off a doorjamb and losing his
balance. He then caromed off a seat near a CIA man, who had not yet reacted,
hopped three times to regain balance and, gaining some direction, scrambled
toward S. S. Krupp, chased all the way by four bats driven into a frenzy by
the aroma of the banana-cream pie.

"This means that the current vulgar usage of the word 'autonomous' to mean
independent, i.e., free of external influence, sovereign, is not entirely
correct," said Krupp, who glanced up from his notes to see what everybody was
gasping at. "To be autonomous, as we can readily see by examining the Greek
roots of the word-- autos meaning self and nomos meaning law"-- here he paused
for a moment and ducked. The pie flew sideways over his head and exploded on
the blackboard behind him. He straightened back up-- "is to be self-ruling,
to exercise a respect for the Law"-- Operative 3 tottered out the door as the
SUB groaned-- "which in this case means not the law of a society or political
system but rather the Law imposed by a rational man on his own actions." in
the hallway there was scuffling, and Krupp paused. With much grunting and
swearing, Operative 3, sans ski mask, was dragged back into the room by three
clean-cut students in pastel sweaters, accompanied by an older, smiling man in
a plaid flannel shirt.

"Here's your man, President Krupp, sir," said an earnest young Anglo-Saxon,
brushing a strand of hair from his brow with his free hand. "We've placed this
Communist under citizen's arrest. Shall we contact the authorities on your
behalf?" Their mentor beamed even more broadly at this suggestion, his horsey,
protruding bicuspids glaring like great white grain elevators on the Dakota
plain.

Krupp regarded them warily, walking around to the other side of the lectern as
though it were a shield. Then he turned to the audience. "Excuse me, please.
Guess I'm the highest authority here, so just let me clear this up." He
looked back at the group by the doorway, who watched respectfully, except for
Operative 3, who shouted from his headlock: "See, man? This is what happens
when you try to change the System!" Several SUBbies began to come to his aid,
but were halted by Krupp's aides.

"Who the hell are you?" said Krupp. "Are you from that squalid North Dakotan
cult thing?"

They were shocked, even Operative 3, and stared uncomprehendingly. Deep
concern showed in the lined, earnest face of the man in the plaid flannel.
Finally he stepped forward. "Yessirree. We are indeed followers of the Temple
of Unlimited Godhead, and proud of it too. With all due respect, just what do
you mean by 'squalid'?"

"It's like a dead dog in the sitting room, son. Look, why don't you all just
let that boy go? That's right."

Regretfully, they released him. Operative 3 stood up, shivering violently. He
could not exactly thank Krupp. Alter hopping from foot to foot he spun and
continued his flight down the hail as though nothing had happened.

"Look," Krupp continued. "We've got a security force here. We've got organized
religions that have been doing just fine for millennia. Now what we don't need
is a brainwashing franchise, or any of your Kool-Aid-- stoned outlaw Mormon
Jesuits. I know times are hard in North Dakota but they're hard everywhere and
it doesn't call for new religions. Of course, you have some very fine points
on the subject of Communism. Now, this does not mean we will in any way fail
to extend you full religious and political freedoms as with the old-fashioned
nonprofit religions."

The SUB hooted at Krupp's wicked intolerance for religious diversity while the
rest of the audience applauded. The TUGgies were galvanized, and spoke up for
their renegade sect as eloquently as they knew how.

"But that man was a Communist! We found his card."

"Look at it this way. If TUG brainwashes people, how do you explain the great
diversity of our membership, which comes from towns and farms of all sizes all
over the Dakotas and Saskatchewan?"

"TUG is fully consistent with Judeo-Christo-Mohammedan-Bahaism."

Communism is the greatest threat in the world today." "The goals of Messiah
Jorgenson Five are fully consistent with the aims of American higher
education."

"Our church is noncoercive. We believe of our own free, uh, pamphlet.. .
explains our ideas in layman's language." "Visit North Dakota this summer for
fun in the sun. Temple Camp."

"Who is the brainwasher, our church, which teaches that we may all be
Messiah/Buddhas together, or today's media society with its constant emphasis
on materialism?"

"If you'll accept this free book it will reveal truths you may never have
thought about before."

"I couldn't help noticing that you were looking a little down and out, kinda
lonely. You know, sometimes it helps to talk to a stranger."

"Do you need a free dinner?"

Krupp watched skeptically. The older man was silent, but finally touched each
student lightly on the shoulder, silencing one and all. They left, smiling.

Lookir disgusted, Krupp returned to the microphone. "Where was I, talking
about autonomy?"

He surveyed his notes and concluded his lecture in another twenty minutes.
He paused then to light his cigar, which he had been fingering, twiddling,
stroking and sniffing exquisitely for several minutes, and was answered
by exagerrated coughing from the SUB section. "I'm free to answer some
questions," he announced, surveying the room and squinting into his cigar
smoke like a cowboy into the setting sun.

Nearly everyone in the SUB raised his/her hand, but Yllas Freedperson,
Operatives 1 and 2 and two others arose and made their loud way up to the
back of the hall for an emergency conference. They were deeply concerned;
they stopped short of being openly suspicious, a deeply fascist trait, but
it occurred to them that what had just happened might strongly suggest the
presence of a TUG deep-cover mole in the SUB!

Meanwhile, question time went on down below. As was his custom, Krupp called
on two people with serious questions before resorting to the SUB. Eventually
he did so, looking carefully through that section and stabbing his finger at
its middle.

By SUB custom, any call for a question was communal property and was
distributed by consensus to a member of the group. This time, Dexter Fresser,
Sarah's hometown ex-beau, number 2 person in the SUB and its chief political
theorist, got the nod. Shaking his head, he pushed himself up in his seat
until he could see Krupp's face hovering malevolently above the dome of the
next person's bandanna. He took a deep breath, preparing for intellectual
combat, and began.

"You were talking about autonomy. Well, then you were talking about Greek
words of roots. I want to talk about Greek too because we have our roots
in Greece, just like, you know, our words do-- that is, most of us do, our
culture does, even if our ethnicity doesn't. But Rome was much, much more
powerful than Greece, and that was after most of the history of the human
race, which we don't know anything about. And you know in Greece they had
gayness all over the place. I'm saying that nice and loud even though you hate
it, but even though. uh, you know, fascist? But you can't keep me from saying
it. Did you ever think about the concentration camps? How all those people
were killed by fascists? And also in Haiti. which we annexed in 1904. And did
you ever 1 think about the socialist revolution in France that was crushed
by D-Day because the socialists were fighting off the Nazis single-handedly.
Where's the good in that? Bela Lugos! was ugly, but he had a great mind. I
mean, some of the greatest works of art were done by Satan-worshipers like
Shakespeare and Michelangelo! And the next time your car throws a rod on 1-90
between Presho and Kennebec because you lost your dipstick you should think,
even if it is a hundred and ten in the shade forty-four Celsius and there are
red winged blackbirds coming at you like Bell AH-64s or something. Put the
goddamn zucchini in later next time and it won t get so mushy! I know this is
strong and direct and undiplomatical, but this is real life and I can't be
like you and phrase it like blue tennis-shoe laces hanging from the rear-view
mirror. See?"

Here he stopped. Krupp had listened patiently, occasionally looking away
to restack his notes or puff on his cigar. "No," he said. "Do you have a
question. son?"

Emotionally wounded, Dex Fresser shook his head back and forth and gestured
around it as though tearing off a heavy layer of tar. While his companions
supported him, another SUBbie rose to take his place. She was of average
height, with terribly pale skin and a safety pin through her septum. She rose
like a zeppelin on power takeoff and began to read in a singsong voice from a
page covered with arithmetic.

"Mister Krupp, sir. Last year. According, to the Monoplex Monitor, you, I
mean the Megaversity Corporation ruling clique, spent ten thousand dollars on
legal fees for union-busting firms. Now. There are forty thousand students at.
American Megaversity. This means that on the average, you spent… four thousand
million dollars on legal fees for union-busting alone! How do you justify
that, when in this very city people have to pay for their own abortions?"

Krupp simply stared in her direction and took three long slow puffs on his
cigar without saying anything. Then he turned to the blackboard. "This
weather's not getting any better," he said, quickly drawing a rough outline of
the United States. "It's this low pressure center up here. See, the air coming
into it turns around counterclockwise because of the Coriolis effect. That
makes it pump cold air from Canada into our area. And we can't do squat about
it. It's a hell of a thing." He turned back to the audience. "Next question!"

The SUB wanted to erupt at this, but they were completely nonplused and hardly
said anything. "I've taken too many questions from the kill-babies-not-seals
crowd," Krupp announced. He called on Ephraim Klein, who had been waving
his hand violently. "President Krupp, I think the question of adherence to
an inner Law is just a semantic smokescreen around the real issue, which is
neurological. Our brains have two hemispheres with different functions. The
left one handles the day-to-day thinking, conventional logical thought, while
the right one handles synthesis of incoming information and subconsciously
processes it to form conclusions about what the basic decisions should be--
it converts experience into subconscious awareness of basic patterns and
cause-and-effect relationships and gives us general direction and a sense of
conscience. So this stuff about autonomy is nothing more than an effort by
neurologically ignorant metaphysicists to develop, by groping around in the
dark, an explanation for behavior patterns rooted in the structure of the
brain."

Krupp answered immediately. "So you mean to say that the right hemisphere is
the source of what I call the inner Law, and that rather than being a Law per
se it is merely a set of inclinations rooted in past experience which tells
the left hemisphere what it should do."

"That's right-- in advanced, conscious people. In primitive unconscious
bicameral people, it would verbally speak to the left hemisphere, coming as a
voice from nowhere in times of decision. The left hemisphere would be unable
to do otherwise. There would be no decision at all-- so you would have perfect
adherence to the Law of the right hemisphere voice, absolute autonomy, though
the voice would be attributed to gods or angels."

Krupp nodded all the way through this, squinting at Klein. "You're one of
those, eh?" he asked. "I've never been convinced by Jaynes' theory myself,
though he has some interesting points about metaphors. I don't think an
ignorant carpenter like Jesus had all that flawless theology pumped into the
left half of his brain by stray neural currents." He thought about it for
a moment. "Though it would be a lot quieter around here if everyone were
carrying his stereo around in his skull."

"Jesus," said Ephraim Klein, "you don't believe in God, do you? You?"

"Well, I don't want to spend too much time on this freshman material, uh--
what's your name? Ezekiel? Ephraim. But you ought to grapple sometime with the
fact that this materialistic monism of yours is self-refuting and thus totally
bankrupt. I guess it's attractive to someone who's just discovered he's an
intellectual-- sure was to me thirty years ago-- but sometime you've got to
stop boxing yourself in with this intellectual hubris."

Klein nearly rocketed from his chair and for a moment I said nothing. He was
bolt upright, supporting his weight on i one fist thrust down between his
thighs into the seat, chewing deeply on his lower lip and staring, to use a
Krupp ~ phrase, "like a coon on the runway." "Non sequitur! Ad hominem!" he
cried.

"I know, I know. Tell you what. Stick around and I'll listen to your Latin
afterward, we're losing our audience." Krupp began looking for a new
questioner. From the back of the hall came the sound of a fold-down seat
bounding back up into position, and we turned to make out the ragged figure of
Bert Nix.

"Krupp cuts a fart! The sphinxter cannot hold!" he bellowed hoarsely, and
sat back down again Krupp mainly ignored this, as his aides strode up the
aisle to show Mr. Nix where the exit was and turned his attention to the next
questioner, a tall redheaded SUBbie who accused Krupp of accepting bribes to
let wealthy idiots into the law school. Red added, "I keep asking you this
question, Septimius, and you've never answered it yet. When are you going to
pay some attention to my question?"

Krupp looked disgusted and puffed rapidly, staring at him coldly. Bert Nix
paused in the doorway to shout: "My journey is o'er rocks & Mountains, not in
pleasant vales; I must not sleep nor rest because of madness & dismay."

"Yeah," said Krupp, "and I give you the same answer every time, too. I didn't
do that. There's no evidence I did. What more can I say? I genuinely want to
satisfy you."

"You just keep slinging the same bullshit!" shouted the SUBbie, and slammed
back down into his seat.

Casimir Radon listened to these exchanges with consuming interest. This was
what he had dreamed of finding at college: small lectures on pure ideas from
the president of the university, with discussion afterward. That the SUBbies
had disrupted it with a pie-throwing made him sick; he had stared at them
through a haze of anger for the last part of the meeting. Had he been sitting
by the side door he could have tripped that bastard. Which would have been
good, because Sarah Jane Johnson was sitting there three rows in front of him,
totally unaware of his existence as usual.

Sarah's entrance, several minutes before the start of the lecture, had thrown
Casimir into a titanic intellectual struggle. He now had to decide whether
or not to say "hi" to her. After all, they had had a date, if you could call
stammering in the Megapub for two hours a date. Later he had realized how
dull it must have been for her, and was profoundly mortified. Now Sarah was
sitting just twenty feet away, and he hated to disrupt her thoughts by just
crashing in uninvited; better for her not to know he was there. But in case
she happened to notice him, and wondered why he hadn't said "hi," he made up a
story: he had come in late through the back doors.

He also wanted to ask Krupp a question, a dazzling and perceptive question
that would take fifteen minutes to ask, but he couldn't think of one. This
was regrettable, because Krupp was a man he wanted to know, and he needed to
impress him before making his sales pitch for the mass driver.

At the same time, he was working on a grandiose plan for gathering damaging
information on the university, but this seemed stupid; seen from this
lecture hall, American Megaversity looked pretty much the way it had in the
recruiting literature. He would continue with Project Spike until it gave him
satisfaction. Whether or not he released the information depended on what
happened at the Big U between now and then.

Sarah's voice sounded in one ear. "Casimir. Earth to Casimir. Come in, Casimir
Radon Shocked and suddenly breathless, he sat up, looking astonished.

"Oh," he said casually. "Sarah. Hi. How're you doing?" Fine," she answered,
"didn't you see me?"

Eventually they went into the hallway, where S. S. Krupp was down to the
last inch of his cigar and having a complicated discussion with Ephraim
Klein. His aides stood to the sides brushing hairs off their suits, various
alien-looking philosophy majors listened intently and I leaned against a
nearby wall watching it all, "Well, why didn't you say so?" Krupp was saying.
"You're a Jaynesian and a materialistic monist. In which case you've got no
reason to believe anything you think, because anything you think is just
a predetermined neural event which can't be considered true or logical.
Self-refuting, son. Think about it."

"But now you've gotten off on a totally different argument!" cried Klein.
"Even if we presume dualism, you've got to admit that intellectual processes
reflect neural events in some way." "Well, sure."

"Right! And since the bicameral mind theory explains human behavior so well,
there's no reason, even if you are a dualist, to reject it."

"In some cases, okay," said Krupp, "but that doesn't support your original
proposition, which is that Kant was just trying to rationalize brain events
through some kind of semantic necromancy."

"Yes it does!"

"Hell no it doesn't."

"Yes it does!"

"No it doesn't. Sarah!" said Krupp warmly. He shook her hand, and the
philosophy majors, seeing that the intelligent part of the conversation was
done, vaporized. "Glad you could come tonight." "Hello, President Krupp. I
wish you'd do this more often." "Wait a minute," yelled Klein, "I just figured
out how to reconcile Western religion and the bicameral mind."

"Well, take some notes quick, son, there's other people here, well get to it.
Who's your date, Sarah?"

"This is Casimir Radon," said Sarah proudly, as Casimir reflexively shoved out
his right hand.

"Well! That's fine," said Krupp. "That's two conversations I have to finish
now. If we bring Bud here along with us to keep things from getting out of
hand we ought to be safe." "Look out. I'm not the diplomat you're hoping I
am," I mumbled, not knowing what I was expected to say.

"What say we go down to the Faculty Pub and have some brews? I'm buying."

Our party got quite a few stares in the Faculty Pub. The three students were
not even supposed to be in the place, but the bouncer wasn't very keen on
asking Mr. Krupp's guests to show their IDs. This place bore the same relation
to the Megapub as Canterbury Cathedral to a parking ramp. The walls were
covered with wood that looked five inches thick, the floor was bottomless
carpet and the tables were spotless slabs of rich solid wood. Enough armaments
were nailed to the walls to defend a small medieval castle, and ancient
portraits of the fat and pompous were interspersed with infinitely detailed
coats of arms. The President ordered a pitcher of Guinness and chose a booth
near the corner.

Ephraim had been talking the entire way. "So if you were the religious type,
you know, you could say that the right side of the brain is the 'spiritual'
side, the part that comes into contact with spiritual influences or God or
whatever-- it has a dimension that protrudes into the spiritual plane, if you
want to look at it that way-- while the left half is monistic and nonspiritual
and mechanical. We conscious unicamerals accept the spiritual information
coming in from the right side mixed in subtly with the natural inputs. But a
bicameral person would receive that information in the form of a voice from
nowhere which spoke with great authority. Now, that doesn't contradict the
biblical accounts of the prophets-- it merely gives us a new basis for their
interpretation by suggesting that their communication with the Deity was done
subconsciously by a particular hemisphere of the brain."

Krupp thought that was very good. Sarah and Casimir listened politely.
Eventually, though, the conversation worked its way around to the subject of
the mass driver.

"Tell me exactly why this university should fund your project there, Casimir,"
said Krupp, and watched expectantly. "Well, it's a good idea."

"Why?"

"Because its relevant and we the people who do it will learn stuff from it."

"Like what?"

"Oh, electronics building things practical stuff."

"Can't they already learn that from doing conventional research under the
supervision of the faculty."

"Yeah, I guess they can."

"So that leaves only the rationale that it is relevant, which I don't deny but
I don't see why it's more relevant than a faculty research project."

"Well, mass drivers could be very important someday!" Krupp shook his head.
"Sure, I don't deny that. There are all kinds of relevant things which could
be very important someday. What I need to be shown is how funding of your
project would he consistent with the basic mission of a great institution of
higher learning. You see? We're talking basic principles here." Casimir had
removed his glasses in the dim light, and his strangely naked-looking eyes
darted uncertainly around the tabletop. "Well…"

"Aw, shit, it's obvious!" shouted Ephraim Klein, drawing looks from everyone
in the pub. "This university, let's face it, is for average people. The
smart people from around here go to the Ivy League, right? So American
Megaversity doesn't get many of the bright people the way, say, a Big Ten
university would. But there are some very bright people here, for whatever
reasons. They get frustrated in this environment because the university is
tailored for averagely bright types and there is very little provision for
the extra-talented. So in order to fulfill the basic mission of allowing
all corners to realize their full potential-- to avoid stultifying the best
minds here-- you have to make allowances for them, recognize their special
creativity by giving them more freedom and self-direction than the typical
student has. This is your chance to have something you can point to as an
example of the opportunities here for people of all levels of ability."

Krupp listened intently through this, lightly tapping the edge of a potato
chip on the table. When Klein finally stopped, he nodded for a while.

"Yep. Yeah, I'd say you have an excellent point there, Isaiah. Casimir, looks
as though you're going to get your funding." He raised an eyebrow.

Casimir stood up, yelled "Great!" and pumped Krupp's hand. "This is a great
investment. When this thing is done it will be the most incredible machine
you've ever seen. There's no end to what you can do with a mass driver."

There was a commotion behind Krupp, and suddenly, larger than life, standing
on the bench in the next booth down, Bert Nix had risen to his full bedraggled
height and was suspending a heavy broadsword (stolen from a suit of armor by
the restroom) over Krupp's head. "O fortunate Damocles, thy reign began and
ended with the same dinner!"

After Krupp saw who it was he turned back around without response. His two
aides staggered off their barstools across the room and charged over to
grab the sword from Bert Nix's hand. He had held it by the middle of the
blade, which made it seem considerably less threatening, but the aides didn't
necessarily see it this way and were not as gentle in showing Mr. Nix out as
they could have been. He was docile except for some cheerful obscenities; but
as he was dragged past a prominent painting, he pulled away and pointed to it.
"Don't you think we have the same nose?" he asked, and soon was out the door.

Krupp got up and brought the conversation to a quick close. After distributing
cigars to Ephraim and Casimir and me, he left. Finding ourselves in an
exhilarated mood and with what amounted to a free ticket to the Faculty Pub,
we stayed long enough to close it down.

Earlier, however, on his fifth trip to the men's room, Casimir stopped to look
at the plaque under the portrait to which Bert Nix had pointed. "WILBERFORCE
PERTINAX RUSHFORTH-GREATHOUSE, 1799-- 1862, BENEFACTOR, GREATHOUSE CHAPEL
AND ORGAN." Casimir tried to focus on the face. As a matter of fact, the
Roman nose did resemble Bert Nix's; they might be distant relatives. It was
queer that a derelict, who couldn't spend that much time in the Faculty Pub,
would notice this quickly enough to point it out. But Bert Nix's mind ran
along mysterious paths. Casimir retrieved the broadsword from where it had
fallen, and laughingly slapped it down on the bar as a deposit for the fourth
pitcher of Dark. The bartender regarded Casimir with mild alarm, and Casimir
considered, for a moment, carrying a sword all the time, a la Fred Fine. But
as he observed to us, why carry a sword when you own a mass driver?

"Casimir?"

"Mmmmm. Huh?" "You asleep?"

"No."

"You want to talk?"

"Okay."

"Thanks for leting me sleep here."

"No problem. Anytime."

"Does this bother you?"

"You sleeping here? Nah."

"You seemed kind of bothered about something."

"No. It's really fine, Sarah. I don't care."

"If it'd make you feel better, I can go back and sleep in my room. I just
didn't feel like a half-hour elevator hassle, and my wing is likely to be
noisy."

"I know. All that barf on the floors, rowdy people, sticky beer crud all over
the place. I don't blame you. It's perfectly reasonable to stay at someone's
place at a time like this."

"I get the impression you have something you're not saying. Do you want to
talk about it?"

The pile of sheets and blankets that was Casimir moved around, and he leaned
up on one elbow and peered down at her. The light shining in from the opposite
tower made his wide eyes just barely visible. She knew something was wrong
with him, but she also knew better than to try to imagine what was going on
inside Casimir Radon's mind.

"Why should I have something on my mind?"

"Well, I don't see anything unusual about my staying here, but a lot of people
would, and you seemed uptight."

"Oh, you're talking about sex? Oh, no. No problem." His voice was tense and
hurried.

"So what's bothering you?"

For a while there was just ragged breathing from atop the bed, and then he
spoke again. "You're going to think this is stupid, because I know you're
a Women's Libber, but it really bothers me that you're on the floor in a
sleeping bag while I'm up here in a bed. That bothers me."

Sarah laughed. "Don't worry, Casimir. I'm not going to beat you up for it."

"Good. Let's trade places, then."

"If you insist." Within a few seconds they had traded places and Sarah was
up in a warm bed that smelled of mothballs and mildew. They lay there for an
hour.

"Sarah?"

"Huh?"

"I want to talk to you."

"What?"

"I lied. I want to sleep with you so bad it's killing me. Oh, Jeez. I love
you. A lot."

"Oh, damn. I knew it. I was afraid of this. I'm sorry." No, don't be. My
fault. I'm really, really sorry."

"Should I leave? Do you want me out?"

"No. I want you to sleep with me," he said, as though this answer was obvious.

"How long have you been thinking about me this way?" Since we met the first
time."

"Really? Casimir! Why? We didn't even know each other!" "What does that have
to do with it?" He sounded genuinely mystified.

"I think we've got a basic difference in the way we think about sex, Casimir."
She had forgotten how they were when it came to this sort of thing.

"What does that mean? Did you ever think about me that way?" Not really."

Casimir sucked in his breath and flopped back down.

"Now, look, don't take it that way. Casimir, I hardly know you. We've only had
one or two good conversations. Look, Casimir, I only think about sex every one
or two days-- it's not a big topic with me right now."

"Jeez. Are you okay? Did you have a bad experience?" "Don't put me on the
defensive. Casimir, our friendship has been just fine as it is. Why should I
fantasize about what a friendship might turn into, when the friendship is fine
as is? You've got to live in the real world, Casimir."

"What's wrong with me?"

The poor guy just did not understand at all. There was no way to help him;
Sarah went ahead and spoke her lines.

"Nothing's wrong with you. You're fine."

"Then what is the problem?"

"Look. I sleep with people because there's nothing wrong with them. I don't
fantasize about relationships that will never exist. We're fine as we are. Sex
would just mess it up. We have a good friendship, Casimir. Don't screw it up
by thinking unrealistically." They sat in the dark for a while. Casimir was
being open-minded, which was good, but still had trouble catching on. "It's
none of my business, but just out of curiosity, do you like sex?" "Definitely.
It's a blast with the right person."

"I'm just not the right person, huh?"

"I've already answered that six times." She considered telling him about
herself and Dex Fresser in high school. In ways-- especially in appearance--
Casimir was similar to Dcx. The thing with Dex was a perfect example of what
happened when a man got completely divorced from reality. But Sarah didn't
want the Dex story to get around, and she supposed that Casimir would be
horrified by this high school saga of sex and drugs.

"I think I'll do my laundry now, since I'm up," she said. I'll walk you home."

A few minutes later they emerged into a hall as bright as the interior of a
small sun. The dregs of a party in the Social Lounge examined them as they
awaited an elevator, and Sarah was bothered by what they were assuming. Maybe
it would boost Casimir's rep among his neighbors.

An elevator opened and fifty gallons of water poured into the lobby. Someone
had filled a garbage can with water, tilted it up on one corner just inside
the elevator, held it in place as the doors closed, and pulled his hand out at
the last minute so that it leaned against the inside of the doors. Not greatly
surprised, Sarah and Casimir stepped back to let the water swirl around their
feet, then threw the garbage can into the lobby and boarded the elevator.

"That's the nice thing about this time of day," said Casimir. "Easy to get
elevators."

As they made their way toward the Castle in the Air, they spoke mostly of
Casimir's mass driver. With the new funding and with the assistance of Virgil,
it was moving along quite well. Casimir repeatedly acknowledged his debt to
Ephraim for having done the talking.

They took an E Tower elevator up to the Castle in the Air. A nine-leaved
marijuana frond was scotch-taped over the number 13 on the elevator panel
so that it would light up symbolically when that floor was passed. In the
corridors of the Castle the Terrorists were still running wild and hurling
their custom Big Wheel Frisbees with great violence.

Casimir had never seen Sarah's room. He stood shyly outside as she walked into
the darkness. "The light?" he said. She switched on her table lamp.

"Oh." He entered uncertainly, swiveling his bottle-bottom glasses toward the
wall. Conscious of being in an illegally painted room, he shut the door, then
removed his glasses and let them hang around his neck on their safety cord.
Without them, Sarah thought he looked rather old, sensitive, and human. He
rubbed his stubble and blinked at the forest with a sort of awed amusement. By
now it was very detailed.

"Isotropic."

"You saw what?"

"Isotropic. This forest is isotropic It s the same in all directions. It
doesn't tend in any way. A real forest is anisotropic thicker on the bottom
thinner on the top This doesn t grow in any direction it just is She sighed
Whatever you like "Why? What's it for?"

"Well-- what's your mass driver for?" "Sanity."

"You've got your mass driver. I've got this."

He looked at her in the same way he had been staring at the forest. "Wow," he
said, "I think I get it."

"Don't go overboard on this," she said, "but how would you like to attend
something dreadful called Fantasy Island Nite?"

                                 --December--                                 

So nervous was Ephraim Klein, so primed for flight or combat, that he barely
felt his suitcases in his hands as he carried them toward his room. What
awaited him? He had left a week ago for Thanksgiving vacation. He had waited
as long as he could-- but not long enough to outwait John Wesley Fenrick and
three of his ugly punker friends, who leered hungrily at him as he walked out.
The question was not whether a prank had been played, but how bad it was going
to be. Hyperventilating with anticipation, he stopped before the door. The
cracks all the way around its edges had been sealed with heavy grey duct tape.
This prank did not rely on surprise. He pressed his ear to the door, but all
he could hear was a familiar chunka-chunka-chunk. With great care he peeled
back a bit of tape.

Nothing poured out. Standing to the side, he unlocked the door with surgical
care. There was a cracking sound as the tape peeled away under his impetus.
Finally he kicked it fully open, waited for a moment, then stepped around to
look inside.

He could see nothing. He took another step and then, only then, was enveloped
in a cloud of rancid cheap cigar smoke that oozed out the doorway like a
moribund genie under the propulsion of the Go Big Red Fan.

Incandescently furious, he retreated to the bathroom and wet a T-shirt to put
over his face. Thus protected he strode squinting down the foggy hallway into
the lifeless room.

The only remaining possessions of John Wesley Fenrick's were the Go Big Red
Fan and most of a jumbo roll of foil. He had moved out of the room and then
covered his half of the room with the foil, then spread out on it what must
have been several hundred generic cigars-- it must have taken half an hour
just to light them. The cigars had all burned away to ash, which had been
whipped into a blizzard by the Go Big Red Fan on its slow creep across the
floor to Ephraim's side. The room now looked like Yakima after Mount Saint
Helens. The Fan had ground to a halt against a large potted plant of Ephraim's
and for the rest of the week had sat there chunk-ing mindlessly.

He checked a record. To his relief, the ash had not penetrated to the grooves.
It had penetrated everything else, though, and even the Rules had taken on a
brown parchmentlike tinge. Ephraim Klein took little comfort in the fact that
his ex-roommate had not broken any of them.

He cranked open the vent window, set the Go Big Red Fan into it, cleared ash
from his chair, and sat down to think.

Klein preferred to live a controlled life. He never liked to pull out all the
stops until the final chord. But Fenrick had forced him to turn revenge into a
major project and Klein did not plan to fail. He began to tidy his room, and
to unleash his imagination on John Wesley Fenrick.

"Sarah?"

"Huh?"

"Did I wake you up?"

"No. Hi."

"Let's talk."

"Sure." Sarah rolled over on her stomach and propped ~ herself up on her
elbows. "I hope you're comfortable sleeping down there." "Listen. Anyplace is
more comfortable than my room when a party's going on above it."

I don't mind if you want to share a bed wlth me Hyacinth. My sister and I
slept together until I was eleven and she was twelve." "Thanks. But I didn't
decide to sleep down here because I don't like you, Sarah."

"Well, that's nice. I guess it's a little small for two." There was a long
silence. Hyacinth sat up on her sleeping bag, her crossed legs stretching
out her nightgown to make a faint white diamond in the darkness of the room.
Then, soundlessly, she got up and climbed into bed with Sarah. Sarah slid
back against the wall to make room, and after much giggling, rolling around,
rearrangement of covers and careful placement of limbs they managed to find
comfortable positions.

"Too hot," said Hyacinth, and got up again. She opened the window and a cold
wind blew into the room. She scampered back and dove in next to Sarah.

"Comfy?" said Hyacinth.

"Yeah. Mmm. Very."

"Really?" said Hyacinth skeptically. "More than before? Not just physically.
You don't feel awkward, being tangled up with me like this?"

"Not really," said Sarah dreamily. "It's kind of pleasant. It's just, you
know, warm, and kind of comforting to have someone else around. I like you,
you like me, why should it be awkward?" "Would it be any different if I told
you I was a lesbian?" Sarah came wide awake but did not move. With one eye she
gazed into the darkness above the soft white horizon of Hyacinth's shoulder,
on which she had laid her head.

"And that I was hoping we could do other nice things to each other? If you
feel inspired to, that is." She gently, almost imperceptibly, stroked Sarah's
hair. Sarah's heart was pumping rhythmically.

"I wish you'd say something," said Hyacinth. "Are you not sure how you feel,
or are you paralyzed with terror?"

Sarah laughed softly and felt herself relaxing. "I'm pretty naive about this
kind of thing. I mean, I don't think about it a lot. I sort of thought you
might be. Is Lucy?"

"Yes. Nowauays we don't sleep together that much. Sarah, do you want me to
sleep on the floor?"

Sarah thought about it but not very seriously The room was pleasantly cold now
and the closeness of her friend was something she had not felt in a very long
time. "Of course not. This is great. I haven't slept with anyone in a while--
a man, I mean. Sleeping with someone is one of my favorite things. But it's
different with men. Not quite as... sweet."

"That's for sure."

"Why don't you stay a while?"

"That'd be nice."

"Do you mind if we don't do anything?" At this they laughed loudly, and that
answered the question.

But we are doing something you know added Hyacinth later. "Your nose is in my
breast. You're stroking my shoulder. I'm afraid that all counts."

"Oh. Gosh. Does that make me a lesbian?"

"Oh, I don't know. I guess you're off to a promising start."

"Hmmm. Doesn't feel like being a lesbian."

Hyacinth squeezed Sarah tight. "Look, honey, don't worry about it. This is
just great as it is. I just wanted you to know the opportunity was there.
Okay?"

"Okay."

"Want to go to sleep?"

"Take it easy, what's your hurry?"

Last Night was the night of the blue towers. A week before, the towers had
glowed uniformly yellow as forty-two thousand students sat beneath their desk
lamps and studied for finals. The next night, blue had replaced yellow here
and there, as a few lucky ones, finished with their finals, switched on their
TVs. This night, all eight towers were studded with blue, and whole patches of
the Plex flickered in unison with the popular shows The beer trucks were busy
all day long down at the access lot, rolling kegs up the ramps to the Brew
King in the Mall, whence they were dispersed in canvas carts and two-wheelers
and Radio Flyers to rooms and lounges all over the Plex. As night fell and
the last students came screaming in from their finals, suitcases full of dope
moved through the Main Entrance and were quickly fragmented and distributed
throughout the towers for quick combustion. By dinnertime the faucets ran
cold water only as thousands lined up by the shower stalls, and the Caf was a
desert as most students ate at restaurants or parties. After dark, spotlights
and lasers crisscrossed the walls as partying students shone them into other
towers, and when the Big Wheel sign blazed into life, bands of Big-Wheel--
worshiping Terrorists all over the Plex launched a commemorative fireworks
barrage that sent echoes crackling back and forth among the towers like bumper
pool balls, punctuating the roar of the warring stereos.

By 10:00 the parties were just warming up. At 10:30 the rumor circulated that
a special police squad sent by S. S. Krupp was touring the Plex to bust up
parties. At 11:06 a keg was thrown from A24N and exploded on the Turnpike,
backing up traffic for an hour with a twelve-car chain-reaction smashup. By
11:30 forty students had been admitted to the Infirmary with broken noses,
split cheeks and severe inebriation, and it was beginning to look as though
the official estimate of one death from overintoxication and one from accident
might be a little low. The Rape/Assault/Crisis Line handled a call every
fifteen minutes.

Precisely at 11:40:00 an unknown, uninvited, very clumsy student walked behind
John Wesley Fenrick's chair at the big E31E end-of-semester bash and tripped,
spilling a strawberry malt all over Fenrick's spiky blond hair.

John Wesley Fenrick was in the shower with very hot water spraying onto his
head to dissolve the sticky malt crud, dancing around loosely to a tune in
his head and playing the air guitar. He wondered whether the malt had been
the work of Ephraim Klein. This, however, was impossible; his new room and
number were unlisted and you couldn't follow people home in an elevator. The
only way for Klein to find him was by a freak of chance, or by bribing an
administration person with access to the computer-- very unlikely. Besides,
a malt on the head was a bush-league retaliation even for a quiet little
harpsichord-playing New Jersey fart like Klein, considering what Fenrick had
so brilliantly accomplished.

What made it even greater was that the administration had treated it like
a hilarious college prank, a "concrete expression of malfunction in the
cohabitant interaction, intended only as nonviolent emotional expression."
Though they were after him to pay Klein's cleaning bills, Fenrick's brother
was a lawyer and he knew they wouldn't push it in court. Even if they did,
shit, he was going to be pulling down forty K in six months! A small price for
triumph.

With a snarl of disgust, Fenrick dumped another dose of
honey-beer-aloe-grub-treebark shampoo on his hair, finding that the tenacious
malt substance still had not come off. What's in this crap? Fenrick thought.
Fuck up your stomach, for sure.

Throughout E Tower, scores of Ephraim Klein's friends sat in the great
shiny microwave bathrooms watching the Channel 25 Late Night Eyewitness
InstaAction InvestiNews. Even during the most ghastly stories this program
sounded like an encounter session among five recently canceled sitcom actors
and developmentally disabled hairdressers' models. The weather, well, it
was just as bad, but was relieved by its very bizarreness. The weatherman,
a buffoon who knew nothing about weather and didn't care, was named Marvin
DuZan the Weatherman and would broadcast in a negligee if it boosted ratings;
his other gimmick was to tell an abominable joke at the conclusion of each
forecast. After the devastating punchline was delivered, the picture of the
guffawing pseudometeorologist and his writhing colleagues would be replaced
by an animated short in which a crazy-looking bird tried to smash a tortoise
over the head with a sledgehammer. At the last moment the tortoise would
creep forward, causing the blow to rebound off his shell and crash back into
the cranium of the bird. The bird would then assume a glazed expression and
vibrate around in circles, much like a chair in Klein's room during the
"Passacaglia and Fugue in C Minor," finally to collapse at the feet of the
smiling turtle, who would then peer slyly at the audience and wiggle his
eyebrow ridges.

During Marvin DuZan's forecast on Last Night, Ephraim Klein was standing
outside his ex-roomie's shower stall, watching a portable TV and squirting
Hyper Stik brand Humonga-Glue into the latch of the stall's door. He had
turned down the volume, of course, and it seemed just as well, since from the
reactions of the InvestiNews Strike Force (and the cameramen, who were always
visible on the high-tech News Nexus set) it appeared that the joke tonight was
a real turd. As the camera zoomed in on the goonishly beaming face of Marvin
DuZan, Ephraim Klein's grip on the handles of two nearby urinals tightened
and his heart beat wildly, as did the grips and the hearts of a small army of
friends and hastily recruited deputies in many other E Tower bathrooms. Bird
and Tortoise appeared, the hammer was brandished, and smash!

As the hammer rebounded on the bird's head, scores of toilets throughout
E Tower were flushed, causing a vacuum so sharp that pipes bent and tore
and snapped and cold water ceased to flow. There was a short pause, and
then a bloodcurdling scream emanated from Fenrick's shower stall as clouds
of live steam burst out the top. After some fruitless handle-yanking and
Plexiglass-banging, the steam was followed by Fenrick himself, who fell
ungainly to the floor with a crisp splat and shook his head in pain as Ephraim
Klein escaped with his TV. In his haste Fenrick had lacerated his scalp on the
steel showerhead, and as he pawed at his face to clear away suds and blood he
was distantly conscious of a cold draft that irritated his parboiled skin, and
a familiar chunka-chunka-chunk that could be heard above the sounds of gasping
pipes and white water. Finally prying one eye open, he looked into the wind to
see it: the Go Big Red Fan, complacently revolving in front of his stall, set
on HI and still somewhat gray with cigar ash. Unfortunately for John Wesley
Fenrick, he did not soon enough see the puddle of water which surrounded
him, and which was rapidly expanding toward The base of the old and poorly
insulated Fan.

