His Dark Materials
Book One
THE GOLDEN
COMPASS
PHILIP PULLMAN
A KNOPF PAPEPERBACK
ALFRED A. KNOPF * NEW
YORK
Into this wild abyss,
The womb of nature and perhaps her grave,
Of neither sea, nor shore, nor air, nor fire,
But all these in their pregnant causes mixed
Confusedly, and which thus must ever fight,
Unless the almighty maker them ordain
His dark materials to create more worlds,
Into this wild abyss the wary fiend
Stood on the brink of hell and looked a while,
Pondering his voyage...
—John Milton, Paradise Lost, Book II
The Golden Compass forms the first part of a story in three
volumes. The first volume is set in a universe like ours, but different in many
ways. The second volume is set partly in the universe we know. The third volume
will move between the universes.
PART
ONE
OXFORD
0NE
THE DECANTER OF TOKAY
Lyra and her daemon moved through the
darkening hall, taking care to keep to one side, out of sight of the kitchen.
The three great tables that ran the length of the hall were laid already, the
silver and the glass catching what little light there was, and the long benches
were pulled out ready for the guests. Portraits of former Masters hung high up
in the gloom along the walls. Lyra reached the dais and looked back at the open
kitchen door, and, seeing no one, stepped up beside the high table. The places
here were laid with gold, not silver, and the fourteen seats were not oak
benches but mahogany chairs with velvet cushions.
Lyra stopped beside the Master's chair and
flicked the biggest glass gently with a fingernail. The sound rang clearly
through the hall.
“You're not taking this seriously,”
whispered her daemon. “Behave yourself.”
Her daemon's name was Pantalaimon, and he
was currently in the form of a moth, a dark brown one so as not to show up in
the darkness of the hall.
“They're making too much noise to hear
from the kitchen,” Lyra whispered back. “And the Steward doesn't come in till
the first bell. Stop fussing.”
But she put her palm over the ringing
crystal anyway, and Pantalaimon fluttered ahead and through the slightly open
door of the Retiring Room at the other end of the dais. After a moment he
appeared again.
“There's no one there,” he whispered. “But
we must be quick.”
Crouching behind the high table, Lyra
darted along and through the door into the Retiring Room, where she stood up
and looked around. The only light in here came from the fireplace, where a
bright blaze of logs settled slightly as she looked, sending a fountain of
sparks up into the chimney. She had lived most of her life in the College, but
had never seen the Retiring Room before: only Scholars and their guests were
allowed in here, and never females. Even the maidservants didn't clean in here.
That was the Butler's job alone.
Pantalaimon settled on her shoulder.
“Happy now? Can we go?” he whispered.
“Don't be silly! I want to look around!”
It was a large room, with an oval table of
polished rosewood on which stood various decanters and glasses, and a silver
smoking stand with a rack of pipes. On a sideboard nearby there was a little
chafing dish and a basket of poppy heads.
“They do themselves well, don't they,
Pan?” she said under her breath.
She sat in one of the green leather
armchairs. It was so deep she found herself nearly lying down, but she sat up
again and tucked her legs under her to look at the portraits on the walls. More
old Scholars, probably; robed, bearded, and gloomy, they stared out of their
frames in solemn disapproval.
“What d'you think they talk about?” Lyra
said, or began to say, because before she'd finished the question she heard
voices outside the door.
“Behind the chair—quick!” whispered
Pantalaimon, and in a flash Lyra was out of the armchair and crouching behind
it. It wasn't the best one for hiding behind: she'd chosen one in the very
center of the room, and unless she kept very quiet...
The door opened, and the light changed in
the room; one of the incomers was carrying a lamp, which he put down on the
sideboard. Lyra could see his legs, in their dark green trousers and shiny
black shoes. It was a servant.
Then a deep voice said, “Has Lord Asriel
arrived yet?”
It was the Master. As Lyra held her
breath, she saw the servant's daemon (a dog, like all servants' daemons) trot
in and sit quietly at his feet, and then the Master's feet became visible too,
in the shabby black shoes he always wore.
“No, Master,” said the Butler. “No word
from the aerodock, either.”
“I expect he'll be hungry when he arrives.
Show him straight into Hall, will you?”
“Very good, Master.”
“And you've decanted some of the special
Tokay for him?”
“Yes, Master. The 1898, as you ordered.
His Lordship is very partial to that, I remember.”
“Good. Now leave me, please.”
“Do you need the lamp, Master?”
“Yes, leave that too. Look in during
dinner to trim it, will you?”
The Butler bowed slightly and turned to
leave, his daemon trotting obediently after him. From her not-much-of-a-hiding
place Lyra watched as the Master went to a large oak wardrobe in the corner of
the room, took his gown from a hanger, and pulled it laboriously on. The Master
had been a powerful man, but he was well over seventy now, and his movements
were stiff and slow. The Master's daemon had the form of a raven, and as soon
as his robe was on, she jumped down from the wardrobe and settled in her
accustomed place on his right shoulder.
Lyra could feel Pantalaimon bristling with
anxiety, though he made no sound. For herself, she was pleasantly excited.
The visitor mentioned by the Master, Lord
Asriel, was her uncle, a man whom she admired and feared greatly. He was said
to be involved in high politics, in secret exploration, in distant warfare, and
she never knew when he was going to appear. He was fierce: if he caught her in
here she'd be severely punished, but she could put up with that.
What she saw next, however, changed things
completely.
The Master took from his pocket a folded
paper and laid it on the table beside the wine. He took the stopper out of the
mouth of a decanter containing a rich golden wine, unfolded the paper, and
poured a thin stream of white powder into the decanter before crumpling the
paper and throwing it into the fire. Then he took a pencil from his pocket,
stirred the wine until the powder had dissolved, and replaced the stopper.
His daemon gave a soft brief squawk. The
Master replied in an undertone, and looked around with his hooded, clouded eyes
before leaving through the door he'd come in by.
Lyra whispered, “Did you see that, Pan?”
“Of course I did! Now hurry out, before
the Steward comes!”
But as he spoke, there came the sound of a
bell ringing once from the far end of the hall.
“That's the Steward's bell!” said Lyra. “I
thought we had more time than that.”
Pantalaimon fluttered swiftly to the hall
door, and swiftly back.
“The Steward's there already,” he said.
“And you can't get out of the other door...”
The other door, the one the Master had
entered and left by, opened onto the busy corridor between the library and the
Scholars' common room. At this time of day it was thronged with men pulling on
their gowns for dinner, or hurrying to leave papers or briefcases in the common
room before moving nto the hall. Lyra had planned to leave the way she'd come,
banking on another few minutes before the Steward's bell rang.
And if she hadn't seen the Master tipping
that powder into the wine, she might have risked the Steward's anger, or hoped
to avoid being noticed in the busy corridor. But she was confused, and that
made her hesitate.
Then she heard heavy footsteps on the
dais. The Steward was coming to make sure the Retiring Room was ready for the
Scholars' poppy and wine after dinner. Lyra darted to the oak wardrobe, opened
it, and hid inside, pulling the door shut just as the Steward entered. She had
no fear for Pantalaimon: the room was somber colored, and he could always creep
under a chair.
She heard the Steward's heavy wheezing,
and through the crack where the door hadn't quite shut she saw him adjust the
pipes in the rack by the smoking stand and cast a glance over the decanters and
glasses. Then he smoothed the hair over his ears with both palms and said
something to his daemon. He was a servant, so she was a dog; but a superior
servant, so a superior dog. In fact, she had the form of a red setter. The
daemon seemed suspicious, and cast around as if she'd sensed an intruder, but
didn't make for the wardrobe, to Lyra's intense relief. Lyra was afraid of the
Steward, who had twice beaten her.
Lyra heard a tiny whisper; obviously
Pantalaimon had squeezed in beside her.
“We're going to have to stay here now. Why
don't you listen to me?”
She didn't reply until the Steward had
left. It was his job to supervise the waiting at the high table; she could hear
the Scholars coming into the hall, the murmur of voices, the shuffle of feet.
“It's a good thing I didn't,” she
whispered back. “We wouldn't have seen the Master put poison in the wine
otherwise. Pan, that was the Tokay he asked the Butler about! They're going to
kill Lord Asriel!”
“You don't know it's poison.”
“Oh, of course it is. Don't you remember,
he made the Butler leave the room before he did it? If it was innocent, it
wouldn't have mattered the Butler seeing. And I know there's something going
on—something political. The servants have been talking about it for days. Pan,
we could prevent a murder!”
“I've never heard such nonsense,” he said
shortly. “How do you think you're going to keep still for four hours in this
poky wardrobe? Let me go and look in the corridor. I'll tell you when it's
clear.”
He fluttered from her shoulder, and she
saw his little shadow appear in the crack of light.
“It's no good, Pan, I'm staying,” she
said. “There's another robe or something here. I'll put that on the floor and
make myself comfortable. I've just got to see what they do.”
She had been crouching. She carefully
stood up, feeling around for the clothes hangers in order not to make a noise,
and found that the wardrobe was bigger than she'd thought. There were several
academic robes and hoods, some with fur around them, most faced with silk.
“I wonder if these are all the Master's?”
she whispered. “When he gets honorary degrees from other places, perhaps they
give him fancy robes and he keeps them here for dressing-up....Pan, do you
really think it's not poison in that wine?”
“No,” he said. “I think it is, like you
do. And I think it's none of our business. And I think it would be the silliest
thing you've ever done in a lifetime of silly things to interfere. It's nothing
to do with us.”
“Don't be stupid,” Lyra said. “I can't sit
in here and watch them give him poison!”
“Come somewhere else, then.”
“You're a coward, Pan.”
“Certainly I am. May I ask what you intend
to do? Are you going to leap out and snatch the glass from his trembling
fingers? What did you have in mind?”
“I didn't have anything in mind, and well
you know it,” she snapped quietly. “But now I've seen what the Master did, I
haven't got any choice. You're supposed to know about conscience, aren't you?
How can I just go and sit in the library or somewhere and twiddle my thumbs,
knowing what's going to happen? I don't intend to do that, I promise you.”
“This is what you wanted all the time,” he
said after a moment. “You wanted to hide in here and watch. Why didn't I
realize that before?”
“All right, I do,” she said. “Everyone
knows they get up to something secret. They have a ritual or something. And I
just wanted to know what it was.”
“It's none of your business! If they want
to enjoy their little secrets you should just feel superior and let them get on
with it. Hiding and spying is for silly children.”
“Exactly what I knew you'd say. Now stop
nagging.”
The two of them sat in silence for a
while, Lyra uncomfortable on the hard floor of the wardrobe and Pantalaimon
self-righteously twitching his temporary antennae on one of the robes. Lyra
felt a mixture of thoughts contending in her head, and she would have liked
nothing better than to share them with her daemon, but she was proud too.
Perhaps she should try to clear them up without his help.
Her main thought was anxiety, and it
wasn't for herself. She'd been in trouble often enough to be used to it. This
time she was anxious about Lord Asriel, and about what this all meant. It
wasn't often that he visited the college, and the fact that this was a time of
high political tension meant that he hadn't come simply to eat and drink and
smoke with a few old friends. She knew that both Lord Asriel and the Master
were members of the Cabinet Council, the Prime Minister's special advisory
body, so it might have been something to do with that; but meetings of the Cabinet
Council were held in the palace, not in the Retiring Room of Jordan College.
Then there was the rumor that had been keeping the College servants whispering
for days. It was said that the Tartars had invaded Muscovy, and were surging
north to St. Petersburg, from where they would be able to dominate the Baltic
Sea and eventually overcome the entire west of Europe. And Lord Asriel had been
in the far North: when she'd seen him last, he was preparing an expedition to
Lapland…
“Pan,” she whispered.
“Yes?”
“Do you think there'll be a war?”
“Not yet. Lord Asriel wouldn't be dining
here if it was going to break out in the next week or so.” “That's what I
thought. But later?” “Shh! Someone's coming.”
She sat up and put her eye to the crack of
the door. It was the Butler, coming to trim the lamp as the Master had ordered
him to. The common room and the library were lit by anbar-ic power, but the
Scholars preferred the older, softer naphtha lamps in the Retiring Room. They
wouldn't change that in the Master's lifetime.
The Butler trimmed the wick, and put
another log on the fire as well, and then listened carefully at the hall door
before helping himself to a handful of leaf from the smoking stand. He had
hardly replaced the lid when the handle of the other door turned, making him
jump nervously. Lyra tried not to laugh. The Butler hastily stuffed the leaf
into his pocket and turned to face the incomer.
“Lord Asriel!” he said, and a shiver of
cold surprise ran down Lyra's back. She couldn't see him from where she was,
and she tried to smother the urge to move and look.
“Good evening, Wren,” said Lord Asriel.
Lyra always heard that harsh voice with a mixture of pleasure and apprehension.
“I arrived too late to dine. I'll wait in here.”
The Butler looked uncomfortable. Guests
entered the Retiring Room at the Master's invitation only, and Lord Asriel knew
that; but the Butler also saw Lord Asriel looking pointedly at the bulge in his
pocket, and decided not to protest.
“Shall I let the Master know you've
arrived, my lord?”
“No harm in that. You might bring me some
coffee.”
“Very good, my lord.”
The Butler bowed and hastened out, his
daemon trotting submissively at his heels. Lyra's uncle moved across to the
fire and stretched his arms high above his head, yawning like a lion. He was
wearing traveling clothes. Lyra was reminded, as she always was when she saw
him again, of how much he frightened her. There was no question now of creeping
out unnoticed: she'd have to sit tight and hope.
Lord Asriel's daemon, a snow leopard,
stood behind him.
“Are you going to show the projections in
here?” she said quietly.
“Yes. It'll create less fuss than moving
to the lecture theater. They'll want to see the specimens too; I'll send for
the Porter in a minute. This is a bad time, Stelmaria.”
“You should rest.”
He stretched out in one of the armchairs,
so that Lyra could no longer see his face.
“Yes, yes. I should also change my
clothes. There's probably some ancient etiquette that allows them to fine me a
dozen bottles for coming in here dressed improperly. I should sleep for three
days. The fact remains that—”
There was a knock, and the Butler came in
with a silver tray bearing a coffeepot and a cup.
“Thank you, Wren,” said Lord Asriel. “Is
that the Tokay I can see on the table?”
“The Master ordered it decanted especially
for you, my I lord,” said the Butler. “There are only three dozen bottles left
I of the'98.”
“All good things pass away. Leave the tray
here beside me. Oh, ask the Porter to send up the two cases I left in the
Lodge, would you?”
“Here, my lord?”
“Yes, here, man. And I shall need a screen
and a projecting lantern, also here, also now.”
The Butler could hardly prevent himself
from opening his mouth in surprise, but managed to suppress the question, or
the protest.
“Wren, you're forgetting your place,” said
Lord Asriel. “Don't question me; just do as I tell you.”
“Very good, my lord,” said the Butler. “If
I may suggest it, I should perhaps let Mr. Cawson know what you're planning, my
lord, or else he'll be somewhat taken aback, if you see what I mean.”
“Yes. Tell him, then.”
Mr. Cawson was the Steward. There was an
old and well-established rivalry between him and the Butler. The Steward was
the superior, but the Butler had more opportunities to ingratiate himself with
the Scholars, and made full use of them. He would be delighted to have this
chance of showing the Steward that he knew more about what was going on in the
Retiring Room.
He bowed and left. Lyra watched as her
uncle poured a cup of coffee, drained it at once, and poured another before
sipping more slowly. She was agog: cases of specimens? A projecting lantern?
What did he have to show the Scholars that was so urgent and important?
Then Lord Asriel stood up and turned away
from the fire. She saw him fully, and marveled at the contrast he made with the
plump Butler, the stooped and languid Scholars. Lord Asriel was a tall man with
powerful shoulders, a fierce dark face, and eyes that seemed to flash and
glitter with savage laughter. It was a face to be dominated by, or to fight:
never a face to patronize or pity. All his movements were large and perfectly
balanced, like those of a wild animal, and when he appeared in a room like
this, he seemed a wild animal held in a cage too small for it.
At the moment his expression was distant
and preoccupied. His daemon came close and leaned her head on his waist, and he
looked down at her unfathomably before turning away and walking to the table.
Lyra suddenly felt her stomach lurch, for Lord Asriel had taken the stopper
from the decanter of Tokay, and was pouring a glass.
“No!”
The quiet cry came before she could hold
it back. Lord Asriel heard and turned at once.
“Who's there?”
She couldn't help herself. She tumbled out
of the wardrobe and scrambled up to snatch the glass from his hand. The wine
flew out, splashing on the edge of the table and the carpet, and then the glass
fell and smashed. He seized her wrist and twisted hard.
“Lyra! What the hell are you doing?”
“Let go of me and I'll tell you!”
“I'll break your arm first. How dare you
come in here?”
“I've just saved your life!”
They were still for a moment, the girl
twisted in pain but grimacing to prevent herself from crying out louder, the
man bent over her frowning like thunder.
“What did you say?” he said more quietly.
“That wine is poisoned,” she muttered
between clenched teeth. “I saw the Master put some powder in it.”
He let go. She sank to the floor, and
Pantalaimon fluttered anxiously to her shoulder. Her uncle looked down with a
restrained fury, and she didn't dare meet his eyes.
“I came in just to see what the room was
like,” she said. “I know I shouldn't have. But I was going to go out before
anyone came in, except that I heard the Master coming and got ^ trapped. The wardrobe was the only
place to hide. And I saw him put the powder in the wine. If I hadn't…”
There was a knock on the door.
“That'll be the Porter,” said Lord Asriel.
“Back in the wardrobe. If I hear the slightest noise, I'll make you wish you
were dead.”
She darted back there at once, and no
sooner had she pulled the door shut than Lord Asriel called, “Come in.”
As he'd said, it was the Porter.
“In here, my lord?”
Lyra saw the old man standing doubtfully
in the doorway, and behind him, the corner of a large wooden box.
“That's right, Shuter,” said Lord Asriel.
“Bring them both in and put them down by the table.”
Lyra relaxed a little, and allowed herself
to feel the pain in her shoulder and wrist. It might have been enough to make
her cry, if she was the sort of girl who cried. Instead she gritted her teeth
and moved the arm gently until it felt looser.
Then came a crash of glass and the glug of
spilled liquid.
“Damn you, Shuter, you careless old fool!
Look what you've done!”
Lyra could see, just. Her uncle had
managed to knock the
decanter of Tokay off the table, and made
it look as if the Porter had done it. The old man put the box down carefully
and began to apologize.
“I'm truly sorry, my lord—I must have been
closer than I thought—”
“Get something to clear this mess up. Go
on, before it soaks into the carpet!”
The Porter hurried out. Lord Asriel moved
closer to the wardrobe and spoke in an undertone.
“Since you're in there, you can make
yourself useful. Watch the Master closely when he comes in. If you tell me
something interesting about him, I'll keep you from getting further into the
trouble you're already in. Understand?”
“Yes, Uncle.”
“Make a noise in there and I won't help
you. You're on your own.”
He moved away and stood with his back to
the fire again as the Porter came back with a brush and dustpan for the glass
and a bowl and cloth.
“I can only say once again, my lord, I do
most earnestly beg your pardon; I don't know what—”
“Just clear up the mess.”
As the Porter began to mop the wine from
the carpet, the Butler knocked and came in with Lord Asriel's manservant, a man
called Thorold. They were carrying between them a heavy case of polished wood
with brass handles. They saw what the Porter was doing and stopped dead.
“Yes, it was the Tokay,” said Lord Asriel.
“Too bad. Is that the lantern? Set it up by the wardrobe, Thorold, if you
would. I'll have the screen up at the other end.”
Lyra realized that she would be able to
see the screen and whatever was on it through the crack in the door, and
wondered whether her uncle had arranged it like that for the purpose. Under the
noise the manservant made unrolling the stiff linen and setting it up on its
frame, she whispered:
“See? It was worth coming, wasn't it?”
“It might be,” Pantalaimon said austerely,
in his tiny moth voice. “And it might not.”
Lord Asriel stood by the fire sipping the
last of the coffee and watching darkly as Thorold opened the case of the
projecting lantern and uncapped the lens before checking the oil tank.
“There's plenty of oil, my lord,” he said.
“Shall I send for a technician to operate it?”
“No. I'll do it myself. Thank you,
Thorold. Have they finished dinner yet, Wren?”
“Very nearly, I think, my lord,” replied
the Butler. “If I understand Mr. Cawson aright, the Master and his guests won't
be disposed to linger once they know you're here. Shall I take the coffee
tray?”
“Take it and go.”
“Very good, my lord.”
With a slight bow, the Butler took the
tray and left, and Thorold went with him. As soon as the door closed, Lord
Asriel looked across the room directly at the wardrobe, and Lyra felt the force
of his glance almost as if it had physical form, as if it were an arrow or a
spear. Then he looked away and spoke softly to his dasmon.
She came to sit calmly at his side, alert
and elegant and dangerous, her tawny eyes surveying the room before turning,
like his black ones, to the door from the hall as the handle turned. Lyra
couldn't see the door, but she heard an intake of breath as the first man came
in.
TWO
THE IDEA OF NORTH
“Master,” said Lord Asriel. “Yes, I'm back.
Do bring in your guests; I've got something very interesting to show you.”
“Lord Asriel,” said the Master heavily,
and came forward to shake his hand. From her hiding place Lyra watched the
Master's eyes, and indeed, they flicked toward the table for a second, where
the Tokay had been.
“Master,” said Lord Asriel. “I came too
late to disturb your dinner, so I made myself at home in here. Hello,
Sub-Rector. Glad to see you looking so well. Excuse my rough appearance; I've
only just landed. Yes, Master, the Tokay's gone. I think you're standing in it.
The Porter knocked it off the table, but it was my fault. Hello, Chaplain. I
read your latest paper with great interest.”
He moved away with the Chaplain, leaving
Lyra with a clear view of the Master's face. It was impassive, but the daemon
on his shoulder was shuffling her feathers and moving restlessly from foot to
foot. Lord Asriel was already dominating the room, and although he was careful
to be courteous to the Master in the Master's own territory, it was clear where
the power lay.