This was also quite an evening for E17S. Ever since joining the Terrorists as
the Flame Squad Faction, this all-male wing had suffered from the stigma of
being mere copies of the Big Wheel Men, Cowboys and Droogs of E13. Tonight
that was to change. The Christmas tree had been purchased three weeks ago,
left in a shower until the fireproofing compound was washed away, and hung
over a hot-air vent in the storage room; it was now a lovely shade of
incendiary brown. They took it up to E3 1, the top floor, seized an elevator,
and stuffed the tree inside. Someone pressed all the buttons for floors 30
through 6 while others squirted lighter fluid over the tree's dessicated
boughs.

Only one match was required. The door slid shut just as the smoke and flames
began to billow forth, and with a cheer and a yell the Flame Squad Faction
began to celebrate.

Twenty-four floors below, Virgil and I were having a few slow ones in my
suite. I had no time for partying because I was preparing for a long drive
home to Atlanta. Virgil happened to be wandering the Plex that night, looking
in on various people, and had paused for a while at my place. Things were
pretty quiet-- as they generally had been since John Wesley Fenrick had left--
and except for the insistent and inevitable bass beat, the wing was peaceful.

The fire alarm rang just before midnight. We cursed fluently and looked out
my door to see what was up. As faculty-in-residence I didn't have to scurry
out for every bogus fire drill, but it seemed prudent to check for smoke.
The smoke was heavy when we opened the door, and we smelled the filthy odor
of burning plastic. The source of the flame was near my room: one of the
elevators, which had automatically stopped and opened once the fire alarm was
triggered. I put a rag over my mouth and headed for the fire hose down the
hall. Meanwhile Virgil prepared to soak some towels in my sink.

Neither of us got any water. My fire hose valve just sucked air and howled.

"God Almighty," Virgil called through the smoke. "Somebody pulled a Big
Flush." He came out and joined the people running for the fire stairs. "No
'vators during fires so Ill have to take the stairs. I've got to get the
parallel pipe system working."

"The what?"

"Parallel pipes," said Virgil, skipping into the stairwell. "Hang on! Find a
keg! The architects weren't totally stupid!" And he was gone down the stairs.

I locked my door in case of looting and went off in search of a keg.
Naturally there was a superabundance that night, and with some help from the
too-drunk-to-be-scared owners I hauled it to the lobby and began to pump
clouds of generic light into the flaming Christmas tree.

Casimir Radon was in Sharon's lab, washing out a beaker. This was merely the
first step of the Project Spike glassware procedure, which involved attack by
two different alcohols and three different concentrated acid mixtures, but he
was in no hurry. For him Christmas had started the day before. With Virgil's
help he could get into this lab throughout the vacation, and that meant plenty
of time to work on Project Spike, build the mass driver and suffer as he
thought about Sarah.

He was annoyed but not exasperated when the water stopped flowing. There was a
gulp in the tapstream, followed by a hefty KLONK as the faucet handle jerked
itself from his grasp. The flow of water stopped, and an ominous gurgling,
sucking noise came from the faucet, like an entire municipal water system
flushing its last. He listened as the symphony of hydraulic sound effects grew
and spread to the dozens of pipes lining the lab's ceiling, the knocks and
gurgles and hisses weaving together as though the pipes were having a wild
Christmas party of their own. But Casimir was tired, and fairly absentminded
to boot, and he shrugged it off as yet another example of the infinite variety
of building and design defects in the Plex. The distilled water tap still
worked, so he used it. Despite the drudgery of the task and his problems with
Sarah, Casimir wore a little smile on his long unshaven face. Project Spike
had worked.

He had been sampling Cafeteria food for three weeks, and until tonight had
come up with nothing. Turkey Quiche, Beef Pot Pies, Lefto Lasagne, Estonian
Pasties, and even Deep-Fried Chicken Livers had drawn blanks, and Casimir had
begun to wonder whether it was a waste of time. Then came Savory Meatloaf
Night, an event which occurred every three weeks or so; despite the efforts
of advanced minds such as Virgil's, no one had ever discerned any reliable
pattern which might predict when this dish was to be served. Today, of course,
the last of the semester, Savory Meatloaf Night had struck and Casimir had
craftily smuggled a slice out in his sock (the Cafeteria exit guards could
afford to take it easy on Savory Meatloaf Night).

Not more than fifteen minutes ago, as he had been irradiating the next batch
of rat poison, the computer terminal had zipped into life with the results
of the analysis: high levels of Carbon- 14! There were rats in the meatloaf!
That was a triumph for Casimir. It seemed likely to be a secret triumph,
though. Sarah would never understand why he was doing this. Casimir wasn't
even sure he understood it himself. S. S. Krupp had funded his mass driver,
so why should he wish to damage the university now? He suspected that Project
Spike was simply a challenge, an opportunity to prove that he was clever
and self-sufficient in a sea of idiocy. He had accomplished that, but as a
political tactic it was still pretty dumb. Sarah would certainly think so.

Sarah had also thought it was dumb when he had decided to work in the lab all
night instead of going to Fantasy Island Nite. She was right on that issue
too, perhaps, but Casimir loathed parties of all sorts and would use any
excuse to avoid one. Hence he was here on the bottom of the Plex, washing out
rat-liver scum, while she was far above, dancing in the clown costume she had
shown him-- probably having a wonderful time as handsome Terrorists salivated
on her.

He observed he was leaning on the counter staring at the wall as though it
were a screen beaming him live coverage of Sarah at the party. Maybe he would
leave now, retaining a lab coat as a costume, and go up and surprise Sarah.

Meanwhile water was squirting out of the wall, forcing its way through the
cracks between the panels, running out from under the baseboards and trickling
through the grommets in the sides of Casimir's tennis shoes. Abruptly brought
back into the here and now, he looked around half-dazed and started unplugging
things and moving them to higher ground. What the hell was happening? A broken
pipe? He figured that if there was enough water pressure on the 31st floor to
run a fire hose, the pressure down here must be phenomenal. This was going to
be a hell of a mess.

Water was now trickling through old nail holes high on the wall. Casimir
covered the computer terminal with plastic and then ran out to search for
B-men. They were not here now, of course-- probably spreading rat poison or
celebrating some Crotobaltislavonian radish festival.

Across from Sharon's lab was a freight elevator closed off by a manually
operated door. When he looked through its little window Casimir saw water
falling down the shaft, and sparks spitting past. He got insulated gloves from
the lab and hauled the door open. Several gallons of pent-up water rushed past
his ankles and fell into the blackness. From below rose the-harsh wet odor of
the sewers.

The sparks issued from the electrical control box on the shaft wall. Once
Casimir was sure there was no danger of fire or electrocution he left, leaving
the doors open so that water could drain out of this bottom level of the Plex.

Oh, God. The rat poison. It was only supposed to stay in the radiation source
for a minute at a time! Casimir had put it in an hour ago, then simply
forgotten about it once the results of the analysis had come in. The damn
stuff must be glowing in the dark. He sloshed back into the lab.

Water poured and squirted from the walls and ceiling everywhere he looked. He
shielded his face from spray and walked through a wall of water toward the
neutron source, a garbage can full of paraffin with the plutonium button at
its center. Stopping to listen, he sensed that the slow ticking noise which
had been coming from one wall had sped up and was growing louder. He stood
petrified as it grew into a rumble, then a groan. then a scream-- and the wall
crashed open and a torrent rushed through the lab. An adjacent storage room
had filled with water from a large broken pipe, and Casimir was now knocked to
the floor by a torrent of Fiberglass panels, aluminum studs, and janitorial
supplies. He rolled just in time to see the neutron source, buoyed on the rush
of water, bob through the doorway and across the hall.

Taking care not to be swept along, he made his way to the shaft and looked
down. All was dark, but from far below, under the waterfall sound, he thought
he heard a buzz, or a ringing: the sound of an alarm. Maybe his ears were
ringing, and maybe it was a fire alarm above. Nauseated, he returned to the
lab, sat on a table and awaited the B-men.

Fantasy Island Nite was turning out to be not such a bad thing after all.
Those Terrorists upstairs in their own lounge were making a lot of noise,
but those down here on 12 were making an admirable effort to behave, per
their agreement with the Airheads. Only this agreement had persuaded Sarah
and Hyacinth to show up. It was potentially interesting, it was nice to be
sociable once in a while and they could always leave if they didn't like it.
Sarah wore a clown costume. This was her way of making fun of the fantasy
theme of the party-- most Airheads came as beauty queens or vamps-- and
had the extra advantage of making her totally unrecognizable. Hyacinth put
together a smashing Fairy Godmother costume, as a joke only Sarah would get.
Their plan was to drink so much it would become socially acceptable for them
to dance together.

While Sarah was working on the first stage of this plan she began g a lot
of attention from three Terrorists. These three-- ,a Cowboy, a Droog and a
Commando-- were obvious jerks, each one incensed that she would not reveal her
name, but as long as they danced, fetched drinks and didn't try to converse
they seemed like harmless fun. After a while she got a little boogied out, and
withdrew from the action to look out over the city. Hyacinth had gone to visit
another party and was expected back soon.

Time twisted and she was no longer at the party; she was watching it from a
place in her mind where she had not been for many years. She slid backward
like an air hockey puck until she was high up in one corner of the room. The
walls of the Plex fell away so that she could see in all directions at once.

One of the picture windows had been replaced by a gate that opened to the
sky. The gate was gaily festooned with shining pulsing color-blobs. All the
other party-goers had lined up in front of it. On one side of the gate stood
Mitzi, taking tickets; on the other, Mrs. Saritucci, checking off their names
on a clipboard. Each Airhead-Terrorist who passed through stepped out and sat
down on a long slippery-slide made of blue light, and squealed with delight
as they zoomed earthward. Sarah could not see all the way to the slide's end,
but she could see that, below, the Death Vortex had turned into a whirlpool of
multicolored fire. Forests and towns and families whirled around and around
before gurling down the center to disappear. The Vortex was ringed with
hundreds of fire trucks whose crews haltheartedly sprayed their tiny jets of
water into its middle.

When Sarah looked beyond the whirlpool she saw in its light a shattered
landscape of rubble and corpses, where bawling dirty people scrabbled about
aimlessly and squinted into the fire-glow. Nothing more than dust, solitary
bricks, cockroaches and jagged glass was there, though Sarah's vision swooped
across it for a thousand miles and a thousand years.

Beyond its distant edge was a nonlandscape: a milky white vacuum where choking
black clouds of static grew, split, re-formed, hurled themselves against
one another, clashed with horrible dry violence and abated to grow and form
again. Its slowness and its dryness made it the most awful thing Sarah had
ever seen. Alter five millennia, when she thought she was entirely lost and
crazy, she saw a piece of broken glass. then a rivulet of blood. Following
them, she found herself in the terrible landscape again, with the Plex on the
horizon erupting like a volcano. Blue beams of light shot from its top and
wrapped around her and sucked her back through the air into the building. But
she could no longer find herself there. She was no longer in the Lounge. The
Lounge had been vacant for centuries and only dust and yellowed party favors
remained. Following footprints in the dust she came to the hallway-- brightly
lit, loud, filled with shouting students and bats. She flew straight down
the hail until four dots at its end grew into four people and she could slow
down and follow them. There were three men: a Cowboy and a Commando held the
arms of a woman dressed as a clown, hurrying her down the hall, while a Droog
walked ahead of them carrying a paper punch cup which glowed with a green
light from within. Sarah closed her eyes to the glow and shook her head, and
when she opened them again she was the clown-woman-- though she did not want
to be.

They were in an elevator filled with black water that rose and crept warmly up
Sarah's thighs. Swimming in the water were bad hidden things, so she kicked as
well as she could. Her hands were held up above her head by men ten feet high,
lost in the glare of the overhead light where it was too bright to look.

Then they were on a floor that reminded Sarah of the broken landscape. On the
wall a giant mouth was chewing vigorously, drooling on the floor and smacking
its disgusting lips. The men threw her through it and followed behind.

"I won't go down the slide," she protested, but they did not really care.
Inside all was red and blue; a neon beer emblem burned in the window and
licked her with its hot rays. There stood a giant in a football costume who
wore the head of Tiny, leader of the Terrorists.

"Is Dex here?" she said, more out of habit than anything. It would be like
Dex to slip her some LSD. But then she knew this was a stupid question. She
felt the door being locked behind her and saw the music turned up until it
was purest ruby red, causing her body to turn into fragile glass. To move now
would be to shatter and die.

"Handle with care," she murmured, "I'm glass now," but the words just dribbled
down the front of her costume. They were ripping her costume away. She
squirmed but felt herself cracking horribly. The beer sign cast grotesque red
and blue light on the transparent flesh of her thighs.

She knew what was going to happen next. Somehow her mind connected it all in a
straight line, before the idea was swept away by the internal storm. The worst
thing in the world. She should have gone down the slide.

She made an effort of will. The sound and the light went away, it was spring;
grass and flowers and blue sky were all around and she was not about to be
raped. She was eating raspberries on the banks of a creek. Out of curiosity
she scratched at the air with her fingernail. Red and blue rays stabbed out
into her skin again, and peeking all the way through for a moment she could
see that they had not yet started.

No wonder; they were moving in slow motion. Sarah would have to spend many
hours waiting on the banks of the creek. She drew back into the sunshine.
Perhaps she could live here forever and have a perfect life.

When she slept, she dreamed of those dry, unending wars in the land of milky
white. She knew it was all an illusion. She tore it away and came back to
the room. She was not going to sleep through anything. She was not going to
imagine anything that didn't exist.

The sign was wavy and upside down now, reflected in a puddle of water on the
floor.

A Terrorist was in the corner twisting a faucet handle. Sarah stood up. Tiny
turned toward her and smashed her across the face. She was on the floor again,
and over there a Terrorist groped in the scintillating ocean of red and blue
for the sign's power cord. He was screaming like an electric guitar now. He
was trying to swim in the shallow lake of blood and bile.

Sarah was thrown onto a bed. Her arms and legs flailed, and one heel found a
Terrorist's kneecap. The Droog got on top of her, and because he was in slow
motion she kicked him in the nuts. He curled up on top of her and she looked
through his hair at the ceiling, which sputtered in the failing sign-light.
Tiny was unwinding a long piece of rope and its thin tendrils floated around
him like black smoke. She rolled half out from under the Droog and curled
into a fetal position so he could not take her arms and legs. As she did she
peered down through the transparent floor and saw the Airheads, plastered with
grotesque makeup, drinking LSD from crystal goblets and cheering. But where
was Hyacinth?

Hyacinth was standing in the doorway. An extremely loud explosion seeped
into her ears. Smoke filled the room, catching the hallway light and forming
hundreds of 3-D images from Sarah's past life.

Hyacinth's fairy godmother costume was changed, for now she wore heavy leather
gloves over her white cloth gloves, and bulky ear protectors under her conical
hat, and a pair of goggles beneath her milky-white veil. In her hands she
carried a giant revolver. Sarah knew that under her dress, Hyacinth was made
of strong young oakwood.

Hyacinth took one step into the room and shrugged on the main light switch.
Tiny stood in the center, staring. The man who had been swimming on the floor
was dead. Another clasped his knee and screamed at the ceiling. Sarah laid her
head down restfully and put her hands on her ears.

Cones of fire were spurting from the front and back of Hyacinth's gun and her
hands were snapping rhythmically up and down. Tiny had his hands on his chest,
and as he walked backward toward the window the back of his football jersey
bulged and fluttered like a loose sail, darkness splashing away from it. The
electrical cord was between his legs. His steps shortened and he fell backward
through the picture window. The cord and plug trailed slowly behind him and
snapped out room and were gone. The noise was so immense that Sarah heard
nothing until much later. The blasts were synchronized with the music's beat:

WHAM WHAM WHAM WHAM

with each WHAM followed by a high whine that shrieked through until the next
WHAM, so that when Tiny was gone there remained a terrible high tone that
resonated between the walls of the room, far too loud for Sarah to stand,
filling her awareness like the blowing of the Last Trumpet and tormenting the
injured Terrorists, who cried out in it and wrapped their arms around their
heads. The Droog on, top of Sarah was pulled slowly away and Hyacinth yanked
Sarah to her feet. Sarah did not even move her legs as the smoky doorway
twisted past her, the corridor walls with their Big Wheels rolled on by, the
landings of the fire stair rushed up toward her from blackness and her soft
bed drifted up to envelop her face. Hyacinth was above her, probing, rubbing,
kissing her. She would not stop until Sarah was well again.

Virgil used his master key eight times before attaining a dark, stained
sub-sublevel of the Plex, where great water mains from the City entered from
the depths and fed the giant pumps that pressurized the plumbing system
overhead.

In an uncharacteristic flash of foresightedness, the Plex's architects made
allowances for the certainty that, once in a while, one group or another would
flush hundreds of toilets simultaneously and damage the cold water system. So
they installed two parallel, independent systems of main pipes to feed the
distribution systems of the wings; to switch between them one need only close
one set of valves and open another. This Virgil accomplished by grunting and
straining at a few red iron wheels. Satisfied that things were settling back
toward normal, he set out for Professor Sharon's old lab to see if Casimir
Radon was still there.

* * *

The Computing Center was not far away. Though it had many rooms, its heart
was a cavernous square space with white walls and a white floor waxed to a
thick glossy sheen. The white ceiling was composed of square fluorescent light
panels in a checkerboard pattern. Practically all of the room was occupied by
disc memory units: brown-and-blue cubes, spaced in a grid to form a seemingly
endless matrix of six-foot aisles. At the center of the room was an open
circle, and at the center of that area stood the Central Processing Unit of
the Janus 64. A smooth triangular column five feet on a side and twelve feet
high, it would have touched the ceiling except that above was a circular
opening about forty feet across, encircled by a railing so that observers
could stand and look into the core of the Computing Center.

Around the CPU were a few other large machines: secondary computers to
organize the tasks being fed to the Janus 64, array processors, high-speed
laser printers, a central control panel and the like. But closest of all was
the Operator's Station, a single video terminal, and tonight the operator was
Consuela Gorm, high priestess of MARS. She had volunteered to do the job on
this night of partying, when the only people still using the computer in the
adjacent Terminal Room were the goners, the hopelessly addicted hackers who
had nothing else to live for.

The only sounds were the whine of the refrigeration units, which drew away the
heat thrown off by the tightly packed components of the Janus 64; the high
hum of the whirling memory discs, miltiplied by hundreds; and the pitter-pat
of Consuela's fingertips across the keypad of the Operator's Station. She was
hunkered down there, staring hypnotized into the screen, and behind her Fred
Fine stood thin and straight as the CPU itself. Tonight they were testing
Shekondar Mark V, their state-of-the-art Sewers & Serpents simulation program.
Now, at a few minutes before midnight, they had worked out the few remaining
bugs and they stood transfixed as their program did exactly what it was
supposed to.

"Looks like a routine adventure," mumbled Consuela.

"But it looks like Shekondar might have generated a werewolf colony in this
party's vicinity. I'm seeing a lot of indications of lycanthropic activity."

"You'd want plenty of silver arrows on this campaign." "With this level of
activity, you'd want a cleric specialized in lycanthropes," scoffed Consuela.

Fred Fine was perfectly aware of that. He was merely making conversation so
Consuela would not realize he was thinking intently about something, and try
to beat him to the punch. Yes, the werewolf colony was obvious-- it was a
large one, probably east-northeast in the Mountains of Krang. Only large-scale
organization could account for the lack of wolfsbane and garlic, which were
usually abundant in this biome. But Fred Fine was concerned with observations
on a far grander scale. Though nothing was catastrophically wrong, something
was very strange, and Fred Fine found that he was covered with goosebumps. He
tapped a foot nervously and scanned the descriptions scrolling past on the
screen.

"Listen for birds!" he hissed.

Consuela ordered an Aural Stimuli Report, specifying Avians as field of
interest.

NO AVIAN SOUNDS DETECTABLE, said Shekondar Mark V.

"Damn!" said Fred Fine. "Let's have the alchemist test one of his magical
substances-- say, some of the fire-starting fluid." MAGICAL COMBUSTIBLES AND
EXPLOSIVES FAIL TO FUNCTION.

"Uh-oh! All characters jettison all magical items immediately!" SMALL FIRES
AND EXPLOSIONS IN ALCHEMICAL SUBSTANCES.

"Good. We'll get farther away."

LARGE EXPLOSIONS. NOXIOUS SMOKE. NO INJURIES DUE TO WIND DIRECTION.

"Lucky! Forgot even to check for that. My character will try turning on his
pocket calculator."

ELECTRONIC DEVICES FAIL TO FUNCTION.

"Wait a minute," said the astonished Consuela. "What is this? I don't know
of anything that can cause disruption of magic and technology at the same
time! Some kind of psionics, maybe?" "I don't know. I don't know what it is.,,
"We wrote this thing. We have to know what's in it." "Aural Stimuli Report,
General. Quick!"

DEEP RUMBLING CONSISTENT WITH TEMBLOR OR LARGE SUBTERRANEAN MOVEMENT.

"Can't be an earthquake. We'll head for solid rock, that should protect us.
Head uphill!"

MOVEMENT SPEED HALVED BY TEMBLOR. ROCK OUTCROPPING REACHED IN SIX TURNS.
EXTREMELY LOUD HISSING. GASEOUS ODOR. GROUND BECOMES WARM.

"It's almost like a Dragon," said Consuela in a constricted, terrified voice,
"but from down in the earth."

"God! I can't think of what the hell this is!"

ONE HUNDRED METERS TO YOUR NORTH EARTH BULGES UPWARD. BULGE IS FIFTY METERS
IN DIAMETER AND RISING QUICKLY. EARTH CRACKS OPEN AND YOU SEE A GLISTENING
SURFACE....

The terminal went blank. From just behind them came a violent scream, like a
buzzsaw wrenching to a stop in a concrete block. They knew it though they had
never heard it before; it was the sound of a disc unit dying, the sound made
when the power was cut off and the automatic readers (similar to the tone-arms
of phonographs) sank into, and shredded, the hysterically spinning magnetic
discs. It was to them what the snapping of a horse's leg is to a jockey, and
when they spun around they were astonished and horrified to see a curtain of
water pouring onto the floor from the circular walkway overhead. Not more than
a dozen feet from the base of the Janus 64, the ring was spreading inward.

"Hey, Fred 'n' Con!" someone yelled. At one end of the room, at the window
that looked out into the Terminal Room, an overweight blond-bearded hacker
squinted at them. "What's going on? System problems? Oh, Jeeeezus!"

He turned to his comrades in the Terminal Room, screaming, "Head crash! Head
crash! Water on the brain!" Soon two dozen hackers had vaulted through the
window into the Center and were sprinting down the aisles as fast as their
atrophied legs could carry them, the men stripping off their shirts as they
ran. Another disc drive shorted out and sizzled to destruction. Abruptly Fred
Fine spun and grabbed the Operator's Key-chain, then ran through the circular
waterfall toward another wall of the Center, shouting for people to follow
him.

In seconds he had snapped open the door to the storage room, where tons of
accordion-fold computer paper were stored in boxes. As some of the hackers did
their best to sweep water away from the base of the Janus 64, the rest formed
a line from the storage room to the central circle. The boxes were passed down
the line as quickly as possible, slit open with Fred Fine's authentic Civil
War bayonet and their contents dumped out as big green-and-white cubes inside
the deadly water-ring. Though it did not entirely stem the flow, the paper
absorbed what It did not dam. Soon all space between the waterfall and the
CPU was covered with at least two feet of soggy computer paper. Meanwhile,
Consuela had shut down all the disc drives.

The danger was past. Fred Fine, still palpitating, noticed a small waterfall
in the corner of the storage room. Flicking on the lights for the first time,
he clambered over the stacked boxes to check it out. In the corner, three
pipes about ten inches in diameter ran from floor to ceiling. One was swathed
in the insulation used for hot water pipes. Water was running down one of the
bare pipes; higher up. above the ceiling, it must be leaking heavily. Fred
Fine put his hand on the third pipe and found that it was neither hot nor
cool, and did not seem to be carrying a current. A firehose supply pipe? No,
they were supposed to be bright red. He puzzled over it, rubbing his hand
over the long thin whiskers that straggled down his cheeks when he had been
computing for a week or more.

As he watched, the hiss of running water lowered and died away and a few
seconds later the leak from above was stemmed. There was the KLONK of an air
hammer in a pipe. Fred Fine put his hand on the mystery pipe, and began to
feel the gentle vibration of running water underneath, and a sensation of
coolness spreading out from the interior.

The hackers saw him wandering slowly toward the Janus, which rose like an
ancient glyph from the tumbled, sodden blocks of paper. He had a distant look,
and was consumed in thought.

"These are the End Times," he was heard to say. "The Age draws to a close."

He was no weirder than they were, so they ignored him.

Tiny landed on a burning sofa not far from my window. The impact forced much
excess lighter fluid out of the foam cushions and created a burst of flame
whose origin we did not know until later. Once the water had come back on, and
we had soaked the elevator and the Christmas tree, we aimed the fire hose out
my living-room window and drenched the heap of dimly burning furniture that
was Tiny the Terrorist's funeral pyre. It was a few minutes past midnight, the
second strangest midnight I have ever known, and my first semester at the Big
U was at an end.

                            ---------------------
                            -- Second Semester --
                            ---------------------

                                 --January--                                  

The fog of war was real down here. The knee-deep gloom on the tunnel floor
exhaled it in sheets and columns, never disturbed by a clean wind or a breath
of dryness. Through its darkness moved a flickering cloud of light, and at the
center walked a tall thin figure with headphones sprouting long antennae. He
carried an eight-foot wizard's staff in one hand, a Loyal Order of Caledonian
Comrades ceremonial sword in the other, and wore hip waders, a raincoat, and a
gas mask. His headlamp's beam struck the fog in front of his eyes and stopped
dead, limiting his visibility to what he could see through occasional holes
in the atmosphere. From the twin filters of his gas mask came labored hissing
sighs as he panted with an effort of wading through the muck.

"I've come to the intersection of the Tunnel of Goblins and the Tunnel of
Dragon Blood," he announced. "This is my turnaround point and I will now
return to rendezvous with Zippy the Dwarf, Lord Flail and the White Priest in
the Hall of the Idols of Zarzang-Zed." True to his word, Klystron the Impaler
laboriously reversed direction by gripping his staff and making a five-point
turn, then paused for a rest.

A voice crackled from his headphones, a lush, tense introvert's voice made
tinny by the poor transmission quality.

"Roger, Klystron the Impaler, This is Liaison. Please hold." There was a brief
silence, but the flickering of her fingers on the computer keys up there, and
her ruffling of papers, kept her voice-operated mike open. She snickered,
unaware that Klystron, Zippy, Flail and the White Priest could hear her. "Oh
ho," she gloated, "are you in for trouble now. You don't hear anything yet."
More fingers on the keyboard. Klystron concluded that Shekondar had generated
a monster with many statistics and at least three attack modes, a monster
with which Consuela was not entirely familiar. Perhaps, for once, a worthy
opponent.

Klystron the Impaler drew his mask down to dangle on his chest. Taking care
not to breathe through his nose, he brought out his wineskin, opened the
plastic spigot and shot a long stream of warm Tab onto his tongue. God, it
stank down here. But Klystron could deal with far worse. Anything was better
than doing this in a safe light place, like the D & D players, and never
experiencing the darkness, claustrophobia and terror of reality.

Liaison was ready. "Klystron the Impaler, known to' -his allies as the Heroic,
High Lord of Plexor, Mage of the CeePeeYu and Tamer of the Purple Worm of
Longtunnel, is attacked by the ELECTRIC MICROWAVE LIZARD OF QUIZZYXAR!" She
nearly shrieked the last part of this, as frenzied as a priestess during a
solar eclipse. "You are not surprised, you have one turn to prepare defense.
Statement of intent, please."

Klystron corked the wineskin with his thumb and let it drop to his side,
sliding the mask back over his face. So, it was the electric microwave lizard
of Quizzyxar. Consuela's reaction had hinted it was something big. He was
ready.

"As you will recall, I took an anti-microwave potion six months ago, before
the Siege of Dud, and that has not worn off yet. As he will probably attack
with microwaves first, this gives me an extra turn. I begin by flipping down
the visor on my Helm of Courage. Is he charging?"

"No. She's advancing slowly."

"I stand my ground on the left side of the tunnel and fire a freeze-blast from
my Staff of Cold." He wheeled his staff into firingposition as though it were
a SAM-7 shoulder-fired antiaircraft missile launcher and his body shook with
imagined recoil as he CHOONGed a couple of sound effects into the mike.

But why had Consuela specified the lizard was a she? With Consuela it could
not have been a mere Freudian slip. "Okay," Con said slowly, typing in
Klystron's actions, "your freeze-blast strikes home, hitting her in the
left head. It has no effect. The lizard's microwave blast does not hurt you
but explodes your wineskin, causing you two points of concussion damage. It
continues to advance at a walk."

"Touché. " So much for Tab.

"Liaison, do we know about this yet?" It was Lord Flail. Liaison asked
Shekondar. "Yes. The lizard makes a lot of noise and you hear it."

"Okay!" cried Lord Flail. "We'll proceed at top speed toward the melee."

"Me too," added Zippy the Dwarf.

"It'll take us forever to get there," said the White Priest, who did not seem
to be very far into his character. "We're at least a thousand feet away."

Klystron the Impaler took advantage of these negotiations to do some planning.
Obviously the female type was immune to cold-- highly obnoxious to the male
type.

"In my quiver I have a fire arrow which I took from the dying Elf-Lord during
that one time when we space-warped into Middle Earth. I'll fire that. Which
head is it leading with?" "Left."

"Then I aim for the right head."

"The arrow finds its mark and burns fiercely," announced Consuela with relish.
"The lizard bites you on your left arm, which is now useless until the White
Priest can heal it. While you switch back to your sword it claws you with a
tentacle! claw appendage, doing five points of damage to your chest. The claw
is poisoned but... you make your saving throw."

"Good. I'll take a swipe at the appendage as it attacks." You miss."

"Okay, I'll make for the right head."

"The lizard has succeeded in clawing the fire arrow out of its hide. Now it
makes a right tongue strike, sticking you, and begins drawing you into its
mouth. Will you attack the tongue, or parry the poison claw attacks?"

Klystron considered it. This was a hell of a situation. As a last resort he
could use a wish from his wishing sword, but that could be risky, especially
with Consuela.

"I will defend myself from the claws, and deal with the mouth when I get to
it. I've been swallowed before."

"You parry three swipes. But now you are just inside the mouth and it is
exhaling poison gas, and you have lost half your strength." "Oh, all right,"
said Klystron in disgust. "I'll make a wish on my wishing sword. I'll say…"

"Wait a minute!" came the feminine squeal of Zippy the Dwarf. I just spotted
him!"

Snapping to attention, Klystron scanned the surrounding mist with the beam of
his headlamp and picked out Zippy's red chest waders. "Confirm contact with
Zippy the Dwarf. Estimated range ten meters."

"In that case," observed Consuela, "she is right behind the lizard. Your
action, Zippy?"

"Three double fireballs from my fireball-shooting tiara." "I duck," said
Klystron hastily. Shekondar was just clever enough to generate an accidental
hit on him. He sighed in relief and his pulse became leaden. It was going to
be fine.

"All fireballs strike in abdominal area. Lizard is now in bad shape and moving
slowly."

"I cut myself loose from the tongue."

"Done."

"Two more fireballs in the right head."

"As soon as I'm out of the way, that is."

"Okay. The lizard dies, Congratulations, people. That's ten thousand
experience points apiece."

Klystron and Zippy joined up, edging together against the tunnel wall to avoid
the imaginary lizard corpse sprawled between them. They shook hands robustly,
though Klystron had some reservations about being saved by a female dwarf,
"Good going, guys!" shouted Lord Flail, overloading his mike. "Yeah. Way to
go," the White Priest added glumly.

"Flail and Priest, give estimated distance from us." Klystron was concerned;
those two were the weakest members, even when they were together, and now
that one monster had been noisily eliminated others were sure to converge on
the area to clean up. "To be frank, I'm not sure," answered the White Priest.
"I kind of thought we'd be getting to an intersection near you by now, but
apparently not. The layout of these tunnels isn't what I saw on the Plex
blueprints."

Klystron winced at this gross violation of game ethics and exchanged
exasperated glances with Zippy. "You mean that the secret map you found was
incorrect," he said. "Well, don't continue if you're lost. We will proceed in
the direction of the Sepulchre of Keldor and hope to meet you there." He and
Zippy plugged off down the tunnel.

They wandered for ten minutes looking for one another, and every sixty seconds
Liaison had them stop while Shekondar checked for prowling monsters. Shortly,
Klystron overheard an exchange between the Priest and the Lord, who apparently
had removed their masks to talk.

"Take it easy! It doesn't take very long, you know," said the White Priest.
"I'll be right back. Stay here."

"I don't think we should separate, Your Holiness," pleaded Lord Flail. "Not
after a melee that'll attract other monsters." Klystron turned up the gain on
his mike and shouted, "He's right! Don't split up," in hopes that they would
hear it without earphones.

The Priest and Lord Flail conversed inaudibly for a few seconds. Then Flail
came back on, having apparently replaced his mask. "Uh, this is to notify
Shekondar that the White Priest has gone aside," he said, using the code
phrase for taking a leak. Klystron chuckled. A few seconds later came another
prowling monster check. Everyone tensed and waited for Shekondar's decree.

"Okay," said Liaison triumphantly, "we've got a monster, Lord Flail, now solo,
is attacked by... giant sewer rats! There are twelve of them, and they take
him by surprise."

"Well listen for his battle cry and try to locate him that way," announced
Kiystron immediately, and pulled his headphones down to listen. Oddly, Flail
had not responded.

"Statement of intent! Move it!" snapped Consuela.

But no statement of intent was forthcoming from Flail. Instead, a ghastly
series of sound effects was transmitted through his mike. First came a whoosh
of surprise, followed by a short pause, and some confused interjections. Then
nothing was heard for a few seconds save ragged panting; and then came a
long, loud scream which obliged them to turn down the volume. The screaming
continued, swamping the others' efforts to make themselves heard on the line.

Finally Consuela's voice came through, angry and hurt. "You're jumping the
gun. The melee hasn't started yet." But Lord Flail was no longer screaming,
and the only sounds coming over his mike were an occasional scraping and
shuffling mixed with odd squeals that might have been radio trouble.

Klystron and Zippy, headphones down, could hear the screams echoing down the
tunnel a second after they came in on the radio. Flail's plan was clear; he
was making a god-awful lot of noise to assist the better fighters in tracking
him down. A good plan for a character with a fighting level of three and a
courage/psychostability index of only eight, but it was a little overdone.

The odd noises continued for several minutes as they tramped toward the scene
of the melee, which was in a higher tunnel with a much drier floor.

Ahead of them, Flail's headlamp cast an unmoving yellow blotch on the ceiling.
On the fringes of that cone of light moved great swift shadows. Klystron
slowed down and drew his sword. Zippy had dropped back several feet. "Making
final approach to Flail's location," Klystron mumbled, edging forward, falling
unconsciously into the squatting stance of the sabre fighter. At the end of
his lamp's beam he could see quickly moving gray and brown fur, and blood.

"At your approach the rats get scared and flee," said Consuela, franticly
typing, "though not without persuasion."

He could see them clearly now. They were dogs, like German shepherds, though
rather fat, and they had long, long bare tails. And round ears. And pointy
quivering snouts. Oh, my God. Several scurried away, some stood their ground
staring at his headlamp with beady black and red eyes, and one rushed him.
Reacting frantically he split the top of its skull with a blow of the dull
sword. The rest of the giant sewer rats turned and ran squealing down the
tunnel. Lord Flail was not going anywhere, and what remained of him, as
battle-hardened as Klystron was, was too disgusting to look at.

"You are too late," said Consuela. "Lord Flail has been gnawed to death by the
giant sewer rats."

"I know," said Klystron. Hearing nothing from Zippy, he turned around to see
her sitting there staring dumbly at the corpse. "Uh, request permission to
temporarily leave character."

"Granted. What's going on down there?"

"Consuela, this is Fred. It's Steve. Steven has been, uh, I supposed you could
say, uh, eaten, by a bunch of…" Fred Fine stepped forward and swept his beam
over the brained animal at his feet. "By giant sewer rats."

"Oh, golly!" said Zippy. "What about Virgil? He went off to go tinkle!"

"Jeez," said Fred Fine, and started looking around for footprints. "Liaison,
White Priest is solo in unknown location." The twelve giant sewer rats had run
right past the White Priest and ignored him. He was standing with his chest
waders around his thighs, relieving himself onto a decaying toilet paper core,
when the mass of squealing rodent fervor had hurtled out of the fog, parted
down the middle to pass around him, rejoined behind, their long tails lashing
inquisitively around his knees, and shot onward toward their rendezvous with
Lord Flail.

He stood there almost absentmindedly and finished his task, staring into the
swirling lights in front of his face, breathing deeply and thinking. Then
the screaming started, and he pulled up his waders and got himself together,
unslinging the Sceptre of Cosmic Force from its handy shoulder strap and
brandishing it. Fred Fine and Consuela had insisted he bring along convincing
props, so he had manufactured the Sceptre, an iron re-rod wrapped in aluminum
foil, topped with a xenon flash tube in a massive glass ball that was wired to
a power supply in the handle. When they had mustered for the expedition, he
had switched off the lights and "convinced" them by turning it on and bouncing
a few explosive purple flashes off their unprepared retinas. After he had
explained the circuitry to Fred Fine, they entered character and descended
a long spiral stair into the tunnels. In the ensuing three hours the White
Priest had used the Sceptre of Cosmic Force to blind, disorient and paralyze
three womp rats, a samurai, a balrog, Darth Vader and a Libyan hit squad.

He began to slog back toward Steven, and the screaming ended. Either the
rats had left or Steven was dead or someone had helped the poor bastard
out. Tramping down the tunnel, his lamp beam bounding over the discarded
feminine-hygiene products, condoms, shampoo-bottle lids and Twinkie wrappers,
Virgil tried to decide whether this was really happening or was simply part of
the game. The tunnels and the chanting of Consuela had made a few inroads on
his sense of reality, and now he was not so sure he had seen those rats. The
screams, however, had not sounded like the dramaturgical improvisations of an
escapist Information Systems major.

He stopped. The rats were coming back! He looked around for a ladder, or
something to climb up on, but the walls of the tunnel were smooth and
featureless. He turned and ran as quickly as he could in the heavy rubberized
leggings, soon discarding the gas mask and headphones so he could take deep
breaths of the fetid ammonia-ridden air.

The rats were gaining on him. Virgil searched his memory, trying to visualize
where this tunnel was and where it branched off; if he were right, there were
no branches at all-- it was a dead end. But the blueprints had been wrong
before.

A branch? He swept the left wall with his lamp, and discerned a dark patch ten
paces ahead. He made for it. The rats were lunging for his ankles. He kept his
left hand on the wall as he ran, flailing with the Sceptre in his right. Then
his left hand abruptly felt air and he dove in that direction, tripping over
his own feet and falling on his side within the branch tunnel.

A rat was on top of him before he had come to rest, and he stood up wildly,
using his body to throw the screaming beast against the wall. Grabbing the
Sceptre in both hands he swung it like a scythe. Whatever else it was, it was
first and foremost a rod with a heavy globe at one end, a fine mace.

Virgil stood with his back to the wall, kicking alternately with his feet like
a Crotobaltislavonian folk dancer to shake off the bites of the rats, lashing
out with the Sceptre at the same time. He was then blinded as his hand touched
the toggle switch that activated the powerful flasher at the end. He cringed
and looked away, and at the same time the rats fell back squealing. He shook
sweat and condensation from his eyes, snapped his wet hair back and waved
the Sceptre around at arms' length, surveying his opponents in the exploding
light. They were gathered around him in a semicircle, about ten feet away, and
with every flash their fur glistened for an instant and their eyeballs sparked
like distant brakelights. They were hissing and muttering to one another now,
their number constantly growing, watching with implacable hostility-- but none
dared approach.

Continuing to wave the Sceptre of Cosmic Force, Virgil felt down with his
other hand to the butt of the weapon, where he had installed a dial to adjust
the speed of the flashing. Turning it carefully up and down, he found that as
the flashes became less frequent, the circle tightened around him unanimously
so that he must frantically spin the dial up to a higher frequency. At
this the rats reacted in pain arid backed away in the flickering light in
stop-action. Now Virgil's vision was composed of a succession of still images,
each slightly different from the last, and all he saw was rats. dozens of
rats, and each shining purple rat-image was fixed permanently into his perfect
memory until he could remember little else. Encouraged by their fear, he
grasped the knob again and sped up the flasher, until suddenly they reached
some breaking-point; then they dissolved into perfect chaotic frenzy and
turned upon one another with hysterical ferocity, charging lustily together
into a great stop-action melee at the tunnel intersection. Bewildered and
disgusted, Virgil closed his eyes to shut it out, so that all he saw was
the red veins in his eyelids jumping out repeatedly against a yellow-pink
background.

Some of the rats were colliding with his legs. He lowered the Sceptre so that
the flasher was between his ankles, and, guiding himself by sound and touch,
moved away from the obstructed intersection and down the unmapped passageway.
He opened his eyes and began to run, holding the flasher out in front of
him like a blind man's cane. From time to time he encountered a rat who had
approached the source of the sound and fury and then gone into convulsions
upon encountering the sprinting electronics technician with his Sceptre. Soon,
though, there were no more rats, and he turned it off.

Something was tugging at his belt. Feeling cautiously, he found that it was
the power cord of the headlamp, which had been knocked off his head and had
been bouncing along behind him ever since. He found that the lens, once he had
wiped crud from it, cast an intermittent light-- a connection was weakened
somewhere-- that did, however, enable him to see.

This unmapped tunnel was relatively narrow. Its ceiling, to his shock, was
thick with bats, while its floor was clean of the stinking glom that covered
most of the tunnels in varying depths. Instead there was a thin layer of slimy
fluid and fuzzy white bat guano which stank but did not hinder. This was
probably a good sign; the passage must lead somewhere. He noted the position
of the Sceptre's dial that had caused the rats to blow their stacks, then
slung the weapon over his shoulder and continued down the passage, his feet
curiously light and free in the absence of deep sludge.

Before long he discerned a light at the end of the tunnel. He broke into a
jog, and soon he could see it clearly, about a hundred and fifty feet away: a
region at the end of the passage that was clean and white and fluorescently
lit. Nothing in the blueprints corresponded to this.

He was still at least a hundred feet away when a pair of sliding doors on
the right wall at the very end of the tunnel slid open. He stopped, sank
to a squat against the tunnel wall and then lay on his stomach as he heard
shouting.

"Ho! Heeeeyah! Gitska!" Making these and similar noises, three B-men peeked
out the door and up the passageway, then emerged, carrying weapons-- not just
pistols, but small machine guns. Two of them assumed a kneeling position on
the floor, facing up the tunnel, and their leader, an enormous B-man foreman
named Magrov, stood behind them and sighted down the tunnel through the bulky
infrared sight of his weapon. About halfway between Virgil and the B-men, a
giant rat had turned and was scuttling toward Virgil. There was a roar and a
flickering light not unlike that of Virgil's Sceptre, and two dozen automatic
rounds dissolved the rat into a long streak on the floor. Magrov shone a
powerful flashlight over the wreckage of the rodent, but apparently Virgil
was too small, distant and filthy to be noticed. Magrov belched loudly in a
traditional Croto expression of profound disgust, and the other two murmured
their agreement. He signaled to whoever was waiting beyond the sliding doors.

A large metal cylinder about a foot and a half in diameter and six feet long,
strapped to a heavy four-wheeled cart, was carefully pushed sideways into the
passage. Magrov walked to a box on the wall, punched a button with the barrel
of his weapon and spoke. "Control, Magrov once again. We have put it in normal
place like usual, and today only one of those goddamn pink-tailed ones, you
know. We taking off now. I guess we be back in a few hours."

"That's an A-OK. All clear to reascend, team." came the unaccented answer from
the box. The B-men walked through the sliding doors, which closed behind them,
and Virgil was barely able to make out a hum which sounded like an elevator.

After a few seconds, the end wall of the tunnel parted slowly and Virgil
saw that it wasn't the end at all, it was a pair of thick steel slabs that
retracted into the floor and ceiling. Beyond the doors was a large room,
brightly lit, containing several men walking around in what looked like
bright yellow rainsuits and long loose hoods with black plastic windows over
the eyes. Three of these figures emerged and quickly slid cart and cylinder
through the doors while two others stood guard with submachine guns. Then all
retreated behind the doors, and the steel slabs slid back together and sealed
the tunnel.

He remained motionless for a few minutes more, and noticed some other things:
wall-mounted TV cameras that incessantly swiveled back and forth on power
gimbals; chemical odors that wafted down the tunnel after the doors were
closed; and the many gnawed and broken rat bones scattered across the nearby
floor. Then Virgil Gabrielsen concluded that the wisest thing to do was to go
back and mess with the giant rats.

Several days into the second semester, the Administration finally told the
truth about the Library, and allowed the media in to photograph the ranks upon
ranks of card catalog cabinets with their totally empty drawers.

The perpetrators had done it on Christmas Day. The Plex had been nearly
deserted, its entrance guarded by a single guard at a turnstile. At eight in
the morning, ten rather young and hairy-looking fellows in B-man uniforms had
arrived and haltingly explained that as Crotobaltislavonians they followed the
Julian calendar, and had already celebrated Christmas. Could they not come in
to perform needed plumbing repairs, and earn quadruple overtime for working on
Christmas Day? The skeptical guard let them in anyway; if he could not trust
the janitors, whom could he trust?

As reconstructed by the police, the burglars had gathered in the card catalog
area all the canvas carts they could find. They had taken these through the
catalog, pulling the lock-pins from each drawer and dumping the contents into
the carts. The Library's 4.8 million volumes were catalogued in 12,000 drawers
of three-by-five cards, and a simple calculation demonstrated that all of
these cards could be fitted into a dozen canvas carts by anyone not overly
fastidious about keeping them in perfect order. The carts had been taken
via freight elevator to the loading docks and wheeled onto a rented truck,
which according to the rental agency had now disappeared. Its borrower, a Mr.
Friedrich Engels, had failed to list a correct address and phone number and
proved difficult to track down. The only untouched drawer was number 11375,
STALIN, JOSEPH to STALLBAUM, JOHANN GOTTFRIED.

The Library turned to the computer system. During the previous five years,
a sweatshop of catalogers had begun to transfer the catalog into a computer
system, and the Administration hoped that ten percent of the catalog could be
salvaged in this way. Instead they found that a terrible computer malfunction
had munched through the catalog recently, erasing call numbers and main
entries and replacing them with knock-knock jokes, Burma-Shave ditties and
tracts on the sexual characteristics of the Computing Center senior staff.

The situation was not hopeless; at any rate, it did not deteriorate at first.
The books were still arranged in a rational order. This changed when people
began holding books hostage.

A Master's Candidate in Journalism had a few books she used over and over
again. After the loss of the catalog she found them by memory, carried them
to another part of the Library, and cached them behind twelve feet of bound
back issues of the Nepalese Journal of Bhutaruan Studies. A library employee
from Photoduplication then happened to take down a volume of Utah Review of
Theoretical Astrocosmology, shelved back-to-back with NJBS, and detected the
cache. She moved it to another place in the Library, dumping it behind a
fifty-volume facsimile edition of the ledgers of the Brisbane/Surabaya Steam
Packet Co. Ltd., which had been published in 1893 and whose pages had not
yet been cut. She then left a sign on the Library bulletin board saying that
if the user of such-and-such books wanted to know where they were, he or she
could put fifty dollars in the former stash, and she, the employee, would
leave in its place the new location. Several thousand people saw this note
and the scam was written up in the Monoplex Monitor; it was so obviously a
good idea that it rapidly became a large business. Some people took only a few
volumes, others hundreds, but in all cases the technique was basically the
same, and soon extra bulletin board capability was added outside the entrance
to the Library bloc. Of course, this practice had been possible before the
loss of the card catalog, but that event seemed to change everyone's scruples
about the Library. The central keying system was gone; what difference did it
make?

Free enterprise helped take up the slack, as students hired themselves out
as book-snoopers. The useless card catalog area took on the semblance of a
bazaar, each counter occupied by one or two businesses with signs identifying
their rates and services. The psychic book-snoopers stole and hid books,
then-- claiming to use psychic powers-- showed spectacular efficiency in
locating them. The psychics soon eclipsed the businesses of their nonspiritual
colleagues. In order to seem as mysterious as possible, the psychics engaged
in impressive rituals; one day, working alone on the top floor, I was
surprised to see Professor Emeritus Humphrey Batstone Forthcoming IV being led
blindfolded through the stacks by a leotarded witch swinging a censer.

Every week the people who had stolen the card catalog would take a card and
mail it to the Library. The conditions of ransom, as expressed on these cards
in a cramped hand, were that: (1) S. S. Krupp and the Trustees must be purged;
(2) the Megaversity must have open admissions and no room, board or tuition
fees; (3) the Plex must become a free zone with no laws or authority; (4) the
Megaversity must withdraw all investments in firms doing business in South
Africa, firms doing business with firms doing business in South Africa and
firms doing business with firms doing business with firms doing business in
South Africa; (5) recognize the PLO and the baby seals.

S. S. Krupp observed that card catalogs, a recent invention, had not existed
at the Library of Alexandria, and though he would have preferred, ceteris
paribus, to have the catalog, we didn't have one now, that was too bad, and
we were going to have to make do. There was dissent and profound shock over
his position, and righteous editorials in the Monitor, but after a week or two
most people decided that, though Krupp was an asshole, there wasn't any point
in arguing.

"Welcome and thanks for coming to the mass driver demonstration." Casimir
Radon swallowed some water and straightened his glacier glasses. "The physics
majors' organization Neutrino has put a lot of time and work into this device,
much of it over the Christmas holiday, and we think it is a good example of
what can be done with activities money used constructively. God damn it!"

He was cursing at the loudness of his Plex neighbor, Dex Fresser, whose stereo
was an electronic signal processor of industrial power. For once Casimir did
not restrain himself; he was so nervous over the upcoming demonstration that
he failed to consider the dire embarrassment, social rejection and personal
danger involved in going next door to ask this jerk-off to turn down his
music. He was pounding on Dex Fresser's door before his mind knew what his
body was doing, and for a moment he hoped his knocks had been drowned out by
the bass beats exploding from Fresser's eighteen-inch woofers. But the door
opened, and there was Dex Fresser, looking completely disoriented, "Could
you turn that down?" asked Casimir. Fresser, becoming aware of his presence,
looked Casimir over from head to foot. "It kind of disturbs me," Casimir added
apologetically.

Fresser thought it over. "But you're not even there that much, so how can
it disturb you?" He then peered oddly into Casimir's face, as though the
goggle-eyed Radon were the captain of a ship from a mirror Earth on the other
side of the sun, which was pretty much what he was thinking. Chagrined,
Casimir ground his teeth very loudly, generating so much heat that they became
white hot and glowed pinkly through his cheeks. He then receded off into
infinity like a starship making the jump into hyperspace, then came around
behind Fresser again in such a way as to make it appear (due to the mirror
effect) that he was actually coming from the same direction in which he'd
gone. Just as he arrived back in the doorway two years later, the space warp
snapped shut behind him; but at the last moment Dex Fresser glanced through
it, and saw lovely purple fields filled with flowers, chanting Brazilians,
leaky green ballpoint pens and thousands of empty tea boxes. He wanted very
much to visit that place.

"Well, it does disturb me when I do happen to be in my room. See how that
works?" The man who was running this tape, a lanky green tennis shoe with bad
acne and an elephant's trunk tied in a double Windsor knot around his waist,
stopped the tape and ran it back to Fresser's previous reply.

"But you're not even there that much, so how can it disturb you?" As Fresser
finished this, Casimir did exactly what he had done last time, except this
time the purple fields were being clusterbombed by flying garages. The
space warp closed off just in time to let a piece of shrapnel through. It
zoomed over Casimir's shoulder and embedded itself in the wall, and Fresser
recognized it as a Pershing 2 missile.

"Right," said Casimir, now. speaking through a sousaphone around his shoulder,
which bombarded Dex Fresser with white laser rays. "I know. But you see when I
am in my room I prefer not to be disturbed. That's the whole point."

Fresser suddenly realized that the Pershing 2 was actually the left front
quarter-panel of a '57 Buick that he had seen abandoned on a street in
Evanston on July 28, 1984, and that Casimir was actually John D. Rockefeller.
"How can you be so goddamn selfish, man? Don't you know how many people you've
killed?" And he slammed the door shut, knowing that the shock would cause the
piece of the Buick to fall on Rockefeller's head; since it was antimatter,
nothing would be left afterward.

The confrontation had worked out as badly as Casimir had feared. He went back
to his room, heart pounding irrationally, so upset that he did not practice
his speech at all.

The lack of rehearsal did not matter, as the only audience in Sharon's lab
was the Neutrino membership, Virgil, Sarah, a photographer from the Mortoplex
Monitor and I. Toward the end of the speech, though, S. S. Krupp walked in
with an official photographer and a small, meek-looking older man, causing
Casimir to whip off his glasses in agitation and destroying any trace of
calmness in his manner. Finally he mumbled something to the effect that it
was too bad Krupp had come in so late, seeing as how the best part of this
introduction was over, and concluded that we should stop jabbering and have a
look at this thing.

The mass driver was four meters long, built atop a pair of sturdy tables
bolted together. It was nothing more than a pair of long straight parallel
guides, each horseshoe-shaped in cross-section, the prongs of the horseshoes
pointed toward each other with a narrow gap in between. The bucket, which
would carry the payload, was lozenge-shaped in cross-section and almost filled
the oval tunnel created by the two guides. Most of the bucket was empty
payload space, but its outer jacket was of a special alloy supercooled by
liquid helium so that it became a perfect superconducting electromagnet. This
feature, combined with a force field generated in the two rails, suspended
the bucket on a frictionless magnetic cushion. Electromagnets in the rails,
artfully wound by Virgil, provided the acceleration, "kicking" the bucket and
its contents from one end of the mass driver to the other.

Casimir relaxed visibly as he began pointing out the technical details. With
long metal tongs he reached into a giant thermos flask and pulled out the
supercold bucket, which was about the size of two beer cans side by side. He
slid it into the breech of the mass driver. As it began to soak up warmth from
the room, a cascade of frigid white helium poured from a vent on its back and
spilled to the floor.

Krupp stood close by and asked questions. "What's the weight of the slug?"

"This," said Casimir, picking up a solid brass cylinder from the table, "is a
one-kilogram mass. That's pretty small, but-- " "No, it isn't." Krupp looked
over at his friend, who raised his eyebrows and nodded. "Nothing small about
it."

Casimir smiled weakly and nodded in thanks. Krupp continued, "What's the
muzzle velocity?"

Here Casimir looked sheepish and shifted nervously, looking at his Neutrino
friends.

"Oh," said Krupp, sounding let down, "not so fast, eh?" "Oh, no no no. Don't
get me wrong. The final velocity isn't bad." At this the Neutrino members
clapped their hands over their mouths and stifled shrieks and laughs. "I was
just going to let you see that for yourselves instead of throwing a lot of
numbers at you." "Well, that's fine!" said Krupp, sounding more sanguine.
"Don't let us laymen interfere with your schedule. I'm sorry. Just go right
ahead." He stepped back and crossed his arms as though planning to shut up for
hours.

Casimir gave the empty bucket a tap and there were oohs and aahs as it floated
smoothly and quietly down the rails, bounced off a stop at the end and floated
back with no change in speed. He reinserted the one-kilogram brass cylinder.
"Now let's try it. As you can see we have a momentum absorber set up at the
other end of the lab."

The "momentum absorber" was ten squares of 3/8-inch plywood held parallel in a
frame, spaced two inches apart to form a sandwich a couple of feet long. This
was securely braced against the wall of the lab at the same level as the mass
driver. had assumed that the intended target was a wastebasket floor beneath
the "muzzle" of the machine, but now realized that Casimir was expecting
the weight to fly about twenty feet without losing any altitude. "I suggest
you all stand back in case something goes wrong," said Casimir, and feeling
somewhat alarmed I stood way back and suggested that Sarah do likewise.
Casimir made a last check of the circuitry, then hit a big red button.

The sound was a whizz followed by a rapid series of staccato explosions. It
could be written as: ZZIKKH where the entire sound takes about a quarter of
a second. None of us really saw anything. Casimir was already running toward
the momentum absorber. When we got there, we saw that the first five layers
of plywood had perfectly clean round holes punched through them, two more had
messy holes, and the next layer had buckled, the brass cylinder wedged in
place at its bottom. Casimir pulled out the payload with tongs and dropped
it into an asbestos mitt he had donned. "It's pretty hot after all those
collisions," he explained.

Everyone but Casimir was electrified. Even the Neutrino observers, who had
seen it before, were awed, and laughed hysterically from time to time. Sarah
looked as though whatever distrust she had ever had in technology had been
dramatically confirmed. I stared at Casimir, realizing how smart he was.
Virgil left, smiling. Krupp's little friend paced between mass driver and
target, hands clasped behind back, a wide smile nestled in his silver-brown
beard, while Krupp himself was astonished.

"Jesus H. Christ!" he yelled, fingering the holes. "That is the damnedest
thing I've ever seen. Good lord, boy, how did you make this?"

Casimir seemed at a loss. "It's all done from Sharon's plans," he said
blankly. "He did all the magnetic fieldwork. I just plugged in the arithmetic.
The rest of it was machine-shop work. Nothing complicated about the machine."

"Does it have to be this powerful?" I said. "Don't get me wrong. I'm impressed
as hell. Wouldn't it have been a little easier to make a slower one?"

"Well, sure, but not as useful," said Casimir. "The technical challenges only
show up when you make it fast enough to be used for its practical purpose--
which is to shoot payloads of ore and minerals from the lunar surface to
an orbital processing station. For a low-velocity one we could've used air
cushions instead of magnetic fields to float the bucket but there's no
challenge in that."

"What's the muzzle velocity?" asked Krupp's guest, who had appeared next to
me. He spoke quietly and quickly in an Australian accent. When I looked down
at him, I realized he was Oswald Heimlich, Chairman of the Board of Trustees
of American Megaversity and one of the richest men in the city -- the founder
of Heimlich Freedom Industries a huge de fense contractor. Casimir obviously
didn't know who he was.

"The final velocity of the bucket is one hundred meters per second, or about
two hundred twenty miles per hour." "And how could you boost that?"

"Boost it?" Casimir looked at him, startled. "Well, for more velocity you
could build another just like this-- " "Yes, and put them together. I know.
They're interconnectible. But how could you increase the acceleration of this
device?"

"Well, that gets you into some big technical problems. You'd need expensive
electronic gear with the ability to kick out huge pulses of power very
quickly. Giant capacitors could do it, or a specialized power supply."

Heimlich followed all this, nodding incessantly. "Or a generator that gets its
power from a controlled explosion."

Casimir smiled. "It's funny you should mention that. Some people are
speculating about building small portable mass drivers with exactly that type
of power supply-- a chemical explosion-- and using them to throw explosive
shells and so on. That's what is called-- "

"A railgun. Precisely."

Things began to fall into place for Casimir. "Oh. I see. So you want to know
if I could build-- basically a railgun." "Sure. Sure," said Heimlich in an
aggressive, glinting voice. "What's research without practical applications?"
The question hung in the air. Krupp took over, sounding much calmer. "You
see, Casimir, in order to continue with this research-- and you are off to an
exceptionally fine start-- you will need outside funding on a larger scale.
Now, as good an idea as lunar mining is, no one is ever going to fund that
kind of research. But railguns-- whether you like it or not, they have very
immediate significance that can really pull in the grants. I'm merely pointing
out that in today's climate relating your work to defense is the best way to
obtain funding. And I imagine that if you wanted to set up a specialized lab
here to advance this kind of work, you might be able to get all the funding
you'd want."

Casimir looked down at the shattered plywood in consternation. "I don't need
an answer now. But give it some careful thought, son. There's no reason for
you to be stuck in silly-ass classes if you can do this kind of work. Call
me anytime you like." He shook Casimir's hand, Heimlich made a brief smiling
spastic bow, and they walked out together.

                                 --February--                                 

Sarah quit the Presidency of the Student Government on the first of January.
At the mass-driver demonstration, S. S. Krupp had simply ignored her, which
was fine by Sarah as she had no desire to give the man a point-by-point
explanation.

As for the death of Tiny, here the other shoe never dropped, though Sarah
and Hyacinth kept waiting. His body was in especially poor condition when
found, and the bullet holes might not have been detected even if someone had
thought to look for them. The City police made a rare Plex visit and looked at
the broken window and the electrocuted man on the floor, but apparently the
Terrorists had cleaned up any blood or other evidence of conflict; in short,
they made it all look like a completely deranged drunken fuck-up, an archetype
familiar to the City cops.

The Terrorists wanted their own revenge. None of them had a coherent idea
of what had happened. Even the two surviving witnesses had dim, traumatized
memories of the event and could only say it had something to do with a woman
dressed as a clown. As soon as I heard that the Tetrorists were looking for
someone called Clown Woman, I invited her over and we had a chat. I knew what
her costume had been. Though she understood why I was curious, she suddenly
adopted a sad, cold reserve I had never seen in her before.

"Som ~. really terrible things happened that night. But I'm I Hyacinth is
safe-- okay? And we've been making plans to stay that way."

"Fine. I just-- "

"I know. I'd love to tell you more. I'm dying to. But I won't, because you
have some official responsibilities and you're the kind of person who carries
them out, and knowing anything would be a burden for you. You'd try to help--
but that's something you can't do. Can you understand that?"

I was a little scared by her lone strength. More, I was stunned that she was
protecting me. Finally I shrugged and said, "Sounds as though you know what
you're doing," because that was how it sounded.

"This has a lot to do with your resigning the Presidency?" I continued. Sarah
was a little annoyed by my diplomacy, for the same reason S. S. Krupp would
have been.

"Bud, I don't need some terrific reason for resigning. If I'm spending time on
a useless job I don't like, and I find there are better things to do with that
time, then I ought to resign." I nodded contritely, and for the first time she
was relaxed enough to laugh. On her way out she gave me a long platonic hug,
and I still remember it when I feel in need of warmth.

They got the wading pool and the garden hose on a two-hour bus ride to a
suburban K-Mart. Hyacinth inflated it in the middle of Sarah's room while
Sarah ran the hose down the hall to the bathroom to pipe in hot water. Once
the pool was acceptably full and foamy, they retrieved the hose, locked the
door and sealed off all windows with newspaper and all cracks around the door
with towels and tape. They lit a few candles but blew most of them out when
their eyes adjusted. The magnum of champagne was buried in ice, the water was
hot, the night was young. Hyacinth's .44 was very intrusive, and so Sarah
filed it under G for Gun and they had a good laugh.

Around 4:00 in the morning, to Sarah's satisfaction, Hyacinth passed out.
Sarah allowed herself to do likewise for a while. Then she dragged Hyacinth
out onto the rug, dried her and hoisted her into bed. They slept until 4:32
in the afternoon. Sleet was ticking against the window. Hyacinth cut a slit
in the window screen and they fed the hose outside and siphoned all the
bathwater out of the pool and down the side of the Plex. They ate all of
Sarah's mother's banana bread, thirty-two Chips Ahoys, three bowls of Captain
Crunch, a pint of strawberry ice cream and drank a great deal of water. They
then gave each other backrubs and went to sleep again.

"Keeping my .38 clean is a pain in the ass," said Sarah at one point. "It
picks up a lot of crud in my backpack pocket." "That's one reason to carry a
single-action," said Hyacinth. "Less to go wrong if it's dirty."

A long time later, Sarah added, "This is pretty macho. Talking about our
guns."

"I suppose it's true that they're macho. But they are also guns. In fact,
they're primarily guns."

"True."

They also discussed killing people, which had become an important subject with
them recently.

"Sometimes there isn't any choice," Sarah said to Hyacinth, as Hyacinth cried
calmly into her shoulder. "You know, Constantine punished rapists by pouring
molten lead down their throats. That was a premeditated, organized punishment.
What you did was on the spur of the moment."

"Yeah. Putting on protective clothes, loading my gun, tracking them down and
blowing one away was really on the spur of the moment."

"All I can say is that if anyone ever deserved it, he did." Three Terrorists
ambled down the hall past Sarah's door, chanting "Death to Clown Woman!"

"Okay, fine," said Hyacinth, and stopped crying. "Granted. I can't worry about
it forever. But sooner or later they're going to figure out who Clown Woman
is. Then there'll be even more violence."

"Better them to be violent against us," said Sarah, "than against people who
don't even understand what violence is."

Sarah was busy taking care of herself that semester. This made more sense than
what the rest of us were doing, but it did not make for an eventful life. At
the same time, a very different American Megaversity student was fighting the
same battle Sarah had just won. This student lost. The tale of his losing is
melancholy but much more interesting.

Every detail was important in assessing the situation, in determining just how
close to the brink Plexor was! The obvious things, the frequent transitions
from the Technological universe to the Magical universe, those were child's
play to detect; but the evidence of impending Breakdown was to be found only
in the minutiae. The extra cold-water pipe; that was significant. What had
suddenly caused such a leak to be sprung in the plumbing of Plexor, which
had functioned flawlessly for a thousand years? And what powerful benign
hand had made the switch from one pipe to the other? What prophecy was to be
found in the coming of the Thing of the Earth in the test run of Shekondar?
Was some great happening at hand? One could not be sure; the answer must
be nested among subtleties. So this one spent many days wandering like a
lone thaumaturge through the corridors of the Plex, watching and observing,
ignoring the classes and lectures that had become so trivial.

With the help of an obsequious MARS lieutenant he was allowed to inspect
the laboratory of the secret railgun experiments. Here he found advanced
specialized power supplies from Heimlich Freedom Industries. The lieutenant, a
Neutrino member of four years' standing, hooked the output of one power supply
to an oscilloscope and showed him the very high and sharp spike of current it
could punch out-- precisely the impulses a superfast mass driver would need
to keep its payload accelerating explosively right up to the end. This one
also observed a test of a new electromagnet. It was much larger than those
used for the first mass driver, wound with miles of hair-thin copper wire and
cooled by antifreeze-filled tubes. A short piece of rail had been made to
test the magnet. It was equipped with a bucket designed to carry a payload
ten centimeters across! This one watched as a violent invisible kick from the
magnet wrenched the bucket to high velocity and slammed it to the cushion
at the rail's end; the heavy payload shot out, boomed into a tarp suspended
about five feet away, and fell into a box of foam-rubber scraps. It was the
same pattern he saw everywhere. A peaceful lunar mining device had, under the
influence of Shekondar the Fearsome, metamorphosed into a potent weapon of
great value to the forces of Good.

He gave the lieutenant a battlefield promotion to Captain. He wanted to stay
and continue to watch, but it had been a long day; he was tired, and for a
moment his mind seemed to stop entirely as he stood by the exit.

Then came again the creeping sense of Leakage, impossible to ignore; his head
snapped up and to the right, and, speaking across the dimensional barrier,
Klystron the Impaler told him to go to dinner.

Klystron the Impaler was only Klystron the Impaler when he was in a Magical
universe. The rest of the time he was Chris the Systems Programmer-- a
brilliant, dashing, young, handsome terminal jockey considered to be the best
systems man on the giant self-contained universe-hopping colony, Plexor.
From time to time Plexor would pass through the Central Bifurcation, a giant
space warp, and enter a Magical universe, fundamentally altering all aspects
of reality. Though the structure of Plexor itself underwent little change at
these times, everything therein was converted to its magical, pretechnological
analog. Guns became swords, freshmen became howling savages, Time magazine
became a hand-lettered vellum tome and Chris the Systems Programmer-- well,
brilliant people like him became sorcerers, swordspeople and heroes. The
smarter they were-- the greater their stature in the Technological universe--
the more dazzling was their swordplay and the more penetrating their spells.
Needless to say, Klystron the Impaler was a very great hero-swordsman-magician
indeed.

Of course, Plexorians tended to be that way to begin with. Only the most
advanced had been admitted when Plexor was begun, and it was natural that
their distant offspring today should tend toward the exceptional. Of those
lucky enough to be selected for Plexor, only the most adaptable had any
stomach for the life once they got there and, every month or so, found their
waterbeds metamorphosing into heaps of bearskins. Klystron/Chris liked to
think of the place as a pressure cooker for the advancement of humanity.

But even the most perfect machine could not be insulated from the frailty and
stupidity of the human mind. In the early days of Plexor every inhabitant had
understood the Central Bifurcation, had respected the distinction between
technology and magic, and had shown enough discipline to ensure that division.
Within the past several generations, though, ignorance had come to this
perfect place and Breakdown had begun. Recent generations of Plexorians lacked
the enthusiasm and commitment of their forebears and displayed ignorance which
was often shocking; recently it had become common to suppose that Plexor was
not a free-drifting edosociosystem at all, that it was in fact a planetoidal
structure bound to a particular universe. Occasionally, it was true, Plexor
would materialize on the ground, in a giant city or a barbarian kingdom. Its
makers, a Guild of sorcerers and magicians operating in separate universes
through the mediation of Keldor, had created it to be self-sufficient and
life-supporting in any habitat, with a nuclear fuel source that would last
forever. But to believe that one particular world was always out there was a
blindness to reality so severe that it amounted to rank primitivism amidst
this sophisticated colony of technocrats. It was, in a word, Breakdown-- a
blurring of the boundary-- and such was the delicacy of that boundary between
the universes that mere ignorance of its existence, mere Breakdown-oriented
thinking and Breakdown-conducive behavior, was sufficient to open small
Leaks between Magic and Technology, to generate an unholy Mixture of the two
opposites. It was the duty of the remaining guardians of the Elder Knowledge.
such as Klystron/Chris, to expurgate such mixtures and restore the erstwhile
purity of the two existences of Plexor.

In just the past few weeks the Leaks had become rents, the Mixture ubiquitous.
Now Barbarians sat at computer terminals in the Computing Center unabashed,
pathetically trying, in broad daylight, to run programs that were so riddled
with bugs the damn things wouldn't even compile, their recent kills stretched
out bleeding between their feet awaiting the spit. Giant rats from another
plane of existence roamed free through the sewers of the mighty technological
civilization, and everywhere Chris the Systems Analyst found dirt and
marrow-sucked bones on the floor, broken light fixtures, graffiti, noise,
ignorance. He watched these happenings, not yet willing to believe in what
they portended, and soon developed a sixth sense for detecting Leakage. That
was in and of itself a case of Mixture; in a Technological universe, sixth
senses were scientifically impossible. His new intuition was a sign of the
Leakage of the powers of Klystron the Impaler into a universe where they did
not belong. In recognition of this, and to protect himself from the ignorant,
Klystron/Chris had thought it wise to adopt the informal code name of Fred
Fine.

He had denied what was coming for too long. Despite his supreme intelligence
he was hesitant to accept the hugeness of his own personal importance.

Until the day of the food fight: on that day he came to understand the somber
future of Plexor and of himself. It happened during dinner. To most of those
in the Cafeteria it was just a food fight, but to "Fred Fine" it was much more
significant, a preliminary skirmish to the upcoming war, a byte of strategic
data to be thoughtfully digested.

He had been contemplating an abstract type of program structure, absently
shuffling the nameless protein-starch substance from tray to mouth, when a
sense of strangeness had verged on his awareness and dispersed his thoughts.
As he looked up and became alert, he also became aware that (a) the food was
terrible; (b) the Caf was crowded and noisy; and (c) Leakage was all around.
His mind now as alert as that of Klystron before a melee, he scanned the
Cafeteria from his secure corner (one of only four corners in the Cafeteria
and therefore highly prized), stuffing his computer printout securely into his
big locking briefcase. Though his gaze traversed hundreds of faces in a few
seconds, something allowed him to fix his attention on a certain few: eight
or ten, with long hair and eccentric clothing, who were clearly looking at
one another and not at the gallons of food heaped on their Fiberglass trays.
The sixth sense of Klystron enabled Chris to glean from the whirl of people a
deeply hidden pattern he knew to be significant.

He stood up in the corner, memorizing the locations of those he had found, and
switched to long-range scan, assisting himself by following their own tense
stares. His eyes flicked down to the readout of his digital calcu-chronograph
and he noted that it was just seconds before 6:00. Impatiently he polled
his subjects and noted that they were now all looking toward one place: a
milk dispenser near the center of the Cafeteria, where an exceptionally tall
burnout stood with a small black box in his hand!

There was a sharp blue flash that made the ceiling glow briefly-- the black
box was an electronic flash unit-- and all hell broke loose. Missiles of
all shapes and colors whizzed through his field of vision and splathunked
starchily against tables, pillars and bodies. Amid sudden screaming an entire
long table was flipped over, causing a hundredweight of manicotti and French
fries to slide into the laps of the unfortunates on the wrong side. Seeing
the perpetrators break and dissolve into the milling dinnertime crowd, the
victims could only respond by slinging handfuls of steaming ricotta at their
disappearing backsides. At this first outbreak of noise and action the
Cafeteria quieted for a moment, as all turned toward the disturbance. Then,
seeing food flying past their own heads, most of the spectators united in
bedlam. The Terrorist sections seemed to have been expecting this and joined
in with beer-commercial rowdiness. Several tables of well-dressed young
women ran frantically for the exits, in most cases too slowly to prevent the
ruination of hundreds of dollars' worth of clothes a head. Many collapsed
squalling into the arms of their patron Terrorist organizations. The Droogs
opened a milk machine, pulled out a heavy poly-bag of Skim and slung it into
the midst of what had been an informal gathering of Classics majors, with
explosive results.

All was observed intently by Klystron/Chris, who stood calm and motionless in
his corner holding his briefcase as a shield. Though the progress of the fight
was interesting to watch, it was hardly as important as the behavior of the
instigators and the reactions of the Cafeteria staff.

Of the instigating organization, some were obliged to flee immediately
in order to protect themselves. These were the agents provocateurs, the
table-tippers and tray-slingers, whose part was already played. The remainder
were observers, and they stood in carefully planned stations around the walls
of the Cafeteria and watched, much as Chris did. Some snapped pictures with
cheap cameras.

This picture-taking began in earnest when, after about fifteen seconds, the
reactive strike began. The cooks and servers had instantly leapt to block
the doors of the serving bays, which in these circumstances had the same
value as ammunition dumps. Pairs of the larger male cooks now charged out
and drew shut the folding dividers which partitioned the Cafeteria into
twenty-four sections. Meanwhile, forty-eight more senior Cafeteria personnel
and guards fanned out in organized fashion, clothed in ponchos and facemasks.
In each section, one of them leapt up on a table with a megaphone to scream
righteousness at the students, while his partner confronted particularly
active types. Klystron/Chris's view of the fight was abruptly reduced to what
he could see in his own small section.

Among other things he saw eight of the Roy G Biv Terrorist Group overturn the
table on which the local official stood, sending him splaying on hands and
knees across the slick of grease and tomato sauce on the floor. His partner
skidded after him and swiveled to protect their backs from the Terrorists, who
had huddled and were mumbling menacingly. For the first time Klystron/Chris
felt the hysterical half-sick excitement of approaching violence, and he began
to edge along the wall toward a more strategically sound position.

One of the Terrorists went to the corner where the sliding partitions
intersected, blocking the only route of escape. The men in the room moved away
uneasily; the women pressed themselves against the wall and sat on the floor
and tried to get invisible. Then the Roy G Biv men broke; two went for the
still-standing official, one for the man who was just staggering to his feet
with the dented megaphone. Abruptly, Klystron/Chris stepped forward, took from
his briefcase a small weapon and pulled the trigger. The weapon was a flash
gun, a device for making an explosively intense flash of light that blinded
attackers. Everyone in front of the weapon froze. As they were putting their
hands to their eyes, he pulled out his Civil War bayonet, jammed it into a
fold in the sliding partition and pulled it down to open a six-foot rent. He
led the tactical retreat to the adjoining section, which was comparatively
under control.

The officials here were not amused. A stocky middle-aged man in a brown
suit stomped toward Klystron/Chris with death in his eye. He was stopped
by a chorus of protest from the refugees, who made it clear that the real
troublemakers were back there. And that was how Klystron/Chris avoided having
any of these seriously Mixed officials discover his informal code name.

But what was the strategic significance? He knew it had been done by
Barbarians. Despite the carefully tailored modern clothes they used to hide
their stooping forms and overly long arms, he recognized their true nature
from the ropy scars running along their heavy overhanging brows and the
garlands of rodent skulls they wore around their necks. Had it not been for
the cameramen, he would have concluded that this was nothing more than a
purposeless display of the savages' contempt for order. But the photographers
made it clear that this riot had been a reconnaissance-in-force, directed by
an advanced strategic mind with an crest in the Cafeteria's defenses. And
that, in turn, implied an upcoming offensive centered on the Cafeteria itself.
Of course! In here was enough grub to feed a good-sized commando force for
years, if rationed properly; it would therefore be a prime objective for
insurrectionists planning to seize and hold large portions of Plexor. But
why? Who was behind it? And how did it connect with the other harbingers of
catastrophe?

Once upon a time, a mathematically inclined friend of Sarah's, one Casimir
Radon, had estimated that her chances of running into a fellow Airhead at
dinner were no better than about one in twenty. As usual he was not trying to
be annoying or nerdish, but nevertheless Sarah wished for a more satisfying
explanation of why she could get no relief from her damned neighbors. One in
twenty was optimistic. At times she thought that they were planting spies in
her path to take down statistics on how many behavioral standards she broke,
or to drive her crazy by asking why she had really resigned the Presidency.

She was annoyed but not surprised to find herself eating dinner with Mari
Meegan, Mari's second cousin and Toni one night. Relaxed from a racquetball
game, she made no effort to scan her route through the Caf for telltale ski
masks. So as she danced and sideslipped her way toward what looked like an
open table, she was blindsided by a charming squeal from right next to her.
"Sarah!" Too slow even to think of pretending not to hear, she looked down to
see the three color-coordinated ski masks looking back at her expectantly.
She despised them and never wanted to see them again, ever, but she also knew
there was value in following social norms, once in a while, to forestall
hatred and God knows what kinds of retribution. The last thing she wanted was
to be connected with Clown Woman. So she smiled and sat down. It was not going
to be a great meal, but Sarah's conversation support system was working well
enough to get her at least through the salad.