The Scholars greeted the visitor and moved
into the room, some sitting around the table, some in the armchairs, and soon a
buzz of conversation filled the air. Lyra could see that they were powerfully
intrigued by the wooden case, the screen, and the lantern. She knew the
Scholars well: the Librarian, the Sub-Rector, the Enquirer, and the rest; they
were men who had been around her all her life, taught her, chastised her,
consoled her, given her little presents, chased her away from the fruit trees
in the garden; they were all she had for a family. They might even have felt
like a family if she knew what a family was, though if she did, she'd have been
more likely to feel that about the College servants. The Scholars had more important
things to do than attend to the affections of a half-wild, half-civilized girl,
left among them by chance.
The Master lit the spirit lamp under the
little silver chafing dish and heated some butter before cutting half a dozen
poppy heads open and tossing them in. Poppy was always served after a feast: it
clarified the mind and stimulated the tongue, and made for rich conversation.
It was traditional for the Master to cook it himself.
Under the sizzle of the frying butter and
the hum of talk, Lyra shifted around to find a more comfortable position for
herself. With enormous care she took one of the robes—a full-length fur—off its
hanger and laid it on the floor of the wardrobe.
“You should have used a scratchy old one,”
whispered Pantalaimon. “If you get too comfortable, you'll go to sleep.”
“If I do, it's your job to wake me up,”
she replied.
She sat and listened to the talk. Mighty
dull talk it was, too; almost all of it politics, and London politics at that,
nothing exciting about Tartars. The smells of frying poppy and smoke-leaf
drifted pleasantly in through the wardrobe door, and more than once Lyra found
herself nodding. But finally she heard someone rap on the table. The voices
fell silent, and then the Master spoke.
“Gentlemen,” he said. “I feel sure I speak
for all of us when I bid Lord Asriel welcome. His visits are rare but always
immensely valuable, and I understand he has something of particular interest to
show us tonight. This is a time of high political tension, as we are all aware;
Lord Asriel's presence is required early tomorrow morning in White Hall, and a
train is waiting with steam up ready to carry him to London as soon as we have
finished our conversation here; so we must use our time wisely. When he has
finished speaking to us, I imagine there will be some questions. Please keep
them brief and to the point. Lord Asriel, would you like to begin?”
“Thank you, Master,” said Lord Asriel. “To
start with, I have a few slides to show you. Sub-Rector, you can see best from
here, I think. Perhaps the Master would like to take the chair near the
wardrobe?”
Lyra marveled at her uncle's skill. The
old Sub-Rector was nearly blind, so it was courteous to make room for him
nearer the screen, and his moving forward meant that the Master would be sitting
next to the Librarian, only a matter of a yard or so from where Lyra was
crouched in the wardrobe. As the Master settled in the armchair, Lyra heard him
murmur:
“The devil! He knew about the wine, I'm
sure of it.”
The Librarian murmured back, “He's going
to ask for funds. If he forces a vote—”
“If he does that, we must just argue
against, with all the eloquence we have.”
The lantern began to hiss as Lord Asriel
pumped it hard. Lyra moved slightly so that she could see the screen, where a
brilliant white circle had begun to glow. Lord Asriel called, “Could someone
turn the lamp down?”
One of the Scholars got up to do that, and
the room darkened.
Lord Asriel began:
“As some of you know, I set out for the
North twelve months ago on a diplomatic mission to the King of Lapland. At
least, that's what I pretended to be doing. In fact, my real aim was to go
further north still, right on to the ice, in fact, to try and discover what had
happened to the Grumman expedition. One of Grumman's last messages to the academy
in Berlin spoke of a certain natural phenomenon only seen in the lands of the
North. I was determined to investigate that as well as find out what I could
about Grumman. But the first picture I'm going to show you isn't directly about
either of those things.”
And he put the first slide into the frame
and slid it behind the lens. A circular photogram in sharp black and white
appeared on the screen. It had been taken at night under a full moon, and it
showed a wooden hut in the middle distance, its walls dark against the snow
that surrounded it and lay thickly on the roof. Beside the hut stood an array
of philosophical instruments, which looked to Lyra's eye like something from
the Anbaric Park on the road to Yarnton: aerials, wires, porcelain insulators,
all glittering in the moonlight and thickly covered in frost. A man in furs,
his face hardly visible in the deep hood of his garment, stood in the
foreground, with his hand raised as if in greeting. To one side of him stood a
smaller figure. The moonlight bathed everything in the same pallid gleam.
“That photogram was taken with a standard
silver nitrate emulsion,” Lord Asriel said. “I'd like you to look at another
one, taken from the same spot only a minute later, with a new specially
prepared emulsion.”
He lifted out the first slide and dropped
another into the frame. This was much darker; it was as if the moonlight had
been filtered out. The horizon was still visible, with the dark shape of the
hut and its light snow-covered roof standing out, but the complexity of the
instruments was hidden in darkness. But the man had altogether changed: he was
bathed in light, and a fountain of glowing particles seemed to be streaming
from his upraised hand.
“That light,” said the Chaplain, “is it
going up or coming down?”
“It's coming down,” said Lord Asriel, “but
it isn't light. It's Dust.”
Something in the way he said it made Lyra
imagine dust with a capital letter, as if this wasn't ordinary dust. The
reaction of the Scholars confirmed her feeling, because Lord Asriel's words
caused a sudden collective silence, followed by gasps of incredulity.
“But how—”
“Surely—”
“It can't—”
“Gentlemen!” came the voice of the
Chaplain. “Let Lord Asriel explain.”
“It's Dust,” Lord Asriel repeated. “It
registered as light on the plate because particles of Dust affect this emulsion
as photons affect silver nitrate emulsion. It was partly to test it that my
expedition went north in the first place. As you see, the figure of the man is
perfectly visible. Now I'd like you to look at the shape to his left.”
He indicated the blurred shape of the
smaller figure.
“I thought that was the man's daemon,”
said the Enquirer.
“No. His daemon was at the time coiled
around his neck in the form of a snake. That shape you can dimly see is a
child.”
“A severed child—?” said someone, and the
way he stopped showed that he knew this was something that shouldn't have been
voiced.
There was an intense silence.
Then Lord Asriel said calmly, “An entire
child. Which, given the nature of Dust, is precisely the point, is it not?”
No one spoke for several seconds. Then
came the voice of the Chaplain.
“Ah,” he said, like a thirsty man who,
having just drunk deeply, puts down the glass to let out the breath he has held
while drinking. “And the streams of Dust...”
“—Come from the sky, and bathe him in what
looks like light. You may examine this picture as closely as you wish: I'll
leave it behind when I go. I'm showing it to you now to demonstrate the effect
of this new emulsion. Now I'd like to show you another picture.”
He changed the slide. The next picture was
also taken at night, but this time without moonlight. It showed a small group
of tents in the foreground, dimly outlined against the low horizon, and beside
them an untidy heap of wooden boxes and a sledge. But the main interest of the
picture lay in the sky. Streams and veils of light hung like curtains, looped
and festooned on invisible hooks hundreds of miles high or blowing out sideways
in the stream of some unimaginable wind.
“What is that?” said the voice of the
Sub-Rector.
“It's a picture of the Aurora.”
“It's a very fine photogram,” said the
Palmerian Professor. “One of the best I've seen.”
“Forgive my ignorance,” said the shaky
voice of the old Precentor, “but if I ever knew what the Aurora was, I have forgotten.
Is it what they call the Northern Lights?”
“Yes. It has many names. It's composed of
storms of charged particles and solar rays of intense and extraordinary
strength—invisible in themselves, but causing this luminous radiation when they
interact with the atmosphere. If there'd been time, I would have had this slide
tinted to show you the colors; pale green and rose, for the most part, with a
tinge of crimson along the lower edge of that curtain-like formation. This is
taken with ordinary emulsion. Now I'd like you to look at a picture taken with
the special emulsion.”
He took out the slide. Lyra heard the
Master say quietly, “If he forces a vote, we could try to invoke the residence
clause. He hasn't been resident in the College for thirty weeks out of the last
fifty-two.”
“He's already got the Chaplain on his
side...” the Librarian murmured in reply.
Lord Asriel put a new slide in the lantern
frame. It showed the same scene. As with the previous pair of pictures, many of
the features visible by ordinary light were much dimmer in this one, and so
were the curtains of radiance in the sky.
But in the middle of the Aurora, high
above the bleak landscape, Lyra could see something solid. She pressed her face
to the crack to see more clearly, and she could see the Scholars near the
screen leaning forward too. As she gazed, her wonder grew, because there in the
sky was the unmistakable outline of a city: towers, domes, walls...Buildings
and streets, suspended in the air! She nearly gasped with wonder. The Cassington
Scholar said, “That looks like...a city.” “Exactly so,” said Lord Asriel.
“A city in another world, no doubt?” said
the Dean, with contempt in his voice.
Lord Asriel ignored him. There was a stir
of excitement among some of the Scholars, as if, having written treatises on
the existence of the unicorn without ever having seen one, they'd been
presented with a living example newly captured. “Is this the Barnard-Stokes
business?” said the Palmerian Professor. “It is, isn't it?”
“That's what I want to find out,” said
Lord Asriel. He stood to one side of the illuminated screen. Lyra could see his
dark eyes searching among the Scholars as they peered up at the slide of the
Aurora, and the green glow of his demon's eyes beside him. All the venerable
heads were craning forward, their spectacles glinting; only the Master and the
Librarian leaned back in their chairs, with their heads close together.
The Chaplain was saying, “You said you
were searching for news of the Grumman expedition, Lord Asriel.
Was Dr. Grumman investigating this
phenomenon too?”
“I believe he was, and I believe he had a
good deal of information about it. But he won't be able to tell us what it was,
because he's dead.”
“No!” said the Chaplain.
“I'm afraid so, and I have the proof
here.”
A ripple of excited apprehension ran round
the Retiring Room as, under Lord Asriel's direction, two or three of the
younger Scholars carried the wooden box to the front of the room. Lord Asriel
took out the last slide but left the lantern on, and in the dramatic glare of
the circle of light he bent to lever open the box. Lyra heard the screech of
nails coming out of damp wood. The Master stood up to look, blocking Lyra's
view. Her uncle spoke again:
“If you remember, Grumman's expedition
vanished eighteen months ago. The German Academy sent him up there to go as far
north as the magnetic pole and make various celestial observations. It was in
the course of that journey that he observed the curious phenomenon we've
already seen. Shortly after that, he vanished. It's been assumed that he had an
accident and that his body's been lying in a crevasse all this time. In fact,
there was no accident.”
“What have you got there?” said the Dean.
“Is that a vacuum container?”
Lord Asriel didn't answer at first. Lyra
heard the snap of metal clips and a hiss as air rushed into a vessel, and then
there was a silence. But the silence didn't last long. After a moment or two
Lyra heard a confused babble break out: cries of horror, loud protests, voices
raised in anger and fear.
“But what—”
“—hardly human—”
“—it's been—”
“—what's happened to it?”
The Master's voice cut through them all.
“Lord Asriel, what in God's name have you
got there?”
“This is the head of Stanislaus Grumman,”
said Lord Asriel's voice.
Over the jumble of voices Lyra heard
someone stumble to the door and out, making incoherent sounds of distress. She
wished she could see what they were seeing.
Lord Asriel said, “I found his body
preserved in the ice off Svalbard. The head was treated in this way by his
killers. You'll notice the characteristic scalping pattern. I think you might
be familiar with it, Sub-Rector.”
The old man's voice was steady as he said,
“I have seen the Tartars do this. It's a technique you find among the
aboriginals of Siberia and the Tungusk. From there, of course, it spread into
the lands of the Skraelings, though I understand that it is now banned in New
Denmark. May I examine it more closely, Lord Asriel?”
After a short silence he spoke again.
“My eyes are not very clear, and the ice
is dirty, but it seems to me that there is a hole in the top of the skull. Am I
right?”
“You are.”
“Trepanning?”
“Exactly.”
That caused a murmur of excitement. The
Master moved out of the way and Lyra could see again. The old Sub-Rector, in
the circle of light thrown by the lantern, was holding a heavy block of ice up
close to his eyes, and Lyra could see the object inside it: a bloody lump
barely recognizable as a human head. Pantalaimon fluttered around Lyra, his
distress affecting her.
“Hush,” she whispered. “Listen.”
“Dr. Grumman was once a Scholar of this
College,” said the Dean hotly.
"To fall into the hands of the
Tartars—" "But that far north?"
"They must have penetrated further
than anyone imagined!"
"Did I hear you say you found it near
Svalbard?" said the Dean.
"That's right."
"Are we to understand that the
panserbj0rne had anything to do with this?"
Lyra didn't recognize that word, but
clearly the Scholars did.
"Impossible," said the
Cassington Scholar firmly. "They'd never behave in that manner."
"Then you don't know lofur
Raknison," said the Palmerian Professor, who had made several expeditions
himself to the arctic regions. "It wouldn't surprise me at all to learn
that he had taken to scalping people in the Tartar fashion."
Lyra looked again at her uncle, who was
watching the Scholars with a glitter of sardonic amusement, and saying nothing.
"Who is lofur Raknison?" said
someone. "The king of Svalbard," said the Palmerian Professor.
"Yes, that's right, one of the panserb)0me. He's a usurper, of sorts; tricked
his way onto the throne, or so I understand; but a powerful figure, by no means
a fool, in spite of his ludicrous affectations—having a palace built of
imported marble—setting up what he calls a university—"
"For whom? For the bears?" said
someone else, and every-one laughed.
But the Palmerian Professor went on:
"For all that, I tell you that lofur Raknison would be capable of doing
this to Grumman. At the same time, he could be flattered into behaving quite
differently, if the need arose."
"And you know how, do you,
Trelawney?" said the Dean sneeringly.
"Indeed I do. Do you know what he
wants above all else? Even more than an honorary degree? He wants a daemon!
Find a way to give him a daemon, and he'd do anything for you."
The Scholars laughed heartily.
Lyra was following this with puzzlement;
what the Palmerian Professor said made no sense at all. Besides, she was
impatient to hear more about scalping and the Northern Lights and that
mysterious Dust. But she was disappointed, for Lord Asriel had finished showing
his relics and pictures, and the talk soon turned into a College wrangle about
whether or not they should give him some money to fit out another expedition.
Back and forth the arguments ranged, and Lyra felt her eyes closing. Soon she
was fast asleep, with Pantalaimon curled around her neck in his favorite
sleeping form as an ermine.
She woke up with a start when someone
shook her shoulder.
"Quiet," said her uncle. The
wardrobe door was open, and he was crouched there against the light.
"They've all gone, but there are still some servants around. Go to your
bedroom now, and take care that you say nothing about this."
"Did they vote to give you the
money?" she said sleepily.
"Yes."
"What's Dust?" she said,
struggling to stand up after having been cramped for so long.
"Nothing to do with you."
"It is to do with me," she said.
"If you wanted me to be a spy in the wardrobe, you ought to tell me what
I'm spying about. Can I see the man's head?"
Pantalaimon's white ermine fur bristled:
she felt it tickling her neck. Lord Asriel laughed shortly.
“Don't be disgusting,” he said, and began
to pack his slides and specimen box. “Did you watch the Master?”
“Yes, and he looked for the wine before he
did anything else.”
“Good. But I've scotched him for now. Do as
you're told and go to bed.”
“But where are you going?”
“Back to the North. I'm leaving in ten
minutes.”
“Can I come?”
He stopped what he was doing, and looked
at her as if for the first time. His daemon turned her great tawny leopard eyes
on her too, and under the concentrated gaze of both of them, Lyra blushed. But
she gazed back fiercely.
“Your place is here,” said her uncle
finally.
“But why? Why is my place here? Why can't
I come to the North with you? I want to see the Northern Lights and bears and icebergs
and everything. I want to know about Dust. And that city in the air. Is it
another world?”
“You're not coming, child. Put it out of
your head; the times are too dangerous. Do as you're told and go to bed, and if
you're a good girl, I'll bring you back a walrus tusk with some Eskimo carving
on it. Don't argue anymore or I shall be angry.”
And his daemon growled with a deep savage
rumble that made Lyra suddenly aware of what it would be like to have teeth
meeting in her throat.
She compressed her lips and frowned hard
at her uncle. He was pumping the air from the vacuum flask, and took no notice;
it was as if he'd already forgotten her. Without a word, but with lips tight
and eyes narrowed, the girl and her daemon left and went to bed.
* * *
The Master and the Librarian were old
friends and allies, and it was their habit, after a difficult episode, to take
a glass of brantwijn and console each other. So after they'd seen Lord Asriel
away, they strolled to the Master's lodging and settled in his study with the
curtains drawn and the fire refreshed, their daemons in their familiar places
on knee or shoulder, and prepared to think through what had just happened.
“Do you really believe he knew about the
wine?” said the Librarian.
“Of course he did. I have no idea how, but
he knew, and he spilled the decanter himself. Of course he did.”
“Forgive me, Master, but I can't help
being relieved. I was never happy about the idea of...”
“Of poisoning him?”
“Yes. Of murder.”
“Hardly anyone would be happy at that idea,
Charles. The question was whether doing that would be worse than the
consequences of not doing it. Well, some providence has intervened, and it
hasn't happened. I'm only sorry I burdened you with the knowledge of it.”
“No, no,” protested the Librarian. “But I
wish you had told me more.
The Master was silent for a while before
saying, “Yes, perhaps I should have done. The alethiometer warns of appalling
consequences if Lord Asriel pursues this research. Apart from anything else,
the child will be drawn in, and I want to keep her safe as long as possible.”
“Is Lord Asriel's business anything to do
with this new initiative of the Consistorial Court of Discipline? The
what-do-they-call-it: the Oblation Board?”
“Lord Asriel—no, no. Quite the reverse.
The Oblation Board isn't entirely answerable to the Consistorial Court, either.
It's a semiprivate initiative; it's being run by someone
who has no love of Lord Asriel. Between
them both, Charles, I tremble.”
The Librarian was silent in his turn. Ever
since Pope John Calvin had moved the seat of the Papacy to Geneva and set up
the Consistorial Court of Discipline, the Church's power over every aspect of
life had been absolute. The Papacy itself had been abolished after Calvin's
death, and a tangle of courts, colleges, and councils, collectively known as
the Magisterium, had grown up in its place. These agencies were not always
united; sometimes a bitter rivalry grew up between them. For a large part of
the previous century, the most powerful had been the College of Bishops, but in
recent years the Consistorial Court of Discipline had taken its place as the
most active and the most feared of all the Church's bodies.
But it was always possible for independent
agencies to grow up under the protection of another part of the Magisterium,
and the Oblation Board, which the Librarian had referred to, was one of these.
The Librarian didn't know much about it, but he disliked and feared what he'd
heard, and he completely understood the Master's anxiety.
“The Palmerian Professor mentioned a
name,” he said after a minute or so. “Barnard-Stokes? What is the
Barnard-Stokes business?”
“Ah, it's not our field, Charles. As I
understand it, the Holy Church teaches that there are two worlds: the world of
everything we can see and hear and touch, and another world, the spiritual
world of heaven and hell. Barnard and Stokes were two—how shall I put
it—renegade theologians who postulated the existence of numerous other worlds
like this one, neither heaven nor hell, but material and sinful. They are
there, close by, but invisible and unreachable. The Holy Church naturally
disapproved of this abominable heresy, and Barnard and Stokes were silenced.
“But unfortunately for the Magisterium
there seem to be sound mathematical arguments for this other-world theory. I
have never followed them myself, but the Cassington Scholar tells me that they
are sound.”
“And now Lord Asriel has taken a picture
of one of these other worlds,” the Librarian said. “And we have funded him to
go and look for it. I see.”
“Quite. It'll seem to the Oblation Board,
and to its powerful protectors, that Jordan College is a hotbed of support for
heresy. And between the Consistorial Court and the Oblation Board, Charles, I
have to keep a balance; and meanwhile the child is growing. They won't have
forgotten her. Sooner or later she would have become involved, but she'll be
drawn in now whether I want to protect her or not.”
“But how do you know that, for God's sake?
The alethiometer again?”
“Yes. Lyra has a part to play in all this,
and a major one. The irony is that she must do it all without realizing what
she's doing. She can be helped, though, and if my plan with the Tokay had
succeeded, she would have been safe for a little longer. I would have liked to
spare her a journey to the North. I wish above all things that I were able to
explain it to her...”
“She wouldn't listen,” the Librarian said.
“I know her ways only too well. Try to tell her anything serious and she'll
half-listen for five minutes and then start fidgeting. Quiz her about it next
time and she'll have completely forgotten.”
“If I talked to her about Dust? You don't
think she'd listen to that?”
The Librarian made a noise to indicate how
unlikely he thought that was.
“Why on earth should she?” he said. “Why
should a distant theological riddle interest a healthy, thoughtless child?”
“Because of what she must experience. Part
of that includes a great betrayal....”
“Who's going to betray her?”
“No, no, that's the saddest thing: she
will be the betrayer, and the experience will be terrible. She mustn't know
that, of course, but there's no reason for her not to know about the problem of
Dust. And you might be wrong, Charles; she might well take an interest in it,
if it were explained in a simple way. And it might help her later on. It would
certainly help me to be less anxious about her.”
“That's the duty of the old,” said the
Librarian, “to be anxious on behalf of the young. And the duty of the young is
to scorn the anxiety of the old.”
They sat for a while longer, and then parted,
for it was late, and they were old and anxious.
THREE
LYRA’S
JORDAN
Jordan College was the grandest and
richest of all the colleges in Oxford. It was probably the largest, too, though
no one knew for certain. The buildings, which were grouped around three
irregular quadrangles, dated from every period from the early Middle Ages to
the mid-eighteenth century. It had never been planned; it had grown piecemeal,
with past and present overlapping at every spot, and the final effect was one
of jumbled and squalid grandeur. Some part was always about to fall down, and
for five generations the same family, the Parslows, had been employed full time
by the College as masons and scaffolders. The present Mr. Parslow was teaching
his son the craft; the two of them and their three workmen would scramble like
industrious termites over the scaffolding they'd erected at the corner of the
library, or over the roof of the chapel, and haul up bright new blocks of stone
or rolls of shiny lead or balks of timber.
The College owned farms and estates all
over England. It was said that you could walk from Oxford to Bristol in one
direction and London in the other, and never leave Jordan land. In every part
of the kingdom there were dye works and brick kilns, forests and atomcraft
works that paid rent to Jordan, and every quarter-day the bursar and his clerks
would tot it all up, announce the total to Concilium, and order a pair of swans
for the feast. Some of the money was put by for reinvestment—Concilium had just
approved the purchase of an office block in Manchester—and the rest was used to
pay the Scholars' modest stipends and the wages of the servants (and the
Parslows, and the other dozen or so families of craftsmen and traders who
served the College), to keep the wine cellar richly filled, to buy books and
anbarographs for the immense library that filled one side of the Melrose
Quadrangle and extended, burrow-like, for several floors beneath the ground,
and, not least, to buy the latest philosophical apparatus to equip the chapel.