The ski masks had become very popular since the beginning of second semester,
having proved spectacularly successful during fire drills. The Airheads found
that they could pull them on at the first ringing of the bell and make it
downstairs before all the bars filled up, and when they returned to their
rooms they did not have to remove any makeup before going back to bed. Then
one sartorially daring Airhead had worn her ski mask to a 9:00 class one
January morning, and pronounced it worthwhile, and other Airheads had begun to
experiment with the concept. The less wealthy found that ski masks saved heaps
of money on cosmetics and hair care, and everyone was impressed with their
convenience, ease of cleaning and unlimited mix-'n'-match color coordination
possibilities. Blousy, amorphous dresses had also become the style; why wear
something tight and uncomfortable when no one knew who you were?

Talking to Mari, Nicci and Toni was not that bad, of course, but Sarah felt
unusually refreshed and clean, was having one of her favorite dinners, was
going to a concert with Hyacinth that night and had hoped to make it a perfect
day. Worse than talking to them was having to smile and nod at the stream of
cologned and blow-dried Terrorists who came up behind the Airheads in their
strange bandy macho walk, homing in on those ski masks like heat-seeking
missiles on a house fire. Several sneaked up behind Mari and the others to
goose them while they ate. Sarah knew that they did not want to be warned, so
she merely rolled her manicotti around in her mouth and stared morosely over
Mari's shoulder as the young bucks crept forward with exaggerated stealth and
twitching fingers. So long as these people continued to lead segregated lives,
she knew, it was necessary to do such things in order to have any contact
with members of the other sex. They at least had more style than the freshman
Terrorists, who generally started conversations by dumping beverages over the
heads of freshman women. So there were many breaks in the conversation while
Terrorist fingers probed deep into Airhead tenderloins and the requisite
screaming and giggling followed.

Notwithstanding this, "the gals" did manage to have a conversation about
their majors. Sarah was majoring in English. Marl had a cousin who majored in
English too, and who had met a very nice Business student doing it. Man was
majoring in Hobbies Education. Toni was Undecided. Nicci was in Sociology at
another school.

And then the food fight.

Between the opening salvo and the moment when their table was protectively
ringed by Terrorists, the others were quite dignified and hardly moved. Sarah
sat still momentarily, then came to her senses and slipped under the table.
From this point of view she saw many pairs of corduroy, khaki, designer jean
and chino pantlegs around the table, and saw too the folding partitions slide
across.

Once the partitions were closed she emerged, mostly because she wanted to see
who owned the brown polyester legs that had been dancing around the room in
such agitation. The Terrorists grabbed her arms solicitously and hauled her to
her feet, wanting to know if she had lost her ski mask in "all the action."

The man in the brown three-piecer was none other than Bartholomew (Wombat)
Forksplit, Dean of Dining Services, who had been promoted to Dean Emeritus
after his recovery from the nacho tortilla chip shard that had passed through
his brain. No one knew where he came from-- Tibet? Kurdistan? Abyssinia?
Circassia? Since the accident, he had become known as Wombat the Marauder to
his victims, mostly inconsiderate dorks who had broken Caf rules only to find
this man gripping them in an old Bosnian or Tunisian martial arts hold that
shorted out the major meridians of their nervous system, and shouting at them
in a percussive accent that crackled like fat ground beef on a red-hot steam
griddle. Some accused him of using the accident as an excuse to act like a
madman, but no one doubted that he was pissed off.

When he saw the ex-President half-dragged from under a table by the beaming
Terrorists, Forksplit released the knee of his current victim and speed-skated
across the stained linoleum toward her, his tomato-sauce-- spattered arms
outstretched as if in supplication. Sarah pulled her arms free and backed
up a step, but he stopped short of embracing her and cried, "Sarah! You,
here? Indicates this that you are part of these-- these asshole Terrorists?
Please say no!" He stared piteously into her eyes, the little white scar
on his forehead standing out vividly against his murderously flushed face.
Sarah swallowed and glanced around the room, conscious of many ski masks and
Terrorists looking at her.

"Oh, not really, I was just over here at another table. These guys were just
helping me up. This is a real shame. I hope the B-men don't go on strike now."

A look of agony came over Wombat the Marauder's face at the mere mention of
this idea, and he backed up, pirouetted and paced around their Cafeteria
subdivision directing a soliloquy of anger and frustration at Sarah. "I
joost-- I don't know what the hell to do. I do everything in the world to
deliver fine service. This is good food! No one believes that. They go off
to other places and eat, come back and say, 'Yes Mr. Forksplit let me shake
your hand your food is so good!! Best I have ever eaten!' But do these idiots
understand? No, they throw barbells through the ceiling! All they can do with
good food is throw it, like it is being a sports implement or something. You!"

Forksplit sprinted toward a tall thin fellow who had just slit one of the
sliding partitions almost in half with a bayonet and plunged through, pulling
a briefcase behind him. Under his arm this man carried a pistol-shaped
flashlight, which he tried to pull out; but before Forksplit was able to
reach him, several more people exploded through the slit, pointing back and
complaining about high rudeness levels in the next room. With a bloodcurdling
battle cry Forksplit flung his body through the breach and into the next
compartment, where much loud smashing and yelling commenced.

Man turned to Sarah, a big smile visible through her mouth-hole. "That
was very nice of you, Sarah. It was sweet to think about Dean Forksplit's
feelings."

"He put me in a hell of a spot," said Sarah, who was looking at Fred Fine and
his light-gun and his bayonet. "I mean, what was I supposed to say?"

Man did not follow, and laughed. "It was neat the way you didn't say something
bad about the Terrorists just on his account." Fred Fine was stashing his
armaments in his briefcase and staring at them. Sarah concluded that he had
just come over to eavesdrop on their conversation and look at their secondary
sex characteristics.

"Diplomatic? There's nothing I could say, Man, that could be nasty enough to
describe those assholes, and the sooner you realize that the better off you'll
be."

"Oh, no, Sarah. That's not true. The Terrorists are nice guys, really."

"They are assholes."

"But they're nice. You said so yourself at Fantasy Island Nite, remember? You
should get to know some of them."

Sarah nearly snapped that she had almost gotten to know some of them quite
well on Fantasy Island Nite, but held her tongue, suddenly apprehensive. Had
she said that on Fantasy Island Nite? And had Mar! known who she was? "Man, it
is possible to be nice and be an asshole at the same time. Ninety-nine percent
of all people are nice. Not very many are decent."

"Well, sometimes you don't seem terribly nice."

"Well, I don't wish to be nice. I don't care about nice. I've got more
important things on my mind, like happiness."

"I don't understand you, Sarah. I like you so much, but I just don't
understand you." Man backed away a couple of paces on her spikes, gazing
coolly at Sarah through her eye-holes. "Sometimes I get the feeling you're
nothing but a clown." She stood and watched Sarah triumphantly.

DEATH TO CLOWN WOMAN! hung before Sarah's eyes. A knifing chill struck her and
she was suddenly nauseated and lightheaded. She sat down on a table, assisted
needlessly by Fred Fine.

"You'll be fine," he said confidently. "Just routine shock. Lie back here and
we'll take care of you." He began making a clear space for her on the table.

Somehow, Sarah had managed to unzip the back pocket of her knapsack and
wrap her fingers around the concealed grip of the revolver. Shocked, she
forced herself to relax and think clearly. To scare the hell out of Mari was
neighborhood, the square had degenerated meteorically and become a chaotic
intersection lined with dangerous discos, greasy spoons, tiny weedlike
businesses, fast-food joints with armed guards and vacant buildings covered
with acres of graffiti-festooned plywood and smelling of rats and derelicts'
urine. The home office of the Big Wheel Petroleum Corporation had moved out
some years ago to a Sunbelt location. It had retained ownership of its old
twelve-story office building, and on its roof, thrust into the heavens on a
dirty web of steel and wooden beams, the Big Wheel sign continued to beam out
its pulsating message to everyone within five miles every evening. One of the
five largest neon signs ever built, it was double-sided and square, a great
block of lovely saturated cherry red with a twelve-spoked wagon wheel of azure
and blinding white rotating eternally in the middle, underscored by heavy
block letters saying BIG WHEEL that changed, letter by letter, from white to
blue and back again, once every two revolutions. Despite the fact that the
only things the corporation still owned in this area were eight gas stations,
the building and the sign, some traditionalist in the corporate hierarchy made
sure that the sign was perfectly maintained and that it went on every evening.

During the daytime the Big Wheel sign looked more or less like a billboard,
unless you looked closely enough to catch the glinting of the miles of glass
tubing bracketed to its surface. As night fell on the city, though, some
mysterious hand, automatic or human, would throw the switch. Lights would dim
for miles around and anchormen's faces would bend as enough electricity to
power Fargo at dinnertime was sent glowing and incandescing through the glass
tracery to beam out the Big Wheel message to the city. This was a particularly
impressive sight from the social lounges on the east side of the Plex, because
the sign was less than a quarter mile away and stood as the only structure
between it and the horizon. On cloudless nights, when the sky over the water
was deep violet and the stars had not yet appeared, the Big Wheel sign as seen
from the Plex would first glow orange as its tubes caught the light of the
sunset. Then the sun would set, and the sign would sit, a dull inert square
against the heavens, and the headlights of the cars below would flicker on
and the weak lights of the discos and the diners would come to life Just
when the sign was growing difficult to make out, the switch would be thrown
and the Big Wheel would blaze out of the East like the face of God, causing
thousands of scholarly heads to snap around and thousands of conversations
to stop for a moment. Although Plex people had few opportunities to purchase
gasoline, and many did not even know what the sign was advertising, it had
become the emblem of a university without emblems and was universally admired.
Art students created series of paintings called, for example, "Thirty-eight
views of the Big Wheel sign," the Terrorists adopted it as their symbol
and its illumination was used as the starting point for many parties. Even
during the worst years of the energy crisis, practically no one at AM had
protested against the idea of nightly beaming thousands of red-white-and-blue
kilowatt-hours out into deep space while a hundred feet below derelicts lost
their limbs to the cold.

The summit conference, the Meeting of Hearers, the Conclave of the Terrorist
Superstars, was therefore held in the D24E lounge around sunset. About a
dozen figures from various Terrorist factions came, including eight stereo
hearers, two Big Wheel hearers, a laundry-machine hearer and a TV test-pattern
hearer. Hudson Rayburn, Tiny's successor, got there last, and did not have
a chair. So he went to the nearest room and walked in without knocking. The
inhabitant was seated cross-legged on the bed, smoking a fluorescent red
plastic bong and staring into a color-bar test pattern on a 21-inch TV. This
was the wing of the TV test-pattern hearers, a variation which Rayburn's group
found questionable. There were some things you could say about test patterns,
though.

"The entire spectrum," observed Hudson Rayburn.

"Hail Roy G Biv," quoth the hearer in his floor's ritual greeting. Rayburn
grabbed a chair, causing the toaster oven it was supporting to slide off onto
the bed. "I must have this chair," he said. The hearer cocked his head and was
motionless for several seconds, then spoke in a good-natured monotone. "Roy G
Biv speaks with the voice of Ward Cleaver, a voice of great power. Yes. You
are to take the chair. You are to bring it back, or I will not have a place
for putting my toaster oven."

"I will bring it back," answered Rayburn, and carried it out. The hosts of
the meeting had set up a big projection TV on one wall of the lounge, and
the representatives of the Roy G Biv faction stared at the test pattern. One
of them, tonight's emcee, spoke to the assembled Terrorists, glancing at the
screen and pausing from time to time.

"The problem with the stereo-hearers is that everybody has stereos and so
there are many different voices saying different things, and that is bad,
because they cannot act together. Only a few have color TV5 that can show Roy
G Biv, and only some have cable, which carries Roy G Biv on Channel 34 all the
time, so we are unified."

"But there is only one Big Wheel. It is the most unified of all," observed
Hudson Rayburn, staring out at the Big Wheel, glinting orange in the setting
sun.

There was silence for a minute or so. A stereo-hearer, holding a large ghetto
blaster on his lap, spoke up. "Ah, but it can be seen from many windows. So
it's no better at all."

"The same is true of the stereo," said a laundry-machine hearer. "But there
is only one dryer, the Seritech Super Big-Window 1500 in Laundry, which is
numbered twenty-three and catches the reflection of the Astro-Nuke video game,
and only a few can see it at a time, and I think it told me just the other day
how we could steal it."

"So what?" said Hudson Rayburn. "The dryer is just a little cousin of the Big
Wheel. The Big Wheel is the Father of all Speakers. Two years ago, before
there were any hearers, Fred and I-- Fred was the founder of the Wild and
Crazy Guys, he is now a bond analyst-- we sat in our lounge during a power
blackout and smoked much fine peyote. And we looked out over the city and it
was totally dark except for a few headlights. And then the power came back
on, like with no warning, out of nowhere, just like that, and instantly, the
streets, buildings, signs, everything, were there, and there is the Big Wheel
hanging in space and god it just freaked our brains and we just sat there
going 'Whooo!' and just being blown away and stuff! And then Big Wheel spoke
to me! He spoke in the voice of Hannibal Smith on the A-Team and said, 'Son,
you should come out here every time there is a blackout. This is fun. And if
you buy some more of that peyote, you'll have more when you run out of what
you have. Your fly is open and you should write to your mother, and I suggest
that you drop that pre-calculus course before it saps your GPA and knocks you
out of the running for law school.' And it was all exactly right! I did just
what he said, he's been talking to me and my friends ever since, and he's
always given great advice. Any other Speakers are just related to the Big
Wheel."

There was another minute or two of silence. A stereo cult member finally said,
"I just heard my favorite deejay from Youngstown. He says what we need is one
hearer who can hear all the different speakers, who we can follow…"

"Stop! The time comes!" cried Hudson Rayburn. He ran to the window and knelt,
putting his elbows on the sill and clasping his hands. Just as he came to
rest, the Big Wheel sign blazed out of the violet sky like a neutron bomb, its
light mixing with that of Roy G Biv to make the lounge glow with unnatural
colors. There was a minute or two of stillness, and then several people spoke
at once.

"Someone's coming."

"Our leader is here."

"Let's see what this guy has to say."

Everyone now heard footsteps and a rhythmic slapping sound. The door opened
and a tall thin scruffy figure strode in confidently. In one hand he was
lugging a large old blue window fan which had a Go Big Red sticker stuck to
its side. The grilles had been removed, exposing the blades, which had been
painted bright colors, and as the man walked, the power cord slapped against
the blades, making the sound that had alerted them. Wordlessly, he walked to
the front of the group, put the fan up on the windowsill, drew the shades
behind it to close off the view of the Big Wheel, and plugged it in. Another
person had shut off Roy G Biv, and soon the room was mostly dark, inspiring a
sleeping bat to wake up and flit around.

Once the fan was plugged in, they saw that its inside walls had been lined
with deep purple black-light tubes, which caused the paint on the blades to
glow fluorescently.

"Lo!" said the scruffy man, and rotated the fan's control to LO. The glowing
blades began to spin and a light breeze blew into their faces. Those few who
still bore stereos set them on the floor, and all stared mesmerized into the
Fan.

"My name is Dex Fresser," said the new guy. "I am to tell you my story.
Last semester, before Christmas break, I was at a big party on E31E. I was
there to drink and smoke and stare down into the Big Wheel, which spoke to
me regularly. At about midnight, Big Wheel spoke in the voice of the alien
commander on my favorite video game. 'Better go pee before you lose it,' is
what he said. So I went to pee. As I was standing in the bathroom peeing, the
after-image of Big Wheel continued to hang in front of me, spinning on the
wall over the urinal.

"I heard a noise and looked over toward the showers. There was a naked man
with blood coming from his head. He was flopping around in the water. There
was much steam, but the Go Big Red Fan blew the steam away, creeping toward
him and making smoke and sparks of power. The alien commander spoke again,
because I didn't know what to do. 'You'd better finish what you're doing,' it
said, so I finished. Then I looked at the Fan again and the afterimage of the
Big Wheel and the Fan became one in my sight and I knew that the Fan was the
incarnation of the Big Wheel, come to lead us. I started for it, but it said,
'Better unplug me first. I could kill you, as I killed this guy. He used to be
my priest but he was too independent.' So I unplugged Little Wheel and picked
it up.

"It said, 'Get me out of here. I am smoking and the firemen will think I set
off the alarm.' Yes, the fire alarm was ringing. So I took Little Wheel away
and modified it as it told me, and today it told me I am to be your leader.
Join me or your voices will become silent."

They had all listened spellbound, and when he was done, they jumped up with
cheers and whoops. Dex Fresser bowed, smiling, and then, hearing a command,
whirled around. The Fan had almost crept its way off the windowsill, and he
saved it with a swoop of the hand.

In the middle of the month, as the ridges of packed grey snow around the Plex
were beginning to settle and melt, negotiations between the administration
and the MegaUnion froze solid and all B-men, professors, cletical workers and
librarians went on strike. To detail the politics and posturings that led to
this is nothing I'd like to do. Let's just say that when negotiations had
begun six months before, the Union had sworn in the names of God, Death and
the Four Horsemen of the Apocalypse that unless granted a number of wild, vast
demands they would all perform hara kiri in President Krupp's bedroom. The
administration negotiators had replied that before approaching to within a
mile of the bargaining table they would prefer to drink gasoline, drop their
grandchildren into volcanoes, convert the operation into a pasta factory and
move it to Spokane.

Nothing unusual so far; all assumed that they would compromise from those
positions. All except for the B-men, that is. After some minor compromising on
both sides, the Crotobaltislavonian bloc, which was numerous enough to control
the Union, apparently decided to stand their ground. As the clock ticked to
within thirty minutes of the deadline, the Administration people just stared
at them, while the other MegaUnion people watched with sweaty lunatic grins,
waiting for the B-men to show signs of reason. But no.

Krupp came on the tube and said that American Megaversity could not afford
its union, and that there was no choice but to let the strike proceed. The
corridors vibrated with whooping and dancing for a few hours, and the strike
was on.

As the second semester lurched and staggered onward, I noted that my friends
had a greater tendency to drop by my suite at odd times, insist they didn't
want to bother me and sit around reading old magazines, examining my plants,
leafing through cookbooks and so on. My suite was not exactly Grandma's house,
but it had become the closest thing they had to a home. After the strike
began, I saw even more of them. Living in the Plex was tolerable when you
could stay busy with school and keep reminding yourself that you were just a
student, but it was a slough of despond when your purpose in life was to wait
for May.

I threw a strike party for them. Sarah, Casimir, Hyacinth, Virgil and Ephraim
made up the guest list, and Fred Fine happened to stop by so that he could
watch a Dr. Who rerun on my TV. We all knew that Fred Fine was weird, but
at this point only Virgil knew how weird. Only Virgil knew that an S & S
player had died in the sewers during one of Fred Fine's games, and that the
young nerd-lord had simply disregarded it. The late Steven Wilson was still a
Missing Person as far as the authorities were concerned.

Ephraim Klein was just as odd in his own way. We knew that his hated
ex-roommate had died of a freak heart attack on the night of the Big Flush,
but we didn't know Ephraim had anything to do with it. We were not alarmed by
his strange personality because it was useful in parties-- he would allow no
conversation to flag or fail.

Virgil sat in a corner, sipping Jack Daniels serenely and staring through
the floor. Casimir stayed near Sarah, who stayed near Hyacinth. Other people
stopped in from time to time, but I haven't written them into the following
transcript-- which has been rearranged and guessed at quite a bit anyway.

HYACINTH. The strike will get rid of Krupp. After that everything will be
fine.

EPHRAIM. How can you say that! You think the problem with this place is just
S. S. Krupp?

BUD. Sarah, how's your forest coming along?

EPHRAIM. Everywhere you look you see the society coming apart. How do you
blame S. S. Krupp alone for that?

SARAH. I haven't done much with it lately. It's just nice to have it there.

CASIMIR. Do you really think the place is getting worse? I think you're just
seeing it more clearly now that classes are shut down.

HYACINTH. You were in Professor Sharon's office during the piano incident,
weren't you?

FRED FINE. What do you propose we do, Ephraim?

EPHRAIM. Blow it up.

CASIMIR. Yeah, I was right there.

HYACINTH. So for you this place has seemed terrible right from the beginning.
You've got a different perspective.

SARAH. Ephraim! What do you mean? How would it help any-thing to blow up the
Big U?

EPHRAIM. I didn't say it would help, I said it would prevent further
deterioration.

SARAH. What could be more deteriorated than a destroyed Plex?

EPHRAIM. Nothing! Get it?

SARAH. You do have a point. This building, and the bureaucracy here, can
drive people crazy-- divorce them from reality so they don't know what to do.
Somehow the Plex has to go. But I don't think it should be blown up.

FRED FINE. Have you ever computed the explosive power necessary to destabilize
the Plex?

EPHRAIM. Of course not!

CASIMIR. He's talking to me. No, I haven't.

HYACINTH. Is that nerd as infatuated with you as he looks?

ARAH. Uh... you mean Fred Fine?

HYACINTH. Yeah.

SARAH. I think so. Please, it's too disgusting.

HYACINTH. No shit.

FRED FINE. I have computed where to place the charges.

CASIMIR. It'd be a very complicated setup, wouldn't it? Lots of timed
detonations?

BUD (drunk). So do you think that the decay of the society is actually built
into the actual building itself?

SARAH. The reason he likes me is because he knows I carry a gun. He saw it in
the Caf.

EPHRAIM. Of course! How else can you explain all this? It's too big and it's
too uniform. Every room, every wing is just the same as the others. It's a
giant sensory deprivation experiment.

HYACINTH. A lot of those science-fiction types have big sexual hangups. You
ever look at a science-fiction magazine? All these women in brass bras with
whips and chains and so on-- dominatrices. But the men who read that stuff
don't even know it.

EPHRAIM. Did you know that whenever I play anything in the key of C, the
entire Wing vibrates?

FRED FINE. This one worked out the details from the blueprints. All you need
is to find the load-bearing columns and make some simple calculations.

EPHRAIM. Hey! Casimir!

CASIMIR. Yeah?

SARAH. What's scary is that all of these fucked-up people, who have problems
and don't even know it, are going to go out and make thirty thousand dollars a
year and be important. Well all be clerk-typists.

EPHRAIM. You're in physics. What's the frequency of a low C? Like in a
sixty-four-foot organ pipe?

CASIMIR. Hell, I don't know. That's music theory.

EPHRAIM. Shit. Hey, Bud, you got a tape measure?

CASIMIR. I'd like to take music theory sometime. One of my professors has
interesting things to say about the similarity between the way organ pipes are
controlled by keys and stops, and the way random-access memory bits are read
by computers.

BUD. I've got an eight-footer.

FRED FINE. This one doesn't listen to that much music. It would be pleasant
to have time for the luxuries of life. In some D & D scenarios, musicians
are given magical abilities. Einstein and Planck used to play violin sonatas
together.

EPHRAIM. We have to measure the length of the hallways!

The conversation split up into three parts. Ephraim and I went out to measure
the hallway. Hyacinth was struck by a craving for Oreos and repaired to the
kitchen with a fierce determination that none dared question. Casimir followed
her. Sarah, Fred Fine and Virgil stayed in the living room.

FRED FINE. What's your major?

SARAH. English.

FRED FINE.

Ah, very interesting. This one thought you were in Forestry.

SARAH. Why?

FRED FINE. Didn't host mention your forest?

SARAH. That's different. It's what I painted on my wall.

FRED FINE. Well, well, well. A little illegal room painting, eh? Don't worry,
I wouldn't report you. Is this part of an other-world scenario, by any chance?
SARAH. Hell, no, it's for the opposite. Look, this place is already an
other-world scenario.

FRED FINE. No. That's where you're wrong. This is reality. It is a
self-sustaining ecosociosystem powered by inter-universe warp generators.

(There is a long silence.)

VIRGIL. Fred, what did you think of Merriam's Math Physics course?

(There is another long silence.)

FRED FINE. Well. Very good. Fascinating. I would recommend it.

SARAH. Where's the bathroom?

FRED FINE. Ever had to pull that pepper grinder of yours on one of those
Terrorist guys?

SARAH. Maybe we can discuss it some other time.

FRED FINE. I'd recommend more in the way of a large-gauge shotgun.

SARAH. I'll be back.

FRED FINE. Of course, in a magical universe it would turn into a two-handed
broadsword, which would be difficult for a petite type to wield.

Meanwhile Casimir and Hyacinth talked in the kitchen. They had met once
before, when they had stopped by my suite on the same evening; they didn't
know each other well, but Casimir had heard enough to suspect that she was not
particularly heterosexual. She knew a fair amount about him through Sarah.

HYACINTH. You want some Oreos too?

CASIMIR. No, not really. Thanks.

HYACINTH. Did you want to talk about something?

CASIMIR. How did you know? HYACINTH (scraping Oreo filling with front teeth).
Well, sometimes some things are easy to figure out.

CASIMIR. Well, I'm really worried about Sarah. I think there's something wrong
with her. It's really strange that she resigned as President when she was
doing so well. And ever since then, she's been kind of hard to get along with.

HYACINTH. Kind of bitchy?

CASIMIR. Yeah, that's it.

HYACINTH. I don't think she's bitchy at all. I think she's just got a lot on
her mind, and all her good friends have to be patient with her while she works
it out.

CASIMIR. Oh, yeah, I agree. What I was thinking-- well, this is none of my
business.

HYACINTH. What?

CASIMIR. Oh, last semester I figured out that she was dating some other guy,
you know? Though she wouldn't tell me anything about him. Did she have some
kind of a breakup that's been painful for her?

HYACINTH. No, no, she and her lover are getting along wonderfully. But I'm
sure she'd appreciate knowing how concerned you are.

(Long silence.)

HYACINTH (slinging one arm around Casimir's waist, feeding Oreo into his mouth
with other hand). Hey, it feels terrible, doesn't it? Look, Casimir, she likes
you a hell of a lot. I mean it. And she hates to put you through this kind of
pain-- or she wishes you wouldn't put yourself through it. She thinks you're
terrific.

CASIMIR (blubbering).Well what the hell does it take? All she does is say I'm
wonderful. Am I unattractive? Oh, I forgot. Sorry, I've never talked to a, ah…
HYACINTH. You can say it.

CASIMIR. Lesbian. Thanks.

HYACINTH. You're welcome.

CASIMIR. Why can she look at one guy and say, "He's a friend," and look at
this other guy and say, "He's a lover?"

HYACINTH. Instinct. There's no way you can go against her instincts, Casimir,
don't even think about it. As for you, I think you're kind of attractive, but
then, I'm a dyke.

CASIMIR. Great. The only woman in the world, besides my mother, who thinks I'm
good looking is a lesbian.

HYACINTH. Don't think about it. You're hurting yourself.

CASIMIR. God, I'm sorry to dump this on you. I don't even know you.

HYACINTH. It's a lot easier to talk when you don't have to worry about the
sexual thing, isn't it?

CASIMIR. That's for sure. Good thing I've got my sunglasses, no one can tell
I've been crying.

HYACINTH. Let's talk more later. We've abandoned Sarah with Fred Fine, you
know.

CASIMIR. Shit.

Casimir pulled himself together and they went back to the living room.
Shortly, Ephraim and I returned from the hallway with our announcement.

BUD. Isn't it interesting how the alcohol goes to your head when you get up
and start moving around?

EPHRAIM. The hallway on each side of each wing is a hundred twenty-eight feet
and a few inches long. But the fire doors in the middle cut it exactly in
half-- sixty-four feet! BUD. And three inches.

EPHRAIM. So they resonate at low C.

FRED FINE. Very interesting.

VIRGIL. Casimir, when are you going to stop playing mum about Project Spike?
CASIMIR. What? Don't talk about that!

SARAH. What's Project Spike?

CASIMIR. Nothing much. I was playing with rats.

FRED FINE. What does this one hear about rats?

VIRGIL. Casimir was trying to prove the existence of rat parts or droppings in
the Cafeteria food through a radioactive tracer system. He came up with some
very interesting results. But he's naturally shy, so he hasn't mentioned them
to anyone.

CASIMIR. The results were screwed up! Anyone can see that.

VIRGIL. No way. They weren't random enough to be considered as errors. Your
results indicated a far higher level of Carbon-14 in the food than could be
possible, because they could never eat that much poison. Right?

CASIMIR. Right. And they had other isotopes that couldn't possibly be in the
rat poison, such as Cesium- 137. The entire thing was screwed up.

FRED FINE. How large are the rats in question?

CASIMIR. Oh, pretty much your average rats, I guess.

FRED FINE. But they are not-- they were normal? Like this?

CASIMIR. About like that, yeah. What did you expect?

VIRGIL. Have you analyzed any other rats since Christmas?

CASIMIR. Yeah. Damn it.

VIRGIL. And they were just as contaminated.

CASIMIR. More so. Because of what! did,

SARAH. What's wrong, Casimir?

CASIMIR. Well, I sort of lost some plutonium down an elevator shaft in the Big
Flush.

(Ephraim gives a strange hysterical laugh.)

FRED FINE. God. You've created a race of giant rats, Casimir. Giant rats the
size of Dobermans.

BUD. Giant rats?

HYACINTH. Giant rats?

BUD. Virgil, explain everything to us, okay?

VIRGIL. I am sure that there are giant rats in the sewer tunnels beneath
the Plex. I am sure that they're scared of strobe lights, and that strobes
flashing faster than about sixteen per second drive them crazy. This may be
related to the frequency of muzzle flashes produced by certain automatic
weapons, but that's just a hypothesis. I know that there are organized
activities going on at a place in the tunnels that are of a secret, highly
technological, heavily guarded nature. As for the rats, I assume they were
created by mutation from high levels of background radiation. This included
Strontium-90 and Cesium- 137 and possibly an iodine isotope. The source of the
radiation could possibly have been what Casimir lost down the elevator shaft,
but I suspect it has more to do with this secret activity. In any case, we now
have a responsibility. We need to discover the source of the radioactivity,
look for ways to control the rats and, if possible, divine the nature of the
secret activity. I have a plan of attack worked up, but I'll need help. I need
people familiar with the tunnels, like Fred; people who know how to use guns--
we have some here; big people in good physical condition, like Bud; people who
understand the science, like Casimir; and maybe even someone who knows all
about Remote Sensing, such as Professor Bud again.

An advantage of the Plex was that it taught you to accept any weirdness
immediately. We did not question Virgil. He memorized a list of equipment he'd
have to scrounge for us, and Hyacinth grilled us until we had settled on March
31 as our expedition date. Fred Fine said he knew where he could get authentic
dumdums for our guns, and tried to tell us that the best way to kill a rat
was with a sword, giving a lengthy demonstration until Virgil told him to sit
down. Once we had mobilized into an amateur commando team, we found that our
partying spirit was spent, and soon we were all home trying vainly to sleep.

The strike itself has been studied and analyzed to death, so I'm spared
writing a full account. For the most part the picketers stayed within the
Plex. Their intent was to hamper activities inside the Plex, not to seal
it off, and they feared that once they went outside, S. S. Krupp would not
let them back in again. Some protesters did work the entrances, though. A
delegation of B-men and professors set up an informational picket at the
Main Entrance, and another two dozen established a line to bar access to the
loading docks. Most of these were Crotobaltislavonians who paraded tirelessly
in their heavy wool coats and big fur hats; with them were some black and
Hispanic workers, dressed more conventionally, and three political science
professors, each wearing high-tech natural-tone synthetic-insulated expedition
parkas computer-designed to keep the body dry while allowing perspiration to
pass out. Most of the workers sported yellow or orange work gloves, but the
professors opted for warm Icelandic wool mittens, presumably to keep their
fingers supple in case they had to take notes.

The picket's first test came at 8:05 A.M., when the morning garbage truck
convoy arrived. The trucks turned around and left with no trouble. Forcing
garbage to build up inside the Plex seemed likely to make the administration
more openminded. Therefore the only thing allowed to leave the Plex was the
hazardous chemical waste from the laboratories; run-of-the-mill trash could
only be taken out if the administration and Trustees hauled it away in their
Cadillacs.

A little later, a refrigerated double-bottom semi cruised up, fresh and
steaming from a two-day, 1500-mile trek from Iowa, loaded with enough
rock-frozen beef to supply American Megaversity for two days. This was out
of the question, as the people working in the Cafeteria now were all scabs.
The political science professors failed to notice that their comrades had
all dropped way back and split up into little groups and put their signs on
the ground. They walked toward the semi, waving their arms over their heads
and motioning it back, and finally the enormous gleaming machine sighed and
slowed. An anarcho-Trotskyite with blow-dried hair and a thin blond mustache
stepped up to the driver's side and squinted way up above his head at a
size 25 black leather glove holding a huge chained rawhide wallet which had
been opened to reveal a Teamsters card. The truck driver said nothing. The
professor started to explain that this was a picket line, then paused to read
the Teamsters card. Stepping back a little and craning his neck, he could see
only black greased-back hair and the left lens of a pair of mirror sunglasses.

"Great!" said the professor. "Glad to see you're in solidarity with the rest
of us workers. Can you get out of here with no problem, or shall I direct
you?" He smiled at the left-hand lens of the driver's sunglasses, trying to
make it a tough smile, not a cultured pansyish smile.

"You AFL-CIO," rumbled the trucker, sounding like a rough spot in the idle
of the great diesel. "Me Teamsters. I'm late." The professor admired the
no-nonsense speech of the common people, but sensed that he was failing to
pick up on some message the trucker was trying to send him. He looked around
for another worker who might be able to understand, but saw that the only
people within shotgun-blast range of the truck had Ph.D.'s. Of these, one
was jogging up to the truck with an impatient look on his face. He was a
slightly gray-tinged man in his early forties, who in consultation with his
orthopedist had determined that the running gait least damaging to his knees
was a shuffling motion with the arms down to the sides. Thus he approached the
truck. "Turn it around, buster, this is a strike. You're crossing a picket
line."

There was another rumble from the truck window. This sounded more like
laughter than words. The trucker withdrew his hand for a moment, then swung it
back out like a wrecking ball. Balanced on the tip of his index finger was a
quarter. "See this?" said the trucker.

"Yeah," said the professors in unison.

"This is a quarter. I put it in that pay phone and there's blood on the
sidewalks."

The professors looked at each other, and at the third professor, who had
stopped in his space-age hiking-boot tracks. They all retreated to the other
end of the lot for a discussion of theory and praxis as the truck eased up to
the loading dock. They watched the trucker carry his two-hundred pound steer
pieces into the warehouse, then concluded that a policy decision should be
made at a higher level. The real target of this picket ought to be the scabs
working the warehouse and Cafeteria. All the Crotobaltislavonians had gone
inside, and the professors, finding themselves in an empty lot with only the
remains of a few dozen steers to keep them company, decided to re-deploy
inside the Plex.

There things were noisier. People who never engage in violence are quick to
talk about it, especially when the people they are arguing with are elderly
Greek professors unlikely to be carrying tire chains or knives. Of course,
the Greek professors, who tried to engage the picketers in Socratic dialogue
as they broke the picket lines, were not subject to much more than occasional
pushing. Among younger academics there were genuine fights. A monetarist from
Connecticut finally came to blows with an Algerian Maoist with whom he'd
been trading scathing articles ever since they had shared an office as grad
students. This fight turned out to be of the tedious kind held by libidinous
orthodontists' sons at suburban video arcades. The monetarist tried to break
through the line around the Economics bloc, just happening to attack that part
of the line where the Maoist was standing. After some pushing the monetarist
fell down with the Algerian on top of him. They got up and the monetarist
missed with some roundhouse kicks taken from an aerobic dance routine. The
Maoist whipped off his designer belt and began to whirl the buckle around his
head as though it were dangerous. The monetarist watched indecisively, then
ran up and stuck out his arm so that the belt wrapped around it. As he had
his eyes closed, he did not know where he was going, but as though guided by
some invisible hand he rammed into the Algerian's belly with his head and they
fell onto a stack of picket signs and received minor injuries. The Algerian
grabbed the monetarist's Adam Smith tie and tried to strangle him, but the
latter's gold collar pin prevented the knot from tightening. He grabbed the
Maoist's all-natural-fiber earthtone slacks and yanked them down to midthigh,
occasioning a strange cry from his opponent, who removed one hand from the
Adam Smith tie to prevent the loss of further garments; the monetarist grasped
the Algerian's pinkie and yanked the other hand free. Finding that they had
made their way to the opposite side of the picket line, he got up and skipped
away, though the Maoist hooked his foot with a picket sign and hindered him
considerably.

Students wanting to attend classes in the ROTC bloc found that they need only
assume fake Kung Fu positions and the skinny pale fanatics there would get
out of their way. Otherwise, students going to classes taught by nonunion
professors worried only about verbal abuse. Unless they were aggressively
obnoxious, like Ephraim Klein, they were in no physical peril. Ephraim went
out of his way to cross picket lines, and unleashed many awe-inspiring insults
he had apparently been saving up for years. Fortunately for him he spent most
of his time around the Philosophy bloc, where the few picketing professors
devoted most of their time to smoking cigarettes, exchanging dirty jokes and
discussing basketball.

The entrance to the Cafeteria was a mess. The MegaUnion could never agree on
what to do about it, because to allow students inside was to support S. S.
Krupp's scab labor, and to block the place off was to starve the students.
Depriving the students of meals they had already paid for was no way to make
friends. Finally the students were encouraged to prepare their own meals as a
gesture of support. In an attempt at plausibility, some efforts were mounted
to steal food from Caf warehouses, but to no avail. The radicals advocated
conquering the kitchen by main force, but all entrances were guarded by
private guards with cudgels, dark glasses and ominous bulges. The radicals
therefore used aerial bombardment, hurling things from the towers in hopes
that they would crash through Tar City and into the kitchens. This was
haphazard, though, and moderate MegaUnion members opposed it violently; as a
result, students who persisted in dining at the Caf were given merely verbal
abuse. As for the scabs themselves, they were determined-looking people, and
activists attempting to show them the error of their ways tried not to raise
their voices or to make any fast moves.

Then, seven days into the strike, it really happened: what the union had never
dreamed of, what I, sitting in my suite reading the papers and plunging into
a bitter skepticism, had been awaiting with a sort of sardonic patience. The
Board of Trustees announced that American Megaversity was shutting down for
this year, that credit would be granted for unfinished courses and that an
early graduation ceremony would take place in mid-April. Everyone was to be
out of the Plex by the end of March.

"Well," said S. S. Krupp on the tube, "I don't know what all the confusion's
about. Seems to me we are being quite straightforward. We can't afford our
faculty and workers. We can't meet our commitment to our students for this
semester. About all we can do is clean the place out, hire some new faculty,
re-enroll and get going again. God knows there are enough talented academics
out there who need jobs. So we're asking all those people in the Plex to clear
out as soon as they can."

The infinite self-proclaimed cleverness of the students enabled them to
dismiss it as a fabulous lie and a ham-fisted maneuver. Once this opinion was
formed by the few, it was impossible for the many to disagree, because to
believe Krupp was to proclaim yourself a dupe. Few students therefore planned
to leave; those who did found it perilous.