It was important to keep the chapel up to
date, because Jordan College had no rival, either in Europe or in New France,
as a center of experimental theology. Lyra knew that much, at least. She was
proud of her College's eminence, and liked to boast of it to the various
urchins and ragamuffins she played with by the canal or the claybeds; and she
regarded visiting Scholars and eminent professors from elsewhere with pitying
scorn, because they didn't belong to Jordan and so must know less, poor things,
than the humblest of Jordan's under-Scholars.
As for what experimental theology was,
Lyra had no more idea than the urchins. She had formed the notion that it was
concerned with magic, with the movements of the stars and planets, with tiny
particles of matter, but that was guesswork, really. Probably the stars had
daemons just as humans did, and experimental theology involved talking to them.
Lyra imagined the Chaplain speaking loftily, listening to the star daemons'
remarks, and then nodding judiciously or shaking his head in regret. But what
might be passing between them, she couldn't conceive.
Nor was she particularly interested. In
many ways Lyra was a barbarian. What she liked best was clambering over the
College roofs with Roger, the kitchen boy who was her particular friend, to
spit plum stones on the heads of passing Scholars or to hoot like owls outside
a window where a tutorial was going on, or racing through the narrow streets,
or stealing apples from the market, or waging war. Just as she was unaware of
the hidden currents of politics running below the surface of College affairs,
so the Scholars, for their part, would have been unable to see the rich
seething stew of alliances and enmities and feuds and treaties which was a
child's life in Oxford. Children playing together: how pleasant to see! What
could be more innocent and charming?
In fact, of course, Lyra and her peers
were engaged in deadly warfare. There were several wars running at once. The
children (young servants, and the children of servants, and Lyra) of one
college waged war on those of another. Lyra had once been captured by the
children of Gabriel College, and Roger and their friends Hugh Lovat and Simon
Parslow had raided the place to rescue her, creeping through the Precentor's
garden and gathering armfuls of small stone-hard plums to throw at the
kidnappers. There were twenty-four colleges, which allowed for endless
permutations of alliance and betrayal. But the enmity between the colleges was
forgotten in a moment when the town children attacked a colleger: then all the
collegers banded together and went into battle against the town-ies.This
rivalry was hundreds of years old, and very deep and satisfying.
But even this was forgotten when the other
enemies threatened. One enemy was perennial: the brickburners' children, who
lived by the claybeds and were despised by collegers and townies alike. Last
year Lyra and some townies had made a temporary truce and raided the claybeds,
pelting the brick-burners' children with lumps of heavy clay and tipping over
the soggy castle they'd built, before rolling them over and over in the
clinging substance they lived by until victors and vanquished alike resembled a
flock of shrieking golems.
The other regular enemy was seasonal. The
gyptian families, who lived in canal boats, came and went with the spring and
autumn fairs, and were always good for a fight. There was one family of
gyptians in particular, who regularly returned to their mooring in that part of
the city known as Jericho, with whom Lyra'd been feuding ever since she could
first throw a stone. When they were last in Oxford, she and Roger and some of
the other kitchen boys from Jordan and St. Michael's College had laid an ambush
for them, throwing mud at their brightly painted narrowboat until the whole
family came out to chase them away—at which point the reserve squad under Lyra
raided the boat and cast it off from the bank, to float down the canal, getting
in the way of all the other water traffic while Lyra's raiders searched the
boat from end to end, looking for the bung. Lyra firmly believed in this bung.
If they pulled it out, she assured her troop, the boat would sink at once; but
they didn't find it, and had to abandon ship when the gyptians caught them up,
to flee dripping and crowing with triumph through the narrow lanes of Jericho.
That was Lyra's world and her delight. She
was a coarse and greedy little savage, for the most part. But she always had a
dim sense that it wasn't her whole world; that part of her also belonged in the
grandeur and ritual of Jordan College; and that somewhere in her life there was
a connection with the high world of politics represented by Lord Asriel. All
she did with that knowledge was to give herself airs and lord it over the other
urchins. It had never occurred to her to find out more.
So she had passed her childhood, like a
half-wild cat. The only variation in her days came on those irregular occasions
when Lord Asriel visited the College. A rich and powerful uncle was all very
well to boast about, but the price of boasting was having to be caught by the
most agile Scholar and brought to the Housekeeper to be washed and dressed in a
clean frock, following which she was escorted (with many threats) to the Senior
Common Room to have tea with Lord Asriel and an invited group of senior
Scholars. She dreaded being seen by Roger. He'd caught sight of her on one of
these occasions and hooted with laughter at this beribboned and pink-frilled
vision. She had responded with a volley of shrieking curses that shocked the
poor Scholar who was escorting her, and in the Senior Common Room she'd slumped
mutinously in an armchair until the Master told her sharply to sit up, and then
she'd glowered at them all till even the Chaplain had to laugh.
What happened on those awkward, formal
visits never varied. After the tea, the Master and the other few Scholars who'd
been invited left Lyra and her uncle together, and he called her to stand in
front of him and tell him what she'd learned since his last visit. And she
would mutter whatever she could dredge up about geometry or Arabic or history
or anbarology, and he would sit back with one ankle resting on the other knee
and watch her inscrutably until her words failed.
Last year, before his expedition to the
North, he'd gone on to say, “And how do you spend your time when you're not
diligently studying?”
And she mumbled, “I just play. Sort of
around the College. Just...play, really.”
And he said, “Let me see your hands,
child.”
She held out her hands for inspection, and
he took them and turned them over to look at her fingernails. Beside him, his
daemon lay sphinxlike on the carpet, swishing her tail occasionally and gazing
unblinkingly at Lyra.
“Dirty,” said Lord Asriel, pushing her
hands away. “Don't they make you wash in this place?”
“Yes,” she said. “But the Chaplain's
fingernails are always dirty. They're even dirtier than mine.”
“He's a learned man. What's your excuse?”
“I must've got them dirty after I washed.”
“Where do you play to get so dirty?”
She looked at him suspiciously. She had
the feeling that being on the roof was forbidden, though no one had actually
said so. “In some of the old rooms,” she said finally.
“And where else?”
“In the claybeds, sometimes.”
“And?”
“Jericho and Port Meadow.”
“Nowhere else?”
“No.”
“You're a liar. I saw you on the roof only
yesterday.”
She bit her lip and said nothing. He was
watching her sardonically.
“So, you play on the roof as well,” he
went on. “Do you ever go into the library?”
“No. I found a rook on the library roof,
though,” she went on.
“Did you? Did you catch it?”
“It had a hurt foot. I was going to kill
it and roast it but Roger said we should help it get better. So we gave it
scraps of food and some wine and then it got better and flew away.”
“Who's Roger?”
“My friend. The kitchen boy.”
“I see. So you've been all over the roof—”
“Not all over. You can't get onto the
Sheldon Building because you have to jump up from Pilgrim's Tower across a gap.
There's a skylight that opens onto it, but I'm not tall enough to reach it.”
“You've been all over the roof except the
Sheldon Building. What about underground?”
“Underground?”
“There's as much College below ground as
there is above it. I'm surprised you haven't found that out. Well, I'm going in
a minute. You look healthy enough. Here.”
He fished in his pocket and drew out a
handful of coins, from which he gave her five gold dollars.
“Haven't they taught you to say thank
you?” he said.
“Thank you,” she mumbled.
“Do you obey the Master?”
“Oh, yes.”
“And respect the Scholars?”
“Yes.”
Lord Asriel's daemon laughed softly. It
was the first sound she'd made, and Lyra blushed.
“Go and play, then,” said Lord Asriel.
Lyra turned and darted to the door with
relief, remembering to turn and blurt out a “Goodbye.”
So Lyra's life had been, before the day
when she decided to hide in the Retiring Room, and first heard about Dust.
And of course the Librarian was wrong in
saying to the Master that she wouldn't have been interested. She would have
listened eagerly now to anyone who could tell her about Dust. She was to hear a
great deal more about it in the months to come, and eventually she would know
more about Dust than anyone in the world; but in the meantime, there was all
the rich life of Jordan still being lived around her.
And in any case there was something else
to think about. A rumor had been filtering through the streets for some weeks:
a rumor that made some people laugh and others grow silent, as some people
scoff at ghosts and others fear them. For no reason that anyone could imagine,
children were beginning to disappear.
* * *
It would happen like this.
East along the great highway of the River
Isis, thronged with slow-moving brick barges and asphalt boats and corn
tankers, way down past Henley and Maidenhead to Teddington, where the tide from
the German Ocean reaches, and further down still: to Mortlake, past the house
of the great magician Dr. Dee; past Falkeshall, where the pleasure gardens
spread out bright with fountains and banners by day, with tree lamps and
fireworks by night; past White Hall Palace, where the king holds his weekly
council of state; past the Shot Tower, dropping its endless drizzle of molten
lead into vats of murky water; further down still, to where the river, wide and
filthy now, swings in a great curve to the south.
This is Limehouse, and here is the child
who is going to disappear.
He is called Tony Makarios. His mother
thinks he's nine years old, but she has a poor memory that the drink has
rotted; he might be eight, or ten. His surname is Greek, but like his age, that
is a guess on his mother's part, because he looks more Chinese than Greek, and
there's Irish and Skraeling and Lascar in him from his mother's side too.
Tony's not very bright, but he has a sort of clumsy tenderness that sometimes
prompts him to give his mother a rough hug and plant a sticky kiss on her
cheeks. The poor woman is usually too fuddled to start such a procedure
herself; but she responds warmly enough, once she realizes what's happening.
At the moment Tony is hanging about the
market in Pie Street. He's hungry. It's early evening, and he won't get fed at
home. He's got a shilling in his pocket that a soldier gave him for taking a
message to his best girl, but Tony's not going to waste that on food, when you
can pick up so much for nothing.
So he wanders through the market, between
the old-clothes stalls and the fortune-paper stalls, the fruitmongers and the
fried-fish seller, with his little daemon on his shoulder, a sparrow, watching
this way and that; and when a stall holder and her daemon are both looking
elsewhere, a brisk chirp sounds, and Tony's hand shoots out and returns to his
loose shirt with an apple or a couple of nuts, and finally with a hot pie.
The stall holder sees that, and shouts,
and her cat daemon leaps, but Tony's sparrow is aloft and Tony himself halfway
down the street already. Curses and abuse go with him, but not far. He stops
running at the steps of St. Catherine's Oratory, where he sits down and takes
out his steaming, battered prize, leaving a trail of gravy on his shirt.
And he's being watched. A lady in a long
yellow-red fox-fur coat, a beautiful young lady whose dark hair falls, shining
delicately, under the shadow of her fur-lined hood, is standing in the doorway
of the oratory, half a dozen steps above him. It might be that a service is
finishing, for light comes from the doorway behind her, an organ is playing
inside, and the lady is holding a jeweled breviary.
Tony knows nothing of this. His face
contentedly deep in the pie, his toes curled inward and his bare soles
together, he sits and chews and swallows while his daemon becomes a mouse and
grooms her whiskers.
The young lady's daemon is moving out from
beside the fox-fur coat. He is in the form of a monkey, but no ordinary monkey:
his fur is long and silky and of the most deep and lustrous gold. With sinuous
movements he inches down the steps toward the boy, and sits a step above him.
Then the mouse senses something, and
becomes a sparrow again, cocking her head a fraction sideways, and hops along
the stone a step or two.
The monkey watches the sparrow; the
sparrow watches the monkey.
The monkey reaches out slowly. His little
hand is black, his nails perfect horny claws, his movements gentle and
inviting. The sparrow can't resist. She hops further, and further, and then,
with a little flutter, up on to the monkey's hand.
The monkey lifts her up, and gazes closely
at her before standing and swinging back to his human, taking the sparrow
daemon with him. The lady bends her scented head to whisper.
And then Tony turns. He can't help it.
“Ratter!” he says, half in alarm, his
mouth full.
The sparrow chirps. It must be safe. Tony
swallows his mouthful and stares.
“Hello,” says the beautiful lady. “What's
your name?”
“Tony.”
“Where do you live, Tony?”
“Clarice Walk.”
“What's in that pie?”
“Beefsteak.”
“Do you like chocolatl?”
“Yeah!”
“As it happens, I've got more chocolatl
than I can drink myself. Will you come and help me drink it?”
He's lost already. He was lost the moment
his slow-witted daemon hopped onto the monkey's hand. He follows the beautiful
young lady and the golden monkey down Denmark Street and along to Hangman's
Wharf, and down King George's Steps to a little green door in the side of a
tall warehouse. She knocks, the door is opened, they go in, the door is closed.
Tony will never come out—at least, by that entrance; and he'll never see his
mother again. She, poor drunken thing, will think he's run away, and when she
remembers him, she'll think it was her fault, and sob her sorry heart out.
* * *
Little Tony Makarios wasn't the only child
to be caught by the lady with the golden monkey. He found a dozen others in the
cellar of the warehouse, boys and girls, none older than twelve or so; though
since all of them had histories like his, none could be sure of their age. What
Tony didn't notice, of course, was the factor that they all had in common. None
of the children in that warm and steamy cellar had reached the age of puberty.
The kind lady saw him settled on a bench
against the wall, and provided by a silent serving woman with a mug of
chocolatl from the saucepan on the iron stove. Tony ate the rest of his pie and
drank the sweet hot liquor without taking much notice of his surroundings, and
the surroundings took little notice of him: he was too small to be a threat,
and too stolid to promise much satisfaction as a victim.
It was another boy who asked the obvious
question.
“Hey, lady! What you got us all here for?”
He was a tough-looking wretch with dark
chocolatl on his top lip and a gaunt black rat for a daemon. The lady was
standing near the door, talking to a stout man with the air of a sea captain,
and as she turned to answer, she looked so angelic in the hissing naphtha light
that all the children fell silent.
“We want your help,” she said. “You don't
mind helping us, do you?”
No one could say a word. They all gazed,
suddenly shy. They had never seen a lady like this; she was so gracious and
sweet and kind that they felt they hardly deserved their good luck, and
whatever she asked, they'd give it gladly so as to stay in her presence a
little longer.
She told them that they were going on a
voyage. They would be well fed and warmly clothed, and those who wanted to
could send messages back to their families to let them know they were safe.
Captain Magnusson would take them on board his ship very soon, and then when
the tide was right, they'd sail out to sea and set a course for the North.
Soon those few who did want to send a
message to what-ever home they had were sitting around the beautiful lady as she
wrote a few lines at their dictation and, having let them scratch a clumsy X at
the foot of the page, folded it into a scented envelope and wrote the address
they told her. Tony would have liked to send something to his mother, but he
had a realistic idea of her ability to read it. He plucked at the lady's
fox-fur sleeve and whispered that he'd like her to tell his mum where he was
going, and all, and she bent her gracious head close enough to his malodorous
little body to hear, and stroked his head and promised to pass the message on.
Then the children clustered around to say
goodbye. The golden monkey stroked all their daemons, and they all touched the
fox fur for luck, or as if they were drawing some strength or hope or goodness
out of the lady, and she bade them all farewell and saw them in the care of the
bold captain on board a steam launch at the jetty. The sky was dark now, the
river a mass of bobbing lights. The lady stood on the jetty and waved till she
could see their faces no more.
Then she turned back inside, with the
golden monkey nestled in her breast, and threw the little bundle of letters
into the furnace before leaving the way she had come.
Children from the slums were easy enough
to entice away, but eventually people noticed, and the police were stirred into
reluctant action. For a while there were no more bewitchings. But a rumor had
been born, and little by little it changed and grew and spread, and when after
a while a few children disappeared in Norwich, and then Sheffield, and then Manchester,
the people in those places who'd heard of the disappearances elsewhere added
the new vanishings to the story and gave it new strength.
And so the legend grew of a mysterious
group of enchanters who spirited children away. Some said their leader was a
beautiful lady, others said a tall man with red eyes, while a third story told
of a youth who laughed and sang to his victims so that they followed him like
sheep.
As for where they took these lost
children, no two stories agreed. Some said it was to Hell, under the ground, to
Fairyland. Others said to a farm where the children were kept and fattened for
the table. Others said that the children were kept and sold as slaves to rich
Tartars....And so on.
But one thing on which everyone agreed was
the name of these invisible kidnappers. They had to have a name, or not be
referred to at all, and talking about them—especially if you were safe and snug
at home, or in Jordan College—was delicious. And the name that seemed to settle
on them, without anyone's knowing why, was the Gobblers.
“Don't stay out late, or the Gobblers'11
get you!”
“My cousin in Northampton, she knows a
woman whose little boy was took by the Gobblers....”
“The Gobblers've been in Stratford. They
say they're coming south!”
And, inevitably:
“Let's play kids and Gobblers!”
So said Lyra to Roger, one rainy afternoon
when they were alone in the dusty attics. He was her devoted slave by this
time; he would have followed her to the ends of the earth.
“How d'you play that?”
“You hide and I find you and slice you
open, right, like the Gobblers do.”
“You don't know what they do. They might
not do that at all.”
“You're afraid of 'em,” she said. “I can
tell.”
“I en't. I don't believe in 'em anyway.”
“I do,” she said decisively. “But I en't
afraid either. I'd just do what my uncle done last time he came to Jordan. I
seen him. He was in the Retiring Room and there was this guest who weren't
polite, and my uncle just give him a hard look and the man fell dead on the
spot, with all foam and froth round his mouth.”
“He never,” said Roger doubtfully. “They
never said anything about that in the kitchen. Anyway, you en't allowed in the
Retiring Room.”
'“Course not. They wouldn't tell servants
about a thing like that. And I have been in the Retiring Room, so there.
Anyway, my uncle's always doing that. He done it to some Tartars when they
caught him once. They tied him up and they was going to cut his guts out, but
when the first man come up with the knife, my uncle just looked at him, and he
fell dead, so another one come up and he done the same to him, and finally
there was only one left. My uncle said he'd leave him alive if he untied him,
so he did, and then my uncle killed him anyway just to teach him a lesson.”
Roger was less sure about that than about
Gobblers, but the story was too good to waste, so they took it in turns to be
Lord Asriel and the expiring Tartars, using sherbet dip for the foam.
However, that was a distraction; Lyra was
still intent on playing Gobblers, and she inveigled Roger down into the wine
cellars, which they entered by means of the Butler's spare set of keys.
Together they crept through the great vaults where the College's Tokay and
Canary, its Burgundy, its brantwijn were lying under the cobwebs of ages.
Ancient stone arches rose above them supported by pillars as thick as ten
trees, irregular flagstones lay underfoot, and on all sides were ranged rack
upon rack, tier upon tier, of bottles and barrels. It was fascinating. With
Gobblers forgotten again, the two children tiptoed from end to end holding a
candle in trembling fingers, peering into every dark corner, with a single
question growing more urgent in Lyra's mind every moment: what did the wine
taste like?
There was an easy way of answering that.
Lyra—over Roger's fervent protests—picked out the oldest, twistiest, greenest
bottle she could find, and, not having anything to extract the cork with, broke
it off at the neck. Huddled in the furthest corner, they sipped at the heady
crimson liquor, wondering when they'd become drunk, and how they'd tell when
they were. Lyra didn't like the taste much, but she had to admit how grand and
complicated it was. The funniest thing was watching their two daemons, who
seemed to be getting more and more muddled: falling over, giggling senselessly,
and changing shape to look like gargoyles, each trying to be uglier than the
other.
Finally, and almost simultaneously, the
children discovered what it was like to be drunk.
“Do they like doing this?” gasped Roger,
after vomiting copiously.
“Yes,” said Lyra, in the same condition.
“And so do I,” she added stubbornly.
Lyra learned nothing from that episode
except that playing Gobblers led to interesting places. She remembered her
uncle's words in their last interview, and began to explore underground, for
what was above ground was only a small fraction of the whole. Like some
enormous fungus whose root system extended over acres, Jordan (finding itself
jostling for space above ground with St. Michael's College on one side, Gabriel
College on the other, and the University Library behind) had begun, sometime in
the Middle Ages, to spread below the surface. Tunnels, shafts, vaults, cellars,
staircases had so hollowed out the earth below Jordan and for several hundred
yards around it that there was almost as much air below ground as above; Jordan
College stood on a sort of froth of stone.
And now that Lyra had the taste for
exploring it, she abandoned her usual haunt, the irregular alps of the College
roofs, and plunged with Roger into this netherworld. From playing at Gobblers
she had turned to hunting them, for what could be more likely than that they
were lurking out of sight below the ground?
So one day she and Roger made their way
into the crypt below the oratory. This was where generations of Masters had been
buried, each in his lead-lined oak coffin in niches along the stone walls. A
stone tablet below each space gave their names:
SIMON LE CLERC,
MASTER 1765-1789 CEREBATON
REQUIESCANT IN
PACE
“What's that mean?” said Roger.
“The first part's his name, and the last
bit's Roman. And there's the dates in the middle when he was Master. And the
other name must be his daemon.”
They moved along the silent vault, tracing
the letters of more inscriptions:
FRANCIS LYALL, MASTER 1748-1765 ZOHARIEL
REQUIESCANT IN PACE
ICNATIUS COLE,
MASTER 1745-1748 MUSCA
REQUIESCANT IN
PACE
On each coffin, Lyra was interested to
see, a brass plaque bore a picture of a different being: this one a basilisk,
this a serpent, this a monkey. She realized that they were images of the dead
men's daemons. As people became adult, their daemons lost the power to change
and assumed one shape, keeping it permanently.
“These coffins' ve got skeletons in “em!”
whispered Roger.
“Moldering flesh,” whispered Lyra. “And
worms and maggots all twisting about in their eye sockets.”
“Must be ghosts down here,” said Roger,
shivering pleasantly.
Beyond the first crypt they found a
passage lined with stone shelves. Each shelf was partitioned off into square
sections, and in each section rested a skull.
Roger's daemon, tail tucked firmly between
her legs, shivered against him and gave a little quiet howl.
“Hush,” he said.
Lyra couldn't see Pantalaimon, but she
knew his moth form was resting on her shoulder and probably shivering too.