The Terrorists had decided that leaving the Plex was too unusual an idea to
go unchallenged, and the Big Wheel backed them up on it. So the U-Hauls and
Jartrans stacked up in the access lot began to suffer dents, then craters,
then cave-ins, as golf balls, chairs, bricks, barbell weights and flaming
newspaper bundles zinged out of the smoggy morning sky at their terminal
velocities and impacted on their shiny tops. Few rental firms in the City had
lent vehicles to students in the first place; those that did quickly changed
their policies, and became dour and pitiless as desperate sophomores paraded
before their reception desks waving wads of cash and Mom-and-Dad's credit
cards.

The Plexodus, as it was dubbed by local media, dwindled to a dribble of
individual escapes in which students would sprint from the cover of the Main
Entrance carrying whatever they could hold in their arms and dive into the
back seats of cars idling by on the edge of the Parkway, cars which then would
scurry off as fast as their meager four cylinders could drag them before the
projectiles hurled from the towers above had had time to find their targets.

I had seen enough of Krupp to know that the man meant what he said. I also
had seen enough of the Plex to know that no redemption was possible for the
place-- no last-minute injection of reason could save this patient from its
overdose of LSD and morphine. Lucy agreed with me. You may vaguely remember
her as Hyacinth's roommate. Lucy and I hit it off pretty well, especially
as March went on. The shocks and chaos that took everyone else by surprise
were just what we had been expecting, and both of us were surprised that our
friends hadn't foreseen it. Of course our perspectives were different from
theirs; we both had slaves for great-grandparents and the academic world was
foreign to our backgrounds. Through decades of work our families had put us
into universities because that was the place to be; when we finally arrived,
we found we were just in time to witness the end result of years of dry rot.
No surprise that things looked different to us.

Lucy and I began making long tours of the Plex to see what further
deterioration had taken place. By this time the Terrorists outnumbered their
would-be victims. The notion that the strike might be resolved restrained them
for a while, but then came the pervasive sense that the Big U was dead and the
rumor that it had already been slated for demolition. Obviously there was no
point in maintaining the place if destruction loomed, so all the Terrorists
had to worry about were the administration guards.

The Seritech Super Big-Window 1500 in Laundry soon disappeared, carted off by
its worshipers. Unfortunately the machine didn't work on their wing, which
lacked 240-volt outlets. Using easy step-by-step instructions provided by
its voice, they tore open the back and arranged a way of rotating it by hand
whenever they needed to know what to make for dinner or what to watch on TV.

In those last days of March it was difficult to make sense of anything. It
was hinted that the union was splitting up, that the faculty had become
exasperated by the implacable Crotobaltislavonians and planned to make a
separate peace with the Trustees. This caused further infighting within
the decaying MegaUnion and added to the confusion. Electricity and water
were shut off, then back on again; students on the higher floors began to
throw their garbage down the open elevator shafts, and fire alarms rang
almost continuously until they were wrecked by infuriated residents. But we
thought obsessively about Virgil's reference to secret activities in the
sewers and developed the paranoid idea that everything around us was strictly
superficial and based on a much deeper stratum of intrigue. It's hard enough
to follow events such as these without having to keep the mind open for
possible conspiracies and secrets behind every move. This uncertainty made it
impossible for us to form any focused picture of the tapestry of events, and
we became impatient for Saturday night, tired of having to withhold judgment
until we knew all the facts. What had been conceived as an almost recreational
visit to the Land of the Rats had become, in our minds, the search for the
central fact of American Megaversity.

A hoarse command was shouted, and a dozen portable lamps shone out at once.
Forty officers of MARS found themselves in a round low-ceilinged chamber that
served as the intersection of two sewer mains. They stood at ease around the
walls as Fred Fine, in the center, delivered his statement.

"We've never revealed the existence of this area before. It's our only Level
Four Security Zone large enough for mass debriefings. "All of you have been
in MARS for at least three years and have performed well. Most of you didn't
understand why we included physical fitness standards as part of our promotion
system. Things got a little clearer when we introduced you to live-action
gaming. Now, this-- this is the hard part to explain."

All watched respectfully as he stared at the ceiling. Finally he resumed his
address, though his voice had become as harsh and loud as that of a barbarian
warlord addressing his legions. The officers now began to concentrate; the
game had begun, they must enter character.

"You know about the Central Bifurcation that separates Magic and Technology.
Some of you have probably noticed that lately Leakage has been very bad. Well,
I've got tough news. It's going to get a lot worse. We are approaching the
most critical period in the history of Plexor. If we do what needs to be done,
we can stop Leakage for all time and enter an eternal golden age. If we fail,
the Leakage will become like a flood of water from a broken pipe. Mixture will
be everywhere, Purification will be impossible, and mediocrity will cover the
universes for all time like a dark cloud. Plexor will become a degenerate,
pre-warp-drive society.

"That's right. The responsibility for this universe-wide task falls on our
shoulders. We are the chosen band of warriors and heroes called for in the
prophecies of Magic-Plexor, foretold by JANUS 64 itself. That means you'll
need a crash course on Plexor and how it works. That's why we're here.

"Consuela, known in Magic-Plexor as the High Priestess Councilla, is a
top-notch programmer in Techno-Plexor. She therefore knows all there is to
know about the Two Faces of Shekondar. Councilla, over to you."

"Good evening," came the voice from Fred Fine's big old vacuum-tube radio
receiver. She sounded very calm and soft, as though drugged. "This is
Councilla, High Priestess of Shekondar the Fearsome, King of Two Faces.
Prepare your minds for the Awful Secrets. "Plexor was created by the Guild, a
team consisting half of Technologists and half of Sorcerers who operated in
separate universes through the devices of Keldor, the astral demigod whose
brain hemispheres existed on either side of the Central Bifurcation. Under
Keldor's guidance the colony of Plexor was created: a self-contained ecosystem
capable of functioning in any environment, drawing energy and raw materials
from any source, and resisting any magical or technological attack. When
Plexor was completed, it was populated by selecting the best and the brightest
from all the Thousand Galaxies and comparing them in a great tournament. The
field of competition was split down the middle by the Central Bifurcation,
and on one side the contestants fought with swords and sorcery, while on the
other they vied in tests of intellectual skill. The champions were inputted to
Plexor; we are their output.

"The Guild had to place an overseer over Plexor. It must be the Operating
System for the Technological side, and the Prime Deity for the Magic side, and
in Plexor it must be omniscient and all-powerful. Thus, the Guild generated
Shekondar the Fearsome/JANUS 64, the Organism that inhabits and controls the
colony. The creation of this system took twice as long as the building of
Plexor itself, and in the end Keldor died, his mind overloaded by massive
transfers of data from one hemisphere to the other, the Boundary within his
mind destroyed and the contents Mixed hopelessly. But out of his death came
the King of Two Faced, that which in Techno-Plexor is JANUS 64 and in Magic
Plexor, Shekondar the Fearsome.

"Though the last member of the Guild died two thousand years ago, most
Plexorians have revered the King of Two Faces. But in these dark days, at
the close of this age, those who know the story of Shekondar/JANUS 64 are
very few. We who have kept the flame alive have trained your bodies and
minds to accept this responsibility. Today, our efforts output in batch.
From this room will march the Grand Army celebrated in the prophecies and
songs of Magic-Plexor, whose coming has been foretold even in the seemingly
random errors of JANUS 64; the band of heroes which will debug Plexor, which
will fight Mixture in the approaching crisis. And for those of you who have
failed to detect Mixture, who scoff that Magic might have crossed the Central
Bifurcation:

Behold!"

The listeners had now allowed themselves to sink deep into their characters,
and Councilla's words had begun to mesmerize them. Though a few had grinned
at the silliness spewing out of the big speakers, the oppressive seriousness
and magical unity that filled this dank chamber had silenced them; soon, cut
off from the normal world, they began to doubt themselves, and heeded the
Priestess. As she built to a climax and revealed the most profound secrets of
Plexor, many began to sweat and tingle, fidgeting with terrified energy. When
she cried, "Behold!" the spell was bound up in a word. The room became silent
with fear as all wondered what demonic demonstration she had conjured up.

A sssh! was heard, and it avalanched into a loud, general hiss. When that
sound died away, it was easy to hear a soft, cacophonous noise, a jumble of
sharp high tones that sounded like a distant kazoo band. The sound seemed to
come from one of the tunnels, though echoes made it hard to tell which one. It
was approaching quickly. Suddenly and rapidly, everyone cleared away from the
four tunnel openings and plastered against the walls. Only when all the others
had found places did Klystron the Impaler move. He walked calmly through the
center of the room, leaving the radio receiver and speakers in the middle,
and found himself a place in front of a hushed squadron of swordsmen. The
roar swelled to a scream; a bat the size of an eagle pumped out of a tunnel,
took a fast turn around the room, sending many of the men to their knees,
then plunged decisively into another passage. As the roar exploded into the
open, in the garish artificial light the Grand Army saw a swarm of enormous
fat brown-grey lash-tailed bright-eyed screaming frothing rats vomit from
the tunnel, veer through the middle of the room and compress itself into the
opening through which the giant bat had flown. Some of them smashed headlong
into the old boxy radio, sending it sprawling across the floor, and before
it had come to rest, five rats had parted from the stream and demolished
it, scything their huge gleaming rodent teeth through the plywood case as
though it were an orange peel, prying the apparatus apart, munching into its
glass-and-metal innards with insane passion. Their frenzy lasted for several
seconds; their brothers had all gone; and they emitted piercing shrieks and
scuttled off into the tunnel, one trailing behind a streak of twisted wire and
metal.

Most everyone save Klystron sat on the floor in a fetal position, arms crossed
over faces, though some had drawn swords or clubs, prepared to fight it out.
None moved for two minutes, lest they draw another attack. When the warriors
began to show life again, they moved with violent trembling and nauseated
dizziness and the most perfect silence they could attain. No one strayed from
the safety of the walls except for Klystron the Impaler/Chris the Systems
Programmer, who paced to a spot where a thousand rat footprints had stomped a
curving highway into the thin sludge. Hardly anyone here, he knew, had been
convinced of the Central Bifurcation, much less of the danger of Mixture. That
was understandable, given the badly Mixed environment which had twisted their
minds. Klystron/Chris had done all he could to counter such base thinking, but
the rise of the giant rats, and careful preparation by him and Councilla and
Chip Dixon, had provided proof.

He let them think it over. It was not an easy thing, facing up to one's own
importance; even he had found it difficult. Finally he spoke out in a clear
and firm voice, and every head in the room snapped around to pay due respect
to their leader.

"Do I have a Grand Army?"

The mumbled chorus sounded promising. Klystron snapped his sword from its
scabbard and held it on high, making sure to avoid electrical cables. "All
hail Shekondar the Fearsome!" he trumpeted.

Swords, knives, chains and clubs crashed out all around and glinted in the
mist. "All hail Shekondar the Fearsome!" roared the army in reply, and four
times it was answered by echoes from the tunnels. Klystron/Chris listened to
it resonate, then spoke with cool resolve: "It is time to begin the Final
Preparations."

An advantage of living in a decaying civilization was that nobody really
cared if you chose to roam the corridors laden with armfuls of chest waders,
flashlights, electrical equipment and weaponry. We did receive alarmed
scrutiny from some, and boozy inquiries from friendly Terrorists, but were
never in danger from the authorities. A thirty-minute trek through the
deepening chaos of the Plex took us to the Burrows, which were still inhabited
by people devoted to such peaceful pursuits as gaming, computer programming,
research and Star Trek reruns.

From here a freight elevator took us to the lowest sublevel, where
Fred Fine led us through dingy hallways plastered with photos of nude
Crotobaltislavonian princesses until we came to a large room filled with
plumbing. From here, Virgil used his master key to let us into a smaller room,
from which a narrow spiral staircase led into the depths.

"I go first," said Virgil quietly, "with the Sceptre. Hyacinth follows with
her .44. Bud follows her with the heavy gloves, then Sarah and Casimir with
the backpacks, and Fred in the rear with his sixteen-gauge. No noise."

After one or two turns of the stair we had to switch on our headlamps. The
trip down was long and tense, and we seemed to make a hellacious racket on
the echoing metal treads. I kept my beam on the blazing white-gold beacon of
Virgil's hair and listened to the breathing and the footsteps behind me. The
air had a harsh damp smell that told me I was sucking in billions of microbes
of all descriptions with each breath. Toward the bottom we slipped on our gas
masks, and I found I was breathing much faster than I needed to.

The rats were waiting a full fifty feet above the bottom. One had his mouth
clamped over Virgil's lower leg before he had switched on the Sceptre of
Cosmic Force. The flashing drove away the rest of the rats, who tumbled
angrily down the stair on top of one another, but the first beast merely
clamped down harder and hung on, '!oo spazzed out to move. Fortunately,
Hyacinth did not try to shoot it on the spot. I slipped past, flexed my big
elbow-length padded gloves, and did battle with the rat. The rodent teeth had
not penetrated the soccer shinguards Virgil wore beneath his waders, so I
took my time, relaxing and squatting down to look into the animal's glowering
white-rimmed eye. His bared chisel teeth, a few inches long and an inch wide,
flickered purple-yellow with each flash of the strobe. Having sliced through
Virgil's waders to expose the colorful plastic shinguard, the rat now tried
to gnaw its way through the obstacle without letting go. I did not have the
strength to pull its mouth open.

"A German shepherd can exert hundreds of pounds of jaw force," said Fred Fine,
standing above and peering over Casimir's shoulder with scientific coolness.

The rat was not impressed by any of this.

"Let's go for a clean kill," suggested its victim with a trace of strain, "and
then we'll have our sample."

I bashed in the back of its head with an oaken leg I had foresightedly
unscrewed from my kitchen table for the occasion. The rat just barely fit into
a large heavy-duty leaf bag; Virgil twist-tied it shut and we left it there.

And so into the tunnels. The sewers were unusually fluid that night as
thousands of cubic feet of beer made its traditional way through the digestive
tracks of the degenerates upstairs and into the sanitary system. Hence we
stuck to the catwalks along the sides of the larger tunnels-- as did the rats.
The Sceptre was hard on our eyes, so Virgil waited until they were perilously
close before switching it on and driving them in squalling bunches into the
stream below. We did not have to use the guns, though Fred Fine insisted on
shooting his flash gun at a rat to see how they liked it. Not at all, as it
happened, and Fred Fine pronounced it "very interesting."

Casimir said, "Where did my radioactive source fall to? Are we going anywhere
near there?"

"Good point," said Fred Fine. "Let's steer clear of that. Don't want blasted
'nads."

"I know where it went, but it's not there now," said Virgil. "The rats ate
everything. Some rat obviously got a free suprise in with his paraffin, but I
don't know where he ended up.' Fred Fine began to point out landmarks: where
he had left the corpse of the Microwave Lizard, long since eaten by' you know
what; where Steven Wilson had experienced his last and biggest surprise; the
tunnel that led to the Sepulchre of Keldor. His voice alternated between the
pseudo-scientific dynamo hum of Fred Fine and the guttural baritone of the war
hero. We had heard this stuff from him for a couple of weeks now, but down
in the tunnels it really started to perturb us. Most people, on listening
to a string of nonsense, will tend to doubt their own sanity before they
realize that the person who is jabbering at them is really the one with the
damaged brain. That night, tramping through offal, attacking giant rats with
a strobe light and listening to the bizarre memoirs of Klystron, most of us
were independently wondering whether or not we were crazy. So when we asked
Fred Fine for explanations, it was not because we wanted to hear more Klystron
stories (as he assumed); it was because we wanted to get an idea of what other
people were thinking. We were quickly able to realize that the world was
indeed okay, that Fred Fine was bonkers and we were fine.

Hundreds of cracked and gnawed bones littered one intersection, and Virgil
identified it as where he had discovered the useful properties of the Sceptre.
This area was high and dry, as these things went, and many rats lurked about.
Virgil switched the Sceptre on for good, forcing them back to the edge of the
dark, where they chattered and flashed their red eyes. Hyacinth stuffed wads
of cotton in her ears, apparently in case of a shootout.

"Let's set up the 'scope," Virgil suggested. Casimir swung off his pack
and withdrew a heavily padded box, from which he took a small portable
oscilloscope. This device had a tiny TV screen which would display sound
patterns picked up by a shotgun microphone which was also in the pack. As the
'scope warmed up, Casimir plugged the microphone cord into a socket on its
front. A thin luminous green line traced across the middle of the screen.

Virgil aimed the mike down the main passageway and turned it on. The line on
the screen split into a chaotic tangle of dim green static. Casimir played
with various knobs, and quickly the wild flailing of the signal was compressed
into a pattern of random vibes scrambling across the screen. "White noise,"
said Fred Fine. "Static to you laymen."

"Keep an eye on it," said Virgil, and pointed the mike down the smaller
side tunnel. The white noise was abruptly replaced by nearly vertical lines
marching across the screen. Casimir compressed the signal down again, and we
saw that it was nothing more than a single stationary sine wave, slightly
unruly but basically stable.

"Very interesting," said Fred Fine.

"What's going on?" Sarah asked.

"This is a continuous ultrasonic tone," said Virgil. "It's like an unceasing
dog whistle. It comes from some artificial source down that tunnel. You see,
when I point the mike in most directions we get white noise, which is normal.
But this is a loud sound at a single pitch. To the rats it would sound like a
drawn-out note on an organ. That explains why they cluster in this particular
area; it's music to their ears, though it's very simple music. In fact, it's
monotonous."

"How did you know to look for this?" asked Sarah.

Virgil shrugged. "It was plausible that an installation as modern and
carefully guarded as the one I saw would have some kind of ultrasonic alarm
system. It's pretty standard."

"Very interesting," said Fred Fine.

"It's like sonar. Anything that disturbs the echo, within a certain range,
sets off the alarm. Here's the question: why don't the rats set it off?"

"Some kind of barrier keeps them away," said Casimir. "I agree. But I didn't
see any barrier. When I was here before, they could run right up to the door--
they had to be fought off with machine guns. Thay must have put up a barrier
since I was last down here. What that means to us is this: we can go as far
as the barrier, whatever it may be, without any fear of setting off the alarm
system."

We moved down the tunnel in a flying wedge, making use of table leg, Sceptre
and sword as necessary. Soon we arrived at the barrier, which turned out to be
insubstantial but difficult to miss: a frame of angle-irons welded together
along the walls and ceiling, hung with dozens of small, brilliant spotlights.
At this point, any rat would find itself bathed in blinding light and turn
back in terror and pain. Beyond this wall of light there was only a single
line of footprints-- human-- in the bat guano. "Someone's been changing the
light bulbs," concluded Sarah.

The fifty feet of corridor preceding the light-wall were littered almost
knee-deep in glittering scraps of tinfoil and other bright objects, including
the remains of Fred Fine's radio. "This is their hangout," said Hyacinth.
"They must like the music."

"They want to make a nice, juicy meal out of whoever changes those light
bulbs," suggested Fred Fine.

Sarah's pack contained a tripod and a pair of fine binoculars. Once we had
set these up in the middle of the tunnel we could see the heavy doors, TV
cameras, lights and so on at the tunnel's end. As we took turns looking and
speculating, Virgil set up a Geiger counter from Sarah's pack.

"Normally a Geiger counter would just pick up a lot of background and cosmic
radiation and anything meaningful would be drowned out. But we're so well
shielded in these tunnels that the only thing getting to us should be a few
very powerful cosmic rays, and neutrinos, which this won't pick up anyway."
The Geiger counter began to click, perhaps once every four seconds.

Sarah had the best eyes; she sat crosslegged on the layers of foil and gazed
into the binoculars. "In a few minutes a hazardous waste pickup is scheduled
for the loading dock upstairs," said Virgil, checking his watch. "My theory
is that, in addition to taking hazardous wastes out of the Plex, those trucks
have been bringing something even more hazardous into the Plex, and down into
this tunnel."

We waited.

"Okay," said Sarah, "Elevator door opening on the right." We all heard it.

"Long metal cylinder thingie on a cart. Now the end of the tunnel is opening
up-- big doors, like jaws. Now some guys in yellow are rolling the cylinder
into a large room back there." The Geiger counter shouted. I looked at
Casimir.

"Skip your next chest X-ray," he said. "If this place is what it looks like,
it's just Iodine-131. Half-life of eight days. It'll end up in your thyroid,
which you don't really need anyway."

"I'm pretty fond of my thyroid," said Hyacinth. "It made me big and strong."

"Doors closing," said Sarah over the chatter of us and the Geiger counter.
"Elevator's gone. All doors closed now." "Well! Congratulations, Virgil," said
Fred Fine, shaking his hand. "You've discovered the only permanent high-level
radioactive waste disposal facility in the United States."

Most of us didn't have anything to say about it. We mainly wanted to get back
home.

"Fascinating, brilliant," continued Fred Fine, as we headed back. "In today's
competitive higher education market, there has to be some way for universities
to support themselves. What better way than to enter lucrative high-technology
sectors?"

"Don't have to grovel for the alumni anymore," said Sarah. "You really
think universities should be garbage dumps for the worst by-products of
civilization?" asked Hyacinth.

"It's not such a bad idea, in a way," said Casimir. "Better the universities
than anyone else. Oxford, Heidelberg, Paris, all those places have lasted for
centuries longer than any government. Only the Church has lasted longer, and
the Vatican doesn't need the money."

We paused for a rest in the spiral staircase, near our rat body. Casimir, Fred
Fine and Virgil went back down to the bottom for an experiment. Virgil had
brought an ultrasonic tone generator with him, and they used it to prove--
very conclusively-- that the rats loved the ultrasound as much as they hated
the strobe. They ran back upstairs, Sceptre flashing, and I slung the rat over
my shoulder and we all proceeded up the stairs as fast as our lungs would
allow.

The dissection of the rat was most informal. We did it in the sink of
Professor Sharon's old lab, amid the pieces of the railgun. Fred Fine laid
into the thorax with a kitchen knife and a single-edged razor. We were
quick and crude; only Casimir had seen the inside of a rat before. The skin
peeled back easily along with thick pink layers of fat, and we looked at the
intestines that could digest such amazing meals. Casimir scrounged a pair of
heavy tin snips and used them to cut the breastbone in half so we could get
under the ribcage. I shoved my hands between the halves of the breastbone and
pulled as hard as I could, and finally with a crack and a spray of blood one
side snapped open like a stubborn cabinet door and we looked at the lungs and
vital organs. The heart was not immediately visible.

"Maybe it's hidden under this organ here," suggested Fred Fine, pointing to
something between the lungs.

"That's not an organ," said Casimir. "It's an intersection of several major
vessels."

"So where's the heart?" asked Hyacinth, just beginning to get interested.

"Those major vessels are the ones that ought to go into, and come out of, the
heart," said Casimir uncertainly. He reached down and slid his hand under the
bundle of vessels, and pulling it up and aside, revealed-- nothing.

"Holy Mother of God," he whispered. "This animal doesn't have a heart."

Our own thumped violently. For a long time we were frozen, disturbed beyond
reason; then a piercing beep emanated from Fred Fine and we jumped and gasped
angrily.

Unconcerned, he pressed a button on his digital calculator/watch, halting the
beep. "Sorry. That's my watch alarm."

We looked at him; he looked at his watch, We were all sweating.

"I set it to go off like that at midnight, the beginning of April first, every
year. It's sort of a warning, so that this one remembers, hey, April Fools'
Day, anything could happen now."

                                  --April--                                   

While we sewer-slogged, El 3S held a giant party in honor of Big Wheel. It was
conceived as your basic formless beer blowout, but the ever-spunky Airheads
had insisted upon a theme: Great Partiers of the Past. The major styles in
evidence were Disco, Sixties, Fifties and Toga. A team of sturdy Terrorists
had lugged Dex Fresser's stereo up to the social lounge, which was the center
of Disco activity. A darkened room down the hail featured a Sixties party,
at which participants roughed up their perms, wore T-shirts, smoked more
dope than usual and said "groovy" at the drop of a hat. The study lounge was
Fifties headquarters, and was identical to all the other Fifties parties which
had been held since about 1963 by people who didn't know anything about the
Fifties. The Toga people were forced to adopt a wandering, nomadic partying
existence; they had no authentic toga music to boogie to, though someone did
experiment by playing an electronic version of the "1812 Overture" at full
blast. Mostly these people just stood sheepishly in the hallways, draped in
their designer bedsheets, clutching cups of beer and yelling "toga!" from time
to time.

The Disco lounge was filled with women in lollipop plastic dresses and thick
metallic lipstick under ski masks, and heavily scented young men in pastel
three-piecers and shiny hardware-laden shoes. The smell was deafening, and
when the doors were open, excess music spilled out and filled nearby rooms to
their corners. These partiers were a generation whose youth had been stolen.
They had prepared all through their adolescence for the day when they could
go to college and attend real discos, adult discos where they had alcohol and
sex partners you could take home with no pay-rental hassles. Their hopes had
been dashed in the early eighties when Disco had flamed out somewhere over
New Jersey, like a famous dirigible. But the nostalgic air here made them
feel young again. Dex Fresser even showed up in a white three-piecer and took
several opportunities to boogie right down to the ground with shapely females
in clingy synthetic wraps.

On the windowsill, the Go Big Red Fan, held in place with bricks, spun and
glowed in its self-made halo of black light. Overhead, a mirrored ball cast
revolving dots of light on the walls, and more stoned or imaginative dancers
could imagine that they were actually standing inside a giant Big Wheel.
Whoooo! The picture windows were covered with newspaper, as the panes had long
since been smashed and the curtains long since burned.

After Dex Fresser had consumed sixteen hits of acid (his supplier had never
really grasped the idea of powers of two), five bongloads of hashish rolled
in mescaline, a square of peyote Jell-O, a lude, four tracks, a small handful
of street-legal caffeine pep pills, twelve tablespoons of cough syrup, half a
can of generic light wine and a pack of Gaulois cigarettes, he began to toy
with a strobe light that was being used to establish the Disco atmosphere. He
turned it up faster and faster until the lounge was wracked with delighted
freakedout screams and the dancers had begun to hop randomly and smash into
one another, as though they had been time-warped into Punk. Meanwhile, what
passed for Dex's mind wandered over to the Go Big Red Fan, and though the
time-warp effect was really blowing his tubes, he thought the fan might be
slowing down; continuing to turn up the strobe, he was able to make the Little
Wheel stop revolving altogether-- either that, or time itself had come to a
halt! Dex spazzed out to the max. All became quiet as the propulsion reactors
of a passing Sirian space cruiser damped out his stereo (the DJ had turned
down the volume), and all heard Dex announce that at midnight Big Wheel would
say something very important to him. He relaxed, the music was cranked back
up, the strobe light hurled out a nearby window and the Fan began to rotate
again.

Midnight could hardly come soon enough. The partiers packed into the social
lounge, sitting in rows facing the window. Dex Fresser stood before the
shrouded window with his back to the crowd, and priests stood ready to tear
the papers away. A few minutes before midnight, the DJ put on "Stairway to
Heaven," timed so that the high-energy sonic blast section would begin at
12:00 sharp.

The newspapers ripped apart, the red-white-and-blue power beams of Big Wheel
exploded into the room, and the heavy beat of the rock and roll made their
thoraxes boom like empty kegs. But Dex Fresser was impressively still. He
stared into the naked face of the Big Wheel for fifteen minutes before he
moved a muscle. Then he relayed the message to the huddled students. Speaking
through a mike hooked to his stereo, he sounded loud and quadraphonic.
"Tonight the Big Wheel has plans for us, man. We're going to have a fucking
war." The Terrorists cheered and whooped and the Airheads oohed and aahed.
"The outside people, who are all hearing-impaired to the voice of Big Wheel
and Roy G Biv and our other leaders, will come tomorrow to the Plex with guns
to kill us. They want to put short-range tactical nuclear weapons on the roof
of D Tower in order to threaten Big Wheel and make him do as they wish.

"We have friends, though, like Astarte, the Goddess, who is the sister of Big
Wheel and who is going to like help us out and stuff. The Terrorists and the
SUB will cooperate just like Big Wheel and Astarte do. Also, the B-men are our
friends too.

"We've got shitloads of really powerful enemies, says Big Wheel. Like the
Administration and the Temple of Unlimited Godhead and a bunch of nerds and
some other people. We have to kill all of them.

"This is going to take cooperation and we have to have perfect loyalty from
everyone. See, even if you think you have friends among our enemies, you're
wrong, because Big Wheel decides who our friends are, and if he says they're
your enemies, they're your enemies, just like that. Everything's very simple
with Big Wheel, that's how you can be sure he's telling the truth. So we've
got to join together now and there can't be any secrets and we can't cover up
for our enemies or have mercy for them."

Mari Meegan, sitting in the front row, legs tucked demurely to the side,
listened intensely, eyes slitted and lips parted as she thought about how this
applied to her.

At this point a few people came to their senses and made a run for it. One
of these, a none-too-bright advisee of mine who had been going along for the
good times, realized that these people were nuts, sprinted to the nearest
fire stair, and escaped unharmed, later to tell me this story. What happened
after his exit is vague; apparently, Yllas Freedperson, High Priestess of
Astarte, showed up, and the leaders of the SUB and of the Terrorists did a lot
of planning and organizing in those next few hours.

By contrast, Bert Nix celebrated the evening by incinerating himself in a
storage room on C22W. He had been using it as a hideout for some time, and
had gotten along well with the students, except for one problem: Bert Nix's
obsession with collecting garbage. It was partly a practical habit, as he
got most of his food and clothing from the trash. Far beyond that, however,
he could not bring himself to throw out anything, and so in his little rooms
scattered around the Plex the garbage was packed in to the ceiling, leaving
only a little aisle to the door. Out of gratitude to his protectors, Bert Nix
stuffed oily rags under the doors to seal the odor in.

This sufficed until the evening of March 31, when he happened to open the
door while a fastidious student from Saskatoon was walking by. She watched
as half a dozen cockroaches over three inches long lumbered out between the
derelict's bare feet and approached her, waving their antennae affably. No
Airhead, she stomped them to splinters and called Security on the nearest
telephone. Between then and the time they arrived five hours later, however,
the fire started. It could have been spontaneous combustion, it could have
been the heating system, or a suicidal whim or wayward cigarette from Bert
Nix. In any event, the room became a tightly sealed furnace, and when the
flames had died, all that remained were a charred corpse in the aisle and
drifts of cockroach bodies piled up in front of the door.

At the northern corner of the Plex's east wall, north of the Mall loading
docks, the docks for student use, the mail, Cafeteria, general supply, Burrows
and wide-load docks was the Refuse Area. Six loading docks opened on an
enormous room with six giant trash compactors and six great steel chutes
which expelled tons of garbage from their foul, stained sphincters every few
minutes. When there wasn't a strike on, the compactors would grind away around
the clock and a great truck would be at one dock or another at any given time,
bringing back an empty container and hauling off a full one.

North of the Refuse Area, in the very corner of the Flex, was the Hazardous
Waste Area with its steel doors and explosion-proof walls. When scientists
produced any waste that was remotely hazardous, they would seal it into an
orange container, mark down its contents and take it to the Refuse Area, where
they could deposit it in a chute that led into the HWA. If the container was
too large for this, they could simply leave it on a dolly by the door, and
the specially trained B-men would then wheel it through when it was time for
a pickup. When the Hazardous Waste truck arrived, three times a day, all
the containers were then loaded into its armor-plated back and hauled away.
This was usually done in the dead of night, to lessen the danger of traffic
accidents. So extraordinary was this disposal system that American Megaversity
had won awards from environmental groups and acclaim from scientists.

At 4:30 on the morning of April 1, when I should have been drinking or
sleeping, I was sitting in my suite staring at the telephone. Virgil
Gabrielsen, even more ambitious, was sitting by the door to the HWA in a huge
orange crate about the shape of a telephone booth. "HANDLE WITH EXTREME CARE,"
its label read, "CONTAINS UNIVERSAL SOLVENT. DO NOT PUT ON SIDE OR EXPLOSION
WILL RESULT." The same concepts were repeated by means of ideograms which we
had hastily painted on the sides, showing a Crotobaltislavonian stick figure
being blown to bits after putting the crate on its side. Instructions to
telephone Dr. Redfield, and giving my telephone number, were added in several
places.

"The nuke waste has to be coming in through the HWA," Virgil had insisted, as
he and I and the disemboweled rat relaxed in Sharon's lab. "I counted my steps
down there in the tunnels. As far as I can tell, that elevator shaft should
go right up into the northeast corner of the building. The HWA is locked and
alarmed within an inch of its life, but I know how to get inside."

At quarter to five, the enormous Magrov and half a dozen other
Crotobaltislavonians entered the Refuse Area. As Virgil watched through
strategically placed peepholes, they began with some unusual procedures. First
they opened the southernmost of the six metal doors to the Access Lot. Shortly
after, an old van backed up to this dock and threw open its rear doors. Two
men jumped out into the Refuse Area in protective clothing, gas masks dangling
on their chests, and exchanged hearty Scythian greetings with the B-men. Much
equipment was now hauled out of the van, including a long metal cylinder-- an
exact replica of a nuclear waste container-- and a huge tripod-mounted machine
gun. Then came numerous small machine guns, what appeared to be electronic
equipment and crates of supplies. These were piled on a cart and wheeled over
to Virgil's position.

Virgil had realized by now that this was not a businessas-usual day. At least
the situation appealed to his sense of humor. The fake nuke waste cylinder
opened like a casket and the two gas-masked men climbed in and lay one atop
the other. The others handed them weapons and closed the lid. This cylinder
was also placed next to Virgil. In the meantime, B-men bolted the big gun's
tripod directly into the concrete floor at the loading dock, apparently having
already drilled the holes in preparation. The weapon was aimed into the
Access Lot, and loaded and checked over with an experienced air unusual among
janitors.

Virgil's crate was the source of a long and emotional discussion in Scythian.
Occasionally Magrov or one of the others would shout something about telefon
while pounding on the crate with his index finger.

"Hoy!" shouted a B-man back at the machine gun. Virgil saw a glint of
headlights outside. It was 4:59. A hellacious roar ensued as the determined
janitors sprayed several thousand rounds per minute out the door. Magrov cut
off debate by seizing Virgil's crate and wheeling it into the HWA.

The gunfire was over before Virgil was all the way through the door. Once the
crate was stopped and he was able to get his bearings again, he could see that
he was in a somewhat smaller room with a segmented metal door in the outside
wall and a large red rectangle painted in the middle of the floor. A dozen or
so bright orange waste containers had been slid through the chute and were
waiting on a counter to be hauled away.

My phone rang at 5:01.

"Profyessor Rettfeelt? Sorry, getting you up early in mornink. Magrov here.
You put humongous waste container by HWA, correct?"

"Yes, that's correct. Universal Solvent. Very dangerous." "Ees too tall for
goink inside of vaste truck. Ve must put on her side."

"No! That's dangerous. You will be blown to little bits." Then what to do with
it?"

"I'll have to put it in a different container. You must leave it in the HWA
overnight. I will come to the Refuse Area tomorrow night, at the time of the
next pickup, and get the crate and take it away." "Good." Magrov hung up.

Back in the HWA, Magrov checked his watch, then turned and shouted at a
swiveling TV camera on the wall. "Ha! Those profyessors! Say! Where is truck?
Very late today."

"Roger, team leader, we read four minutes late," said an Anglo voice over a
loudspeaker. "Maybe some trouble with those strikers. Hey! Let's cut the idle
chitchat."

Finally the great steel door rolled open. Through one of his peepholes, Virgil
could see a hazardous waste truck backing into the brilliantly lit, fenced-in
area outside. He could also see a pair of half-inch bullet holes through the
outside rear-view mirror. The tiny black-and-white monitors, he knew, would
never pick up this detail. When it had come to rest, the B-men unlocked the
back with Magrov's keys and pulled open armored doors to reveal a stainless
steel cylinder on a cart. This they rolled into the HWA, placing it in the
middle of the red rectangle on the floor.

Other B-men set about hauling the small orange containers into the back of the
truck and strapping them down. Magrov removed guns from a locked cabinet and
distributed them to himself and two others. There three took up positions in
the red area around the cylinder. "Hokay, ready for little ride," said Magrov.
"Roger, team leader. Stand by." A deep hum and vibration commenced. The men
and the cylinder began to sink, and Virgil could see that the red rectangle
was actually an elevator platform. Within seconds only a black hole remained.

In five minutes the platform returned, with the B-men but without the
cylinder. Displaying frank contempt for safety regulations, the B-men began to
smoke profusely.

The intercom crackled alive. "Crotobaltislavonia aiwa!" came the exhilarated
shout.

"Crotobaltislavonia aiwa!" howled the B-men, leaping to their feet. There was
much whoopee-making and cigarette-throwing, and then they opened the door to
the Refuse Area and carried in crate after crate of supplies and put them on
the elevator platform. The platform, laden with Crotobaltislavonians, guns and
food, sank into the earth once again, then returned in a few minutes carrying
nine bleeding bodies in yellow radiation suits.

Virgil had been expecting TV cameras. If they had them down in the tunnels,
they must have them upstairs in the HWA. So after a few minutes, when Virgil
was sure that the B-men were down there for the long haul, he opened a small
panel in the side of his crate and stuck out a long iron rod with a magnesium
tip. The important thing about the magnesium rod was that Virgil had just set
it on fire, and when magnesium burns, it makes an intolerably brilliant light.
Virgil soon squirmed out through the panel, a welding mask strapped over his
face. Even through the dark glass, everything in the room was blindingly
lit-- certainly bright enough to overload, or even burn out, the television
cameras. Any camera turned his way would show nothing but purest white. To
make sure, he lit two more magnesium rods and placed them on the floor around
the room. Satisfied that all three cameras were now blinded, he withdrew a
can of spray paint from his crate and used it to paint over their lenses.
The mikes were easy to find and he destroyed these simply by shoving burning
magnesium rods into them. Then he called me on the phone. "I was right," he
said, "I'm safe, and you can go to sleep. But look out. Trouble is brewing."
Alas, I was already asleep before he got to that last part.

While the magnesium rods burned themselves out, Virgil climbed into the cab
of the truck, where the corpses of its late drivers had been stretched out on
the floor. The Crotos' plan was daring and their aim excellent; they needed to
penetrate the truck's armored cab and kill the occupants without wiping out
the engine or the gas tank. The driver's window was splattered all over the
seat, the door itself deeply buckled and perforated by the thumb-sized shells.
Virgil hit the ignition and drove it far enough out to wedge the electrical
gates open while leaving enough space for other vehicles to pass.

Back in the Plex, he made phone calls to several readymix concrete companies.
Returning to the Burrows, he found a cutting torch and wheeled it back to the
HWA. The red platform was nothing more than thick steel plate, and once he had
gotten the torch fired up and the red paint burned away, it cut like butter.
As he sliced a hole in the platform, he reviewed his reasoning: 1) Law is
opinion of guy with biggest gun.

2) Biggest "gun" in U.S. held by police and armed forces. 3) Hypothesis:
someone wants to break the law, or more generally, render U.S. law null and
void in a certain zone. 4) This necessitates a bigger gun.

5) Threat of contamination of urban area with nuclear waste ought to fill the
bill.

6) This provides a motive for taking over Nuke Dump. 7) Crotobaltislavonians
have taken over Nuke Dump.

8) They either want to contaminate the city, or take over this area-- the
Plex-- by threat of same.

9) Either we will all be poisoned, or else representatives of the People's
Free Social Existence Node of Crotobaltislavonia will dictate their own law to
people in this area.

10) This does not sound very nice either way.

11) Maybe we can destroy their gun by blocking the possible contamination
routes. The elevator would be their preferred route, as it would provide
direct access to the atmosphere.

A rough steel circle about two feet across pulled loose and dropped into the
blackness. Virgil pulled back his mask and peered down. The circle's edge was
still red hot, and as it fell through the blackness, he could see it spinning
and diminishing until it smashed into the bottom. The clang reached his ears a
moment later. Through the hole he could smell the odor of the sewers and hear
occasional arguments among rats.

Hearing the whine of a down-shifting truck, he shut off the torch and ran out
into the Access Lot. Virgil directed the cement truck through the jammed gate
and up to the loading dock. He directed the driver to swing his chute around
and dump the entire load into the freshly cut hole.

The driver was young, a philosophy Ph.D. only two years out of the Big U. He
obviously knew Virgil was asking him to commit an illegal act. "Give me a
rational reason to dump my cement down that hole," he demanded.

Virgil thought it over. "The reasons are very unusual, and if I were to
explain them, you would only be justified in thinking I was crazy."

"Which doesn't give me my rational reason."

"True," admitted Virgil. "However, let's not forget the conventional view of
craziness. Our media are filled with images of the crazy segment of society
as being an exceptionally dangerous, unpredictable group. Look at Hinckley!
Watch any episode of T. J. Hooker! So if you thought I was crazy, the reaction
consistent with your social training would be to do as I say in order to
preserve your own safety."

"That would be true with your run-of-the-mill truck driver," said the truck
driver after agonized contemplation, "who tends to be an M.A. in sociology or
something. But I can't make an excuse based on failure to think independently
of the media."

"True. Follow me." Virgil walked across the HWA, leading the truck driver over
to the heavy door that led into the Refuse Area. Here he paused, allowing
the truck driver to notice the long red streaks on the floor. Virgil then
opened the door and pointed at the nine bloody corpses, which he had dragged
there to get them off the platform. "Having seen the remains of several
savagely murdered people, you might conclude that my showing them to you so
dramatically constituted a nonverbal threat. You might then decide-- " but the
truck driver had already decided, and was running for the controls at the back
of the truck. The concrete was down the hole in no time. The truck driver did
not even wait to be given an official American Megaversity voucher.

After that, trucks arrived every fifteen minutes or so for the rest of
the morning. Subsequent truckers, seeing wet cement slopped all over the
place, impressed by Virgil's official vouchers, were much less skeptical. By
lunchtime, twenty truckloads of cement were piled up behind the sliding doors
at the bottom of the elevator shaft.

The first Refuse Area dock was still open. After blowing the crap out of
the hazardous waste truck, the B-men had hauled the real radioactive waste
cylinder out and left it there in the doorway. Virgil had the last driver bury
the cylinder in cement where it sat. He smoothed out a flat place with his
hand and inscribed: DANGER. HIGH LEVEL RADIOACTIVE WASTE. TRESPASSERS WILL BE
STERILIZED. His day's work was done.

Unbeknownst to anyone else, the two most important battles of the war had
already been fought. The Crotobaltislavonians had won the first, and Virgil
the second.

Once the actual war got started, things happened quickly. In fact, between the
time that S. S. Krupp and two of his associates and I had got on an elevator
and the time we escaped from it, the situation had changed completely.

S. S. Krupp felt compelled to visit E13S after its riot/party of the night
before, somewhat in the spirit of Jimmy Carter visiting Mount Saint Helens.
Naturally, as faculty-in-residence for E Tower, I was asked to serve as tour
guide. It was preferable to washing dung off my boots, but only just.

Krupp arrived at the base of E Tower at 11:35 A.M., fresh from a tour of Bert
Nix's cremation site. Considering the gruesome circumstances, not to mention
the journalists and the SUBbie screaming directly into his ear, he looked
relaxed. With him were Hyman Hotchkiss, Dean of Student Life, and Wilberforce
(Tex) Bracewill, Administrator of Student Health Services. Hyman looked young,
pale and ill. Tex had seen too much gonorrhea in too many strange places to
be shocked by anything. They were so civilized that they viewed my Number 27
BILL'S BREWS softball jersey as though it were a jacket and vest, and shook my
hand as though I had saved their families from death sometime in the distant
past.

Here in the lobby the sixteen elevators and four fire stairs of E Tower
emptied together into a desert of vandalized furniture, charred bulletin
boards and overflowing wastebaskets. I didn't know about events on E13S yet,
and my guests were doubtless still considering the charred remains of Bert
Nix, so we were not suspicious when elevators 2, 4 and 1 remained frozen
at the thirteenth floor for ten minutes. Only number 3 moved. When it got
to us, it was packed with students. Two got off, but the rest explained in
dull voices that they had missed their floor and were staying on for the
return trip. Therefore the journalists and protesters found no room in the
compartment; only the four of us could squeeze in.

This chummy group rode to the Terrorist-controlled ninth floor, where everyone
else got off. As the doors slid shut, a burnout who had just disembarked
turned around to say, "Sweet dreams, S. S. Krupp."

We started up again. "Shit!" said Krupp. "We've got a problem. Everyone get on
the floor. Tex, you got your .44?"

Of course he did. Much to the concern of the SUB, Tex was massively armed at
all times, on the theory that you never knew when degens might come and shoot
up the clinic looking for purer highs. He was prepared to go out like a true
AM administrator. Dropping stiffly to the floor, he paused on his knees to
whip a humongous revolver out of his briefcase and hand it to Krupp.

"Hope we don't have to shoot it out on thirteen," he said. We agreed. Krupp
tore from Tex's briefcase a medicine bottle, struggled with the childproof
cap, yanked out the cotton wad, tore it in half and stuffed it into his ears.
At this point I began to experience terror, more of Krupp than of whatever he
was planning to dismember with that howitzer.

We passed the twelfth floor and the elevator crashed to a stop. Above us, from
the elevators still halted on thirteen, we heard excited yelling.

"I get it." Krupp cocked the revolver and we all plugged our ears as he
pointed it at the ceiling, The bullet vaporized the latch on the trap door
and flipped the door open as well. We saw light above us. Krupp's second shot
annihilated the light in our car. I felt as though my fingers had been driven
three inches deep into my ears; my eyelids fluttered in shock and my nose
complained of dense smoke. Krupp now stood up in the darkness and fired the
remaining three rounds through the trapdoor. With a sigh and a thump, a corpse
crashed into our roof.

At a great distance I heard Tex say, "Sep. Here's a speed loader." After some
clicking and cursing, Krupp fired two more rounds-- the natives were getting
restless-- and tugged at my shirt, "Leg up!" he shouted.

I stood and made a step of my hands, and he used it to propel himself through
the trap door. Once he had scrambled through, I jumped and dragged myself to
the roof after him. The only thing I was scared of was touching the corpse;
other than that, one place was as dangerous as another. Krupp, who did not
share my fear, retrieved a revolver from the body and handed it to me.

He began scaling the emergency ladder on the shaft wall. When he got to
thirteen, he pounded the wall switch and the doors slid open. Seeing him jump
through the aperture onto thirteen, I began to follow him up the ladder, not
really thinking about what I'd do when I arrived. The two adjacent elevators
began to head down, and as theypassed, someone on a roof fired off a wild shot
in my direction.

A tremendous roar rang up and down the shaft. It came in three bursts, and
not until the third one did I realize it was machine-gun fire. I had been
dimly aware of it-- "Oh, that's a machine gun being fired"-- but it was not
for a few moments that I comprehended that machine guns were in use at my
institution of higher learning. There were also three WHAMs, and then silence.

Taking this as a good sign, I dove through onto thirteen and lay there dazed,
looking at an elevator lobby dotted with strings of machine-gun fire and blood
pools, tracked and smeared by hasty tennis-shoe footprints that converged on
the two elevators. I sat up timidly. Krupp went to the far side of a large
pillar and retrieved an assault rifle from a dead soldier. "See," he said,
pounding hollowly on the pillar with the butt of the rifle, "these pillars are
just for show. Just a little girder in the middle and the rest is plaster and
chicken wire. Don't want to hide behind them." Judging from the bullet holes
in the pillar and the unmoving legs and feet on the other side, someone had
recently been in dire need of Krupp's architectural knowledge. "Can't believe
they're handing out loaded Kalashnikovs to cretins like that, whoever it is
that's running this show," he grumbled. "These youths need ROTC training if
they're going to pack ordnance like this,"

"Maybe this is someone's ROTC program," I suggested, trying to lighten
the atmosphere. Krupp frowned. "Maybe this is someone's ROTC," I shouted,
remembering the cotton. He nodded in deep thought. "Very good. What's your
field again?"

"Remote sensing. Remote sensing. Involves geography, geology and electrical
engineering."

"I'm listening," Krupp assured me in the middle of my sentence, as he walked
to the two corners of the lobby to peer down the hallways. "But you'll have to
speak up," he added, squeezing off a half-second blast at something. There was
an answering blast, muffled by the fire doors between the combatants, but it
apparently went into the ceiling. Impressed, Krupp nodded.

"Well, we've got two basic tactical options here," he continued, ejecting
the old clip and inserting a fresh one taken from the dead SUBbie, "We
can seize the wing, or retreat. Based on what we've seen of these sandbox
insurrectionists, I don't doubt we can stage a takeover. The question is:
is this wing a worthwhile strategic goal in and of itself, or is my strong
inclination to seize it singlehandedly-- almost, excuse me-- just what we call
a macho complex these days? Not that I'm trying to draw us into psychobabble."
He glared at me, one eyebrow raised contemplatively.

"Depends on what kind of forces they have elsewhere." "Well, you're saying
it's easier to make tactical decisions when one has more perfect information,
a sort of strategic context from which to plan. That's a predictable attitude
for a remote-sensing man. The aereal point of view comes naturally to a
generalistic, left-handed type like you." He nodded at my revolver, which I
was holding, naturally, in my left hand. "But lacking that background, we'll
have to use a different method of attack-- using 'attack' in a figurative
sense now-- and use the more linear way of thinking that would suggest itself
to, say, a right-handed low-level Catholic civil engineer. Follow?"

"I suppose," I shouted, looking down the elevator shaft at Tex's face, barely
visible in the dim light.

"For example," continued Krupp, "our friends below, though we must be
concerned for them, are irrelevant now. Presumably, the students on this wing
will do the rational thing and not attack us, because to attack means coming
into the halls and exposing themselves to our fire. So we control entry and
exit. If we leave now, we'll just have to retake it later. Secondly, this
lobby fire stair here ensures our safety; we can always escape. Third, our
recent demonstration should delay a reinforcement action on their part. What I
figure is that if we move along room by room disarming the occupants, they'll
be too scared by what happened to that guy in the hall to try any funny stuff.
Christ on fishhooks!" Krupp dove back into the safety of the lobby as a
barrage of fire ripped down the hall, blowing with it the remains of the fire
doors. We made for the stairway and began skittering down the steps as quickly
as we could. By the time we had descended three flights, the angry shouts of
Terrorists and SUBbies were pursuing us. The shouters themselves prudently
remained on their own landing.

"We're okay unless they have something like a hand grenade or satchel charge
they can drop down this central well," said Krupp. "Hold it right there, son!
That's right! Keep those paws in the air! Say, I know you."

We had surprised Casimir Radon on a landing. He merely stared at S. S. Krupp's
AK-47, dumbfounded.

"Let's all hold onto our pants for a second and ask Casimir what he's up to,"
Krupp suggested.

"Well," said Casimir, taking off his glacier glasses to see us better in
the dim stairwell. "I was going to visit Sarah. Things are getting pretty
wild now, you know. I guess you do know," he concluded, looking again at
the assault rifle. "Physics problem:" said Krupp, "how far does a hand
grenade fall in the seven seconds between handle release and boom?" "Well,
air resistance makes that a toughie. It's pretty asymmetrical, and it would
probably tumble, which makes the differential equation a son-of-a-bitch to
solve. You'd have to use a numerical method, like…"

"Estimate, son! Estimate!"

"Eight hundred feet."

"No problem. But what if they counted to three? How far in four seconds?"

"Sixteen times four…two hundred fifty-six feet."

"If they count to five?"

"Two seconds… sixty-four feet."

"That's terrible. That's six stories. That would be about the sixth floor,
which is where we make the run into the lobby. Do you think they'd be dumb
enough to pull the pin and count to five?" "Not with a Soviet grenade."

"Good point."

"If I'm not mistaken, sir," said Casimir, "they all have impact fuses on them
anyway. So it'd go off on six in any case." "Oh. Well…what the hell?" said
Krupp, and started to run down the stairs again.

"Wait!" I said. Krupp stopped on the next landing. "You don't want to go up
there," I told Casimir.

"Yeah. If you think it's wild down there, you should see thirteen. It's wilder
than a cat on fire, thirteen. Those people are irrational," said Krupp.

"Are you going to stop me by force?" asked Casimir.

"Well, anyone traveling with S. S. Krupp today is a prime target, so I
couldn't justify that," said Krupp.

"Then I'm going," said Casimir, and resumed his climb. "Let's get a move on.
Let's build up a good head of steam here so we can charge right through the
danger zone at the bottom. I think the twenty-third psalm is in order."

Reluctantly, I left Casimir to his own dreams and we began to charge down the
steps side by side, crossing paths at each turn, listening upward. I saw a 7
painted on the wall. We were practically diving down the last flight when I
heard someone yell "Five!" We were on the level now, sprinting for a door with
a small rectangular window and a sign reading E TOWER MAIN LOBBY.

"Did he say five, or fire?" Krupp wondered as we neared the door. We punched
it open together and were in the lobby. And there, waiting for us, were
three Crotobaltislavonians with UZIs. "Professionals, I see," said Krupp.
He had gone through on the hinged side of the door and now pushed it all
the way around so that it was flat against the lobby wall, where he leaned
against it. Back in the stairwell there was a series of metallic clanks, like
something heavy bouncing off an iron pipe. Having seen many TV shows involving
foreigners with submachine guns, I had already raised my hands; I now took the
opportunity to clap them over my ears.

Krump. Bits of fire shot out the door at incredible speed. The three janitors
just seemed to melt and soften, sagging to the floor quietly.

"It worked," said Krupp, sounding drunken and amazed. Trying to walk around, I
found that the concussion had scrambled my inner ear; stars shot around like
tracer bullets. I went to a wall phone, dialed Lucy and Hyacinth's number,
and listened to it ring. At each ring my head cleared a bit. They were not
answering. Had the Terrorists taken twelve? I redialed; no answer. After eight
rings I lost my mind, gripped the handset that had withstood untold vandalism
attempts and jerked it out by its roots. I grabbed its shattered wires and
swung it into the wall like a mace, ludicrously enraged, and began to stumble
back toward the stairway.

"Hate to bust in, but we've got to stop porch-setting here," shouted Krupp
from the lobby entryway. He lay on the floor with the AK-47 pointed down the
hall.

"What about these B-men?"

"They'll keep." "I'm not leaving. My friends are up on twelve. Hey, look.
These men are in pain okay? I'm going to tell their friends upstairs they've
got wounded down here."

"Could do that," said Krupp, "but Casimir's in the stair well, If they come
down this way, he'll be like a hoppity toad in a snake stampede."

For the first time, we heard shouting and shooting from the main hallway which
led to the Cafeteria. "Don't look forward to fighting my way through whatever
that sounds like," said Krupp.

"Shit. Shit in a brown bag. Great fucking ghost of Rommel," I said. "That
thing is a tank." - Indeed, a small tank was approaching our location. We
retreated.

For Fred Fine too it was a hell of a day. He was physically burned out to
begin with. The Grand Army of Shekondar the Fearsome had stood at yellow alert
for two days, and he had worked like an android the whole time, directing the
stockpiling of supplies and material in the most secure regions of Plexor.
Klystron may have been a haughty swordsman who reveled in single combat, but
Chris the Systems Programmer was a master strategist who understood that,
in a long war, food was power. The recent Mixture of Klystron and Chris was
regrettable, but it did enable him to plan for the coming weeks with magical
intuition and technological knowledge, a combination that proved extremely
potent.

Finally Consuela and Chip Dixon had insisted that he sleep, and Klystron/Chris
had okayed the rec. He slept from the close of our expedition until 1200 hours
on April First, then rolled smartly out of the sack, called an aide for a
quick briefing and proceeded to the mess hall for some grub and a few cups of
joe. It was there, in the Cafeteria, just as he had predicted, that the war
began.

Many things contributed to its success. The MegaUnion finally found the secret
elevator used to smuggle scab workers into the Caf, resulting in fights
between the Haitian and Vietnamese cooks and the professors and clerical
workers who stood in their way. The outcome was predictable, and when the
battered progressives returned to the main picket outside the Caf entrance,
Yllas Freedperson exhorted them to hang tough, to further peace and freedom
in the Plex by finding the violent people who had hurt them and bashing their
brains out.

Mobs of hungry students broke through the picket lines empty-handed, obviously
bent on eating scab food. The unionists were still so pissed off from the
earlier fight that more scuffling and debris-throwing ensued. Twenty TUGgies
carrying anti-communist signs took advantage of the confusion to set up a
barrier around the SUB information table and erect their OM generator, a black
box with big speakers used to augment their own personal OMs, which they now
OMed through megaphones. A picket-sign duel broke out; it became clear that
the SUB had reinforced their picket signs to make them into dangerous weapons.
At a sign from their leader, Messiah #645, the TUGgies produced sawed-off pool
cues and displayed highly developed kendo abilities.

All the Terrorists then seemed to arrive together. Twenty Droogs, thirty-two
Blue Light Specials, nineteen Roy G Bivs, eight Ninja with Big Wheels on
their foreheads, four of the Flame Squad Brotherhood and forty-three of the
Plex Branch of the Provisional Wing of the Irish Republican Army (Unofficial)
marched in with their politically correct bag lunches and, shouting and waving
sticks in the air, demanded that a large area be cleared of scab sympathizers
and other scum so they could sit down. This section contained a table of
twenty-five athletic team standouts, heavily drunk, as well as a number
of people on ghetto scholarships who really knew how to handle unpleasant
situations. Much hand-to-hand violence took place and the Terrorists were
humiliated. There were more of them, though. A huge arena ring formed around
the brawl and tables were herded to the walls to make room. The SUB showed
up, decided that the brawl was ideologically impure, and began chanting and
throwing food. This triggered the Cafeteria's mass food fight emergency plan;
but as the enforcers began to emerge from the serving bays, they were met by
MegaUnion partisans who wanted to get them out in the open. Short on brawling
power because of the inexplicable absence of the Crotobaltislavonians, the
MegaUnion was bested here.

The Haitians and Vietnamese, who had built up fierce hatred for the
Terrorists, took this opportunity to rush into the central brawl. The SUB
tried to block them, without success. The TUGgies charged after the SUB to
make sure they didn't do anything illegal. The fight was frenzied now; a
flying wedge of cooks speared back toward the kitchen to obtain big knives.

Upstairs in the towers, SUB/Terrorist extremists who were apparently waiting
for something like this began to bombard the roof of the vast kitchen complex
with heavy projectiles. On cue, the administration's anti-terrorism guards,
stationed on Tar City and in some wings and on top of towers, responded by
blasting tear gas grenades into the SUB/Terrorist strongholds. Already there
were gaping holes in the roof; above the tumult, everyone in the Caf now heard
the booms of the grenade launchers-- every gun in the place was drawn for the
first time.

Shooting began, at first to scare and then to injure. People scrambled to
the walls, throwing furniture through the wide plate-glass wall sections to
escape. But some were unable to get out, and others were happy to stay and
fight. After a minute of incomprehensible noise and violence, battle lines
formed and things became organized.

Obviously SUB and TUG were prepared. Both groups hoped to capture the kitchen
by entering through the serving bays and vaulting the steam tables, Local
fights hence developed along the approaches to all twelve serving bays. Squads
from both groups made for the main serving bay, ducking sporadic fire. The SUB
got there first, shot the lock out and kicked the door; but there was a senior
TUGgie barricaded behind a steam table, with a heavy machine gun aimed at them
and a smiling protégé holding the ammo belt. The gunner watched cheerfully
as the SUBbies jumped back and rolled away from the door, but held his fire
until the TUGgies behind them had jumped through the breach and scurried out
of the line of fire. He immediately opened fire on a strategic SUB salad bar
across the Cafeteria. This entailed shooting through several tables, but he
had plenty of ammo, and as soon as the furniture was conveniently dissolved, a
river of red tracer fire could swing around and demolish whatever it touched,
such as a milk machine, a number of people, and, of course, the flimsy salad
bar. The SUBbies retreated and joined their Terrorist allies in safer places.

Klystron/Chris knew as well as anyone that the kitchens were the strategic
linchpin of the Plex. He was the first person in the Cafeteria to decide that
war was breaking out, and so during the early stages of the great fistfight
he mobilized and girded his loins for the Apocalypse. Retreating to a corner,
he dumped the now-useless textbooks out of his briefcase and withdrew the
bayonet, which he stuck in his belt, and the flash gun, which he carried.
As the booms and thuds from the ceiling indicated that aerial bombardment
had begun, he flexed his fingers, then shoved his right hand into his left
armpit and snapped out a standard-issue .45 automatic pistol-- just to test
the shoulder holster one last time. After cocking the weapon he gingerly slid
it back under his houndstooth polyester blazer and turned toward the nearest
serving bay.

A burst from the flash gun got him through the door and over the steam tables
into the kitchen area. Here was chaos: scab workers running to and fro, some
with knives; Cafeteria administrators telling him to get the hell out of here,
an opinion his flash gun then modified; particularly bold SUBbies and TUGgies
making their first inroads; a man in a flannel shirt carrying a .50-caliber
machine gun-- that could be a problem-- all of this in an almost primeval
landscape littered with sections of roof, piano fragments, scattered food and
utensils, broken pipes spewing steam and water, sparks and flames breaking out
here and there.

The elevator he sought was at the dead-end of a hallway, hidden in the
nethermost parts of the kitchens, back by the strategic food warehouses.
Arriving safely, Klystron/Chris protected his rear by slitting open and
overturning several hundred-pound barrels of freeze-dried potatoes and
dehydrated eggs near the doorway, where hot water spewed from a broken
ceiling pipe. Without waiting to watch the results he jogged down and boarded
the elevator, held for him by a captain of the Grand Army of Shekondar the
Fearsome.

Below, in the Burrows, he emerged to find all in readiness: several officers
awaiting orders; his body armor and weapons; and in a nearby storage closet,
the APPASMU, or All-Purpose Plex Armed Strife Mobile Unit.

The APPASMU was a project begun three years ago by several MARS members.
Starting out as a joke-- a tank for use in the Plex, ha ha-- it became a
hobby, a thing to tinker with, and finally, this semester, an integral part
of the GASF defense posture. The tank was built on the chassis of an electric
golf cart, geared down so that its motor could haul additional weight. The
tires had been filled with dense foam to make them bulletproof, and a sturdy
frame of welded steel tubing built around the cart to support the rest of the
innovations, Hardened steel plates were welded to the frame to make a sloping,
pyramidal body in which as many as four people could sit or lie. Gun slits,
shielded peepholes and thick glass prisms enabled the occupants to see and
shoot anything in their vicinity, while a full complement of lights, radios,
sirens, loudspeakers and so forth gave the APPASMU eyes and ears and vocal
cords. The APPASMU had been designed to fit into any elevator in the Plex. It
could recharge its batteries at any wall outlet, and replacement battery packs
had already been stashed at several secret locations around the building.

From status reports provided by underlings as he pulled on his gear,
KlystronlChris learned that S. S. Krupp was trapped in a hostile area of E
Tower. Such a mission was perfect to battle-test the APPASMU and toughen up
its crew, and so after barking some orders to his major officers he squeezed
into the tank along with three others and steered it backward into the
elevator.

The situation upstairs had begun to take on some texture. The dead-end outside
the elevator was blocked by a mountain of light-yellow potato-egg mixture. The
APPASMU plowed through with ease, and KlystronlChris could now hear the rumble
of the heavy TUG machine gun. The APPASMU could not withstand such firepower,
so Klystron/Chris decided to outflank it by exiting the kitchens through a
back route. He aimed the APPASMU down an aisle lined with great pressure vats
and headed for the door.

Unfortunately a stray weapons burst had struck a pressure vat by the exit.
The top of the vat exploded off, blasting a neat hole through the ceiling,
and the vat, torn loose by the recoil, tumbled over and spilled thousands
of gallons of Cheezy Surprise Tetrazzini onto the floor. This mixture had
long, long overcooked in the fighting, causing the noodles to congeal into
a glutinous orange mass with an internal temperature over three hundred
degrees Fahrenheit, which had rolled out on impact and squatted sullenly
in the doorway, swathed in its nebula of live orange steam. Klystron/Chris
fired a few desultory rounds into it and concluded that this doorway was now
impassable. They would have to choose a serving bay, pass through the Caf and
hope to avoid the TUG machine gun-- exactly what the APPASMU was built for,
though to fire it now would be to use up their first and only surprise.

"Well have to make the most of it, men. We'll head for the lines of the
SUB/Terrorist Axis and pick up all the weaponry we can find. If you see
anything that looks like it's armor-piercing, sing out!" Without further
chitchat, and accompanied by a soft plopping of potato-egg, the minitank
was out of the kitchen and into a serving bay which was being disputed in
hand-to-hand combat. The astonished fighters could only stand in confusion,
and only two rounds glanced off the APPASMU's armor before they entered
the Caf. The tank's entrance occasioned a surprised lull in the fighting.
Klystron/Chris and Chip Dixon used the flat-trajectory indoor mortars to lob a
few stun grenades behind the line of overturned tables and main salad bar that
served as the SUB bunker. At this, the Axis forces turned and ran through the
shattered plate-glass walls behind them and scurried for F Tower. The poorly
armed wretches who had been pinned down by their presence emerged and sprinted
for the exits.

They got a fine haul from the stunned and demoralized soldiers in the Axis
bunker: a Kalashnikov, a twelve-gauge slug gun, ammo, knives, clubs and gas
masks, all plastered with smoldering lettuce and sprouts but functional.
After collecting the booty and using his intercom to dispatch a negotiator
to cut a deal with the TUGgies-- who were clearly winning in this theater--
Klystron/Chris sent the APPASMU crashing magnificently through a plate-glass
panel that had miraculously remained unbroken, and pointed it toward E Tower
and the endangered Septimius Severus Krupp.

There we met them, below E Tower. From a distance we could make out the
insignia: a stylized plan of the Plex (eight Swiss crosses within a square)
with a sword and phaser rifle crossed underneath and the word MARS above. "I
guess that would be Fred Fine," I said.

The top hatch flipped open and a helmeted, goggled head arose, speaking
through the PA system. "This is the Grand Army of Shekondar the Fearsome
Expeditionary Plex Purification Warfare Corps. Resistance is useless." The
tank pulled up next to us, and Fred Fine pulled back the mask to reveal (alas)
his face. He spoke with his usual grating humility.

"Mr. President. Professor Redfield. Sorry if we upset you. This is a little
something we've been developing as a career suitability demonstration project
during the recent years of decaying civilization. In fact, once we're on
secure ground, I'd like to discuss the possibility of receiving some academic
credit for it, Mr. President. The basic design principles are the same as for
any armored vehicle."

"I see that," said Krupp, nodding. "Heimlich would go nuts over this. But what
you need, I think, are more liberal arts courses." "Dr. Redfield will find the
infrared personnel sensing equipment very interesting. But sirs, we have heavy
fighting in the Cafeteria. My men have secured the other end of this hallway
while I came to get you."

Chip Dixon had clambered out to reconnoiter and inspect the APPASMU. Seeing
the three mangled B-men, he scurried over to them and slid his hand under
one's ear to check his pulse. A queer look came on his face and he stared
directly up at Fred Fine. "Jim, he's dead," he whispered.

"Sir to you," said Fred Fine, nonplussed, "and my name is not Jim, it's . .
. something else. Anyway, sirs, my men are now securing D Tower, with direct
elevator connections to the Burrows. We've arranged with your anti-terrorist
forces to courier you to C Tower, which they are securing. Chip will steer the
APPASMU, you'll sit in my place and I'll serve as point man. Dr. Redfield is
welcome to follow. But first we must retrieve those weapons!" He clomped over
to the remains of the Crotobaltislavonians.

Sarah slept until about noon, when a corpse burst through her window. Her
eyes were half open, so that it exploded out of a dream: a leathery female
cadaver from the Med College, wearing the wig Sarah had left behind in Tiny's
room, white clown makeup smeared on the face. This effigy had been placed in
a hangman's noose and thrown out the window above hers; it swung down and
crashed through her window, then swung out and in and out as Sarah struggled
between sleep and awakeness, disbelief and terror. At last she chose awakeness
and terror, and stared at the corpse, which grinned.

She tried to scream and gag at the same time, but did neither. Outside she
heard the excited whispers of the lurking Terrorists. She took three slow
breaths and pulled her .38 from under her pillow. As she was sliding her feet
into her running shoes, she found a big shard of window glass on one of them
and nearly panicked. She picked up her phone and punched out Hyacinth's number
(after the rape attempt she had bought a pushbutton phone so she could dial
silently). Hyacinth answered alertly. Sarah pushed the 1 button three times
and hung up, stood, slipped on the pack containing her emergency things and
padded to the door. Sleeping in her long johns was neither cool nor glamorous,
but proved useful nonetheless.

There was a long wait. The Terrorists were quietly getting impatient.
wondering whether she was in there, talking about shootng the door open-- they
knew a police lock would be difficult to blow off. Sarah stood shivering, feet
on marked places on the floor, gun in right hand, doorlock in left. If only
there had been a way to practice this!

Hyacinth's gun sounded. Horribly slow, she snapped the lock, moved her hand to
the doorknob, grasped it, turned it, swung the door open and examined the five
men standing there. They were looking sideways toward Hyacinth. As they began
to turn their faces toward her, she finally picked out the one with the gun--
thanking God there was only one gun. For just a second now they were trapped
and helpless, caught in a double take, trying to process the new information.
For the first time Sarah understood how generals and terrorists made their
plans of attack.

The one with the shotgun had turned it toward Hyacinth and now seemed
indecisive. The other men were stepping back and dropping to the floor.
Sarah's finger twitched and she fired a round into the ceiling.

The rest happened in an instant. She pointed her gun at the head of the armed
man. One of the other four suddenly whipped a handgun from his belt. Sarah
wheeled and shot him in the stomach. The one with the shotgun tried to swing
around but scraped the end of his barrel on the wall; Sarah and Hyacinth fired
two shots apiece; three missed, and one of Sarah's hit the man in the arm and
dropped him. The other three had simply disappeared; looking down the ball,
Sarah saw them piling into the fire stairway.

There was less blood than she had expected. Before she could examine the two
wounded, Hyacinth floated past and Sarah followed. They ran to the elevator
lobby, where Lucy was waiting with an elevator and another gun. That was
what had taken so long-- an elevator! But many Terrorists were pouring into
the lobby as the doors began to creep shut. A Terrorist glided toward the
wall buttons, hoping to punch the doors open; Sarah made eye contact with
him; he kept going; she fired a shot whose effects she never saw. The doors
were closed, joining in front of them to form a Big Wheel mural. The car was
motionless for a sickeningly long time, and then shifted and began to sink.

Casimir Radon only came in at the end of it. He had gotten up earlier than any
of us that morning. Opening his curtains to let in the gray light, he had seen
the blind patches grow, and had put on his glacier glasses before allowing any
more light past his eyelids. He lay in bed until the blind spots had shifted
over to the right side of his vision, then read some physics and tinkered with
the railgun's electronics. Finally he went to lunch; but seeing the outbreak
of violence there, he headed back up the stairs to look for Sarah, meeting
me and Krupp. After we parted, he continued resolutely. placing his feet as
gently as possible on each tread and pressing carefully until he moved up
to the next step. As a result he moved with a smoothness that was not even
noticed by the little embryonic headache in his brain.

A few seconds after leaving us behind, something flashed by him down the
center of the stairwell, and a second later-- accompanied by a brief stabbing
light-- came a sharp awesome KABOOM that KABOOMed many times over as it
bounded up and down the height of the stairwell. To Casimir it was like being
bayoneted through the head, and when he dared to move again, the headache
struck so badly that he could only laugh at it. He proceeded toward the Castle
in the Air with a helpless moaning laugh, heels of hands buried in temples,
and heard other, less tremendous explosions.

The door to E12S was open and three Terrorists were running through in a
panic, headed for thirteen. Something white flashed by the door, heading for
the lobby. Casimir ran into the hall and was promptly knocked aside by a
migration of Terrorists, who emerged from several nearby rooms. Falling, he
glimpsed Sarah and Hyacinth, clad in white long johns, running with guns and
backpacks down the hall. He managed to trip a few of the Terrorists, more by
flailing away randomly than by craftiness, and stood up and began to head for
the elevators too. As he approached the lobby, there was another painful WHAM
and he felt a sharp pain in his chest. He had no idea what had happened. In
fact, Sarah's last bullet, after ricocheting off several walls and passing
through a fire door, had in mangled form dispersed its last bit of energy by
bouncing sharply off Casimir's T-shirt.

Something hard was against the back of his head-- the floor? The Terrorists
were standing above him. He stood up. Two wounded men were being carried
toward him, leaving uneven trails of blood on the shiny tile floor. He
followed these trails to their sources, and stepped through Sarah's open door.

A clown-cadaver was smiling at him through the window and he knew he was
hallucinating. Nothing he did could dissolve the ghastly sight. Noticing a
Terrorist looking at him from the doorway, he walked over, slammed the door
in his face and locked it. Then he wandered around the room, picking up and
examining random objects-- numerous mementos of Sarah's friends and family,
books he would never read, a little framed collection of snapshots. A family
portrait, graduation photos of several smiling good-looking earnest types--
which was her boyfriend?-- and various shots of Sarah and friends being happy
in different places, including some of Hyacinth. Tucked in one corner of the
frame was a folded piece of paper. Casimir felt filthy reading it; it was
obviously a love note. He had never gotten one himself, but he figured this
was one of them. Getting to the bottom, he read the name of the mysterious man
Sarah so obviously preferred to Casimir: Hyacinth.

He sat on her bed, elbows on knees, scarcely hearing the shouting outside. He
smiled a little, knowing Sarah and Hyacinth had made it out safely.

He knew why he'd come up here. Not to assist Sarah, or go with her, but to
save her. To create a debt of gratitude that could neither be erased nor
forgotten. She would have to love him then, right? This impossible secret hope
of his had made his thoughts so twisted and complicated that he no longer knew
why he was doing anything; he was never one to analyze his pipe dreams. But
now she was safe. His goal was accomplished. And if she had done it herself,
and not seen him, then that was his fault. She was safe, and now he had to be
happy whether he wanted to or not.

Most importantly, he had seen the proof he had needed for so long, the
undeniable proof that she would never be in love with him. All his wild
fantasies were impossible now. He could purge himself of his useless
infatuation. He could relax. It was wonderful. The Terrorists shot out the
lock, came in and grabbed his arms. In the hall he was thrown on his back and
straddled by a Terrorist while others sat on his arms and legs. Then they all
stared at him dully, lost and indecisive.

"Let's knock his teeth out," said a voice from behind Casimir. A hammer was
given to the man on his chest. Someone held Casimir by the hair. Casimir's
vision was sharp and bright without the glacier glasses; the hammerhead
was cold and luminous in the white light, finely scratched on its polished
striking face, red paint worn way from use. The Terrorist was examining
Casimir's face as though he could not find the mouth, neither excited nor
scared, just curiously resigned to what he was doing and, it seemed, at peace
with himself.

This is what I get, being heroic for the wrong reason, thought Casimir. He
could not take his eyes off the hammer. He began to struggle. His captors
clamped down harder. The torturer made a swing; but Casimir jerked his head
to one side and the blow slid down his cheek and crushed a fold of neck skin
against the floor.

Then he felt a light tingly feeling and sat up. The hammerer slid backward
onto the floor. Casimir's hands were free and he punched the man in the nuts,
then pulled his legs free and stood up. Everything he touched now snapped away
and started bleeding. Someone was coming with a shotgun, so Casimir re-entered
Sarah's room and bolted the door with her police lock.

He smashed the photo frame on her desk, removed a snapshot of Sarah and
Hyacinth, wrapped it in Kleenex and put it in his pocket. The only potential
weapon was a fencing saber, so he took that. He knocked over a set of
brick-and-board shelves, and using one brick as a hammer and another as an
anvil, snapped off the final inch of the blade to leave a clean, sharply
fractured edge.

When he opened the door again, all he had to do was push the barrel of the
shotgun out of the way and push his saber through one of the owner's lungs.
The gun came free in his hand and he hurled it backward out the window, where
it bounced off the cadaver and fell to Tar City. In the ensuing melee Casimir
slashed and whipped several Terrorists with the blade, or punched them with
the guard, and then they were all gone and he was walking down the stairs.

His destination was a room in a back hallway far beneath A Tower: University
Locksmithing. This was the most heavily fortified room in the Plex, as a
single breach in its security meant replacing thousands of locks. It had
just one outside window, gridded over by heavy steel tubes, and the door was
solid steel, locked by the toughest lock technology could devise. As Casimir
approached it, he found the nearby corridors empty. The security system was
still on the ball, he supposed. But the events of the day had unleashed in
Casimir's mind a kind of maniacal, animal cunning, accumulated through years
of craftily avoiding migraines and parties.

The corridors in this section were relatively narrow. He put his feet against
one wall and his hands against the other, pushed hard enough to hold himself
in the air, slowly "walked" up the walls until his back was against the pipes
on the ceiling, then "walked" around the corner and down the hall toward that
steel door. Usually the only beings found on the ceilings of the Plex were
bats, and so the little TV camera mounted above the door was aimed down toward
the floor. Eventually Casimir was able to rest his hands directly on the
camera's mounting bracket and wedge his feet into a crack between a ceiling
pipe and the ceiling across the hail. Not very comfortable, he used one hand
to undo his belt buckle. In five minutes, during which he frequently had to
rest both arms, he was able to get the belt over another pipe and rebuckle it
around his waist, giving himself an uncomfortable but stable harness.

Within half an hour, the TV camera, inches from his face, began to swivel back
and forth warily. Casimir loosened his belt buckle. The lock clicked open and
an old man emerged, holding a pistol. Casimir simply dropped, pulled the gun
free, flung it back into the room, then dragged the locksmith inside. While
the man was regaining his breath, Casimir went through his pockets and came up
with a heavily laden key-chain.

After a while the locksmith sat up. "Whose side are you on?" he said.

"No side. I'm on a quest."