She reached up and lifted the nearest
skull gently out of its resting place.
“What you doing?” said Roger. “You en't
supposed to touch em.”
She turned it over and over, taking no
notice. Something suddenly fell out of the hole at the base of the skull — fell
through her fingers and rang as it hit the floor, and she nearly dropped the
skull in alarm.
“It's a coin!” said Roger, feeling for it.
“Might be treasure!”
He held it up to the candle and they both
gazed wide-eyed. It was not a coin, but a little disc of bronze with a crudely
engraved inscription showing a cat.
“It's like the ones on the coffins,” said
Lyra. “It's his daemon. Must be.”
“Better put it back,” said Roger uneasily,
and Lyra upturned the skull and dropped the disk back into its immemorial
resting place before returning the skull to the shelf. Each of the other
skulls, they found, had its own daemon-coin, showing its owner's lifetime
companion still close to him in death.
“Who d'you think these were when they were
alive?” said Lyra. “Probably Scholars, I reckon. Only the Masters get coffins.
There's probably been so many Scholars all down the centuries that there
wouldn't be room to bury the whole of 'em, so they just cut their heads off and
keep them. That's the most important part of 'em anyway.”
They found no Gobblers, but the catacombs
under the oratory kept Lyra and Roger busy for days. Once she tried to play a
trick on some of the dead Scholars, by switching around the coins in their
skulls so they were with the wrong daemons. Pantalaimon became so agitated at this
that he changed into a bat and flew up and down uttering shrill cries and
flapping his wings in her face, but she took no notice: it was too good a joke
to waste. She paid for it later, though. In bed in her narrow room at the top
of Staircase Twelve she was visited by a night-ghast, and woke up screaming at
the three robed figures who stood at the bedside pointing their bony fingers
before throwing back their cowls to show bleeding stumps where their heads
should have been. Only when Pantalaimon became a lion and roared at them did
they retreat, backing away into the substance of the wall until all that was
visible was their arms, then their horny yellow-gray hands, then their
twitching fingers, then nothing. First thing in the morning she hastened down
to the catacombs and restored the daemon-coins to their rightful places, and
whispered “Sorry! Sorry!” to the skulls.
The catacombs were much larger than the
wine cellars, but they too had a limit. When Lyra and Roger had explored every
corner of them and were sure there were no Gobblers to be found there, they
turned their attention elsewhere—but not before they were spotted leaving the
crypt by the Intercessor, who called them back into the oratory.
The Intercessor was a plump, elderly man
known as Father Heyst. It was his job to lead all the College services, to
preach and pray and hear confessions. When Lyra was younger, he had taken an
interest in her spiritual welfare, only to be confounded by her sly
indifference and insincere repentances. She was not spiritually promising, he
had decided.
When they heard him call, Lyra and Roger
turned reluctantly and walked, dragging their feet, into the great
musty-smelling dimness of the oratory. Candles flickered here and there in
front of images of the saints; a faint and distant clatter came from the organ
loft, where some repairs were going on; a servant was polishing the brass
lectern. Father Heyst beckoned from the vestry door.
“Where have you been?” he said to them.
“I've seen you come in here two or three times now. What are you up to?”
His tone was not accusatory. He sounded as
if he were genuinely interested. His daemon flicked a lizard tongue at them
from her perch on his shoulder.
Lyra said, “We wanted to look down in the
crypt.”
“Whatever for?”
“The...the coffins. We wanted to see all
the coffins,” she said.
“But why?”
She shrugged. It was her constant response
when she was pressed.
“And you,” he went on, turning to Roger.
Roger's daemon anxiously wagged her terrier tail to propitiate him. “What's
your name?”
“Roger, Father.”
“If you're a servant, where do you work?”
“In the kitchen, Father.” “Should you be there now?” “Yes, Father.” “Then be
off with you.”
Roger turned and ran. Lyra dragged her
foot from side to side on the floor.
“As for you, Lyra,” said Father Heyst,
“I'm pleased to see you taking an interest in what lies in the oratory. You are
a lucky child, to have all this history around you.” “Mm,” said Lyra.
“But I wonder about your choice of
companions. Are you a lonely child?” “No,” she said.
“Do you...do you miss the society of other
children?” “No.”
“I don't mean Roger the kitchen boy. I
mean children such as yourself. Nobly born children. Would you like to have
some companions of that sort?” “No.”
“But other girls, perhaps...” “No.”
“You see, none of us would want you to
miss all the usual childhood pleasures and pastimes. I sometimes think it must
be a lonely life for you here among a company of elderly Scholars, Lyra. Do you
feel that?” “No.”
He tapped his thumbs together over his
interlaced fingers, unable to think of anything else to ask this stubborn
child.
“If there is anything troubling you,” he
said finally, “you know you can come and tell me about it. I hope you feel you
can always do that.” “Yes,” she said.
“Do you say your prayers?”
“Yes.”
“Good girl. Well, run along.”
With a barely concealed sigh of relief,
she turned and left. Having failed to find Gobblers below ground, Lyra took to
the streets again. She was at home there.
Then, almost when she'd lost interest in
them, the Gobblers appeared in Oxford.
The first Lyra heard of it was when a
young boy went missing from a gyptian family she knew.
It was about the time of the horse fair,
and the canal basin was crowded with narrowboats and butty boats, with traders
and travelers, and the wharves along the waterfront in Jericho were bright with
gleaming harness and loud with the clop of hooves and the clamor of bargaining.
Lyra always enjoyed the horse fair; as well as the chance of stealing a ride on
a less-than-well-attended horse, there were endless opportunities for provoking
warfare.
And this year she had a grand plan.
Inspired by the capture of the narrowboat the year before, she intended this
time to make a proper voyage before being turned out. If she and her cronies
from the College kitchens could get as far as Abingdon, they could play havoc
with the weir....
But this year there was to be no war.
Something else happened. Lyra was sauntering along the edge of the Port Meadow
boatyard in the morning sun, without Roger for once (he had been detailed to
wash the buttery floor) but with Hugh Lovat and Simon Parslow, passing a stolen
cigarette from one to another and blowing out the smoke ostentatiously, when
she heard a cry in a voice she recognized.
“Well, what have you done with him, you
half-arsed pillock?”
It was a mighty voice, a woman's voice,
but a woman with lungs of brass and leather. Lyra looked around for her at
once, because this was Ma Costa, who had clouted Lyra dizzy on two occasions
but given her hot gingerbread on three, and whose family was noted for the
grandeur and sumptu-ousness of their boat. They were princes among gyptians,
and Lyra admired Ma Costa greatly, but she intended to be wary of her for some
time yet, for theirs was the boat she had hijacked.
One of Lyra's brat companions picked up a
stone automatically when he heard the commotion, but Lyra said, “Put it down.
She's in a temper. She could snap your backbone like a twig.”
In fact, Ma Costa looked more anxious than
angry. The man she was addressing, a horse trader, was shrugging and spreading
his hands.
“Well, I dunno,” he was saying. “He was
here one minute and gone the next. I never saw where he went....”
“He was helping you! He was holding your
bloody horses for you!”
“Well, he should've stayed there, shouldn't
he? Runs off in the middle of a job—”
He got no further, because Ma Costa
suddenly dealt him a mighty blow on the side of the head, and followed it up
with such a volley of curses and slaps that he yelled and turned to flee. The
other horse traders nearby jeered, and a flighty colt reared up in alarm.
“What's going on?” said Lyra to a gyptian
child who'd been watching open-mouthed. “What's she angry about?”
“It's her kid,” said the child. “It's
Billy. She probly reckons the Gobblers got him. They might've done, too. I
ain't seen him meself since—”
“The Gobblers? Has they come to Oxford,
then?”
The gyptian boy turned away to call to his
friends, who were all watching Ma Costa.
“She don't know what's going on! She don't
know the Gobblers is here!”
Half a dozen brats turned with expressions
of derision, and Lyra threw her cigarette down, recognizing the cue for a
fight. Everyone's daemon instantly became warlike: each child was accompanied
by fangs, or claws, or bristling fur, and Pantalaimon, contemptuous of the
limited imaginations of these gyptian daemons, became a dragon the size of a
deer hound.
But before they could all join battle, Ma
Costa herself waded in, smacking two of the gyptians aside and confronting Lyra
like a prizefighter.
“You seen him?” she demanded of Lyra. “You
seen Billy?”
“No,” Lyra said. “We just got here. I en't
seen Billy for months.”
Ma Costa's daemon was wheeling in the
bright air above her head, a hawk, fierce yellow eyes snapping this way and
that, unblinking. Lyra was frightened. No one worried about a child gone
missing for a few hours, certainly not a gyptian: in the tight-knit gyptian
boat world, all children were precious and extravagantly loved, and a mother
knew that if a child was out of sight, it wouldn't be far from someone else's
who would protect it instinctively.
But here was Ma Costa, a queen among the
gyptians, in a terror for a missing child. What was going on?
Ma Costa looked half-blindly over the
little group of children and turned away to stumble through the crowd on the
wharf, bellowing for her child. At once the children turned back to one
another, their feud abandoned in the face of her grief.
“What is them Gobblers?” said Simon
Parslow, one of Lyra's companions.
The first gyptian boy said, “You know.
They been stealing kids all over the country. They're pirates—”
“They en't pirates,” corrected another
gyptian. “They're cannaboles. That's why they call 'em Gobblers.”
“They eat kids?” said Lyra's other crony,
Hugh Lovat, a kitchen boy from St. Michael's.
“No one knows,” said the first gyptian.
“They take 'em away and they en't never seen again.”
“We all know that,” said Lyra. “We been
playing kids and Gobblers for months, before you were, I bet. But 1 bet no
one's seen 'em.”
“They have,” said one boy.
“Who, then?” persisted Lyra. “Have you
seen 'em? How d'you know it en't just one person?”
“Charlie seen 'em in Banbury,” said a
gyptian girl. “They come and talked to this lady while another man took her
little boy out the garden.”
“Yeah,” piped up Charlie, a gyptian boy.
“I seen 'em do it!”
“What did they look like?” said Lyra.
“Well...l
never properly saw
'em,” Charlie said.
“I saw their truck, though,” he added. “They come in a white truck. They
put the little boy in the truck and drove off quick.”
“But why do they call 'em Gobblers?” Lyra
asked.
'“Cause they eat 'em,” said the first
gyptian boy. “Someone told us in Northampton. They been up there and all. This
girl in Northampton, her brother was took, and she said the men as took him
told her they was going to eat him. Everyone knows that. They gobble 'em up.”
A gyptian girl standing nearby began to
cry loudly.
“That's Billy's cousin,” said Charlie.
Lyra said, “Who saw Billy last?”
“Me,” said half a dozen voices. “I seen
him holding Johnny
Fiorelli's old horse—I seen him by the
toffee-apple seller—I seen him swinging on the crane—”
When Lyra had sorted it out, she gathered
that Billy had been seen for certain not less than two hours previously.
“So,” she said, “sometime in the last two
hours there must've been Gobblers here....”
They all looked around, shivering in spite
of the warm sun, the crowded wharf, the familiar smells of tar and horses and
smokeleaf. The trouble was that because no one knew what these Gobblers looked
like, anyone might be a Gobbler, as Lyra pointed out to the appalled gang, who
were now all under her sway, collegers and gyptians alike.
“They're bound to look like ordinary
people, else they'd be seen at once,” she explained. “If they only came at
night, they could look like anything. But if they come in the daylight, they
got to look ordinary. So any of these people might be Gobblers....”
“They en't,” said a gyptian uncertainly.
“I know 'em all.”
“All right, not these, but anyone else,”
said Lyra. “Let's go and look for 'em! And their white truck!”
And that precipitated a swarm. Other
searchers soon joined the first ones, and before long, thirty or more gyptian
children were racing from end to end of the wharves, running in and out of
stables, scrambling over the cranes and derricks in the boatyard, leaping over
the fence into the wide meadow, swinging fifteen at a time on the old swing
bridge over the green water, and running full pelt through the narrow streets
of Jericho, between the little brick terraced houses and into the great square-towered
oratory of St. Barnabas the Chymist. Half of them didn't know what they were
looking for, and thought it was just a lark, but those closest to Lyra felt a
real fear and apprehension every time they glimpsed a solitary figure down an
alley or in the dimness of the oratory: was it a Gobbler?
But of course it wasn't. Eventually, with
no success, and with the shadow of Billy's real disappearance hanging over them
all, the fun faded away. As Lyra and the two College boys left Jericho when
suppertime neared, they saw the gyptians gathering on the wharf next to where
the Costas' boat was moored. Some of the women were crying loudly, and the men
were standing in angry groups, with all their daemons agitated and rising in
nervous flight or snarling at shadows.
“I bet them Gobblers wouldn't dare come in
here,” said Lyra to Simon Parslow, as the two of them stepped over the
threshold into the great lodge of Jordan.
“No,” he said uncertainly. “But I know
there's a kid missing from the market.”
“Who?” Lyra said. She knew most of the
market children, but she hadn't heard of this.
“Jessie Reynolds, out the saddler's. She
weren't there at shutting-up time yesterday, and she'd only gone for a bit of
fish for her dad's tea. She never come back and no one'd seen her. They
searched all through the market and everywhere.”
“I never heard about that!” said Lyra,
indignant. She considered it a deplorable lapse on the part of her subjects not
to tell her everything and at once.
“Well, it was only yesterday. She might've
turned up now.”
“I'm going to ask,” said Lyra, and turned
to leave the lodge.
But she hadn't got out of the gate before
the Porter called her.
“Here, Lyra! You're not to go out again
this evening. Master's orders.”
“Why not?”
“I told you, Master's orders. He says if
you come in, you stay in.”
“You catch me,” she said, and darted out
before the old man could leave his doorway.
She ran across the narrow street and down
into the alley where the vans unloaded goods for the covered market. This being
shutting-up time, there were few vans there now, but a knot of youths stood
smoking and talking by the central gate opposite the high stone wall of St.
Michael's College. Lyra knew one of them, a sixteen-year-old she admired
because he could spit further than anyone else she'd ever heard of, and she
went and waited humbly for him to notice her.
“Yeah? What do you want?” he said finally.
“Is Jessie Reynolds disappeared?”
“Yeah. Why?”
'“Cause a gyptian kid disappeared today
and all.”
“They're always disappearing, gyptians.
After every horse fair they disappear.”
“So do horses,” said one of his friends.
“This is different,” said Lyra. “This is a
kid. We was looking for him all afternoon and the other kids said the Gobblers
got him.”
“The what?”
“The Gobblers,” she said. “En't you heard
of the Gobblers?”
It was news to the other boys as well, and
apart from a few coarse comments they listened closely to what she told them.
“Gobblers,” said Lyra's acquaintance,
whose name was Dick. “It's stupid. These gyptians, they pick up all kinds of
stupid ideas.”
“They said there was Gobblers in Banbury a
couple of weeks ago,” Lyra insisted, “and there was five kids taken. They
probably come to Oxford now to get kids from us. It must've been them what got
Jessie.”
“There was a kid lost over Cowley way,”
said one of the other boys. “I remember now. My auntie, she was there
yesterday, 'cause she sells fish and chips out a van, and she heard about
it....Some little boy, that's it...I dunno about the Gobblers, though. They
en't real, Gobblers. Just a story.”
“They are!” Lyra said. “The gyptians seen
'em. They reckon they eat the kids they catch, and...”
She stopped in midsentence, because
something had suddenly come into her mind. During that strange evening she'd
spent hidden in the Retiring Room, Lord Asriel had shown a lantern slide of a
man with streams of light pouring from his hand; and there'd been a small
figure beside him, with less light around it; and he'd said it was a child; and
someone had asked if it was a severed child, and her uncle had said no, that
was the point. Lyra remembered that severed meant “cut.”
And then something else hit her heart:
where was Roger?
She hadn't seen him since the morning....
Suddenly she felt afraid. Pantalaimon, as
a miniature lion, sprang into her arms and growled. She said goodbye to the
youths by the gate and walked quietly back into Turl Street, and then ran full
pelt for Jordan lodge, tumbling in through the door a second before the now
cheetah-shaped daemon.
The Porter was sanctimonious.
“I had to ring the Master and tell him,”
he said. “He en't pleased at all. I wouldn't be in your shoes, not for money I
wouldn't.”
“Where's Roger?” she demanded.
“I en't seen him. He'll be for it, too.
Ooh, when Mr. Cawson catches him—”
Lyra ran to the kitchen and thrust her way
into the hot, clangorous, steaming bustle.
“Where's Roger?” she shouted.
“Clear off, Lyra! We're busy here!”
“But where is he? Has he turned up or
not?”
No one seemed interested.
“But where is he? You must've heard!” Lyra
shouted at the chef, who boxed her ears and sent her storming away.
Bernie the pastry cook tried to calm her
down, but she wouldn't be consoled.
“They got him! Them bloody Gobblers, they
oughter catch 'em and bloody kill 'em! I hate 'em! You don't care about Roger—”
“Lyra, we all care about Roger—”
“You don't, else you'd all stop work and
go and look for him right now! I hate you!”
“There could be a dozen reasons why Roger
en't turned up. Listen to sense. We got dinner to prepare and serve in less
than an hour; the Master's got guests in the lodging, and he'll be eating over
there, and that means Chef'11 have to attend to getting the food there quick so
it don't go cold; and what with one thing and another, Lyra, life's got to go
on. I'm sure Roger'11 turn up....”
Lyra turned and ran out of the kitchen,
knocking over a stack of silver dish covers and ignoring the roar of anger that
arose. She sped down the steps and across the quadrangle, between the chapel
and Palmer's Tower and into the Yaxley Quad, where the oldest buildings of the
College stood.
Pantalaimon scampered before her, flowing
up the stairs to the very top, where Lyra's bedroom was. Lyra barged open the
door, dragged her rickety chair to the window, flung wide the casement, and
scrambled out. There was a lead-lined stone gutter a foot wide just below the
window, and once she was standing in that, she turned and clambered up over the
rough tiles until she stood on the topmost ridge of the roof. There she opened
her mouth and screamed. Pantalaimon, who always became a bird once on the roof,
flew round and round shrieking rook shrieks with her.
The evening sky was awash with peach,
apricot, cream: tender little ice-cream clouds in a wide orange sky. The spires
and towers of Oxford stood around them, level but no higher; the green woods of
Chateau-Vert and White Ham rose on either side to the east and the west. Rooks
were cawing somewhere, and bells were ringing, and from the oxpens the steady
beat of a gas engine announced the ascent of the evening Royal Mail zeppelin for
London. Lyra watched it climb away beyond the spire of St. Michael's Chapel, as
big at first as the tip of her little finger when she held it at arm's length,
and then steadily smaller until it was a dot in the pearly sky.
She turned and looked down into the
shadowed quadrangle, where the black-gowned figures of the Scholars were
already beginning to drift in ones and twos toward the buttery, their daemons
strutting or fluttering alongside or perching calmly on their shoulders. The
lights were going on in the Hall; she could see the stained-glass windows
gradually beginning to glow as a servant moved up the tables lighting the
naphtha lamps. The Steward's bell began to toll, announcing half an hour before
dinner.
This was her world. She wanted it to stay
the same forever and ever, but it was changing around her, for someone out
there was stealing children. She sat on the roof ridge, chin in hands.
“We better rescue him, Pantalaimon,” she
said. He answered in his rook voice from the chimney. “It'll be dangerous,” he
said. '“Course! I know that.”
“Remember what they said in the Retiring
Room.” “What?”
“Something about a child up in the Arctic.
The one that wasn't attracting the Dust.”
“They said it was an entire child....What
about it?”
“That might be what they're going to do to
Roger and the gyptians and the other kids.”
“What?”
“Well, what does entire mean?”
“Dunno. They cut 'em in half, probably. I
reckon they make slaves out of 'em. That'd be more use. They probably got mines
up there. Uranium mines for atomcraft. I bet that's what it is. And if they
sent grownups down the mine, they'd be dead, so they use kids instead because
they cost less. That's what they've done with him.”
“I think—”
But what Pantalaimon thought had to wait,
because someone began to shout from below.
“Lyra! Lyra! You come in this instant!”
There was a banging on the window frame.
Lyra knew the voice and the impatience: it was Mrs. Lonsdale, the Housekeeper.
There was no hiding from her.
Tight-faced, Lyra slid down the roof and
into the gutter, and then climbed in through the window again. Mrs. Lonsdale
was running some water into the little chipped basin, to the accompaniment of a
great groaning and hammering from the pipes.
“The number of times you been told about
going out there—Look at you! Just look at your skirt—it's filthy! Take it off
at once and wash yourself while I look for something decent that en't torn. Why
you can't keep yourself clean and tidy...”
Lyra was too sulky even to ask why she was
having to wash and dress, and no grownup ever gave reasons of their own accord.
She dragged the dress over her head and dropped it on the narrow bed, and began
to wash desultorily while Pantalaimon, a canary now, hopped closer and closer
to Mrs. Lonsdale's daemon, a stolid retriever, trying in vain to annoy him.
“Look at the state of this wardrobe! You
en't hung nothing up for weeks! Look at the creases in this—”
Look at this, look at that...Lyra didn't
want to look. She shut her eyes as she rubbed at her face with the thin towel.
“You'll just have to wear it as it is.
There en't time to take an iron to it. God bless me, girl, your knees—look at
the state of them....”
“Don't want to look at nothing,” Lyra
muttered.
Mrs. Lonsdale smacked her leg. “Wash,” she
said ferociously. “You get all that dirt off.”
“Why?” Lyra said at last. “I never wash my
knees usually. No one's going to look at my knees. What've I got to do all this
for? You don't care about Roger neither, any more than Chef does. I'm the only
one that—” Another smack, on the other leg.
“None of that nonsense. I'm a Parslow,
same as Roger's father. He's my second cousin. I bet you didn't know that,
'cause I bet you never asked, Miss Lyra. I bet it never occurred to you. Don't
you chide me with not caring about the boy. God knows, I even care about you,
and you give me little enough reason and no thanks.”
She seized the flannel and rubbed Lyra's
knees so hard she left the skin bright pink and sore, but clean.
“The reason for this is you're going to
have dinner with the Master and his guests. I hope to God you behave. Speak
when you're spoken to, be quiet and polite, smile nicely and don't you ever say
Dunno when someone asks you a question.”
She dragged the best dress onto Lyra's
skinny frame, tugged it straight, fished a bit of red ribbon out of the tangle
in a drawer, and brushed Lyra's hair with a coarse brush.