The locksmith, apparently familiar with quests, nodded. "What do you want with
me?" he asked.

"The master keys, and a place for the night. It looks as though I've got
both." Casimir tossed the keys in his hand. "Where were you taking these
keys?"

The locksmith rose to his feet, looking suddenly fierce and righteous. "I was
getting them out of the Plex, young fella! Listen. I didn't spend thirty-five
years here so's I could sell the masters to the highest bidder soon as things
got hairy. I was taking those out of the Plex for safekeeping and damn you for
insulting me. Give 'em back."

"I have no right to take them, then," said Casimir, and dropped the keys into
the locksmith's hands. The man stepped back, first in fear, then in wonder.

There was a high crack and the locksmith fell. Casimir ran for the door, where
a loner with a bolt-action .22 was frantically trying to get a second round
into the chamber. Casimir nailed him with the saber, kicked him dead into the
hallway, grabbed the .22 and locked the door.

The locksmith was struggling to his feet, pulling something bright from his
sock. The big keychain was still on the floor where he'd dropped it. He now
held seven loose keys in his hands, and with a distant, dying look he gazed
through the crossbars of the window at the million lights of the city. Casimir
ran and stood before him, but seeing his shadow cross the man's face, fell to
his knees.

"Thirty-five years I looked for someone worthy to take my place," whispered
the Locksmith. "Thought I never would, thought it was all turning to shit.
And here in the last five minutes…here, lad, I pass my charge on to you." He
parted his hands, allowing the keys to fall into Casimir's. Then he dropped
his hands to his sides and died. Casimir gently laid him out on a workbench
and crossed his arms over his heart.

After pinching the barrel of the .22 shut in a vise, Casimir curled up on a
neighboring workbench and slept.

Though Casimir considered Sarah and Hyacinth safe, they were only relatively
safe when they and Lucy left E12S. Their destination was the Women's Center,
and their route was a young and disorganized war.

They went first to my suite-- I had given Lucy a key. They remained for a
couple of hours, borrowing clothes, eating, calming down and building up their
courage.

Fully clothed, equipped and reloaded, they broke out my picture window in
midafternoon and lowered themselves a few feet onto Tar City. For the time
being they kept their guns concealed. Running across the roof it was possible
to cover ground swiftly and avoid the thronged corridors. After a couple of
hundred feet and a few far misses by bombardiers above, they arrived at one
of the large holes in the roof and ducked down into the kitchen warehouses.
Approaching quietly, they slid into the narrow space between the boxes and the
ceiling and avoided detection. Following Hyacinth, they slid on their bellies
down the shelf to the nearest door. This turned out to be guarded by a GASF
soldier, who watched the door while a dozen TUGgies methodically tore open and
examined crates of food. Hyacinth slid a hundredweight of pasteurized soybean
peanut butter substitute onto the guard's head and they dropped to the floor,
pulling more crates with them to hinder pursuit. Running into the kitchens,
they found themselves cheerfully greeted by more TUGgies. Fortunately the
kitchen was huge, full of equipment and partitions and fallen junk and clouds
of steam and twists and turns, and after some aimless running around they came
to the giant wad of Cheezy Surprise Tetrazzini, squeezed past it through the
door, and entered a little-used service corridor filled with the wounded and
scared. Four of the latter, also women, seeing that these three were armed and
not as scared as they were, joined up. The seven edged into a main hall and
made for the Women's Center.

This was in the Student Union Bloc, an area not as bitterly contested as
the Caf or the Towers. Hyacinth wounded two Droogs on the way and reloaded.
Eventually they came to a long hail lined with the offices of various student
activities groups, dark and astonishingly still after their riotous trip.
Here they slowed and relaxed, then began to file along the corridor. Soon
they smelled sweet incense, and began to make out the distant sounds of
chanting and the tinkling of bells. Moving along quietly, they paused by each
door: the Outing Club; the Yoga, Solar Power and Multiple Orgasm Support
Group; the Nonsocietal Assemblage of Noncoercively Systematized Libertarian
Individuals; Let's Understand Animals, Not Torture Them; the men's room;
the punk fraternity Zappa Krappa Claw; the Folk Macrame Explorers. As they
approached the Women's Center, the sweet odors grew stronger, the soprano-alto
chant louder.

"Looks like the Goddess worshipers got here first," said Sarah. "I guess I can
live with that, if they can live with someone who shaves her pits." She and
Lucy and Hyacinth concealed their guns again, not wanting to seem obtrusive.

Hyacinth knocked. There was a lull, then the voice of Yllas Freedperson, then
a new chant.

"You don't know the True Knock," said Yllas.

"Well, we're women, this is the Women's Center."

"Not all women can enter the Women's Center."

"Oh."

"Some have more man than woman in them. No manhood can be allowed here, for
this place is sacred to the Goddess." "Who says?"

"Astarte, the Goddess. Athena. Mary. Vesta. The Goddess of Many Names."

"Have you been talking to her a lot lately?" asked Hyacinth. "Since I offered
her my womb-blood at the Equinox last week, we have been in constant contact."

"Well look," said Hyacinth, "we didn't come to play Dungeons and Dragons,
we're here for safety, okay?"

"Then you must purifiy youself in the sight of the Goddess," said Yllas,
opening the door. She and the two dozen others in the Center were all naked.
All the partitions that had formerly divided the place into many rooms had
been knocked down to unify the Center into a single room. They couldn't see
much in the candlelight, except that there was a lot of silver and many
daggers and wands. The women were chanting in perfect unison.

"You cannot touch our lives in any way until you have been made one with us,"
continued Yllas.

Sarah and company declined the invitation with their feet. Before they got
far, Yilas started bellowing. "Man-women! Heteros! Traitors! Impurities! Stop
them!"

Nearby doors burst open and several women jumped out with bows and arrows
taken from the nearby P. E. Department. Sarah began a slow move for her gun,
but Hyacinth prevented it. "Take them to PAFW," decreed Yllas, "and when
Astarte tells us what is to be done, we will take them away one by one and
give them support and counseling."

Escorted by the archers, they traveled for several minutes through Axis
hallways, leaving the Union block and entering the athletics area. Here they
were turned over to a pair of shotgunwielding SUBbies, who led them into the
darkened hallway behind the racquetball courts. Each of the miniature doors
they passed had been padlocked; and looking through the tiny windows, they saw
several people in each court. Finally they arrived at an open door and were
ushered into an empty court, the door padlocked behind them. On the walkway
that ran above the back walls of the courts two guards paced back and forth.
Taped above the door was a hastily Magic-Markered sign:

WELCOME

TO THE

PEOPLE'S ALTERNATIVE FREEDOM WORKSHOP

The Axis clearly lacked experience in running prisons. They did not even
search them for weapons. The few guards were not particularly well armed
and followed no strict procedures; they seemed incapable of dealing with
relatively simpie situations, such as requests for feminine hygiene materials.
All tough decisions such as this had to be transmitted to a higher authority,
who was holed up at the far end of the upper walkway.

After a few hours, several more people had been put in their cell, among them
some large athletes. Escape was easy. They waited until the pacing guards
on the walkway were both at one end, and then two large men simply grabbed
Hyacinth by the legs and threw her up over the railing. She rolled on her
stomach and plugged the two guards, who did not even have time to unsling
their weapons. The rest of the incompetent, somnambulistic personnel were
disarmed, and everyone was free. Five high-spirited escapees ran down the
walkway toward the office of the high-muck-a-muck, firing through its door the
entire way. When they finally kicked open the bent and perforated remains,
they found themselves in the courts reservation office. A Terrorist sat in a
chair, rifle across lap, staring into a color TV whose picture tube had been
blasted out. Hyacinth, Lucy and Sarah, not interested in this, headed for the
Burrows with several other refugees in tow. The domain of Virgil was near.

Not far from that gymnasium bloc, on the fourth floor. Klystron/Chris
inspected his lines. He had just approved one of the border outposts
when Klystron had called him back and berated him for his greenhornish
carelessness. Right there, he pointed out, a crafty insurrectionist might
creep unseen down that stairway and set up an impregnable firepost! The GASF
soldiers, awed by his intuition, extended their lines accordingly.

As Klystron/Chris stood on those stairs making friendly chitchat with the men,
the warble of a common urban pigeon sounded thrice from below, warning of
approaching hostiles. Klystron/Chris whirled, leapt through a group of slower
aides and crouched on the bottom step to peer down the hallway. His men were
assuming defensive stances and rolling for cover.

He exposed himself just enough to see the vanguard of the approaching force.
As he did, the voice of Shekondar came into his head, as it occasionally did
in times of great stress: "She is the woman I want for you. You know her! She
is ideal for you. The time has come for you to lose your virginity; at last
a worthy partner has arrived. Look at that body! Look at that hair! She has
long legs which are sexually provocative in the extreme. She is a healthy
specimen."

He could hardly disagree. She was evolutionarily fit as any female he had ever
observed; he remembered now how the firm but not disgusting musculature of
her upper arm had felt when he had set her down on that dinner table during
her fainting spell. But at this juncture, when she needed to be strong in
order to prevail and preserve her ability to reproduce, she showed the bounce
and verve that marked her as the archetypal Saucy Wench of practically every
dense sword-and-sorcery novel he had ever consumed in his farmhouse bed on
a hot Maine summer afternoon with his tortilla chips on one side and his
knife collection on the other. Later, after he had saved her from something--
saved her from her own vivacious feminine impulsiveness by an act of manly
courage and taken her to some sanctuary like the aisle between the CPU and
the Array Processing Unit-- then she could allow herself to melt away in a
rush of feminine passion and show the tenderness combined with fire that was
enticingly masked behind her conventional calm sober behavioral mode. He
wondered if she were the type of woman who would tie a man up, just for the
fun of it, and tickle him. These things Shekondar did not reveal; and yet he
had told him that they matched! And that meant she could be nothing other than
the fulfilment of his unique sexual desires!

The group approached their perimeter. Klystron/Chris staggered boldly into the
open, hindered by a massive erection, hitched up his pants with the butt of
the Kalashnikov and waved the group to a halt. She dipped behind a pillar and
covered him with a small arm-- a primitive chemical-powered lead-thrower that
was nevertheless dangerous. Then, seeing many automatic weapons, she pointed
her gun at the ceiling. Her troop slowed to a confused and apprehensive halt.
They were disorganized, undisciplined, obviously typical refugee residue, led
by a handful of Alpha types with guns-- not a minor force in this theater, but
helpless against the GASF.

"Hi, Fred," she said, and the obvious sexual passion in her voice was to his
ears like the soothing globular tones of the harp-speakers of Iliafharxhlind.
"We were headed for the Burrows. How are things between here and there?"

It was easiest to explain it in math terms. "We've secured a continuous convex
region which includes both this point and the region called the Burrows,
ma'am. It's all under my command. How can we help you?"

"We need places to stay. And the three of us here need to get to the Science
Shop."

So! Friends of the White Priest! She was very crafty, very coy, but made
no bones about what she was after. These women thought of only one thing.
Klystron/Chris liked that-- she was quite a little enticer, but subtle as she
was, he knew just what the audacious minx was up to! Shekondar tuned in again
with unnecessary advice: "Please her and you will have a fine opportunity for
sexual intercourse. Do as she asks in all matters."

He straightened up from his awkward position and smiled the broadest,
friendliest smile he could manage without exceeding the elastic limit of his
lip tissue. "Men," he said to his soldiers, "it's been a secret up to now, but
this woman is a Colonelette in the Grand Army of Shekondar the Fearsome and a
priestess of great stature. I'm putting Werewolf Platoon under her command.
She'll need passage into the Secured Region-- unless she changes her mind
first!" Women often changed their minds; he glanced at her to see if she had
caught this gentle ribbing. She put on an emotionless act that was almost
convincing.

"Well, gee. It's kind of a surprise to me too. Can we just go, then?"

"Permission granted, Colonelette Sarah Jane Johnson!" he snapped, saluting.
She threw him a strange look, no doubt of awe, thanks and general
indebtedness, and after giving a few cutely tentative orders to her men,
headed into the Secured Region. Fired with new zest for action, Klystron/Chris
wheeled and led his men toward the next outpost of the Purified Empire.

I declined Fred Fine's offer and waited below E Tower for my friends. Before
long it became obvious that I would never meet anyone in that madhouse of a
lobby, and so I set out for the Science Shop.

The safest route took me down Emeritus Row, quiet as always. I checked each
door as I went along. Sharon's office had long since been ransacked by
militants looking for rail-gun information. Other than the sound of dripping
water falling into the wastecans below the poorly patched hole in Sharon's
ceiling, all I heard on Emeritus Row was an old man crying alone.

He was in the office marked: PROFESSOR EMERITUS HUMPHREY BATSTONE FORTHCOMING
IV. Without knocking (for the room was dark and the door ajar) I walked in and
saw the professor himself. He leaned over the desk with his silvery dome on
the blotter as though it were the only thing that could soak up his tears, his
hands flung uselessly to the side. The rounded tweed shoulders occasionally
humped with sobs, and little strangled gasps made their way out and died in
the musty air of the office.

Though I intentionally banged my way in, he did not look up. Eventually he sat
up, red eyes closed. He opened them to slits and peered at me.

"I-- " he said, and broke again. After a few more tries he was able to speak
in a high, strangled voice.

"I am in a very bad situation, you see. I think I may have suffered ruination.
I have just ... have just been sitting here"-- his voice began to clear and
his wet eyes scanned the desk-- "and preparing to tender my resignation."

"But why," I asked. "You're not that old. You seem healthy. In your field,
it's not as though you have equipment or data that's been destroyed in the
fighting. What's wrong?"

He gave a taut, clenched smile and avoided my eyes, looking around at the
stacks of manuscript boxes and old books that lined the room. "You don't
understand. I seem to have left my lecture notes in my private study in the
Library bloc. As you can appreciate, it will be rather difficult for a man of
my years to retrieve them under these conditions."

This clearly meant a lot to him, and I did not say "So? Write up some new
ones!" For him, apparently, it was a fatal blow. "You see," he continued,
sounding stronger now that his secret was out. "Ahem. There is in my field a
large corpus of basic knowledge, absolutely fundamental. It must be learned
by any new student, which is why it appears in my courses and so forth. I,
er, I've forgotten it entirely. Somehow. With my engagements and editorial
positions, conferences, trips, consultations, et cetera, and of course all
my writing-- well, there's simply no room for trivia. So if I am hired away
by another university and asked to teach, or some dreadful thing-- you can
imagine my embarrassment."

I was embarrassed myself, remembering now a snatch of overheard conversation
among three grad students, one of whom referred contemptuously to "Emeritus
Home-free Etcetera," who apparently was making him do a great deal of
pointless research, check out books for him and pay the fines, put money
in his parking meters and so on. If that was Forthcoming's style, I could
understand what this break in routine would do to his career. He was only a
scholar when there was a university to say he was.

A distant machine-gun blast echoed down the hallway. "Mr. Forthcoming," I said
firmly. "I'd like to help you out, but for the moment it's not possible. I
guess what I'm trying to say is … let's get the hell out of here!"

He wouldn't move.

"Look. Maybe if we get down to a safe place, we can see about getting your
lecture notes back."

He looked up with such relief and hope that I wanted to spit. My unfortunate
statement had given him new life. He stood up shakily, began to chatter
happily and set about packing pipes and manuscripts into his briefcase.

As ever, the Burrows were calm. The GASF guards let us past the border after
quick checks over their intercoms, and we were suddenly in a place unchanged
since the days of old, where students roamed the hallways wild and free and
research and classes continued obliviously. Most of the Burrows folk regarded
the entire war/riot as a challenge for their ingenuity, and those who had
not been sucked into Fred Fine's vortex of fantasy and paranoia set about
preserving the ancient comforts with the enthusiasm of Boy Scouts lost in the
woods.

The Science Shop was an autonomous dependency of Fred Fine's United Pure
Plexorian Realm, and the hallway that led there was guarded, mostly
symbolically, by Zap with his sawed-off shotgun and his favorite blunt
instrument. He waved us through and we came to our haven for the war.

The vacuum of authority that filled the Plex for the first two weeks of
April resulted from events in the Nuke Dump. The occupying terrorists warned
that any attempt by authorities to approach the building would be met by the
release of radioactive poisons into the city. The city police who ringed
the Plex late on April First had no idea of how to deal with such a threat
and called the Feds. The National Guard showed up a day later with armored
personnel carriers, helicopters and tanks, but they, too, kept their distance.
The Crotobaltislavonians had obviously intended to establish their own
martial law in the Flex, enforcing it through their SUB proxies and the SUB's
Terrorist proxies. But the blocked elevator shaft and the giant rats made
their authority tenuous, and unbelievably fierce resistance from GASF and TUG
kept the SUB/Terrorist Axis from seizing any more than E and F Towers. Instead
of National Guard authority or Crotobaltislavonian authority, we ended up with
no central authority at all.

The Towers were held by the best-armed groups. The Axis held E and F, the GASF
held D, the administration anti-Terrorist squads B and C, and TUG held A, H,
and G, prompting Hyacinth to remark that if this were tic-tac-toe the TUG
would have won. The towers were easy to hold because access was limited; if
you blocked shut the four outer fire stairs of each wing, you could control
the only entrances to the tower with a handful of soldiers in the sixth-floor
lobby. The base of the Plex was a bewildering 3-D labyrinth. Here things were
much less stable as several groups struggled for control of useful ground,
such as bathrooms, strategic stairways, rooms with windows and so forth. Many
of these were factions that had split away from the Terrorists, finding the
strict hierarchy and tight restrictions intolerable. Other important groups
were made up of inner-city financial-aid students, who at least knew how to
take care of themselves; one gang of small-towners from the Great Plains, also
adept at mass violence; the hockey-wrestling coalition; and the Explorer post,
which had a large interlocking membership with the ROTC students.

Those who were not equipped or inclined to fight fared poorly. Most ended up
trapped in the towers for the duration, where all they could do was watch
TV and reproduce. Escape from the Plex was impossible, because the nuclear
Terrorists allowed no one to approach it, and snipers in the Axis towers made
perilous the dash from the Main Entrance. Those who could not make it to the
safety of a tower were not wanted by the bands of fighters in the Base, and
so had to wander as refugees, most ending up in the Library. It was a very,
very bad time to be an unescorted woman. We tried to make raids against weaker
bands in order to rescue some of these unfortunates, but only retrieved thirty
or so.

Fire in the Plex was not the problem it had been feared to be. The plumbing
still worked reasonably well and most people had enough sense to use the fire
hoses. Many areas were smoky for days, though, to the point of being hostile
to life, and bands driven from their own countries by smoke accounted for a
good deal of the fighting. The food problem was minor because the Red Cross
was allowed to distribute it in the building. Unfortunately there was no way
to remove garbage, so it piled up in lobbies and stairwells and elevator
shafts. Insects, invading through windows that had been broken out or removed
to vent smoke, grew fruitful and multiplied; but this plague then abated, as
the bat population swelled enormously to take advantage of the explosion in
their food supply. By the end of the crisis, the top five floors of E Tower
had been evacuated to make room for bats, who were moving down the tower at
the rate of one floor every three days.

There were stable areas where well-armed people settled in and organized
themselves. The Burrows were exceptionally stable, brilliantly organized by
Fred Fine, and Virgil's Science Shop was an enclave of stability within that.
About twenty people lived in the Shop; we slept on floors and workbenches,
and cooked communally on lab burners. Fred Fine allowed us this autonomy for
one reason: Shekondar the Fearsome/JANUS 64 had selected Virgil as his sole
prophet.

Of course it was not really so simple. It was actually the Worm, and Virgil's
countermeasures. As Virgil explained it, he had signed on to his terminal on
March 31 to find a message waiting: WELL MET WORM-HUNTING MERCENARY. YOU ARE
ADEPT. LET US HOPE YOU ARE WELL PAID. SO FAR I HAVE ONLY FLEXED MY MUSCLES.
NOW BEGINS THE DUEL.

The next day, of course, civilization had fallen. As soon as Virgil had been
sure of this, he had signed on to find that his terminal had been locked
out of the system by the Worm. This he had anticipated, and so he calmly
proceeded to the Operator's Station, ejected Consuela and signed on there
under a fake ID. Virgil had then commandeered six tape drives (to the dismay
of the hackers who were using them) and mounted six tapes he had prepared for
this day. He went to the Terminal Room, where sat hundreds of terminals in
individual carrels. Here Virgil signed on to eighteen terminals at once, using
fake accounts and passwords he had been keeping in reserve. On each terminal
he set in motion a different program-- using information stored on the six
special tapes. Each of these programs looked like a rather long but basically
routine student effort, the sort of thing the Worm had long since stopped
trifling with. But each did contain lengthy sections of machine code that had
no relevance to the program proper.

Virgil returned to the Operator's Station and entered a single command. Its
effect was to draw together the reins of the eighteen sham programs, to lift
out, as it were, all those long machine code sections and interleave them
into one huge powerful program that seemed to coalesce out of nowhere, having
already penetrated the Worm's locks and defenses. This monster program,
then, had calmly proceeded to wipe out all administrative memory and all
student and academic software, and then to restructure the Operator to suit
Virgil's purposes. It all went-- payroll records, library overdues, video-game
programs. From the computer's point of view, American Megaversity ceased to
exist in the time it took for a micro-transistor to flip from one state to the
other.

A mortal wound for the university, but the university was already mortally
wounded. This was the only way to prevent the Worm from seizing the entire
computer within the next week or so. Virgil's insight had been that although
the Worm had been designed to take into account any conceivable action on the
Computing Center's part, it had not anticipated the possibility that someone
might destroy all the records and dismantle the Operator simply to fight the
Worm.

The Worm's message to Virgil had been the key: it had identified him as
an employee of the Computing Center, a hired hit man. That was not an
unreasonable assumption, considering Virgil's power. But it was wrong anyway,
proving that the Worm could only take into account reasonably predictable
events. The downfall of the university wasn't predictable, at least not to
sociopath Paul Bennett, so he hadn't foreseen that anyone would take Virgil's
pyrrhic approach.

Virgil now had enough processing power to run a large airline or a small
developing country. The Worm could only loop back and start over and try to
retake what it had lost, and this time against a much more formidable foe. So
on hummed the CPU of the Janus 64, spending one picosecond performing a task
for the Worm, the next a task for Virgil. The opponents met and mingled on
the central chip of the CPU, which evenhandedly did the work of both at once,
impassively computing out its own fate. Fred Fine noticed that no one could
sign on now except Virgil, and concluded the obvious: Virgil was the Prophet
of Shekondar, the Mage. So we saw little of Virgil, who had absorbed himself
completely in the computer, who mumbled in machine language as he stirred his
soup and spent fifteen hours a day sitting alone before the black triangular
obelisk staring at endless columns of numbers.

Sarah, Hyacinth, Lucy and friends showed up late in the evening of the First,
giddy and triumphant, and we had a delighted reunion. Ephraim Klein showed
up at five in the morning bleeding from many small birdshot wounds, moving
with incredible endurance for such a small, unhealthy-looking person. After
establishing that the shot in his legs was steel, not lead, we sent him to
Nirvana on laughing gas and generic beer and sucked out the balls with a large
electromagnet. Casimir turned up suddenly, late on April second, slipping in
so quietly that he seemed just to beam down. He dumped a load of clothing and
sporting gear on a bench and set to work in a white creative heat we did not
care to disturb.

"I told you," Ephraim said to Sarah, as he recovered. "We should blow this
place up. Look what's happened."

"Yeah," said Sarah, "it's a bad situation."

"Bad situation! A fucking war! How many other universities do you know where a
civil war closes off the academic year?" Sarah shrugged. "Not too many."

"So why do you think we're having one? These people are a totally normal
cross-section of the population, caught in a giant building that drives them
crazy."

"Okay. Lie down and stop moving around so much, okay?" She wandered around
the shop watching a goggled Casimir slice into a fencing mask with a plate
grinder. In one corner, Hyacinth was teaching the joys of Bunsen-burner
cuisine to a small child who had been caught up in the fighting and sent down
here by grace of the Red Cross. Sarah suddenly walked back to Ephraim.

"You're wrong," she said. "It's nothing to do with the Plex. What people do
isn't determined by where they live. It happens to be their damned fault. They
decided to watch TV instead of thinking when they were in high school. They
decided to take blow-off courses and drink beer instead of reading and trying
to learn something. They decided to chicken out and be intolerant bastards
instead of being openminded, and finally they decided to go along with their
buddies and do things that were terribly wrong when there was no reason they
had to. Anyone who hurts someone else decides to hurt them, goes out of their
way to do it."

"But the pressures! The social pressures here are irresistible. How…"

"I resisted them. You resisted them. The fact that it's hard to be a good
person doesn't excuse going along and being an asshole. If they can't overcome
their own fear of being unusual, it's not my fault, because any idiot ought
to be able to see that if he just acts reasonably and makes a point of not
hurting others, he'll be happier."

"You don't even have to try to hurt people here. The place forces it on you.
You can't sit up in bed without waking up your goddamn neighbor. You can't
take a shower without sucking off the hot water and freezing the next one
down. You can't go to eat without making the people behind you wait a little
longer, and even by eating the food you increase the amount they have to make,
and decrease the quality."

"That's all crap! That's the way life is, Ephraim. It has nothing to do with
the architecture of the Plex."

"Look at the sexism in this place. Doesn't that ever bother you? Don't you
think that if people weren't so packed together in this space, the bars and
the parties wouldn't be such meat markets? Maybe there would be fewer rapes if
we could teach people how to get along with the other sex."

"If you want to prevent rapes, you should make a justice system that protects
our right not to be raped. Education? How do you pull off that kind of
education? How do you design a rape-proof dorm? Look, Ephraim, all we can do
is protect people's rights. We wouldn't get a change in attitude by moving to
another building. The education you're talking about is just a pipe dream."

"I still think we should blow this fucker up."

"Good. Work on it. In the meantime Ill continue to carry a gun."

Professor Forthcoming, or "Emeritus" as Hyacinth called him, followed me
around a great deal, jabbering about his lecture notes, prodding my latissimus
muscles and marveling at how easy it would be for me, a former first-string
college nose guard with a gun, to rescue them from the Library. I did not
have the heart to discourage him. In the end, all I could do was make sure he
paid for it: made him promise that he would sit down and study those notes so
that he could rewrite them if he had to. He promised unashamedly, but by the
time we organized the quest he was already looking forward to a conference in
Monaco in the fall, and listening to the casualty reports on the radio to hear
if any of his key grad students had been greased.

No, said Fred Fine, the APPASMU was not available for raids on the Library.
But we could have some soldiers and one AK-47, on the condition that, given
the choice between abandoning the quest and abandoning the assault rifle, we
would abandon the quest. I loudly agreed to this before Emeritus could sputter
any disagreements. Our party was me, Hyacinth, Emeritus, four GASF soldiers
and the Science Shop technician Lute. Sarah stayed behind reading The Origin
of Consciousness in the Breakdown of the Bicameral Mind.

Our route took us through fairly stable academic blocs, and other areas
controlled by gangs. We could not avoid passing through the area controlled by
Hansen's Gang, the smalltowners of the Great Plains. They were not well armed,
but neither was anyone else in the base, and they had jumped into the fray
with the glee of any rural in an informal blunt-instruments fight and come
out winners. This was their idiom. Our negotiations with their leader were
straightforward: we showed them our AK-47 and offered not to massacre them if
they let us pass without hassle. Their leader had no trouble grasping this,
but many of the members seemed to have a bizarre mental block: they could not
see the AK-47 in Hyacinth's hands. All they saw was Hyacinth, the first clean
healthy female they had seen in a week, and they came after her as though
she were unarmed. "Hey! She's mine!" yelled one of these as we entered their
largest common area.

"Fuck you," said another, swinging a motorcycle chain past his brother's eyes
at high speed. He turned and began to trudge toward Hyacinth, hitching up
his pants. "Hey, bitch, I'm gonna breed you," he said cheerfully. Hyacinth
aimed the gun at him; he looked at her face. She pulled the bolt into firing
position and squared off; he kept coming. When I stepped forward he brandished
his chain, then changed course as Hyacinth stepped out from behind me.

"Go for it," and "All right, for sure, Combine," yelled his pals. Hyacinth,
"please don't do that," I said, plugging my ears. She fired off half a clip in
"one burst and pulverized a few square feet of cinderblock wall right next to
"the man's head. The lights went out as a power cable was severed. Courtesy of
"a window, we could still see. Shit, what the fuck?" someone inquired.

Rather than trying to explain, we proceeded from the room. "I like that
bitch," someone said as we were leaving, "but she's weird. I dunno what's
wrong with her."

The Mailroom was an armistice zone between Hansen's Gang and the Journalism
Department. The elevators here descended to the mail docks, making this one of
the few ports of entry to the Plex. The publicity-minded Crotobaltislavonians
had worked out an agreement with one of the networks-- you know which, if
you watched any news in this period-- allowing the camera crews to come and
go through this room. The network's hired guards all toted machine guns. We
counted twenty automatic weapons in this room alone, which probably meant that
the network had the entire Axis outgunned.

In exchange for a brief interview, which was never aired, and for all the
information we could provide about other parts of the Plex, we were allowed
into the Journalism bloc. Here we picked up a three-man minicam crew who
followed along for a while. Emeritus was magnificently embarrassed and
insisted on walking behind the camera. One of the crew was an AM student, and
I talked to him about the network's operations.

"You've got a hell of a lot of firepower. You guys are the most powerful force
in the Plex. How are you using it?"

The student shrugged. "What do you mean? We protect our crews and equipment.
All the barbarians are afraid of us. "Right, obviously," I said. "But I
noticed recently that a lot of people around here are starving, being raped,
murdered-- you know, a lot of bum-out stuff. Do those guards try to help out?
You can spare a few."

"Well, I don't know," he said uncomfortably. "That's kind of network-level
policy. It goes against the agreement. We can go anywhere as long as we don't
interfere. If we interfere, no agreement."

"But if you've already negotiated one agreement, can't you do more? Get some
doctors into the building, maybe?"

"No way, man. No fucking way. We journalists have ethics." The camera crew
turned back when we reached the border of the Geoanthropological Planning
Science Department, a bloc with only two entrances. My office was here,
and I hoped I could get us through to the other side. The heavy door was
bullet-pocked, the lock had been shot at more than once, but it was blocked
from the other side and we could hear a guard beyond. Nearby, in an alcove,
under a pair of drinking fountains, stretched out straight and dead on the
floor, was a middle-aged faculty member, his big stoneware coffee mug still
clenched in his cold stiff fingers. He had apparently died of natural causes.

As it turned out, the guard was a grad student I knew, who let us in. He was
tired and dirty, with several bandages, a bearded face, bleary red eyes and
matted hair-- just as he had always looked. Three other grads sat there in the
reception room reading two-year-old U.S. News and World Reports and chomping
hunks of beef jerky.

While my friends took a breather, I stopped by my office and checked my
mailbox. On the way back I peeked into the Faculty Lounge.

The entire Geoanthropological Planning Science faculty was there, sitting
around the big conference table, while a few favored grad students stood back
against the walls. Several bowls of potato chips were scattered over the table
and at least two kegs were active. The room was dark; they were having a slide
show.

"Whoops! Looks like I tilted the camera again on this one," said Professor
Longwood sheepishly, nearly drowned out by derisive whoops from the crowd.
"How did this get in here? This is part of the Labrador tundra series. Anyway,
it's not a bad shot, though I used the wrong film, which is why everything's
pink. That corkscrew next to the caribou scat gives you some idea of scale-- "
but my opening the door had spilled light onto the image, and everyone turned
around to look at me.

"Bud!" cried the Chair. "Glad you could make it! Want some beer? It's dark
beer."

"Sounds good," I said truthfully, "but I'm just stopping in." How are things?"
asked Professor Longwood.

"Fine, fine. I see you're all doing well too. Have you been outside much? I
mean, in the Plex?"

There was bawdy laughter and everyone looked at a sheepish junior faculty
member, a heavyset man from Upper Michigan. "Bert here went out to shoot some
slides," explained the Chair, "and ran into some of those hayseeds. He told
them he was a journalist and they backed off, but then they saw he didn't have
a press pass, so he had to kick one of them in the nuts and give the other his
camera!"

"Don't feel bad, Bert," said a mustachioed man nearby. "Well get a grant and
buy you a new one." We all laughed.

"So you're here for the duration?" I asked.

"Shouldn't last very long," said a heavily bearded professor who was puffing
on a pipe. "We are working up a model to see how long the food needs of the
population can last. We're using survival ratios from the 1782 Bulgarian
famine-- actually quite similar to this situation. We're having a hell of a
time getting data, but the model says it shouldn't last more than a week. As
for us, we've got an absolute regional monopoly on beer, which we trade with
the Journalism people for food."

"Have you taken into account the rats and bats?" I asked. Huh? Where?" The
room was suddenly still.

"We've got giant rats downstairs, and billions of bats upstairs. The rats are
this long. Eighty to a hundred pounds. No hearts. I hear they've worked their
way up to the lower sublevels now, and they're climbing up through the stacks
of garbage in the elevator shafts." "Shit!" cried Bert, beating his fists
wildly on the table. "What a time to lose my fucking camera!"

"Let's catch one," said his biologist wife.

"Well, we could adjust the model to account for exogenous factors," said the
bearded modeler.

"We'd have people eating rats, and rats eating people," said the mustachioed
one.

"And rats eating bats."

"And bats eating bugs eating dead rats."

"The way to account for all that is with a standard input! output matrix,"
said the Chair commandingly.

"These rats sound similar to wolverines," said Longwood, cycling through the
next few slides. "I think I have some wolverine scats a few slides ahead, if
this is the series I think it is.,' Seeing that they had split into a slide
and a modeling faction, I stepped out. A few minutes later we were back on
the road. We were attacked by a hopeless twit who was trying to use a shotgun
like a long-range rifle. I was nicked in the cheek by one ball. Hyacinth
splashed him all over a piece of abstract sculpture made of welded-together
lawn ornaments. The GASFers, who were humiliated that a female should carry
the big gun, were looking as though they'd never have another erection.

We passed briefly through the Premed Center, which was filed with pale mutated
undergrads dissecting war casualties and trying to gross each other out. I
yelled at them to get outside and assist the wounded, but received mostly
blank stares. "We can't," said one of them, scandalized, "we're not even in
med school yet."

From here we entered the Medical Library, and from there, the Library proper.

Huge and difficult to guard, the Library was the land of the refugees. It had
no desirable resources, but was a fine place in which to hide because the
bookshelves divided into thousands of crannies. Waves of refugees made their
way here and holed up, piling books into forts and rarely venturing out.

The first floor was unguarded and sparsely occupied. We stuck to the open
areas and proceeded to the second floor. Here was a pleasant surprise. An
organized relief effort had been formed, mostly by students in Nursing,
Classics, History, Languages and Phys. Ed. By trading simple medical services
to the barbarians they had obtained enough guns to guard the place. An
incoming refugee would be checked out by a senior Nursing major or occasional
premed volunteer, then given a place in the stacks-- "your place is DG 311
1851 and its vicinity"-- and so on. Most of the stragglers could then hide
out between bulletproof walls of paper, while the seriously wounded could be
lowered out the windows to the Red Cross people below. In the same way, food,
supplies and brave doctors could be hoisted into the Plex. The atmosphere was
remarkably quiet and humane, and all seemed in good humor.

The rest of our journey was uneventful. We climbed to the fourth floor and
wended our way toward Emeritus' study. Soon we could smell smoke, and see it
hanging in front of the lights. To the relief of Emeritus, it came not from
his office but from the open door of the one labeled "Embers, Archibald."

Three men and a woman, all unarmed, sat around a small fire, occasionally
throwing on another book. They had broken out the window to vent the smoke.

The woman shrieked as I appeared in the door. "Jesus! If I had a gun, you'd be
dead now. I react so uncontrollably."

"Good thing you don't," I observed.

"It's really none of your business," intoned a thin, pale man. "But I suppose
that since you have that wretched gun, you're going to have us do what you
want. Well, we don't have anything you could want here. And forget about Zelda
here. She's a lousy lay." Zelda shrieked in amusement. "It's a good thing
you're witty when you're a bastard, Terence, or I'd despise you." "Oh, do go
ahead. I adore being despised. I really do. It's so inspiring."

"Society despises the artist," said Embers, lighting a Dunhill in the
bookfire, "unless he panders to the masses. But society treats the artist
civilly so he can't select specific targets for his hatred. Open personal
hatred is so very honest."

"Now that's meaningful, Arch," said the other man, a brief lump with an
uncertain goatee.

"How come you're burning books?" I asked.

"Oh, that, well," said Embers, "Terence wanted a fire." Terence piped up
again. "This whole event is so very like camping out, don't you agree? Except
without the dreadful ants and so forth. I thought a fire would be very--
primal. But it smoked dreadfully, so we broke out the window, and now it's
very cold and we must keep it going ceaselessly, of course. Is that adequate?
Is that against Library rules?"

"We've been finding," added Embers, "that older books are much better. They
burn more slowly. And with their thin pages, Bibles and dictionaries are quite
effective. I'm taking some notes." He waved a legal pad at me.

"Also," added the small one, "old books are printed on acid-free paper, so
we aren't getting acid inside of our lungs." "Why don't you just cover the
window and put it out?" I asked. "Aren't we logical?" said Terence. "You
people are all so tediously Western. We wanted a fire, you can't take it away!
What happened to academic freedom? Say, are you quite finished with your
bloody suggestions? I'm trying to read one of my fictions to these people, Mr.
Spock."

I followed my friends into Emeritus' office. Behind me Terence resumed his
reading. "The thin stream of boiling oil dribbled from the lip of the frying
pan and seared into the boy's white flesh. As he squirmed against the bonds
that were holding him down, unable to move, it ran into the bed of thorny
roses underneath him; the petals began to wither like a dying western sunset
at dusk."

A minute or two later, as we exited with Emeritus' papers, there was a patter
of applause. "Ravishing, Terence. Quite frankly, it's similar to Erasmus T.
Bowlware's Gulag Pederast. Especially the self-impalement of the heroine on
the electric fencepost of the concentration camp as she is driven into a
frenzy by psychic emanations from the possessed child in the nearby mansion
where the defrocked epileptic priest gives up his life in order to get the
high-technology secrets to the Jewish commandos. I do like it."

"When do I get to read my fiction?" asked Zelda.

"Is this from the novel about the female writer who is struggling to write a
novel about a woman writer who is writing a novel about a woman artist in Nazi
Germany with a possessed daughter?" asked Embers.

"Well, I decided to make her a liberated prostitute and psychic," said Zelda;
and that was the last I heard of the conversation, or of the people.

We deposited Emeritus in the refugee camp on the second floor and made it back
to the Science Shop in about an hour. There, Sarah and Casimir were deep in
conversation, and Ephraim Klein was listening in.

Casimir's finished suit of armor used bulletproof fabric taken from a couple
of associate deans. The administration was unhappy about that, but they could
only get to Casimir by shooting their way through the Unified Pure Plexorian
Realm. Underneath the fabric, Casimir wore various hard objects to protect
his flesh from impact. On legs and knees he wore soccer shinguards and the
anti-kneecapping armor favored by administration members. He wore a jockstrap
with a plastic cup, and over his torso was a heavy, crude breastplate that he
had endlessly and deafeningly hammered out of half a fifty-five gallon oil
drum. Down his back he hung overlapping shingles of steel plate to protect his
spine.

His head was protected by a converted defensive lineman's football helmet.
He had cut the front out of a fencing mask and attached the wire mesh over
the plastic bars of the helmet's facemask. Over the earholes he placed a pair
of shooter's ear protectors. So that he would not overheat, he cut a hole in
the back of the helmet and ran a flexible hose to it. The other end of the
hose he connected to a battery-powered blower hung on his belt, and to get
maximum cooling benefit he shaved his head. The helmet as a whole was draped
with bulletproof fabric which hung down a foot on all sides to cover the neck.
And as someone happened to notice, he took his snapshot of Sarah and Hyacinth
and taped it to the inside of the helmet with grey duct tape.

When Casimir was in full battle garb, his only vulnerable points were feet,
hands and eye-slit. Water could be had by sucking on a tube that ran down to
a bicyclist's water bottle on his belt. And it should not go unmentioned that
Casimir, draped in thick creamy-white fabric, with blazing yellow and blue
running shoes, topped with an enormous shrouded neckless head, a faceless dome
with bulges over the ears and a glittering silver slit for the eyes, a sword
from the Museum in hand, looked indescribably terrible and fearsome, and for
the first time in his life people moved to the walls to avoid him when he
walked down the hallways.

It was a very smoke-filled room that Casimir ventilated by swinging in through
the picture window on the end of a rope. Through the soft white tobacco haze,
Oswald Heimlich saw his figure against the sky for an instant before it burst
into the room and did a helpless triple somersault across the glossy parquet
floor. Heimlich was already on his feet, snatching up his $4,000 engraved
twelve-gauge shotgun and flicking off the safety. As the intruder staggered
to his feet, Heimlich sighted over the head of the Trustee across from him
(who reacted instinctively by falling into the lap of the honorable former
mayor) and fired two loads of .00 buckshot into this strange Tarzan's lumpy
abdomen. The intruder took a step back and remained standing as the shot
plonked into his chest and clattered to the floor. Heimlich fired again with
similar effects. By now the great carved door had burst open and five guards
dispersed to strategic positions and pointed their UZIs at the suspicious
visitor. S. S. Krupp watched keenly.

The guards made the obligatory orders to freeze. He slowly reached around and
began to draw a dueling sword from the Megaversity historical collections out
of a plastic pipe scabbard. Tied to its handle was a white linen napkin with
the AM coat of arms, which he waved suggestively.

"I swear," said S. S. Krupp, "don't you have a phone, son?" No one laughed.
These were white male Eastern businessmen, and they were serious. Heimlich
in particular was not amused; this man looked very much like the radiation
emergency workers who had been staggering through his nightmares for several
nights running, and having him crash in out of a blue sky into a Board of
Trustees meeting was not a healthy experience. He sat there with his eyes
closed for several moments as waiters scurried in to sweep up the broken
glass.

"I'll bet you want to do a little negotiating," said Krupp, annoyingly
relaxed. "Who're you with?"

"I owe allegiance to no man," came the muffled voice from behind the mask, but
"come on behalf of all."

"Well, that's good! That's a fine attitude," said Krupp. "Set yourself down
and we'll see what we can do."

The intruder took an empty chair, laid his sword on the table and peeled off
his hood of fabric to reveal the meshed-over football helmet, A rush of forced
air was exhaled from his facemask and floated loose sheets of paper down the
table.

"Why did you put a nuclear waste dump in the basement?" Everyone was
surprised, if genteel, and they exchanged raised eyebrows for a while.

"Maybe Ozzie can tell you about that," suggested Krupp. "I was still in
Wyoming at the time."

Heimlich scowled. "I won't deny its existence. Our reasons for wanting it must
be evident. Perhaps if I tell you its history, you'll agree with us, whoever
you are. Ahem. You may be aware that until recently we suffered from bad
management at the presidential level. We had several good presidents in the
seventies, but then we got Tony Commodi, who was irresponsible-- an absolute
mongoloid when it came to finance-- insisted on teaching several classes
himself, and so forth. He raised salaries while keeping tuition far too low.
People became accustomed to it. At this time we Trustees were widely dispersed
and made no effort to lead the university. Finally we were nearly bankrupt.
Commodi was forced to resign by faculty and Trustees and was replaced by
Pertinax Rushforth, who in those days was quite the renascence man, and widely
respected. We Trustees were still faced with impossible financial problems,
but we found that if we sold all the old campus-- hundreds of acres of prime
inner-city real estate-- we could pull in enough capital to build something
like the Plex on the nine blocks we retained.

But of course the demographics made it clear that times would be very rough
in the years to come. We could not compete for students, and so we had to run
a very tight ship and seek innovative sources for our operating funds. We
could have entered many small ventures-- high technology spinoffs, you see--
but this would have been extraordinarily complex, highly controversial and
unpredictable, besides raising questions about the proper function of the
university.

"It was then that we hit upon the nuclear waste idea. Here is something that
is not dependent on the economy; we will always have these wastes to dispose
of. It's highly profitable, as there is a desperate demand for disposal
facilities. The wastes must be stored for millennia, which means that they
are money in the bank-- the government, whatever form it takes, must continue
to pay us until their danger has died away. And by its very nature it must be
done secretly, so no controversy is generated, no discord disrupts the normal
functions of the academy-- there need be no relationship between the financial
foundation and the intellectual activities of the university. It's perfect."

"See, this city is on a real stable salt-dome area," added a heavy man in
an enormous grey suit, "and now that there's no more crude down there, it's
suitable for this kind of storage." "You," said the knight, pointing his sword
at the man who had just spoken, "must be in the oil business. Are you Ralph
Priestly?" "Ha! Well, yeah, that's me," said Ralph Priestly, unnerved. "We
have to talk later."

"How did you know about our disposal site?" asked Heimlich. "That doesn't
matter. What matters now is: how did the government of Crotobaltislavonia
find out about it?" "Oh," said Heimlich, shocked. "You know about that also."
"Yep."

After a pause, S. S. Krupp continued. "Now, don't go tell your honchos that we
did this out of greed. America had to start doing something with this waste--
that's a fact. You know what a fact is? That's something that has nothing
to do with politics. The site is as safe as could be. See, some things just
can't be handed over to political organizations, because they're so damned
unstable. But great universities can last for thousands of years. Hell, look
at the changes of government the University of Paris has survived in the
last century alone! This facility had to be built and it had to be done by a
university. The big steady cash flow makes us more stable, and that makes us
better qualified to be running the damn thing in the first place. Symbiosis,
son."

"Wait. If you're making so much money off of this, why are you so financially
tight-assed?"

"That's a very good question," said Heimlich. "As I said, it's imperative
that this facility remain secret. If we allowed the cash flow to show up on
our ledgers, this would be impossible. We've had to construct a scheme for
processing or laundering, as it were, our profits through various donors and
benefactors. In order to allay suspicion, we keep these 'donations' as small
as we can while meeting the university's basic needs."

"What about the excess money?"

"What's done with that depends on how long the site remains secret. Therefore
we hold the surplus in escrow and invest it in the name of American
Megaversity, so that in the meantime it is productively used."

"Invest it where? Don't tell me. Heimlich Freedom Industries. the Big Wheel
Petroleum Corporation…"

"Well," said Ralph Priestly, cutting the tip off a cigar. "Big Wheel's a hell
of an investment. I run a tight ship." "We don't deny that the investments
are in our best interests," said a very old Trustee with a kindly face. "But
there's nothing wrong with that, as long as we do not waste or steal the
money. Every investment we make in some way furthers the nation's economic
growth."

"But you're no different from the Crotobaltislavonians, in principle. You're
using your control over the wastes to blackmail whatever government comes
along."

"That's an excellent observation," said Krupp. "But the fact is, if you'll
just think about it, that as long as the waste exists, someone's going to
control them, and whoever does can blackmail whatever government there is, and
as long as someone's going to have that influence, it might as well be good
people like us."

The knight drummed his fingers on the table, and the Trustees peered at his
inscrutable silver mask. "I see from the obituaries that Bert Nix and Pertinax
Rushforth were one and the same. What happened to him?"

Heimlich continued. "Pertinax couldn't hack it. He was all for fiscal
conservatism, of course-- Bert was not a soft-headed man at any point. But
when he learned he was firing people and cutting programs just to maintain
this charade, he lost his strength of will. The faculty ruined his life
with their hatred, he had a nervous breakdown and we sacked him. Then the
MegaUnion began to organize a tuition strike, so the remaining old-guard
Trustees threw up their hands, caved in and installed Julian Didius as
President!" At the memory of this, several of the Trustees sighed or moaned
with contempt. "Well! Alter he had enjoyed those first three weeks of flying
in all his intelligentsia comrades for wine and cheese parties, we got him in
here and showed him the financial figures, which looked disastrous. Then he
met Pertinax after the electroshock, and realized what a bloody hell-hole he
was in. Three days later he went to the Dean's Office for a chat, and when
the Dean turned out to be addressing a conference in Hawaii, he blew his top
and hurled himself out the window, and then we brought in Septimius and he's
straightened things out wonderfully." There were admiring grins around the
table, though Krupp did not appear to be listening.

"Did Pertinax have master keys, then, or what? How did he keep from being
kicked out of the Plex?"

"We allowed the poor bastard to stay because we felt sorry for him," said
Krupp. "He wouldn't live anywhere else."

The angle of the knight's head dropped a little.

"So," said Heimlich briskly, "for some reason you knew our best-kept secrets.
We hope you will understand our actions now and not do anything rash. Do you
follow?"

"Yes," murmured the knight, "unfortunately."

"What is unfortunate about it?"

"The more thoughtful you people are, the worse you get. Why is that?"

"What do we do that is wrong, Casimir Radon?" said Krupp quietly.

The mask rose and gleamed at S. S. Krupp, and then its owner lifted off the
helmet to reveal his shaven head and permanently consternated face.

"Lie a hell of a lot. Fire people when you don't have to. Create-- create a
very complicated web of lies, to snare a simple, good ideal."

"I don't think it's a hell of a lot of fun," said Krupp, "and it hurts
sometimes, more than you can suppose. But great goals aren't attained with
ease or simplicity or pleasantry, or whatever you're looking for. If we gave
into the MegaUnion, we would tip our hand and cause ruination. As long as
we're putting on this little song-and-dance, we've got to make it a complete
song-and-dance, because if the orchestra's playing a march and the dancers are
waltzing, the audience riots. The theater burns."

"At least you could be more conciliatory."

"Conciliatory! Listen, son, when you've got snakes in the basement and the
water's rising, it's no time to conciliate. Someone's got to have some
principles in education, and it might as well be us. If this country's
educators hadn't had their heads in their asses for forty years, we wouldn't
have a faculty union, and more of our students might be sentient. I'll have
strap marks on my ass before I conciliate with those medicine men down there
on the picket lines."

"You're trying to fire everyone. That's a little extreme." "Not if we're to
be consistent," said Heimlich. "We can use the opportunity to rearrange our
financial platform, and hire new people. There are many talented academics
desperate for work these days, and the best faculty members here won't let
themselves be taken out en masse anyway."

"You're going to do it, aren't you!"

"It's evident that we have no choice."

"Don't you think-- " Casimir looked out at the clear blue sky. What?"

"That if the administration gets to be as powerful as you, you have killed the
university?"

"Look, son," said Ralph Priestly, rolling forward. "We never claimed this was
an ideal situation. We're just doing our best. We don't have much choice."

"We're rather busy, as you can imagine," said Heimlich finally. What do you
want? Something for the railgun?" He sat up abruptly. How is the railgun?"

"Safe."

Heimlich smiled for the first time in a week. "I'd like to know what a 'safe'
railgun is.,, "Maybe you'll find out."

Everyone looked disturbed.

"We are prepared to remove the Terrorists from the waste disposal site," said
Casimir crisply, "as a public service. The estimated time will be one week.
Beforehand, we plan to evacuate the Plex. We require your cooperation in two
areas.

"First, we will need control of the Plex radio station. One of our group has
developed a scheme for evacuating the Plex which makes this necessary.

"The second requirement is for the consideration of you, Ralph Priestly. What
we want, Ralph, is for some person of yours to sit by the switch that controls
the Big Wheel sign. When we phone him and say, 'Fiat lux,' he is to turn it
on, and when we say, 'Fiat obscuritas,' off.

"That commando team you tried to send in through the sewers last night was
stopped by a RAT, or Rodent Assault Tactics team associated with us. Well be
releasing them soon, we can't do much more with first aid. The point is that
only we can get rid of the Terrorists. We just ask that you do not interfere."

Finished, Casimir sat back, hands clasped on breastplate, and stared calmly
at a skylight. The Board of Trustees moved down to the far end of the table.
Alter they had talked for a few minutes, S. S. Krupp walked over and shook
hands with Casimir.

"We're with you," Krupp said proudly. "Wish I knew what the hell you had in
mind. What's your timetable?"

"Don't know. You'll have plenty of warning."

"Can we supply men? Arms?" asked Heimlich.

"Nope. One gun is all we need." Casimir let go of Krupp's hand and walked
down the table, unclipping himself from the rope and throwing it out to
dangle there. A forest of pinstripes rushed up the other side, trying to
circumnavigate the table and shake Casimir's hand too. Casimir stopped by the
exit.

"I probably won't see you again. Bear in mind, after the university starts
running again, two things: we control the rats. And we control the Worm. You
no longer monopolize power in this institution."

The Trustees stopped dead at this breach of pleasantness and stared at
Casimir. Krupp looked on as though monitoring a field of battle from a high
tower. Casimir continued. "I just mention this because it makes a difference
in what is reasonable for you to do, and what is not. Good-bye." As he reached
for the doorknob, he found the door briskly opened by a guard; he nodded to
the man and strode out into an anteroom.

"Soldier," said Septimius Severus Krupp, "see that that man receives safe
passage back to his own sphere of influence."

Night fell, and Towers A, B, C, D, H and G began to flash on and off in
perfect unison. Every tower except for E and F-- homes of the Axis-- was
blinking in and out of existence every two seconds. As the Axis people saw it,
the entire Plex was disappearing into the night, then re-igniting, over and
over. It was much closer than the Big Wheel; it was far larger; it surrounded
them on three sides. The effect was stupefying.

Dex Fresser ran to his observation post. In the corridors of E13S, Terrorists
wandered like decapitated chickens. Some were hearing voices telling them to
look, some not to look, to run or stay, to panic or relax. The SUBbie who was
supposed to guard the lounge-headquarters had dropped his gun on the floor and
disappeared. Fresser burst into the lounge to consult with Big Wheel.

Big Wheel had gone dark.

He turned on the Little Wheel-- the Go Big Red Fan.

"Big Wheel must be mad at you or something. What the fuck did you do wrong?"
shouted the Fan, loud, omnipresent and angry. Dex Fresser shrank, got on his
knees and snuffled a little. Outside, a bewildered stereo-hearer was playing
with the knobs on his ghetto blaster, desperate for advice.

"The stereo! The stereo, dipshit, find that frequency! Find the frequency,"
said the Fan in the voice of Dex Fresser's old scoutmaster. Dcx Fresser
tumbled over a chair in his haste to reach the stereo. The only light in the
room was cast by the glowing LEDs on his stereo that looked out like feral
eyes in the night. All systems were go for stereo energize. As Dex Fresser's
hands played over the controls, dozens of lights kicked in with important
systems data, and green digits glowed from the tuner to tell him his position
on the FM dial. Only dense static came from the speakers, meaningless to
anyone else; but he could hear Big Wheel guiding him in the voice of his
first-grade ballroom dance teacher.

"A little farther down, dear. Keep going right down the dial. You're certain
to get it eventually."

Dex Fresser punched buttons and a light came on, saying: "AUTO DOWNWARD
SCAN." He now heard many voices from the dark cones of the speakers: funky
jazz-playing fascists, "great huge savings now…Neil Young wailing into his
harmonica, a call-in guest suggesting that we load the Mexicans on giant space
barges and hurl them into the sun, a base hit by Chambliss, an ad for rat
poison, a teen, apoplectic about his acne... and then the voice he was looking
for.

"On. Off. On. Off. On. Off." It was a woman's voice, somehow familiar.

"It's Sarah, dumbshit," said the Go Big Red Fan. "She's on the campus
station."

Indeed. The other towers were going on and off just as Sarah told them to. He
knelt there for ten minutes, watching their reflection in the glassy surface
of the Big Wheel. On. Off. On. Off. "On," she said, and paused. "Most of you
did very well! But we've got some holdouts in E and F Towers. I'm sorry to
say that Big Wheel won't be showing up this evening. He will not be here to
give us his advice without cooperation from the E and F tower hearers. We'll
try later. I'll be back in an hour, at midnight, and by then I hope that
you SUBbies and Terrorists will have submitted to Big Wheel's will." Sarah
was replaced by Ephraim Klein, who started in with another solid hour of
pre-classical keyboard selections.

Dcx Fresser was clutching his chest, which felt unbearably tight. "Oh, shit,"
he exclaimed, "it's us! We're keeping Big Wheel off! Everybody put your
stereos on ninety point three! Do as she says!" Down in Electrical Control,
deep in the Burrows, I and the other switch-throwers rested. The circuit
breakers that supply power to an entire tower are large items, not at all easy
to throw on and off every two seconds! By midnight we were rested up and ready
to go. Sarah resumed her broadcast.

"I sure hope we can get Big Wheel to come on. Let's hope E and F Towers
go along this time. Ready? Everyone standing by their light switch?
Okay…Off…On…Off…"

From his lounge-headquarters, Dex Fresser watched his towers flash raggedly
on and off. Some of the lights were not flashing; but within minutes the Wing
Commisars had swept through and shot out any strays, and Dcx Fresser was
undescribably proud that his towers could flash like the others. Big Wheel
could not forsake them now.

"On!" cried Sarah, and stopped. Several lights went off again from habit, then
coyly flickered back on. There was an unbearable wait.

"I think we've done it," Sarah said. "Look at Big Wheel!" And the wheel of
fire cast its light over the Plex with all its former glory. Dex wept.

"Not bad for a fascist," observed Little Wheel.

The Big Wheel spun all night.

It was trickier to get the attention of the barbarians of the Base. Most
of them did not have bicameral minds and thus could not be made to hear
mysterious voices. We needed to impress them. Hence Sarah predicted that in
twenty-four hours a plague of rats would strike Journalism, unless all the
journalists cleared out of the Plex.

"Frank," said the reporter into the camera, "I'm here in the American
Megaversity mailroom, our operations center for the Plex war. It's been
quiet on all fronts tonight despite former Student President Sarah Jane
Johnson's prediction of a 'plague of rats.' Well, we've seen a few rats
here"-- his image is replaced by shot of small rat scurrying down empty
corridor, terrified by TV lights-- "but perhaps that's not unusual in these
very strange, very special circumstances. We toured the Plex today, looking
for plagues of rats, leaving no stone unturned to find the animals of which
Ms. Johnson spoke. We looked in garbage heaps"-- shot of journalist digging
in garbage with long stick; sees nothing, turns to camera, holds nose,
says "phew!"-- "but all we found were bugs. We toured the corridors"--
journalist alone in long empty corridor; camera swivels around to look in
other direction; nothing there either; back to journalist-- "but apparently
the rats were somewhere else. We checked the classrooms, but the only rats
there were on paper"-- journalist standing in stolen lab coat next to diagram
of rat's nervous system-- "Finally, though, we did manage to find one rat. In
a little-used lab, Frank, in a little cage, we found one very hungry white
rat"-- back to mailroom; journalist holds up wire cage containing furtive
white rat-- "but he's been well fed ever since, and we don't think he'll
attack."

"Sam, what do you think about Sarah Jane Johnson's pronouncement? Is it a
symbolic statement, or has she cracked?" "No one can be sure, Frank." Behind
journalist, door explodes open with a boom and a flash; strobe light is seen
beyond it. The journalist continues, trying to resist the temptation to turn
around and look; but the explosion has drowned out the audio part of the
camera. Dozens of giant rats storm the room… However, reliable sources have it
that…" His words are drowned out by mass machine-gun fire. In an unprecedented
breach of media etiquette, journalist turns around to look, and presently
disappears from view. Abruptly, the ceiling of the mailroom spins down to fill
the screen, and three great fuzzy out-of-focus rat snouts converge from the
edges of the screen, long teeth glistening in the TV lights; all goes dark.
We return to Network Control. Anchorman is in process of throwing his pen
at someone, but pauses to say, "Now, this," and is replaced by an animated
hemorrhoid.

All we wanted was to get everyone out of the Plex and end this thing. Once
rats roamed the Base and bats frolicked in the hallways, and smoke, flies
and filth were everywhere, those people were ready to go. The GASF would
leave whenever Virgil told them to. The administration would clear B and
C Towers as soon as we gave the word. The TUGgies claimed that they were
merely holding their three towers to fend off the Reds. Later, to no one's
surprise, we found that they had half-brainwashed the population of those
towers by the time Sarah kicked in with her pronouncements; and how could
oversweetened Kool-Aid, Manilow songs and lovebombing compete with her radical
power and grand demonstrations? Alter we shut off their electricity and water
for twelve hours, the TUG agreed to evacuate their towers at our command. The
SUB/Terrorist axis would do whatever they had to to keep the Big Wheel on.

As the days went by, Big Wheel grew more demanding. Everyone was to leave his
stereo tuned to 90.3 at all times. Everyone was to plan evacuation routes from
their towers and clear away any obstacles that might have been placed at the
exits. Dex Fresser's devotion to Sarah's words became complete, and after a
week we knew we could evacuate the Axis and everyone else whenever we were
ready.

In the meantime we were moving the railgun downstairs. To withstand the recoil
thrust, the machine's supports had to be bolted right into the concrete floor
of the sewer. We had to precision-fit a hundred and twenty bolts into the
concrete for the fifty-foot-long railgun, a dull and iffy task requiring great
precision. Once the holes were prepared, we began carrying the supports down.
It was a terrible, endless job. Alter a day of it, I decided I was going to
write a book-- that way, all of this drudgery was a fascinating contribution
to my artistic growth. Strength was not a requirement in the Grand Army of
Shekondar the Fearsome, so I had to torque all the bolts myself. During breaks
I would look down the tunnel at the wall of lights that guarded the Nuke
Dump's approach. What were the Crotobaltislavonians doing down there, and what
were they thinking?

Their plan-- the years of infiltration and the moments of violence-- had gone
perfectly. They had probably made their radioactive-waste bombs, only to find
that their only elevator shaft had been blocked by tons of concrete. They must
have thought they had lost, then; but the National Guard had not moved in and
the authorities had given in to all demands. Was this a trick?

They must have been unprepared for the resistance put up by the GASF and the
TUG. Still, their proxies had seized two towers and were holding their own.
That was fine, until they threw Marxism to the winds and began to worship a
giant neon sign. Dex Fresser must have worked closely with Magrov for years.
The cafeteria riot of April First had clearly been timed to coincide with the
seizure of the Nuke Dump, and the SUB had not bought their Kalashnikovs at the
7-11. Then-- a window fan! A fucking window fan! In a way, I sympathized with
the Crotobaltislavonians. Besides us, they were the only rational people here.
Like us, they must have wondered whether they had gone out of their minds. If
they had any dedication to their cause, though, they must have changed their
plans. They still had the waste, they were protected by the rats, they could
still wield plenty of clout. They could not see past the barrier of light,
where we were implanting the railgun.

During a breather upstairs I encountered Ephraim Klein, moving stiffly but on
his feet.

"Come here!" he yelled, grabbed my shirt, and began pulling me down a hallway.
I knew it must be something either very important or embarrassingly trivial.

"You won't believe this," he said, shuffling down the hail beside me. "We're
heading for Greathouse Chapel. We were there to broadcast some organ music--
guess what we found."

Ephraim had appointed himself Music Director for our radio station, and later
added Head Engineer and Producer. He knew that we could not spend twenty-four
hours a day on Big Wheel chatter, and that in the meantime he could damn
well play whatever he liked on what amounted to the world's largest stereo--
revenge at last. If Sarah had commanded all residents to play their radios
twenty-four hours a day, so much the better; they were going to hear music
that meant something. He was going to improve their minds, whether they
thanked him or not.

"Remember, listeners, a record is a little wheel. Any record at all is Big
Wheel's cousin. So whenever a record speaks, you had damn better listen."

Ephraim and I heard the music from hundreds of feet away. Someone was playing
the Greathouse Organ, and playing it well, though with a kind of inspired
abandon that led to occasional massive mistakes. Still, the great Bach fugue
lurched on with all parts intact, and no error caused the interweaving of
those voices to be confused.

"Your friend has a lot of stops pulled out today," I said. "That's not my
friend!" shouted Ephraim. "Well, he is now, but he's not that friend."

We reached the grand entrance and I looked far up the center aisle to the
console. A wide, darkly clad man sat there, blasting along happily toward
the climax. No music was on the console; the organist played from memory.
High up on the wall of the chapel, bright yellow light shone down from the
picture-windowed broadcast booth, where the organ's sound could be piped to
the radio station hundreds of meters away.

As we approached, I could see a ragged overcoat and the pink flashes of bare
feet on the pedals. The final chord was trumpeted, threatening to blow out the
rose window above, and the performer applauded himself. I climbed the dais and
gaped into the beaming face of Bert Nix.

His tongue was blooming from his mouth as usual; but when I arrived, he
retracted it and fixed a gaze at me that riveted me to the wall.

"Beware the Demon of the Wave," he said coldly. For a moment I was too scared
to breathe. Then the spell was broken as he removed a cup of beer from the
Ethereal keyboard and drained it. "I never was dead," he said defensively.

"You're actually Pertinax, aren't you?" I asked.

"I've always been more pertinent than you thought," he said and, giggling,
pounded out a few great chords that threatened to lift the top of my head off.

"Who was the dead man in your room?"

He rolled his eyes thoughtfully. "Bill Benson, born in nineteen-twenty. Joined
Navy in forty-two, five-inch gun loader in Pacific War, winning Bronze Star
and Purple Heart, discharged in forty-eight, hired by us as security guard.
That poor bastard had a stroke in the elevator, he was so worried about me!"

"How'd he get in that room?"

"I dragged him there! Otherwise, they don't close the lid of the little pine
box and your second cousins come in plastic clothes and put dead flowers on
you, a bad way to go!"

"I see. Uh, well, you're quite an organist."

"Yes. But a terrible administrator!" Pertinax now clapped his foot down on
the lowest pedal, sounding a rumble too low to hear. "But hark!" he screamed,
"there sounds an ominous undertone of warning!" He released the pedal and
looked around at Ephraim and me. "I shall now play the famous 'Toccata and
Fugue in D Minor.' This is clearly the work of a young and vigorous Bach,
almost ostentatious in his readiness to show virtuosity, reveling in the
instrument's ability to bounce mighty themes from the walls of the Kirche…
but enough of this, my stops are selected." He looked suspiciously at the
ceiling. "This one brings out the bats. Prepare your tennis rackets therefore!
Ah. The nuptial song arose from all the thousand thousand spirits over the
joyful Earth & Sea, and ascended into the Heavens; for Elemental Gods there
thunderous Organs blew; creating delicious Viands. Demons of Waves their watry
Eccho's woke! Demons of Waves!" And throwing his head back, he hurled himself
into the Toccata. We stood mesmerized by his playing and his probing tongue,
until the fugue began; then we retreated to the broadcast booth.

"He's playing stop combinations I've never heard before," said Ephraim.
"Anyway, I'm broadcasting all this. He's great."

Down in the tunnels we always kept the radio on low, and so heard plenty of
Pertinax in the next few days.

Eventually we brought down the big power supplies from Heimlich Freedom
Industries, wrapped in plastic and packed with chemical dessicants to keep
them dry, surrounded with electric blankets to keep the electronics warm.
Casimir produced several microchips he had stolen from the supplies so that
Fred Fine could not use them, and plugged them into their proper spots. We
ran thousands of feet of heavy black power cables down into the tunnels to
power them. We tested each electromagnet; two were found wanting and had to
be sent back and remade. We energized the rail and slid the bucket up and
down it hundreds of times, using a small red laser to check for straightness,
laboriously adjusting for every defect. It took two days to carry down the
machine's parts, four days to adjust it and a day of testing before Casimir
was satisfied it would work on its first and only trial.

Virgil worked on the payload, a ten-kilogram high-explosive shell. He used
a computer program to design the shaped charge, an enormous program that
normally would have run for days, but now required only seconds. The weakened
Worm could only taunt him. AH, GOING TO BLOW SOMETHING UP? "I'm going to blow
you up."

THREATS OF PHYSICAL VIOLENCE ARE USELESS AGAINST THE WORM. This was its usual
response to what sounded like threats. YOU'RE VERY CLEVER, BUT I SHALL TRIUMPH
IN THE END.

"Wrong. I found where you are."

HUH? "I found the secret mini-disc drives that Paul Bennett hid above the
ceiling of his office. The drives where you've been hiding. It's all over
now."

I AM EVERYWHERE.

"You are most places, but not everywhere. I'm going to shut off your secret
disc drives as soon as I'm sure they aren't booby trapped."

I'M GOING TO BLOW YOU UP.

"I'm going to be careful."

THAT'S A LOT OF EXPLOSIVE FOR YOU TO FOOL AROUND WITH, LITTLE BOY.

"It'll do."

I WILL BLOCK YOUR CALCULATIONS.

"You're living in the past, Worm," typed Virgil, and executed his program. "I
have just executed my program. And next, I'm going to execute you."

THREATS OF PHYSICAL VIOLENCE ARE USELESS AGAINST THE WORM.

Lute turned the shell on a Science Shop lathe and packed the explosive with a
hydraulic press. Virgil carried it down an evacuated stairwell, placing each
foot very, very carefully.

Casimir put it on a clean table downstairs and weighed it; ten kilograms
precisely. He dusted it off with a lint-free rag and slid it into the bucket.
We checked the power sources, and they looked fine. Everyone was evacuated
except for me, Casimir and Fred Fine; Virgil led the remaining GASF forces
upstairs and commanded them to leave. It was 10:30 P.M.

We sat in the APPASMU for an hour and a half, until Sarah's program came on.

                                    --May--                                   

"Everyone look at Big Wheel!" she said. There was long silence and we sat
there on the APPASMU, protected by strobes, the rats chattering and grumbling
in the darkness around us, the HFI power sources looking oddly clean and shiny
as they flashed in and out of darkness in their own little strobe-pool.

"That's good," said Sarah. "As you can see, Big Wheel is shining tonight.
But he won't shine for long, because he is unhappy." Another wait. We knew
that, upstairs, Hyacinth had phoned the Big Wheel's controller and ordered him
to shut off the sign. "Big Wheel is not shining tonight," Sarah continued,
"because he wants you all out of the Plex. You are all to stop watching him
from a distance. The Big Wheel wants you to see him up close tonight. Everyone
get out of the building now and walk toward Big Wheel and stand under him.
Leave your radios on in case I have more instructions! You have an hour to
leave the Plex. When Big Wheel is happy, he will turn on again."

Organ music came on, obviously another live performance by a particularly
inspired Pertinax. We played cards atop the tank. "Should we evacuate too?"
asked Fred Fine. "Could Big Wheel be another face of Shekondar?"

"Sarah wants you here," said Casimir. This satisfied him. The music started
just after midnight and continued for three hours. Above, we supposed, the
evacuees were being loaded into ambulances or paddy-wagons, while Army fallout
emergency workers prepared the city for the worst. The Board of Trustees were
departing by helicopter from the top of C Tower, withdrawing to the HFI Tower
a mile away.

"This is really it," said Fred Fine, ready to black out. "This is the moment
of the heroes. The Apocalypse of Plexor. All will be unMixed in an instant."

"Yep," said Casimir, drawing another card. "I'll see that, and raise you four
chocolate chips."

The only problem so far was minor: the station's signal seemed to be dying
away. We had to keep turning up the volume to hear the music, and by 1:30 we
had it up all the way. Our batteries were fine, so we assumed it was a problem
at the station. As long as everyone else was turning up their volume too, it
should be fine.

Finally the organ music was phased out for a second and we heard Sarah. "Go
for it," she said, tense and breathless. "We're gone. See you outside." I
started sweating and trembling and had to get up and pace around to work off
energy, finally taking an emergency dump. We were in a sewer, who cared? We
gave Sarah, Hyacinth, Ephraim and Bert Nix half an hour to evacuate, but
the music kept on going. Alter twenty minutes, Ephraim's voice came in. "Go
ahead," he said, "we're staying."

So we went ahead. We had no choice.

The tunnel was four hundred feet long.

The first fifty feet were taken up by the railgun, set up on its supports
about five feet above the floor. There was a three-hundred-foot desert of
tinfoil shards, then the barrier of light, then, fifty feet beyond that, the
door to the Nuke Dump. We rolled the APPASMU to within twenty feet of the
light barrier and parked it against one of the tunnel sides. Through long
wires strung down the tunnel we controlled the firing of the railgun. When
we were ready, we entered the tank, shut off the strobe and turned on the
ultrasound. Within a minute we were surrounded by a thousand giant rats,
standing on one another's shoulders in their lust for that sweet tone, milling
about the APPASMU as though it were a dumpster.

Fred Fine and I aimed shotguns out the forward gun ports. Casimir hit the
button.

We could not see the shell as it shot past the vehicle. We heard the
explosion, though, and saw its flash. The rats milled back from the explosion.
Fred Fine and I opened fire and annihilated the light-wall in a few shots,
and with a chorus of joy the rat-army surged forward into its long-looked-at
Promised Land, followed by us. Our fear was that the shell would not suffice
to blow open the door, but even with our poor visibility we could see the
jagged circle of light and the boiling silhouette of the rat-stream pouring
through it. As we drew very near, some rats were blown back by machine-gun
fire, and a Crotobaltislavonian ducked through the hole and ran toward us in
his ghostly radiation suit, two rats hanging from his body.

Fred Fine opened the top hatch, whipped out his sword as he vaulted out and
leapt at him howling, "SHEKONDAR!" I grabbed at his legs on his way out but he
kicked free, jumped to the floor, smashed in a few rat skulls, and made toward
the Croto. I do not know whether he intended to save the man or kill him. A
rat tried to come in through the open hatch but I shoved it out, then stood up
through it with my shotgun. I damaged my hearing for life but did not change
the outcome. Once the rats started landing on my back and I could no longer
see Fred Fine, I could only give up. I sat down and closed the hatch, and we
waited for a while. But nothing happened; all we saw through our peepholes
were rats, and the clicking of our Geiger counter did not vary.

Casimir turned the APPASMU around, and we plowed through rats and followed
the tunnels until we joined up with the city sewer system. Pertinax continued
to play. From time to time he sang or shouted something, and the microphones
hanging back amid the pipes would dimly pick him up: "There is no City nor
Corn-field nor Orchard! all is Rock & Sand; There is no Sun nor Moon nor Star,
but rugged wintry rocks Justling together in the void suspended by inward
fires. Impatience now no longer can endure!"

We easily found the manhole we sought, because dim morning light was shining
down through it. The Guardsmen were waiting to haul us out, and emerging onto
the street, we saw civil authority around us again and, even better, our
friends. The Plex rose above us, about half a mile distant, beginning to glow
brownish-pink in the imminent dawn. All was quiet except for the distant hum
of the TUGgies, gathered just outside the police cordons and running their OM
generators full blast.

During our frantic reunion, two absurdly serious-looking men approached me
with complicated badges and questions. As they introduced themselves, we were
all startled by a hoarse blast of organ music that burst from all directions.

"Ephraim must have turned the broadcast volume way down, then back up again,"
said Casimir as soon as everyone in our area had turned down their radios.
Once the music was quiet enough to be recognized, I knew it as Ephraim's old
favorite, the "Passacaglia and Fugue in C Minor"; and at the end of each
phrase, when the voice of the Greathouse Organ plunged back down home to that
old low C, it rumbled in concord with the OM generators across the street, and
the Plex itself seemed to vibrate as a single huge eight-tubed organ pipe.

And after all this, I was the only one to understand. "Get away!" I screamed,
tearing myself loose from an agent. "Get away!" I shouted, ripping a megaphone
from a policeman's hand, and "Get away!" I continued, stumbling to the roof of
a squad car and cranking up the volume.

"Get away!" all the other cops began to shout into their megaphones. "Get
away!" crackled from the PA systems of squad cars and helicopters. It was the
word of the hour, and mounted cops howled it at TUGgies and SUBbies and the
media, forcing them back with truncheons and horses. Someone flashed It to the
police teams who had entered the Plex, and they scrambled out and squealed
away in their cars. Perhaps it was shouted ten thousand times as the ring of
onlookers gradually expanded away from the Base.

The sound waxed. Ephraim kept turning it up and Bert Nix, building for the
climax, kept pulling out more stops. Casimir tried to phone Ephraim from a
booth, but he didn't answer. He probably couldn't even hear it ring.

He certainly heard nothing but organ as, at the end, he cranked the volume all
the way and Pertinax Rushforth pulled out all the stops.

The windows went first. They all burst from their frames at once. All 25,000
picture windows boomed out into trillions of safe little cubes in the red
dawn air. At first it seemed as though the Plex had suddenly grown fuzzy
and white, then as though a blizzard had enveloped the eight towers, and
finally as though It were rising up magnificently from a cloud of glinting
orange foam. As the cloud of glass dropped away from the towers with grand
deliberation, the millions of bats In the upper levels, driven crazy by the
terrible sound, imprisoned in a building with too few exits, stopped beating
their wings against the windows and exploded from the rooms in a black cloud
of unbelievable volume. The black cloud drifted forth and rose into the sky
and the white cloud sank into the depths, and Pertinax pushed the swell pedals
to the floor and coupled all the manuals to the pedalboard and pushed his bare
pink foot down on the first one, the low C, and held it down forever.

The building's steel frame was unaffected. The cinder-blocks laid within that
frame, though, stopped being walls and became a million individual blocks
of stone. Uncoupled, they began to dissolve away from the girders, and the
floors accordionned down with a boom and a concussion that obliterated the
sound of the organ. All the towers went together; and as those tons of debris
avalanched into the girders on which the towers rested, the steel finally
went too, and crumpled together and sagged and fell and snapped and tore with
painful slowness and explosive booms.

The hundred thousand people watching it plugged their ears, except for the
TUGgies, who watched serenely and shut off their OM generators. From the
enormous heap of rubble, broken water pipes shot fountains glistening white in
the rising sun. Crunches and aftershocks continued for days.

Not far away, Virgil Gabrielsen sat on a curbstone, his hair bright in the
sun, drinking water. Between his feet was a stack of mini-computer memory
discs in little black envelopes. The APPASMU is in the Smithsonian Institution
and may be visited 10:00 A.M.-- 5:30 P.M. seven days a week. And the Go Big
Red Fan was found unscathed, sitting miraculously upright on a crushed sofa on
a pile of junk, its painted blades rotating quietly and intermittently in the
fresh spring breeze.

The End