“If they'd let me know earlier, I could've
given your hair a proper wash. Well, that's too bad. As long as they don't look
too close...There. Now stand up straight. Where's those best patent-leather
shoes?”
Five minutes later Lyra was knocking on
the door of the Master's lodging, the grand and slightly gloomy house that
opened into the Yaxley Quadrangle and backed onto the Library Garden.
Pantalaimon, an ermine now for politeness, rubbed himself against her leg. The
door was opened by the Master's manservant Cousins, an old enemy of Lyra's; but
both knew that this was a state of truce.
“Mrs. Lonsdale said I was to come,” said
Lyra.
“Yes,” said Cousins, stepping aside. “The
Master's in the drawing room.”
He showed her into the large room that
overlooked the Library Garden. The last of the sun shone into it, through the
gap between the library and Palmer's Tower, and lit up the heavy pictures and
the glum silver the Master collected. It also lit up the guests, and Lyra
realized why they weren't going to dine in Hall: three of the guests were
women.
“Ah, Lyra,” said the Master. “I'm so glad
you could come. Cousins, could you find some sort of soft drink? Dame Hannah, I
don't think you've met Lyra...Lord Asriel's niece, you know.”
Dame Hannah Relf was the head of one of
the women's colleges, an elderly gray-haired lady whose daemon was a marmoset.
Lyra shook hands as politely as she could, and was then introduced to the other
guests, who were, like Dame Hannah, Scholars from other colleges and quite
uninteresting. Then the Master came to the final guest.
“Mrs. Coulter,” he said, “this is our
Lyra. Lyra, come and say hello to Mrs. Coulter.”
“Hello, Lyra,” said Mrs. Coulter.
She was beautiful and young. Her sleek
black hair framed her cheeks, and her daemon was a golden monkey.
FOUR
THE ALETHIOMETER
“I hope you'll sit next to me at dinner,”
said Mrs. Coulter, making room for Lyra on the sofa. “I'm not used to the
grandeur of a Master's lodging. You'll have to show me which knife and fork to
use.”
“Are you a female Scholar?” said Lyra. She
regarded female Scholars with a proper Jordan disdain: there were such people,
but, poor things, they could never be taken more seriously than animals dressed
up and acting a play. Mrs. Coulter, on the other hand, was not like any female
Scholar Lyra had seen, and certainly not like the two serious elderly ladies
who were the other female guests. Lyra had asked the question expecting the
answer No, in fact, for Mrs. Coulter had such an air of glamour that Lyra was
entranced. She could hardly take her eyes off her.
“Not really,” Mrs. Coulter said. “I'm a
member of Dame Hannah's college, but most of my work takes place outside
Oxford....Tell me about yourself, Lyra. Have you always lived at Jordan
College?”
Within five minutes Lyra had told her
everything about her half-wild life: her favorite routes over the rooftops, the
battle of the claybeds, the time she and Roger had caught and roasted a rook,
her intention to capture a narrowboat from the gyptians and sail it to
Abingdon, and so on. She even (looking around and lowering her voice) told her
about the trick she and Roger had played on the skulls in the crypt.
“And these ghosts came, right, they came
to my bedroom
without their heads! They couldn't talk
except for making sort of gurgling noises, but I knew what they wanted all
right. So I went down next day and put their coins back. They'd probably have
killed me else.”
“You're not afraid of danger, then?” said
Mrs. Coulter admiringly. They were at dinner by this time, and as Lyra had
hoped, sitting next to each other. Lyra ignored completely the Librarian on her
other side and spent the whole meal talking to Mrs. Coulter.
When the ladies withdrew for coffee, Dame
Hannah said, “Tell me, Lyra—are they going to send you to school?”
Lyra looked blank. “I dun—I don't know,”
she said. “Probably not,” she added for safety. “I wouldn't want to put them to
any trouble,” she went on piously. “Or expense. It's probably better if I just
go on living at Jordan and getting educated by the Scholars here when they've
got a bit of spare time. Being as they're here already, they're probably free.”
“And does your uncle Lord Asriel have any
plans for you?” said the other lady, who was a Scholar at the other women's
college.
“Yes,” said Lyra. “I expect so. Not
school, though. He's going to take me to the North next time he goes.”
“I remember him telling me,” said Mrs.
Coulter.
Lyra blinked. The two female Scholars sat
up very slightly, though their demons, either well behaved or torpid, did no
more than flick their eyes at each other.
“I met him at the Royal Arctic Institute,”
Mrs. Coulter went on. “As a matter of fact, it's partly because of that meeting
that I'm here today.”
“Are you an explorer too?” said Lyra.
“In a kind of way. I've been to the North
several times. Last year I spent three months in Greenland making observations
of the Aurora.”
That was it; nothing and no one else
existed now for Lyra. She gazed at Mrs. Coulter with awe, and listened rapt and
silent to her tales of igloo building, of seal hunting, of negotiating with the
Lapland witches. The two female Scholars had nothing so exciting to tell, and
sat in silence until the men came in.
Later, when the guests were preparing to
leave, the Master said, “Stay behind, Lyra. I'd like to talk to you for a
minute or two. Go to my study, child; sit down there and wait for me.”
Puzzled, tired, exhilarated, Lyra did as
he told her. Cousins the manservant showed her in, and pointedly left the door
open so that he could see what she was up to from the hall, where he was
helping people on with their coats. Lyra watched for Mrs. Coulter, but she
didn't see her, and then the Master came into the study and shut the door.
He sat down heavily in the armchair by the
fireplace. His daemon flapped up to the chair back and sat by his head, her old
hooded eyes on Lyra. The lamp hissed gently as the Master said:
“So, Lyra. You've been talking to Mrs.
Coulter. Did you enjoy hearing what she said?”
“Yes!”
“She is a remarkable lady.”
“She's wonderful. She's the most wonderful
person I've ever met.”
The Master sighed. In his black suit and
black tie he looked as much like his daemon as anyone could, and suddenly Lyra
thought that one day, quite soon, he would be buried in the crypt under the
oratory, and an artist would engrave a picture of his daemon on the brass plate
for his coffin, and her name would share the space with his.
“I should have made time before now for a
talk with you, Lyra,” he said after a few moments. “I was intending to do so in
any case, but it seems that time is further on than I thought. You have been
safe here in Jordan, my dear. I think you've been happy. You haven't found it
easy to obey us, but we are very fond of you, and you've never been a bad
child. There's a lot of goodness and sweetness in your nature, and a lot of
determination. You're going to need all of that. Things are going on in the
wide world I would have liked to protect you from—by keeping you here in Jordan,
I mean—but that's no longer possible.”
She merely stared. Were they going to send
her away?
“You knew that sometime you'd have to go
to school,” the Master went on. “We have taught you some things here, but not
well or systematically. Our knowledge is of a different kind. You need to know
things that elderly men are not able to teach you, especially at the age you
are now. You must have been aware of that. You're not a servant's child either;
we couldn't put you out to be fostered by a town family. They might have cared
for you in some ways, but your needs are different. You see, what I'm saying to
you, Lyra, is that the part of your life that belongs to Jordan College is
coming to an end.”
“No,” she said, “no, I don't want to leave
Jordan. I like it here. I want to stay here forever.”
“When you're young, you do think that
things last forever. Unfortunately, they don't. Lyra, it won't be long—a couple
of years at most—before you will be a young woman, and not a child anymore. A
young lady. And believe me, you'll find Jordan College a far from easy place to
live in then.”
“But it's my home!”
“It has been your home. But now you need
something else.”
“Not school. I'm not going to school.”
“You need female company. Female
guidance.”
The word female only suggested female
Scholars to Lyra, and she involuntarily made a face. To be exiled from the
grandeur of Jordan, the splendor and fame of its scholarship, to a dingy
brick-built boardinghouse of a college at the northern end of Oxford, with
dowdy female Scholars who smelled of cabbage and mothballs like those two at
dinner!
The Master saw her expression, and saw
Pantalaimon's polecat eyes flash red.
He said, “But suppose it were Mrs.
Coulter?”
Instantly Pantalaimon's fur changed from
coarse brown to downy white. Lyra's eyes widened.
“Really?”
“She is by way of being acquainted with
Lord Asriel. Your uncle, of course, is very concerned with your welfare, and
when Mrs. Coulter heard about you, she offered at once to help. There is no Mr.
Coulter, by the way; she is a widow. Her husband died very sadly in an accident
some years ago; so you might bear that in mind before you ask.”
Lyra nodded eagerly, and said, “And she's
really going to...look after me?”
“Would you like that?”
“Yes!”
She could hardly sit still. The Master
smiled. He smiled so rarely that he was out of practice, and anyone watching
(Lyra wasn't in a state to notice) would have said it was a grimace of sadness.
“Well, we had better ask her in to talk
about it,” he said.
He left the room, and when he came back a
minute later with Mrs. Coulter, Lyra was on her feet, too excited to sit. Mrs.
Coulter smiled, and her daemon bared his white teeth in a grin of implike
pleasure. As she passed her on the way to the armchair, Mrs. Coulter touched
Lyra's hair briefly, and Lyra felt a current of warmth flow into her, and
blushed.
When the Master had poured some brantwijn
for her, Mrs. Coulter said, “So, Lyra, I'm to have an assistant, am I?”
“Yes,” said Lyra simply. She would have
said yes to anything.
“There's a lot of work I need help with.”
“I can work!”
“And we might have to travel.”
“I don't mind. I'd go anywhere.”
“But it might be dangerous. We might have
to go to the North.”
Lyra was speechless. Then she found her
voice: “Soon?”
Mrs. Coulter laughed and said, “Possibly.
But you know you'll have to work very hard. You'll have to learn mathematics,
and navigation, and celestial geography.”
“Will you teach me?”
“Yes. And you'll have to help me by making
notes and putting my papers in order and doing various pieces of basic
calculation, and so on. And because we'll be visiting some important people,
we'll have to find you some pretty clothes. There's a lot to learn, Lyra.”
“I don't mind. I want to learn it all.”
“I'm sure you will. When you come back to
Jordan College, you'll be a famous traveler. Now we're going to leave very
early in the morning, by the dawn zeppelin, so you'd better run along and go
straight to bed. I'll see you at breakfast. Goodnight!”
“Goodnight,” said Lyra, and, remembering
the few manners she had, turned at the door and said, “Goodnight, Master.”
He nodded. “Sleep well,” he said.
“And thanks,” Lyra added to Mrs. Coulter.
She did sleep, finally, though Pantalaimon
wouldn't settle until she snapped at him, when he became a hedgehog out of
pique. It was still dark when someone shook her awake.
“Lyra—hush—don't start—wake up, child.”
It was Mrs. Lonsdale. She was holding a
candle, and she bent over and spoke quietly, holding Lyra still with her free
hand.
“Listen. The Master wants to see you
before you join Mrs. Coulter for breakfast. Get up quickly and run across to
the lodging now. Go into the garden and tap at the French window of the study.
You understand?”
Fully awake and on fire with puzzlement,
Lyra nodded and slipped her bare feet into the shoes Mrs. Lonsdale put down for
her.
“Never mind washing—that'll do later. Go
straight down and come straight back. I'll start your packing and have
something for you to wear. Hurry now.”
The dark quadrangle was still full of the
chill night air. Overhead the last stars were still visible, but the light from
the east was gradually soaking into the sky above the Hall. Lyra ran into the
Library Garden, and stood for a moment in the immense hush, looking up at the
stone pinnacles of the chapel, the pearl-green cupola of the Sheldon Building,
the white-painted lantern of the Library. Now that she was going to leave these
sights, she wondered how much she'd miss them.
Something stirred in the study window and
a glow of light shone out for a moment. She remembered what she had to do and
tapped on the glass door. It opened almost at once.
“Good girl. Come in quickly. We haven't
got long,” said the Master, and drew the curtain back across the door as soon
as she had entered. He was fully dressed in his usual black.
“Aren't I going after all?” Lyra asked.
“Yes; I can't prevent it,” said the
Master, and Lyra didn't notice at the time what an odd thing that was to say.
“Lyra, I'm going to give you something, and you must promise to keep it
private. Will you swear to that?”
“Yes,” Lyra said.
He crossed to the desk and took from a
drawer a small package wrapped in black velvet. When he unfolded the cloth,
Lyra saw something like a large watch or a small clock: a thick disk of gold
and crystal. It might have been a compass or something of the sort.
“What is it?” she said.
“It's an alethiometer. It's one of only
six that were ever made. Lyra, I urge you again: keep it private. It would be
better if Mrs. Coulter didn't know about it. Your uncle—”
“But what does it do?”
“It tells you the truth. As for how to
read it, you'll have to learn by yourself. Now go—it's getting lighter—hurry
back to your room before anyone sees you.”
He folded the velvet over the instrument
and thrust it into her hands. It was surprisingly heavy. Then he put his own
hands on either side of her head and held her gently for a moment.
She tried to look up at him, and said,
“What were you going to say about Uncle Asriel?”
“Your uncle presented it to Jordan College
some years ago. He might—”
Before he could finish, there came a soft
urgent knock on the door. She could feel his hands give an involuntary tremor.
“Quick now, child,” he said quietly. “The
powers of this world are very strong. Men and women are moved by tides much
fiercer than you can imagine, and they sweep us all up into the current. Go
well, Lyra; bless you, child, bless you. Keep your own counsel.”
“Thank you, Master,” she said dutifully.
Clutching the bundle to her breast, she
left the study by the garden door, looking back briefly once to see the Master's
daemon watching her from the windowsill. The sky was lighter already; there was
a faint fresh stir in the air.
“What's that you've got?” said Mrs.
Lonsdale, closing the battered little suitcase with a snap.
“The Master gave it me. Can't it go in the
suitcase?” “Too late. I'm not opening it now. It'll have to go in your coat
pocket, whatever it is. Hurry on down to the buttery; don't keep them
waiting....”
It was only after she'd said goodbye to
the few servants who were up, and to Mrs. Lonsdale, that she remembered Roger;
and then she felt guilty for not having thought of him once since meeting Mrs.
Coulter. How quickly it had all happened! But no doubt Mrs. Coulter would help
her look for him, and she was bound to have powerful friends who could get him
back from wherever he'd disappeared to. He was bound to turn up eventually.
And now she was on her way to London:
sitting next to the window in a zeppelin, no less, with Pantalaimon's sharp
little ermine paws digging into her thigh while his front paws rested against
the glass he gazed through. On Lyra's other side Mrs. Coulter sat working
through some papers, but she soon put them away and talked. Such brilliant
talk! Lyra was intoxicated; not about the North this time, but about London,
and the restaurants and ballrooms, the soirees at embassies or ministries, the
intrigues between White Hall and Westminster. Lyra was almost more fascinated
by this than by the changing landscape below the airship. What Mrs. Coulter was
saying seemed to be accompanied by a scent of grownupness, something disturbing
but enticing at the same time: it was the smell of glamour.
* * *
The landing in Falkeshall Gardens, the
boat ride across the wide brown river, the grand mansion block on the
Embankment where a stout commissionaire (a sort of porter with medals) saluted
Mrs. Coulter and winked at Lyra, who sized him up expressionlessly.
And then the flat...
Lyra could only gasp.
She had seen a great deal of beauty in her
short life, but it was Jordan College beauty, Oxford beauty—grand and stony and
masculine. In Jordan College, much was magnificent, but nothing was pretty. In
Mrs. Coulter's flat, everything was pretty. It was full of light, for the wide
windows faced south, and the walls were covered in a delicate gold-and-white
striped wallpaper. Charming pictures in gilt frames, an antique looking-glass,
fanciful sconces bearing anbaric lamps with frilled shades; and frills on the
cushions too, and flowery valances over the curtain rail, and a soft green
leaf-pattern carpet underfoot; and every surface was covered, it seemed to
Lyra's innocent eye, with pretty little china boxes and shepherdesses and
harlequins of porcelain.
Mrs. Coulter smiled at her admiration.
“Yes, Lyra,” she said, “there's such a lot
to show you! Take your coat off and I'll take you to the bathroom. You can have
a wash, and then we'll have some lunch and go shopping....”
The bathroom was another wonder. Lyra was
used to washing with hard yellow soap in a chipped basin, where the water that
struggled out of the taps was warm at best, and often flecked with rust. But
here the water was hot, the soap rose-pink and fragrant, the towels thick and
cloud-soft. And around the edge of the tinted mirror there were little pink
lights, so that when Lyra looked into it she saw a softly illuminated figure
quite unlike the Lyra she knew.
Pantalaimon, who was imitating the form of
Mrs. Coulter's daemon, crouched on the edge of the basin making faces at her.
She pushed him into the soapy water and suddenly remembered the alethiometer in
her coat pocket. She'd left the coat on a chair in the other room. She'd
promised the Master to keep it secret from Mrs. Coulter....
Oh, this was confusing. Mrs. Coulter was
so kind and wise, whereas Lyra had actually seen the Master trying to poison
Uncle Asriel. Which of them did she owe most obedience to?
She rubbed herself dry hastily and hurried
back to the sitting room, where her coat still lay untouched, of course.
“Ready?” said Mrs. Coulter. “I thought
we'd go to the Royal Arctic Institute for lunch. I'm one of the very few female
members, so I might as well use the privileges I have.”
Twenty minutes' walk took them to a grand
stone-fronted building where they sat in a wide dining room with snowy cloths
and bright silver on the tables, and ate calves' liver and bacon.
“Calves' liver is all right,” Mrs. Coulter
told her, “and so is seal liver, but if you're stuck for food in the Arctic,
you mustn't eat bear liver. That's full of a poison that'll kill you in
minutes.”
As they ate, Mrs. Coulter pointed out some
of the members at the other tables.
“D'you see the elderly gentleman with the
red tie? That's Colonel Carborn. He made the first balloon flight over the
North Pole. And the tall man by the window who's just got up is Dr. Broken Arrow.”
“Is he a Skraeling?”
“Yes. He was the man who mapped the ocean
currents in the Great Northern Ocean....”
Lyra looked at them all, these great men,
with curiosity and awe. They were Scholars, no doubt about that, but they were
explorers too. Dr. Broken Arrow would know about bear livers; she doubted
whether the Librarian of Jordan College would.
After lunch Mrs. Coulter showed her some
of the precious arctic relics in the institute library—the harpoon with which
the great whale Grimssdur had been killed; the stone carved with an inscription
in an unknown language which was found in the hand of the explorer Lord Rukh,
frozen to death in his lonely tent; a fire-striker used by Captain Hudson on
his famous voyage to Van Tieren's Land. She told the story of each one, and
Lyra felt her heart stir with admiration for these great, brave, distant
heroes.
And then they went shopping. Everything on
this extraordinary day was a new experience for Lyra, but shopping was the most
dizzying. To go into a vast building full of beautiful clothes, where people
let you try them on, where you looked at yourself in mirrors...And the clothes
were so pretty....Lyra's clothes had come to her through Mrs. Lonsdale, and a
lot of them had been handed down and much mended. She had seldom had anything
new, and when she had, it had been picked for wear and not for looks; and she
had never chosen anything for herself. And now to find Mrs. Coulter suggesting
this, and praising that, and paying for it all, and more...
By the time they'd finished, Lyra was
flushed and bright-eyed with tiredness. Mrs. Coulter ordered most of the
clothes packed up and delivered, and took one or two things with her when she
and Lyra walked back to the flat.
Then a bath, with thick scented foam. Mrs.
Coulter came into the bathroom to wash Lyra's hair, and she didn't rub and
scrape like Mrs. Lonsdale either. She was gentle. Pantalaimon watched with
powerful curiosity until Mrs. Coulter looked at him, and he knew what she meant
and turned away, averting his eyes modestly from these feminine mysteries as
the golden monkey was doing. He had never had to look away from Lyra before.
Then, after the bath, a warm drink with
milk and herbs; and a new flannel nightdress with printed flowers and a seal'
loped hem, and sheepskin slippers dyed soft blue; and then bed.
So soft, this bed! So gentle, the anbaric
light on the bed' side table! And the bedroom so cozy with little cupboards and
a dressing table and a chest of drawers where her new clothes would go, and a
carpet from one wall to the other, and pretty curtains covered in stars and
moons and planets! Lyra lay stiffly, too tired to sleep, too enchanted to
question anything.
When Mrs. Coulter had wished her a soft
goodnight and gone out, Pantalaimon plucked at her hair. She brushed him away,
but he whispered, “Where's the thing?”
She knew at once what he meant. Her old
shabby overcoat hung in the wardrobe; a few seconds later, she was back in bed,
sitting up cross-legged in the lamplight, with Pantalaimon watching closely as
she unfolded the black velvet and looked at what it was the Master had given
her.
“What did he call it?” she whispered.
“An alethiometer.”
There was no point in asking what that
meant. It lay heavily in her hands, the crystal face gleaming, the golden body
exquisitely machined. It was very like a clock, or a compass, for there were
hands pointing to places around the dial, but instead of the hours or the
points of the compass there were several little pictures, each of them painted
with extraordinary precision, as if on ivory with the finest and slenderest
sable brush. She turned the dial around to look at them all. There was an
anchor; an hourglass surmounted by a skull; a chameleon, a bull, a
beehive...Thirty-six altogether, and she couldn't even guess what they meant.
“There's a wheel, look,” said Pantalaimon.
“See if you can wind it up.”
There were three little knurled winding
wheels, in fact, and each of them turned one of the three shorter hands, which
moved around the dial in a series of smooth satisfying clicks. You could
arrange them to point at any of the pictures, and once they had clicked into
position, pointing exactly at the center of each one, they would not move.
The fourth hand was longer and more
slender, and seemed to be made of a duller metal than the other three. Lyra
couldn't control its movement at all; it swung where it wanted to, like a
compass needle, except that it didn't settle.
“Meter means measure,” said Pantalaimon.
“Like thermometer. The Chaplain told us that.”
“Yes, but that's the easy bit,” she
whispered back. “What d'you think it's for?”
Neither of them could guess. Lyra spent a
long time turning the hands to point at one symbol or another (angel, helmet,
dolphin; globe, lute, compasses; candle, thunderbolt, horse) and watching the
long needle swing on its never-ceasing errant way, and although she understood
nothing, she was intrigued and delighted by the complexity and the detail.
Pantalaimon became a mouse to get closer to it, and rested his tiny paws on the
edge, his button eyes bright black with curiosity as he watched the needle
swing.
“What do you think the Master meant about
Uncle Asriel?” she said.
“Perhaps we've got to keep it safe and
give it to him.”
“But the Master was going to poison him!
Perhaps it's the opposite. Perhaps he was going to say don't give it to him.”
“No,” Pantalaimon said, “it was her we had
to keep it safe from—”
There was a soft knock on the door.
Mrs. Coulter said, “Lyra, I should put the
light out if I were you. You're tired, and we'll be busy tomorrow.”
Lyra had thrust the alethiometer swiftly
under the blankets.
“All right, Mrs. Coulter,” she said.
“Goodnight now.”
“Goodnight.”
She snuggled down and switched off the
light. Before she fell asleep, she tucked the alethiometer under the pillow,
just in case.
Five
THE
COCKTAIL PARTY
In the days that followed, Lyra went
everywhere with Mrs. Coulter, almost as if she were a daemon herself. Mrs.
Coulter knew a great many people, and they met in all kinds of different
places: in the morning there might be a meeting of geographers at the Royal
Arctic Institute, and Lyra would sit by and listen; and then Mrs. Coulter might
meet a politician or a cleric for lunch in a smart restaurant, and they would
be very taken with Lyra and order special dishes for her, and she would learn
how to eat asparagus or what sweetbreads tasted like. And then in the afternoon
there might be more shopping, for Mrs. Coulter was preparing her expedition,
and there were furs and oilskins and waterproof boots to buy, as well as
sleeping bags and knives and drawing instruments that delighted Lyra's heart.
After that they might go to tea and meet some ladies, as well dressed as Mrs.
Coulter if not so beautiful or accomplished: women so unlike female Scholars or
gyptian boat mothers or college servants as almost to be a new sex altogether,
one with dangerous powers and qualities such as elegance, charm, and grace.
Lyra would be dressed up prettily for these occasions, and the ladies would
pamper her and include her in their graceful delicate talk, which was all about
people: this artist, or that politician, or those lovers.
And when the evening came, Mrs. Coulter
might take Lyra to the theater, and again there would be lots of glamorous
people to talk to and be admired by, for it seemed that Mrs. Coulter knew
everyone important in London.
In the intervals between all these other
activities Mrs. Coulter would teach her the rudiments of geography and
mathematics. Lyra's knowledge had great gaps in it, like a map of the world
largely eaten by mice, for at Jordan they had taught her in a piecemeal and
disconnected way: a junior Scholar would be detailed to catch her and instruct
her in such-and-such, and the lessons would continue for a sullen week or so
until she “forgot” to turn up, to the Scholar's relief. Or else a Scholar would
forget what he was supposed to teach her, and drill her at great length about
the subject of his current research, whatever that happened to be. It was no
wonder her knowledge was patchy. She knew about atoms and elementary particles,
and anbaromagnetic charges and the four fundamental forces and other bits and
pieces of experimental theology, but nothing about the solar system. In fact,
when Mrs. Coulter realized this and explained how the earth and the other five
planets revolved around the sun, Lyra laughed loudly at the joke.
However, she was keen to show that she did
know some things, and when Mrs. Coulter was telling her about electrons, she
said expertly, “Yes, they're negatively charged particles. Sort of like Dust,
except that Dust isn't charged.”
As soon as she said that, Mrs. Coulter's
daemon snapped his head up to look at her, and all the golden fur on his little
body stood up, bristling, as if it were charged itself. Mrs. Coulter laid a
hand on his back.
“Dust?” she said.
“Yeah. You know, from space, that Dust.”
“What do you know about Dust, Lyra?”
“Oh, that it comes out of space, and it
lights people up, if you have a special sort of camera to see it by. Except not
children. It doesn't affect children.”
“Where did you learn that from?”
By now Lyra was aware that there was a
powerful tension in the room, because Pantalaimon had crept ermine-like onto
her lap and was trembling violently.
“Just someone in Jordan,” Lyra said
vaguely. “I forget who. I think it was one of the Scholars.”
“Was it in one of your lessons?”
“Yes, it might have been. Or else it
might've been just in passing. Yes. I think that was it. This Scholar, I think
he was from New Denmark, he was talking to the Chaplain about Dust and I was just
passing and it sounded interesting so I couldn't help stopping to listen.
That's what it was.”
“I see,” said Mrs. Coulter.
“Is it right, what he told me? Did I get
it wrong?”
“Well, I don't know. I'm sure you know
much more than I do. Let's get back to those electrons....”
Later, Pantalaimon said, “You know when
all the fur stood up on her daemon? Well, I was behind him, and she grabbed his
fur so tight her knuckles went white. You couldn't see. It was a long time till
his fur went down. I thought he was going to leap at you.”
That was strange, no doubt; but neither of
them knew what to make of it.
And finally, there were other kinds of
lessons so gently and subtly given that they didn't feel like lessons at all.
How to wash one's own hair; how to judge which colors suited one; how to say no
in such a charming way that no offense was given; how to put on lipstick,
powder, scent. To be sure, Mrs. Coulter didn't teach Lyra the latter arts
directly, but she knew Lyra was watching when she made herself up, and she took
care to let Lyra see where she kept the cosmetics, and to allow her time on her
own to explore and try them out for herself.
* * *
Time passed, and autumn began to change
into winter. From time to time Lyra thought of Jordan College, but it seemed
small and quiet compared to the busy life she led now. Every so often she
thought of Roger, too, and felt uneasy, but there was an opera to go to, or a
new dress to wear, or the Royal Arctic Institute to visit, and then she forgot
him again.
When Lyra had been living there for six
weeks or so, Mrs. Coulter decided to hold a cocktail party. Lyra had the
impression that there was something to celebrate, though Mrs. Coulter never
said what it was. She ordered flowers, she discussed canapes and drinks with
the caterer, and she spent a whole evening with Lyra deciding whom to invite.
“We must have the archbishop. I couldn't
afford to leave him out, though he's the most hateful old snob. Lord Boreal is
in town: he'll be fun. And the Princess Postnikova. Do you think it would be
right to invite Erik Andersson? I wonder if it's about time to take him up....”
Erik Andersson was the latest fashionable
dancer. Lyra had no idea what “take him up” meant, but she enjoyed giving her
opinion nonetheless. She dutifully wrote down all the names Mrs. Coulter
suggested, spelling them atrociously and then crossing them out when Mrs.
Coulter decided against them after all.
When Lyra went to bed, Pantalaimon
whispered from the pillow:
“She's never going to the North! She's
going to keep us here forever. When are we going to run away?”
“She is,” Lyra whispered back. “You just
don't like her. Well, that's hard luck. I like her. And why would she be
teaching us navigation and all that if she wasn't going to take us north?”
“To stop you getting impatient, that's
why. You don't really want to stand around at the cocktail party being all
sweet and pretty. She's just making a pet out of you.”
Lyra turned her back and closed her eyes.
But what Pantalaimon said was true. She had been feeling confined and cramped
by this polite life, however luxurious it was. She would have given anything
for a day with Roger and her Oxford ragamuffin friends, with a battle in the
claybeds and a race along the canal. The one thing that kept her polite and attentive
to Mrs. Coulter was that tantalizing hope of going north. Perhaps they would
meet Lord Asriel. Perhaps he and Mrs. Coulter would fall in love, and they
would get married and adopt Lyra, and go and rescue Roger from the Gobblers.
On the afternoon of the cocktail party,
Mrs. Coulter took Lyra to a fashionable hairdresser's, where her stiff dark
blond hair was softened and waved, and her nails were filed and polished, and
where they even applied a little makeup to her eyes and lips to show her how to
do it. Then they went to collect the new dress Mrs. Coulter had ordered for
her, and to buy some patent-leather shoes, and then it was time to go back to
the flat and check the flowers and get dressed.
“Not the shoulder bag, dear,” said Mrs.
Coulter as Lyra came out of her bedroom, glowing with a sense of her own
prettiness.
Lyra had taken to wearing a little white
leather shoulder bag everywhere, so as to keep the alethiometer close at hand.
Mrs. Coulter, loosening the cramped way some roses had been bunched into a
vase, saw that Lyra wasn't moving and glanced pointedly at the door.
“Oh, please, Mrs. Coulter, I do love this
bag!”
“Not indoors, Lyra. It looks absurd to be
carrying a shoulder bag in your own home. Take it off at once, and come and
help check these glasses....”
It wasn't so much her snappish tone as the
words “in your own home” that made Lyra resist stubbornly. Pantalaimon flew to
the floor and instantly became a polecat, arching his back against her little
white ankle socks. Encouraged by this, Lyra said:
“But it won't be in the way. And it's the
only thing I really like wearing. I think it really suits—”
She didn't finish the sentence, because
Mrs. Coulter's daemon sprang off the sofa in a blur of golden fur and pinned
Pantalaimon to the carpet before he could move. Lyra cried out in alarm, and
then in fear and pain, as Pantalaimon twisted this way and that, shrieking and
snarling, unable to loosen the golden monkey's grip. Only a few seconds, and
the monkey had overmastered him: with one fierce black paw around his throat
and his black paws gripping the polecat's lower limbs, he took one of
Pantalaimon's ears in his other paw and pulled as if he intended to tear it
off. Not angrily, either, but with a cold curious force that was horrifying to
see and even worse to feel.
Lyra sobbed in terror.
“Don't! Please! Stop hurting us!”
Mrs. Coulter looked up from her flowers.
“Do as I tell you, then,” she said.
“I promise!”
The golden monkey stepped away from
Pantalaimon as if he were suddenly bored. Pantalaimon fled to Lyra at once, and
she scooped him up to her face to kiss and gentle.
“Now, Lyra,” said Mrs. Coulter.
Lyra turned her back abruptly and slammed
into her bedroom, but no sooner had she banged the door shut behind her than it
opened again. Mrs. Coulter was standing there only a foot or two away.
“Lyra, if you behave in this coarse and
vulgar way, we shall have a confrontation, which I will win. Take off that bag
this instant. Control that unpleasant frown. Never slam a door again in my
hearing or out of it. Now, the first guests will be arriving in a few minutes,
and they are going to find you perfectly behaved, sweet, charming, innocent,
attentive, delightful in every way. I particularly wish for that, Lyra, do you
understand me?”
“Yes, Mrs. Coulter.”
“Then kiss me.”
She bent a little and offered her cheek.
Lyra had to stand on tiptoe to kiss it. She noticed how smooth it was, and the
slight perplexing smell of Mrs. Coulter's flesh: scented, but somehow metallic.
She drew away and laid the shoulder bag on her dressing table before following
Mrs. Coulter back to the drawing room.
“What do you think of the flowers, dear?”
said Mrs. Coulter as sweetly as if nothing had happened. “I suppose one can't
go wrong with roses, but you can have too much of a good thing....Have the
caterers brought enough ice? Be a dear and go and ask. Warm drinks are
horrid...”
Lyra found it was quite easy to pretend to
be lighthearted and charming, though she was conscious every second of
Pantalaimon's disgust, and of his hatred for the golden monkey. Presently the
doorbell rang, and soon the room was filling up with fashionably dressed ladies
and handsome or distinguished men. Lyra moved among them offering canapes or
smiling sweetly and making pretty answers when they spoke to her. She felt like
a universal pet, and the second she voiced that thought to herself, Pantalaimon
stretched his goldfinch wings and chirruped loudly.
She sensed his glee at having proved her
right, and became a little more retiring.
“And where do you go to school, my dear?”
said an elderly lady, inspecting Lyra through a lorgnette.
“I don't go to school,” Lyra told her.
“Really? I thought your mother would have
sent you to her old school. A very good place...”
Lyra was mystified until she realized the
old lady's mistake.
“Oh! She's not my mother! I'm just here
helping her. I'm her personal assistant,” she said importantly.
“I see. And who are your people?”
Again Lyra had to wonder what she meant
before replying.
“They were a count and countess,” she said.
“They both died in an aeronautical accident in the North.”
“Which count?”
“Count Belacqua. He was Lord Asriel's
brother.”
The old lady's daemon, a scarlet macaw,
shifted as if in irritation from one foot to another. The old lady was
beginning to frown with curiosity, so Lyra smiled sweetly and moved on.
She was going past a group of men and one
young woman near the large sofa when she heard the word Dust. She had seen
enough of society now to understand when men and women were flirting, and she
watched the process with fascination, though she was more fascinated by the
mention of Dust, and she hung back to listen. The men seemed to be Scholars;
from the way the young woman was questioning them, Lyra took her to be a
student of some kind.
“It was discovered by a Muscovite—stop me
if you know this already—” a middle-aged man was saying, as the young woman
gazed at him in admiration, “a man called Rusakov, and they're usually called
Rusakov Particles after him. Elementary particles that don't interact in any
way with others—very hard to detect, but the extraordinary thing is that they
seem to be attracted to human beings.”
“Really?” said the young woman, wide-eyed.
“And even more extraordinary,” he went on,
“some human beings more than others. Adults attract it, but not children. At
least, not much, and not until adolescence. In fact, that's the very reason—”
His voice dropped, and he moved closer to the young woman, putting his hand
confidentially on her shoulder. “—that's the very reason the Oblation Board was
set up. As our good hostess here could tell you.”
“Really? Is she involved with the Oblation
Board?”
“My dear, she is the Oblation Board. It's
entirely her own project—”
The man was about to tell her more when he
caught sight of Lyra. She stared back at him unblinkingly, and perhaps he had
had a little too much to drink, or perhaps he was keen to impress the young
woman, for he said:
“This little lady knows all about it, I'll
be bound. You're safe from the Oblation Board, aren't you, my dear?”
“Oh, yes,” said Lyra. “I'm safe from
everyone here. Where I used to live, in Oxford, there was all kinds of
dangerous things. There was gyptians—they take kids and sell 'em to the Turks
for slaves. And on Port Meadow at the full moon there's a werewolf that comes out
from the old nunnery at Godstow. I heard him howling once. And there's the
Gobblers....”
“That's what I mean,” the man said.
“That's what they call the Oblation Board, don't they?”
Lyra felt Pantalaimon tremble suddenly,
but he was on his best behavior. The daemons of the two grownups, a cat and a
butterfly, didn't seem to notice.
“Gobblers?” said the young woman. “What a
peculiar name! Why do they call them Gobblers?”
Lyra was about to tell her one of the
bloodcurdling stories she'd made up to frighten the Oxford kids with, but the
man was already speaking.
“From the initials, d'you see? General
Oblation Board. Very old idea, as a matter of fact. In the Middle Ages, parents
would give their children to the church to be monks or nuns. And the
unfortunate brats were known as oblates. Means a sacrifice, an offering,
something of that sort. So the same idea was taken up when they were looking
into the Dust business....As our little friend probably knows. Why don't you go
and talk to Lord Boreal?” he added to Lyra directly. “I'm sure he'd like to
meet Mrs. Coulter's protegee....That's him, the man with gray hair and the
serpent daemon.”
He wanted to get rid of Lyra so that he
could talk more privately with the young woman; Lyra could tell that easily.
But the young woman, it seemed, was still interested in Lyra, and slipped away
from the man to talk to her.
“Stop a minute....What's your name?”
“Lyra.”
“I'm Adele Starminster. I'm a journalist.
Could I have a quiet word?”
Thinking it only natural that people
should wish to talk to her, Lyra said simply, “Yes.”
The woman's butterfly daemon rose into the
air, casting about to left and right, and fluttered down to whisper something,
at which Adele Starminster said, “Come to the window seat.”
This was a favorite spot of Lyra's; it
overlooked the river, and at this time of night, the lights across on the south
bank were glittering brilliantly over their reflections in the black water of
the high tide. A line of barges hauled by a tug moved upriver. Adele
Starminster sat down and moved along the cushioned seat to make room.
“Did Professor Docker say that you had
some connection with Mrs. Coulter?”
“Yes.”
“What is it? You're not her daughter, by
any chance? I suppose I should know—”
“No!” said Lyra. '“Course not. I'm her personal
assistant.”
“Her personal assistant? You're a bit
young, aren't you? I thought you were related to her or something. What's she
like?”
“She's very clever,” said Lyra. Before
this evening she would have said much more, but things were changing.
“Yes, but personally,” Adele Starminster
insisted. “I mean, is she friendly or impatient or what? Do you live here with
her? What's she like in private?”
“She's very nice,” said Lyra stolidly.
“What sort of things do you do? How do you
help her?”
“I do calculations and all that. Like for
navigation.”
“Ah, I see....And where do you come from?
What was your name again?”
“Lyra. I come from Oxford.”
“Why did Mrs. Coulter pick you to—”
She stopped very suddenly, because Mrs.
Coulter herself had appeared close by. From the way Adele Starminster looked up
at her, and the agitated way her daemon was fluttering around her head, Lyra
could tell that the young woman wasn't supposed to be at the party at all.
“I don't know your name,” said Mrs.
Coulter very quietly, “but I shall find it out within five minutes, and then
you will never work as a journalist again. Now get up very quietly, without
making a fuss, and leave. I might add that whoever brought you here will also
suffer.”
Mrs. Coulter seemed to be charged with
some kind of anbaric force. She even smelled different: a hot smell, like
heated metal, came off her body. Lyra had felt something of it earlier, but now
she was seeing it directed at someone else, and poor Adele Starminster had no
force to resist. Her daemon fell limp on her shoulder and flapped his gorgeous
wings once or twice before fainting, and the woman herself seemed to be unable
to stand fully upright. Moving in a slight awkward crouch, she made her way
through the press of loudly talking guests and out of the drawing room door.
She had one hand clutched to her shoulder, holding the swooning daemon in
place.
“Well?” said Mrs. Coulter to Lyra.
“I never told her anything important,”
Lyra said.
“What was she asking?”
“Just about what I was doing and who I
was, and stuff like that.”
As she said that, Lyra noticed that Mrs.
Coulter was alone, without her daemon. How could that be? But a moment later
the golden monkey appeared at her side, and, reaching down, she took his hand
and swung him up lightly to her shoulder. At once she seemed at ease again.
“If you come across anyone else who
obviously hasn't been invited, dear, do come and find me, won't you?”
The hot metallic smell was vanishing.
Perhaps Lyra had only imagined it. She could smell Mrs. Coulter's scent again,
and the roses, and the cigarillo smoke, and the scent of other women. Mrs.
Coulter smiled at Lyra in a way that seemed to say, “You and I understand these
things, don't we?” and moved on to greet some other guests.
Pantalaimon was whispering in Lyra's ear.
“While she was here, her daemon was coming
out of our bedroom. He's been spying. He knows about the alethiometer!”
Lyra felt that that was probably true, but
there was nothing she could do about it. What had that professor been saying
about the Gobblers? She looked around to find him again, but no sooner had she
seen him than the commissionaire (in servant's dress for the evening) and
another man tapped the professor on the shoulder and spoke quietly to him, at
which he turned pale and followed them out. That took no more than a couple of
seconds, and it was so discreetly done that hardly anyone noticed. But it left
Lyra feeling anxious and exposed.
She wandered through the two big rooms
where the party was taking place, half-listening to the conversations around
her, half-interested in the taste of the cocktails she wasn't allowed to try,
and increasingly fretful. She wasn't aware that anyone was watching her until
the commissionaire appeared at her side and bent to say:
“Miss Lyra, the gentleman by the fireplace
would like to speak to you. He's Lord Boreal, if you didn't know.”
Lyra looked up across the room. The
powerful-looking gray-haired man was looking directly at her, and as their eyes
met, he nodded and beckoned.
Unwilling, but more interested now, she
went across.
“Good evening, child,” he said. His voice
was smooth and commanding. His serpent daemon's mailed head and emerald eyes
glittered in the light from the cut-glass lamp on the wall nearby.
“Good evening,” said Lyra.
“How is my old friend the Master of
Jordan?”
“Very well, thank you.”
“I expect they were all sorry to say
goodbye to you.”
“Yes, they were.”
“And is Mrs. Coulter keeping you busy?
What is she teaching you?”
Because Lyra was feeling rebellious and
uneasy, she didn't answer this patronizing question with the truth, or with one
of her usual flights of fancy. Instead she said, “I'm learning about Rusakov
Particles, and about the Oblation Board.”
He seemed to become focused at once, in
the same way that you could focus the beam of an anbaric lantern. All his
attention streamed at her fiercely.
“Suppose you tell me what you know,” he
said.
“They're doing experiments in the North,”
Lyra said. She was feeling reckless now. “Like Dr. Grumman.”
“Go on.”
“They've got this special kind of photogram
where you can see Dust, and when you see a man, there's like all light coming
to him, and there's none on a child. At least, not so much.”
“Did Mrs. Coulter show you a picture like
that?”
Lyra hesitated, for this was not lying but
something else, and she wasn't practiced at it.
“No,” she said after a moment. “I saw that
one at Jordan College.”
“Who showed it to you?”
“He wasn't really showing it to me,” Lyra
admitted. “I was just passing and I saw it. And then my friend Roger was taken
by the Oblation Board. But—”
“Who showed you that picture?”
“My Uncle Asriel.”
“When?”
“When he was in Jordan College last time.”
“I see. And what else have you been
learning about? Did I hear you mention the Oblation Board?”
“Yes. But I didn't hear about that from
him, I heard it here.”
Which was exactly true, she thought.
He was looking at her narrowly. She gazed
back with all the innocence she had. Finally he nodded.
“Then Mrs. Coulter must have decided you
were ready to help her in that work. Interesting. Have you taken part yet?”
“No,” said Lyra. What was he talking
about? Pantalaimon was cleverly in his most inexpressive shape, a moth, and
couldn't betray her feelings; and she was sure she could keep her own face
innocent.
“And has she told you what happens to the children?”
“No, she hasn't told me that. I only just
know that it's about Dust, and they're like a kind of sacrifice.”
Again, that wasn't exactly a lie, she
thought; she had never said that Mrs. Coulter herself had told her.
“Sacrifice is rather a dramatic way of
putting it. What's done is for their good as well as ours. And of course they
all come to Mrs. Coulter willingly. That's why she's so valuable. They must
want to take part, and what child could resist her? And if she's going to use
you as well to bring them in, so much the better. I'm very pleased.”
He smiled at her in the way Mrs. Coulter
had: as if they were both in on a secret. She smiled politely back and he
turned away to talk to someone else.
She and Pantalaimon could sense each
other's horror. She wanted to go away by herself and talk to him; she wanted to
leave the flat; she wanted to go back to Jordan College and her little shabby
bedroom on Staircase Twelve; she wanted to find Lord Asriel—
And as if in answer to that last wish, she
heard his name mentioned, and wandered closer to the group talking nearby with
the pretext of helping herself to a canape from the plate on the table. A man
in a bishop's purple was saying:
“...No, I don't think Lord Asriel will be
troubling us for quite some time.”
“And where did you say he was being held?”
“In the fortress of Svalbard, I'm told.
Guarded by panser-bj0rne—you know, armored bears. Formidable creatures! He
won't escape from them if he lives to be a thousand. The fact is that I really
think the way is clear, very nearly clear—”
“The last experiments have confirmed what
I always believed—that Dust is an emanation from the dark principle itself,
and—”
“Do I detect the Zoroastrian heresy?”
“What used to be a heresy—”
“And if we could isolate the dark principle—”
“Svalbard, did you say?”
“Armored bears—”
“The Oblation Board—”
“The children don't suffer, I'm sure of
it—”
“Lord Asriel imprisoned—”
Lyra had heard enough. She turned away,
and moving as quietly as the moth Pantalaimon, she went into her bedroom and
closed the door. The noise of the party was muffled at once.
“Well?” she whispered, and he became a
goldfinch on her shoulder.
“Are we going to run away?” he whispered
back.
“'Course. If we do it now with all these
people about, she might not notice for a while.”
“He will.”
Pantalaimon meant Mrs. Coulter's daemon.
When Lyra thought of his lithe golden shape, she felt ill with fear.
“I'll fight him this time,” Pantalaimon
said boldly. “I can change and he can't. I'll change so quickly he won't be
able to keep hold. This time I'll win, you'll see.”
Lyra nodded distractedly. What should she
wear? How could she get out without being seen?
“You'll have to go and spy,” she
whispered. “As soon as it's clear, we'll have to run. Be a moth,” she added.
“Remember, the second there's no one looking...”
She opened the door a crack and he crawled
out, dark against the warm pink light in the corridor.
Meanwhile, she hastily flung on the
warmest clothes she had and stuffed some more into one of the coal-silk bags
from the fashionable shop they'd visited that very afternoon. Mrs. Coulter had
given her money like sweets, and although she had spent it lavishly, there were
still several sovereigns left, which she put in the pocket of the dark wolfskin
coat before tiptoeing to the door.
Last of all she packed the alethiometer in
its black velvet cloth. Had that abominable monkey found it? He must have done;
he must have told her; oh, if she'd only hidden it better!
She tiptoed to the door. Her room opened
into the end of the corridor nearest the hall, luckily, and most of the guests
were in the two big rooms further along. There was the sound of voices talking
loudly, laughter, the quiet flushing of a lavatory, the tinkle of glasses; and
then a tiny moth voice at her ear said:
“Now! Quick!”
She slipped through the door and into the
hall, and in less than three seconds she was opening the front door of the
flat. A moment after that she was through and pulling it quietly shut, and with
Pantalaimon a goldfinch again, she ran for the stairs and fled.
SIX
THE
THROWING NETS
She walked quickly away from the river,
because the embankment was wide and well lit. There was a tangle of narrow
streets between there and the Royal Arctic Institute, which was the only place
Lyra was sure of being able to find, and into that dark maze she hurried now.
If only she knew London as well as she
knew Oxford! Then she would have known which streets to avoid; or where she
could scrounge some food; or, best of all, which doors to knock on and find shelter.
In that cold night, the dark alleys all around were alive with movement and
secret life, and she knew none of it.
Pantalaimon became a wildcat and scanned
the dark all around with his night-piercing eyes. Every so often he'd stop,
bristling, and she would turn aside from the entrance she'd been about to go
down. The night was full of noises: bursts of drunken laughter, two raucous
voices raised in song, the clatter and whine of some badly oiled machine in a
basement. Lyra walked delicately through it all, her senses magnified and
mingled with Pantalaimon's, keeping to the shadows and the narrow alleys.
From time to time she had to cross a
wider, well-lit street, where the tramcars hummed and sparked under their
anbaric wires. There were rules for crossing London streets, but she took no
notice, and when anyone shouted, she fled.
It was a fine thing to be free again. She
knew that Pantalaimon, padding on wildcat paws beside her, felt the same joy as
she did to be in the open air, even if it was murky London air laden with fumes
and soot and clangorous with noise. Sometime soon they'd have to think over the
meaning of what they'd heard in Mrs. Coulter's flat, but not yet. And sometime
eventually they'd have to find a place to sleep.
At a crossroads near the corner of a big
department store whose windows shone brilliantly over the wet pavement, there
was a coffee stall: a little hut on wheels with a counter under the wooden flap
that swung up like an awning. Yellow light glowed inside, and the fragrance of
coffee drifted out. The white-coated owner was leaning on the counter talking
to the two or three customers.
It was tempting. Lyra had been walking for
an hour now, and it was cold and damp. With Pantalaimon a sparrow, she went up
to the counter and reached up to gain the owner's attention.
“Cup of coffee and a ham sandwich,
please,” she said.
“You're out late, my dear,” said a
gentleman in a top hat and white silk muffler.
“Yeah,” she said, turning away from him to
scan the busy intersection. A theater nearby was just emptying, and crowds
milled around the lighted foyer, calling for cabs, wrapping coats around their
shoulders. In the other direction was the entrance of a Chthonic Railway
station, with more crowds pouring up and down the steps.
“Here you are, love,” said the coffee
stall man. “Two shillings.”
“Let me pay for this,” said the man in the
top hat.
Lyra thought, why not? I can run faster
than him, and I might need all my money later. The top-hatted man dropped a
coin on the counter and smiled down at her. His daemon was a lemur. It clung to
his lapel, staring round-eyed at Lyra.
She bit into her sandwich and kept her
eyes on the busy street. She had no idea where she was, because she had never
seen a map of London, and she didn't even know how big it was or how far she'd
have to walk to find the country.
“What's your name?” said the man.
“Alice.”
“That's a pretty name. Let me put a drop
of this into your coffee...warm you up...”
He was unscrewing the top of a silver
flask.
“I don't like that,” said Lyra. “I just
like coffee.”
“I bet you've never had brandy like this
before.”
“I have. I was sick all over the place. I
had a whole bottle, or nearly.”
“Just as you like,” said the man, tilting
the flask into his own cup. “Where are you going, all alone like this?”
“Going to meet my father.”
“And who's he?”
“He's a murderer.”
“He's what?”
“I told you, he's a murderer. It's his
profession. He's doing a job tonight. I got his clean clothes in here, 'cause
he's usually all covered in blood when he's finished a job.”
“Ah! You're joking.”
“I en't.”
The lemur uttered a soft mewing sound and
clambered slowly up behind the man's head, to peer out at her. She drank her
coffee stolidly and ate the last of her sandwich.
“Goodnight,” she said. “I can see my
father coming now. He looks a bit angry.”
The top-hat man glanced around, and Lyra
set off toward the theater crowd. Much as she would have liked to see the
Chthonic Railway (Mrs. Coulter had said it was not really intended for people
of their class), she was wary of being trapped underground; better to be out in
the open, where she could run, if she had to.
On and on she walked, and the streets
became darker and emptier. It was drizzling, but even if there'd been no clouds
the city sky was too tainted with light to show the stars. Pantalaimon thought
they were going north, but who could tell?
Endless streets of little identical brick
houses, with gardens only big enough for a dustbin; great gaunt factories
behind wire fences, with one anbaric light glowing bleakly high up on a wall
and a night watchman snoozing by his brazier; occasionally a dismal oratory,
only distinguished from a warehouse by the crucifix outside. Once she tried the
door of one of these places, only to hear a groan from the bench a foot away in
the darkness. She realized that the porch was full of sleeping figures, and
fled.
“Where we going to sleep, Pan?” she said
as they trudged down a street of closed and shuttered shops.
“A doorway somewhere.”
“Don't want to be seen though. They're all
so open.”
“There's a canal down there....”
He was looking down a side road to the
left. Sure enough, a patch of dark glimmer showed open water, and when they
cautiously went to look, they found a canal basin where a dozen or so barges
were tied up at the wharves, some high in the water, some low and laden under
the gallows-like cranes. A dim light shone in one window of a wooden hut, and a
thread of smoke rose from the metal chimney; otherwise the only lights were
high up on the wall of the warehouse or the gantry of a crane, leaving the
ground in gloom. The wharves were piled with barrels of coal spirit, with
stacks of great round logs, with rolls of cauchuc-covered cable.
Lyra tiptoed up to the hut and peeped in
at the window. An old man was laboriously reading a picture'Story paper and
smoking a pipe, with his spaniel daemon curled up asleep on the table. As she
looked, the man got up and brought a blackened kettle from the iron stove and
poured some hot water into a cracked mug before settling back with his paper.
“Should we ask him to let us in, Pan?” she
whispered, but he was distracted; he was a bat, an owl, a wildcat again; she
looked all round, catching his panic, and then saw them at the same time as he
did: two men running at her, one from each side, the nearer holding a throwing
net.
Pantalaimon uttered a harsh scream and
launched himself as a leopard at the closer man's daemon, a savage-looking fox,
bowling her backward and tangling with the man's legs. The man cursed and
dodged aside, and Lyra darted past him toward the open spaces of the wharf.
What she mustn't do was get boxed in a corner.
Pantalaimon, an eagle now, swooped at her
and cried, “Left! Left!”
She swerved that way and saw a gap between
the coal-spirit barrels and the end of a corrugated iron shed, and darted for
it like a bullet.
But those throwing nets!
She heard a hiss in the air, and past her
cheek something lashed and sharply stung, and loathsome tarred strings whipped
across her face, her arms, her hands, and tangled and held her, and she fell,
snarling and tearing and struggling in vain.
“Pan! Pan!”
But the fox daemon tore at the cat
Pantalaimon, and Lyra felt the pain in her own flesh, and sobbed a great cry as
he fell. One man was swiftly lashing cords around her, around her limbs, her throat,
body, head, bundling her over and over on the wet ground. She was helpless,
exactly like a fly being trussed by a spider. Poor hurt Pan was dragging
himself toward her, with the fox daemon worrying his back, and he had no
strength left to change, even; and the other man was lying in a puddle, with an
arrow through his neck—
The whole world grew still as the man
tying the net saw it too.
Pantalaimon sat up and blinked, and then
there was a soft thud, and the net man fell choking and gasping right across
Lyra, who cried out in horror: that was blood gushing out of him!
Running feet, and someone hauled the man
away and bent over him; then other hands lifted Lyra, a knife snicked and
pulled and the net strings fell away one by one, and she tore them off, spitting,
and hurled herself down to cuddle Pantalaimon.
Kneeling, she twisted to look up at the
newcomers. Three dark men, one armed with a bow, the others with knives; and as
she turned, the bowman caught his breath.
“That en't Lyra?”
A familiar voice, but she couldn't place
it till he stepped forward and the nearest light fell on his face and the hawk
daemon on his shoulder. Then she had it. A gyptian! A real Oxford gyptian!
“Tony Costa,” he said. “Remember? You used
to play with my little brother Billy off the boats in Jericho, afore the
Gobblers got him.”
“Oh, God, Pan, we're safe!” she sobbed,
but then a thought rushed into her mind: it was the Costas' boat she'd hijacked
that day. Suppose he remembered?
“Better come along with us,” he said. “You
alone?”
“Yeah. I was running away....”
“All right, don't talk now. Just keep
quiet. Jaxer, move them bodies into the shadow. Kerim, look around.”
Lyra stood up shakily, holding the wildcat
Pantalaimon to her breast. He was twisting to look at something, and she
followed his gaze, understanding and suddenly curious too: what had happened to
the dead men's daemons? They were fading, that was the answer; fading and
drifting away like atoms of smoke, for all that they tried to cling to their
men. Pantalaimon hid his eyes, and Lyra hurried blindly after Tony Costa.
“What are you doing here?” she said.
“Quiet, gal. There's enough trouble awake
without stirring more. We'll talk on the boat.”
He led her over a little wooden bridge
into the heart of the canal basin. The other two men were padding silently
after them. Tony turned along the waterfront and out onto a wooden jetty, from
which he stepped on board a narrowboat and swung open the door to the cabin.
“Get in,” he said. “Quick now.”
Lyra did so, patting her bag (which she
had never let go of, even in the net) to make sure the alethiometer was still
there. In the long narrow cabin, by the light of a lantern on a hook, she saw a
stout powerful woman with gray hair, sitting at a table with a paper. Lyra
recognized her as Billy's mother.
“Who's this?” the woman said. “That's
never Lyra?”
“That's right. Ma, we got to move. We
killed two men out in the basin. We thought they was Gobblers, but I reckon
they were Turk traders. They'd caught Lyra. Never mind talk—we'll do that on
the move.”
“Come here, child,” said Ma Costa.
Lyra obeyed, half happy, half
apprehensive, for Ma Costa had hands like bludgeons, and now she was sure: it
was their boat she had captured with Roger and the other collegers. But the
boat mother set her hands on either side of Lyra's face, and her daemon, a
hawk, bent gently to lick Pantalaimon's wildcat head. Then Ma Costa folded her
great arms around Lyra and pressed her to her breast.
“I dunno what you're a doing here, but you
look wore out. You can have Billy's crib, soon's I've got a hot drink in you.
Set you down there, child.”
It looked as if her piracy was forgiven,
or at least forgotten. Lyra slid onto the cushioned bench behind a
well-scrubbed pine table top as the low rumble of the gas engine shook the
boat.
“Where we going?” Lyra asked.
Ma Costa was setting a saucepan of milk on
the iron stove and riddling the grate to stir the fire up.
“Away from here. No talking now. We'll
talk in the morning.”
And she said no more, handing Lyra a cup
of milk when it was ready, swinging herself up on deck when the boat began to
move, exchanging occasional whispers with the men. Lyra sipped the milk and
lifted a corner of the blind to watch the dark wharves move past. A minute or
two later she was sound asleep.
She awoke in a narrow bed, with that
comforting engine rumble deep below. She sat up, banged her head, cursed, felt
around, and got up more carefully. A thin gray light showed her three other
bunks, each empty and neatly made, one below hers and the other two across the
tiny cabin. She swung over the side to find herself in her underclothes, and
saw the dress and the wolfskin coat folded at the end of her bunk together with
her shopping bag. The alethiometer was still there.
She dressed quickly and went through the
door at the end to find herself in the cabin with the stove, where it was warm.
There was no one there. Through the
windows she saw a gray swirl of fog on each side, with occasional dark shapes
that might have been buildings or trees.
Before she could go out on deck, the outer
door opened and Ma Costa came down, swathed in an old tweed coat on which the
damp had settled like a thousand tiny pearls.
“Sleep well?” she said, reaching for a
frying pan. “Now sit down out the way and I'll make ye some breakfast. Don't
stand about; there en't room.”
“Where are we?” said Lyra.
“On the Grand Junction Canal. You keep out
of sight, child. I don't want to see you topside. There's trouble.”
She sliced a couple of rashers of bacon
into the frying pan, and cracked an egg to go with them.
“What sort of trouble?”
“Nothing we can't cope with, if you stay
out the way.”
And she wouldn't say any more till Lyra
had eaten. The boat slowed at one point, and something banged against the side,
and she heard men's voices raised in anger; but then someone's joke made them
laugh, and the voices drew away and the boat moved on.
Presently Tony Costa swung down into the
cabin. Like his mother, he was pearled with damp, and he shook his woollen hat
over the stove to make the drops jump and spit.
“What we going to tell her, Ma?”
“Ask first, tell after.”
He poured some coffee into a tin cup and
sat down. He was a powerful, dark-faced man, and now that she could see him in
daylight, Lyra saw a sad grimness in his expression.
“Right,” he said. “Now you tell us what
you was doing in London, Lyra. We had you down as being took by the Gobblers.”
“I was living with this lady, right...”
Lyra clumsily collected her story and
shook it into order as if she were settling a pack of cards ready for dealing.
She told them everything, except about the alethiometer.
“And then last night at this cocktail
party I found out what they were really doing. Mrs. Coulter was one of the
Gobblers herself, and she was going to use me to help her catch more kids. And what
they do is—”
Ma Costa left the cabin and went out to
the cockpit. Tony waited till the door was shut, and cut in:
“We know what they do. Least, we know part
of it. We know they don't come back. Them kids is taken up north, far out the
way, and they do experiments on 'em. At first we reckoned they tried out
different diseases and medicines, but there'd be no reason to start that all of
a sudden two or three years back. Then we thought about the Tartars, maybe
there's some secret deal they're making up Siberia way; because the Tartars
want to move north just as much as the rest, for the coal spirit and the fire
mines, and there's been rumors of war for even longer than the Gobblers been
going. And we reckoned the Gobblers were buying off the Tartar chiefs by giving
'em kids, cause the Tartars eat 'em, don't they? They bake children and eat
“em.”
“They never!” said Lyra.
“They do. There's plenty of other things
to be told, and all. You ever heard of the Nalkainens?”
Lyra said, “No. Not even with Mrs. Coulter.
What are they?”
“That's a kind of ghost they have up there
in those forests. Same size as a child, and they got no heads. They feel their
way about at night and if you're a sleeping out in the forest they get ahold of
you and won't nothing make 'em let go. Nalkainens, that's a northern word. And
the Windsuckers, they're dangerous too. They drift about in the air. You come
across clumps of 'em floated together sometimes, or caught snagged on a
bramble. As soon as they touch you, all the strength goes out of you. You can't
see 'em except as a kind of shimmer in the air. And the Breathless Ones...”
“Who are they?”
“Warriors half-killed. Being alive is one
thing, and being dead's another, but being half-killed is worse than either.
They just can't die, and living is altogether beyond 'em. They wander about
forever. They're called the Breathless Ones because of what's been done to
'em.”
“And what's that?” said Lyra, wide-eyed.
“The North Tartars snap open their ribs
and pull out their lungs. There's an art to it. They do it without killing 'em,
but their lungs can't work anymore without their daemons pumping 'em by hand,
so the result is they're halfway between breath and no breath, life and death,
half-killed, you see. And their daemons got to pump and pump all day and night,
or else perish with 'em. You come across a whole platoon of Breathless Ones in
the forest sometimes, I've heard. And then there's the panserbj0rne—you heard
of them? That means armored bears. They're great white bears, and—”
“Yes! I have heard of them! One of the men
last night, he said that my uncle, Lord Asriel, he's being imprisoned in a
fortress guarded by the armored bears.”
“Is he, now? And what was he doing up
there?”
“Exploring. But the way the man was
talking I don't think my uncle's on the same side as the Gobblers. I think they
were glad he was in prison.”
“Well, he won't get out if the armored
bears are guarding him. They're like mercenaries, you know what I mean by that?
They sell their strength to whoever pays. They got hands like men, and they
learned the trick of working iron way back, meteoric iron mostly, and they make
great sheets and plates of it to cover theirselves with. They been raiding the
Skraelings for centuries. They're vicious killers, absolutely pitiless. But they
keep their word. If you make a bargain with a panserbj0m, you can rely on it.”
Lyra considered these horrors with awe.
“Ma don't like to hear about the North,”
Tony said after a few moments, “because of what might've happened to Billy. We
know they took him up north, see.”
“How d'you know that?”
“We caught one of the Gobblers, and made
him talk. That's how we know a little about what they're doing. Them two last
night weren't Gobblers; they were too clumsy. If they'd been Gobblers we'd've
took 'em alive. See, the gyptian people, we been hit worse than most by these
Gobblers, and we're a coming together to decide what to do about it. That's
what we was doing in the basin last night, taking on stores, 'cause we're going
to a big muster up in the fens, what we call a roping. And what I reckon is
we're a going to send out a rescue party, when we heard what all the other
gyptians know, when we put our knowledge together. That's what I'd do, if I was
John Faa.”
“Who's John Faa?”
“The king of the gyptians.”
“And you're really going to rescue the
kids? What about Roger?”
“Who's Roger?”
“The Jordan College kitchen boy. He was
took same as Billy the day before I come away with Mrs. Coulter. I bet if I was
took, he'd come and rescue me. If you're going to rescue Billy, I want to come
too and rescue Roger.”
And Uncle Asriel, she thought; but she
didn't mention that.
SEVEN
JOHN
FAA
Now that Lyra had a task in mind, she felt
much better. Helping Mrs. Coulter had been all very well, but Pantalaimon was
right: she wasn't really doing any work there, she was just a pretty pet. On
the gyptian boat, there was real work to do, and Ma Costa made sure she did it.
She cleaned and swept, she peeled potatoes and made tea, she greased the
propeller shaft bearings, she kept the weed trap clear over the propeller, she
washed dishes, she opened lock gates, she tied the boat up at mooring posts,
and within a couple of days she was as much at home with this new life as if
she'd been born gyptian.
What she didn't notice was that the Costas
were alert every second for unusual signs of interest in Lyra from the
waterside people. If she hadn't realized it, she was important, and Mrs.
Coulter and the Oblation Board were bound to be searching everywhere for her.
Indeed, Tony heard from gos-sip in pubs along the way that the police were
making raids on houses and farms and building yards and factories without any
explanation, though there was a rumor that they were searching for a missing
girl. And that in itself was odd, considering all the kids that had gone
missing without being looked for. Gyptians and land folk alike were getting
jumpy and nervous.
And there was another reason for the
Costas' interest in Lyra; but she wasn't to learn that for a few days yet.
So they took to keeping her below decks
when they passed a lockkeeper's cottage or a canal basin, or anywhere there
were likely to be idlers hanging about. Once they passed through a town where
the police were searching all the boats that came along the waterway, and
holding up the traffic in both directions. The Costas were equal to that,
though. There was a secret compartment beneath Ma's bunk, where Lyra lay
cramped for two hours while the police banged up and down the length of the
boat unsuccessfully.
“Why didn't their daemons find me,
though?” she asked afterward, and Ma showed her the lining of the secret space:
cedarwood, which had a soporific effect on daemons; and it was true that
Pantalaimon had spent the whole time happily asleep by Lyra's head.
Slowly, with many halts and detours, the
Costas' boat drew nearer the fens, that wide and never fully mapped wilderness
of huge skies and endless marshland in Eastern Anglia. The furthest fringe of
it mingled indistinguishably with the creeks and tidal inlets of the shallow
sea, and the other side of the sea mingled indistinguishably with Holland; and
parts of the fens had been drained and dyked by Hollanders, some of whom had
settled there; so the language of the fens was thick with Dutch. But parts had
never been drained or planted or settled at all, and in the wildest central
regions, where eels slithered and waterbirds flocked, where eerie marsh fires
flick-ered and waylurkers tempted careless travelers to their doom in the
swamps and bogs, the gyptian people had always found it safe to muster.
And now by a thousand winding channels and
creeks and watercourses, gyptian boats were moving in toward the byanplats, the
only patch of slightly higher ground in the hundreds of square miles of marsh
and bog. There was an ancient wooden meeting hall there with a huddle of
permanent dwellings around it, and wharves and jetties and an eelmarket.
When the gyptians called a byanroping—a
summons or muster of families—so many boats filled the waterways that you could
walk for a mile in any direction over their decks; or so it was said. The
gyptians ruled in the fens. No one else dared enter, and while the gyptians
kept the peace and traded fairly, the landlopers turned a blind eye to the
incessant smuggling and the occasional feuds. If a gyptian body floated ashore
down the coast, or got snagged in a fishnet, well—it was only a gyptian.
Lyra listened enthralled to tales of the
fen dwellers, of the great ghost dog Black Shuck, of the marsh fires arising
from bubbles of witch oil, and began to think of herself as gyptian even before
they reached the fens. She had soon slipped back into her Oxford voice, and now
she was acquiring a gyptian one, complete with Fen-Dutch words. Ma Costa had to
remind her of a few things.
“You en't gyptian, Lyra. You might pass
for gyptian with practice, but there's more to us than gyptian language.
There's deeps in us and strong currents. We're water people all through, and
you en't, you're a fire person. What you're most like is marsh fire, that's the
place you have in the gyptian scheme; you got witch oil in your soul.
Deceptive, that's what you are, child.” Lyra was hurt.
“I en't never deceived anyone! You ask...”
There was no one to ask, of course, and Ma Costa laughed, but kindly.
“Can't you see I'm a paying you a
compliment, you gosling?” she said, and Lyra was pacified, though she didn't
understand.
When they reached the byanplats it was
evening, and the sun was about to set in a splash of bloody sky. The low island
and the Zaal were humped blackly against the light, like the clustered
buildings around; threads of smoke rose into the still air, and from the press
of boats all around came the smells of frying fish, of smokeleaf, of jenniver
spirit.
They tied up close to the Zaal itself, at
a mooring Tony said had been used by their family for generations. Presently Ma
Costa had the frying pan going, with a couple of fat eels hissing and
sputtering and the kettle on for potato powder. Tony and Kerim oiled their
hair, put on their finest leather jackets and blue spotted neckerchiefs, loaded
their fingers with silver rings, and went to greet some old friends in the
neighboring boats and drink a glass or two in the nearest bar. They came back
with important news.
“We got here just in time. The Roping's
this very night. And they're a saying in the town—what d'you think of this?—
they're saying that the missing child's on a gyptian boat, and she's a going to
appear tonight at the Roping!”
He laughed loudly and ruffled Lyra's hair.
Ever since they'd entered the fens he had been more and more good tempered, as
if the savage gloom his face showed outside were only a disguise. And Lyra felt
an excitement growing in her breast as she ate quickly and washed the dishes
before combing her hair, tucking the alethiometer into the wolfskin coat pocket,
and jumping ashore with all the other families making their way up the slope to
the Zaal.
She had thought Tony was joking. She soon
found that he wasn't, or else that she looked less like a gyptian than she'd
thought, for many people stared, and children pointed, and by the time they
reached the great doors of the Zaal they were walking alone between a crowd on
either side, who had fallen back to stare and give them room.
And then Lyra began to feel truly nervous.
She kept close to Ma Costa, and Pantalaimon became as big as he could and took
his panther shape to reassure her. Ma Costa trudged up the steps as if nothing
in the world could possibly either stop her or make her go more quickly, and
Tony and Kerim walked proudly on either side like princes.
The hall was lit by naphtha lamps, which
shone brightly enough on the faces and bodies of the audience, but left the
lofty rafters hidden in darkness. The people coming in had to struggle to find
room on the floor, where the benches were already crowded; but families
squeezed up to make space, children occupying laps and daemons curling up
underfoot or perching out of the way on the rough wooden walls.
At the front of the Zaal there was a
platform with eight carved wooden chairs set out. As Lyra and the Costas found
space to stand along the edge of the hall, eight men appeared from the shadows
at the rear of the platform and stood in front of the chairs. A ripple of
excitement swept over the audience as they hushed one another and shoved
themselves into spaces on the nearest bench. Finally there was silence and
seven of the men on the platform sat down.
The one who remained was in his seventies,
but tall and bull necked and powerful. He wore a plain canvas jacket and a
checked shirt, like many gyptian men; there was nothing to mark him out but the
air of strength and authority he had. Lyra recognized it: Uncle Asriel had it,
and so did the Master of Jordan. This man's daemon was a crow, very like the
Master's raven.
“That's John Faa, the lord of the western
gyptians,” Tony whispered.
John Faa began to speak, in a deep slow
voice. “Gyptians! Welcome to the Roping. We've come to listen and come to
decide. You all know why. There are many families here who've lost a child.
Some have lost two. Someone is taking them. To be sure, landlopers are losing
children too. We have no quarrel with landlopers over this.
“Now there's been talk about a child and a
reward. Here's the truth to stop all gossip. The child's name is Lyra Belacqua,
and she's being sought by the landloper police. There is a reward of one
thousand sovereigns for giving her up to them. She's a landloper child, and
she's in our care, and there she's going to stay. Anyone tempted by those
thousand sovereigns had better find a place neither on land nor on water. We
en't giving her up.”
Lyra felt a blush from the roots of her
hair to the soles of her feet; Pantalaimon became a brown moth to hide. Eyes
all around were turning to them, and she could only look up at Ma Costa for
reassurance.
But John Faa was speaking again:
“Talk all we may, we won't change owt. We
must act if we want to change things. Here's another fact for you: the
Gobblers, these child thieves, are a taking their prisoners to a town in the
far North, way up in the land of dark. I don't know what they do with 'em
there. Some folk say they kill 'em, other folk say different. We don't know.
“What we do know is that they do it with
the help of the landloper police and the clergy. Every power on land is helping
'em. Remember that. They know what's going on and they'll help it whenever they
can.
“So what I'm proposing en't easy. And I
need your agreement. I'm proposing that we send a band of fighters up north to
rescue them kids and bring 'em back alive. I'm proposing that we put our gold
into this, and all the craft and courage we can muster. Yes, Raymond van
Gerrit?”
A man in the audience had raised his hand,
and John Faa sat down to let him speak.
“Beg pardon, Lord Faa. There's landloper
kids as well as gyptians been taken captive. Are you saying we should rescue
them as well?”
John Faa stood up to answer.
“Raymond, are you saying we should fight
our way through every kind of danger to a little group of frightened children,
and then say to some of them that they can come home, and to the rest that they
have to stay? No, you're a better man than that. Well, do I have your approval,
my friends?”
The question caught them by surprise, for
there was a moment's hesitation; but then a full-throated roar filled the hall,
and hands were clapped in the air, fists shaken, voices raised in excited
clamor. The rafters of the Zaal shook, and from their perches up in the dark a
score of sleeping birds woke up in fear and flapped their wings, and little
showers of dust drifted down.
John Faa let the noise continue for a
minute, and then raised his hand for silence again.
“This'll take a while to organize. I want
the heads of the families to raise a tax and muster a levy. We'll meet again
here in three days' time. In between now and then I'm a going to talk with the child
I mentioned before, and with Farder Coram, and form a plan to put before you
when we meet. Goodnight to ye all.”
His massive, plain, blunt presence was
enough to calm them. As the audience began to move out of the great doors into
the chilly evening, to go to their boats or to the crowded bars of the little
settlement, Lyra said to Ma Costa:
“Who are the other men on the platform?”
“The heads of the six families, and the
other man is Farder Coram.”
It was easy to see who she meant by the
other man, because he was the oldest one there. He walked with a stick, and all
the time he'd been sitting behind John Faa he'd been trembling as if with an
ague.
“Come on,” said Tony. “I'd best take you
up to pay your respects to John Faa. You call him Lord Faa. I don't know what
you'll be asked, but mind you tell the truth.”
Pantalaimon was a sparrow now, and sat
curiously on Lyra's shoulder, his claws deep in the wolfskin coat, as she
followed Tony through the crowd up to the platform.
He lifted her up. Knowing that everyone
still in the hall was staring at her, and conscious of those thousand
sovereigns she was suddenly worth, she blushed and hesitated. Pantalaimon
darted to her breast and became a wildcat, sitting up in her arms and hissing
softly as he looked around.
Lyra felt a push, and stepped forward to
John Faa. He was stern and massive and expressionless, more like a pillar of
rock than a man, but he stooped and held out his hand to shake. When she put
hers in, it nearly vanished.
“Welcome, Lyra,” he said.
Close to, she felt his voice rumbling like
the earth itself. She would have been nervous but for Pantalaimon, and the fact
that John Faa's stony expression had warmed a little. He was treating her very
gently.
“Thank you, Lord Faa,” she said.
“Now you come in the parley room and we'll
have a talk,” said John Faa. “Have they been feeding you proper, the Costas?”
“Oh, yes. We had eels for supper.”
“Proper fen eels, I expect.”
The parley room was a comfortable place
with a big fire, sideboards laden with silver and porcelain, and a heavy table
darkly polished by the years, at which twelve chairs were drawn up.
The other men from the platform had gone
elsewhere, but the old shaking man was still with them. John Faa helped him to
a seat at the table.
“Now, you sit here on my right,” John Faa
said to Lyra, and took the chair at the head of the table himself. Lyra found
herself opposite Farder Coram. She was a little frightened by his skull-like
face and his continual trembling. His daemon was a beautiful autumn-colored
cat, massive in size, who stalked along the table with upraised tail and
elegantly inspected Pantalaimon, touching noses briefly before settling on
Farder Coram's lap, half-closing her eyes and purring softly.
A woman whom Lyra hadn't noticed came out
of the shadows with a tray of glasses, set it down by John Faa, curtsied, and
left. John Faa poured little glasses of jenniver from a stone crock for himself
and Farder Coram, and wine for Lyra.
“So,” John Faa said. “You run away, Lyra.”
“Yes.”
“And who was the lady you run away from?”
“She was called Mrs. Coulter. And I
thought she was nice, but I found out she was one of the Gobblers. I heard
someone say what the Gobblers were, they were called the General Oblation
Board, and she was in charge of it, it was all her idea. And they was all
working on some plan, I dunno what it was, only they was going to make me help
her get kids for 'em. But they never knew...”
“They never knew what?”
“Well, first they never knew that I knew
some kids what had been took. My friend Roger the kitchen boy from Jordan
College, and Billy Costa, and a girl out the covered market in Oxford. And
another thing...My uncle, right, Lord Asriel. 1 heard them talking about his
journeys to the North, and I don't reckon he's got anything to do with the
Gobblers. Because I spied on the Master and the Scholars of Jordan, right, I
hid in the Retiring Room where no one's supposed to go except them, and I heard
him tell them all about his expedition up north, and the Dust he saw, and he
brought back the head of Stanislaus Grumman, what the Tartars had made a hole
in. And now the Gobblers've got him locked up somewhere. The armored bears are
guarding him. And I want to rescue him.”
She looked fierce and stubborn as she sat
there, small against the high carved back of the chair. The two old men
couldn't help smiling, but whereas Farder Coram's smile was a hesitant, rich,
complicated expression that trembled across his face like sunlight chasing
shadows on a windy March day, John Faa's smile was slow, warm, plain, and
kindly.
“You better tell us what you did hear your
uncle say that evening,” said John Faa. “Don't leave anything out, mind. Tell
us everything.”
Lyra did, more slowly than she'd told the
Costas but more honestly, too. She was afraid of John Faa, and what she was
most afraid of was his kindness. When she'd finished, Farder Coram spoke for
the first time. His voice was rich and musical, with as many tones in it as
there were colors in his daemon's fur.
“This Dust,” he said. “Did they ever call
it anything else, Lyra?”
“No. Just Dust. Mrs. Coulter told me what
it was, elementary particles, but that's all she called it.”
“And they think that by doing something to
children, they can find out more about it?”
“Yes. But I don't know what. Except my uncle...There's
something I forgot to tell you. When he was showing them lantern slides, there
was another one he had. It was the Roarer—”
“The what?” said John Faa.
“The Aurora,” said Farder Coram. “Is that
right, Lyra?”
“Yeah, that's it. And in the lights of the
Roarer there was like a city. All towers and churches and domes and that. It
was a bit like Oxford, that's what I thought, anyway. And Uncle Asriel, he was
more interested in that, I think, but the Master and the other Scholars were
more interested in Dust, like Mrs. Coulter and Lord Boreal and them.”
“I see,” said Farder Coram. “That's very
interesting.”
“Now, Lyra,” said John Faa, “I'm a going
to tell you something. Farder Coram here, he's a wise man. He's a seer. He's
been a follering all what's been going on with Dust and the Gobblers and Lord
Asriel and everything else, and he's been a follering you. Every time the
Costas went to Oxford, or half a dozen other families, come to that, they
brought back a bit of news. About you, child. Did you know that?”
Lyra shook her head. She was beginning to
be frightened. Pantalaimon was growling too deep for anyone to hear, but she
could feel it in her fingertips down inside his fur.
“Oh, yes,” said John Faa, “all your
doings, they all get back to Farder Coram here.”
Lyra couldn't hold it in.
“We didn't damage it! Honest! It was only
a bit of mud! And we never got very far—”
“What are you talking about, child?” said
John Faa.
Farder Coram laughed. When he did that,
his shaking stopped and his face became bright and young.
But Lyra wasn't laughing. With trembling
lips she said, “And even if we had found the bung, we'd never've took it out!
It was just a joke. We wouldn't've sunk it, never!”
Then John Faa began to laugh too. He
slapped a broad hand on the table so hard the glasses rang, and his massive
shoulders shook, and he had to wipe away the tears from his eyes. Lyra had
never seen such a sight, never heard such a bellow; it was like a mountain
laughing.
“Oh, yes,” he said when he could speak
again, “we heard about that too, little girl! I don't suppose the Costas have
set foot anywhere since then without being reminded of it. You better leave a
guard on your boat, Tony, people say. Fierce little girls round here! Oh, that
story went all over the fens, child. But we en't going to punish you for it.
No, no! Ease your mind.”
He looked at Farder Coram, and the two old
men laughed again, but more gently. And Lyra felt contented, and safe.
Finally John Faa shook his head and became
serious again.
“I were saying, Lyra, as we knew about you
from a child. From a baby. You oughter know what we know. I can't guess what
they told you at Jordan College about where you came from, but they don't know
the whole truth of it. Did they ever tell you who your parents were?”
Now Lyra was completely dazed.
“Yes,” she said. “They said I was—they
said they—they said Lord Asriel put me there because my mother and father died
in an airship accident. That's what they told me.”
“Ah, did they. Well now, child, I'm a
going to tell you a story, a true story. I know it's true, because a gyptian
woman told me, and they all tell the truth to John Faa and Farder Coram. So
this is the truth about yourself, Lyra. Your father never perished in no
airship accident, because your father is Lord Asriel.”
Lyra could only sit in wonder.
“Here's how it came about,” John Faa went
on. “When he was a young man, Lord Asriel went exploring all over the North,
and came back with a great fortune. And he was a high-spirited man, quick to
anger, a passionate man.
“And your mother, she was passionate too.
Not so well born as him, but a clever woman. A Scholar, even, and those who saw
her said she was very beautiful. She and your father, they fell in love as
soon's they met.
“The trouble was, your mother was already
married. She'd married a politician. He was a member of the king's party, one
of his closest advisers. A rising man.
“Now when your mother found herself with
child, she feared to tell her husband the child wasn't his. And when the baby
was born—that's you, girl—it was clear from the look of you that you didn't
favor her husband, but your true father, and she thought it best to hide you
away and give out that you'd died.
“So you was took to Oxfordshire, where
your father had estates, and put in the care of a gyptian woman to nurse. But
someone whispered to your mother's husband what had happened, and he came a
flying down and ransacked the cottage where the gyptian woman had been, only
she'd fled to the great house; and the husband followed after, in a murderous
passion.
“Lord Asriel was out a hunting, but they
got word to him and he came riding back in time to find your mother's husband
at the foot of the great staircase. Another moment and he'd have forced open
the closet where the gyptian woman was hiding with you, but Lord Asriel
challenged him, and they fought there and then, and Lord Asriel killed him.
“The gyptian woman heard and saw it all,
Lyra, and that's how we know.
“The consequence was a great lawsuit. Your
father en't the kind of man to deny or conceal the truth, and it left the
judges with a problem. He'd killed all right, he'd shed blood, but he was
defending his home and his child against an intruder. On t'other hand, the law
allows any man to avenge the violation of his wife, and the dead man's lawyers
argued that he were doing just that.
“The case lasted for weeks, with volumes
of argument back and forth. In the end the judges punished Lord Asriel by
confiscating all his property and all his land, and left him a poor man; and he
had been richer than a king.
“As for your mother, she wanted nothing to
do with it, nor with you. She turned her back. The gyptian nurse told me she'd
often been afeared of how your mother would treat you, because she was a proud
and scornful woman. So much for her.
“Then there was you. If things had fallen
out different, Lyra, you might have been brought up a gyptian, because the
nurse begged the court to let her have you; but we gyptians got little standing
in the law. The court decided you was to be placed in a priory, and so you
were, with the Sisters of Obedience at Watlington. You won't remember.
“But Lord Asriel wouldn't stand for that.
He had a hatred of priors and monks and nuns, and being a high-handed man he
just rode in one day and carried you off. Not to look after himself, nor to
give to the gyptians; he took you to Jordan College, and dared the law to undo
it.
“Well, the law let things be. Lord Asriel
went back to his explorations, and you grew up at Jordan College. The one thing
he said, your father, the one condition he made, was that your mother shouldn't
be let see you. If she ever tried to do that, she was to be prevented, and he
was to be told, because all the anger in his nature had turned against her now.
The Master promised faithfully to do that; and so time passed.
“Then come all this anxiety about Dust.
And all over the country, all over the world, wise men and women too began a
worrying about it. It weren't of any account to us gyptians, until they started
taking our kids. That's when we got interested. And we got connections in all
sorts of places you wouldn't imagine, including Jordan College. You wouldn't
know, but there's been someone a watching over you and reporting to us ever
since you been there. 'Cause we got an interest in you, and that gyptian woman
who nursed you, she never stopped being anxious on your behalf.”
“Who was it watching over me?” said Lyra.
She felt immensely important and strange, that all her doings should be an
object of concern so far away.
“It was a kitchen servant. It was Bernie
Johansen, the pastry cook. He's half-gyptian; you never knew that, I'll be
bound.”
Bernie was a kindly, solitary man, one of
those rare people whose daemon was the same sex as himself. It was Bernie she'd
shouted at in her despair when Roger was taken. And Bernie had been telling the
gyptians everything! She marveled.
“So anyway,” John Faa went on, “we heard
about you going away from Jordan College, and how it came about at a time when
Lord Asriel was imprisoned and couldn't prevent it. And we remembered what he'd
said to the Master that he must never do, and we remembered that the man your
mother had married, the politician Lord Asriel killed, was called Edward
Coulter.”
“Mrs. Coulter?” said Lyra, quite
stupefied. “She en't my mother?”
“She is. And if your father had been free,
she wouldn't never have dared to defy him, and you'd still be at Jordan, not
knowing a thing. But what the Master was a doing letting you go is a mystery I
can't explain. He was charged with your care. All I can guess is that she had
some power over him.”
Lyra suddenly understood the Master's
curious behavior on the morning she'd left.
“But he didn't want to...” she said,
trying to remember it exactly. “He...I had to go and see him first thing that
morning, and I mustn't tell Mrs. Coulter....It was like he wanted to protect me
from her...” She stopped, and looked at the two men carefully, and then decided
to tell them the whole truth about the Retiring Room. “See, there was something
else.
That evening I hid in the Retiring Room, I
saw the Master try to poison Lord Asriel. I saw him put some powder in the wine
and I told my uncle and he knocked the decanter off the table and spilled it.
So I saved his life. I could never understand why the Master would want to
poison him, because he was always so kind. Then on the morning I left he called
me in early to his study, and I had to go secretly so no one would know, and he
said...” Lyra racked her brains to try and remember exactly what it was the
Master had said. No good; she shook her head. “The only thing I could
understand was that he gave me something and I had to keep it secret from her,
from Mrs. Coulter. I suppose it's all right if I tell you....”
She felt in the pocket of the wolfskin
coat and took out the velvet package. She laid it on the table, and she sensed
John Faa's massive simple curiosity and Farder Coram's bright flickering
intelligence both trained on it like searchlights.
When she laid the alethiometer bare, it
was Farder Coram who spoke first.
“I never thought I'd ever set eyes on one
of them again. That's a symbol reader. Did he tell you anything about it,
child?”
“No. Only that I'd have to work out how to
read it by myself. And he called it an alethiometer.”
“What's that mean?” said John Faa, turning
to his companion.
“That's a Greek word. I reckon it's from
aktheia, which means truth. It's a truth measure. And have you worked out how
to use it?” he said to her.
“No. Least, I can make the three short
hands point to different pictures, but I can't do anything with the long one.
It goes all over. Except sometimes, right, sometimes when I'm sort of
concentrating, I can make the long needle go this way or that just by thinking
it.”
“What's it do, Farder Coram?” said John
Faa. “And how do you read it?”
“All these pictures round the rim,” said
Farder Coram, holding it delicately toward John Faa's blunt strong gaze,
“they're symbols, and each one stands for a whole series of things. Take the
anchor, there. The first meaning of that is hope, because hope holds you fast
like an anchor so you don't give way. The second meaning is steadfastness. The
third meaning is snag, or prevention. The fourth meaning is the sea. And so on,
down to ten, twelve, maybe a never-ending series of meanings.”
“And do you know them all?”
“I know some, but to read it fully I'd
need the book. I seen the book and I know where it is, but I en't got it.”
“We'll come back to that,” said John Faa.
“Go on with how you read it.”
“You got three hands you can control,”
Farder Coram explained, “and you use them to ask a question. By pointing to
three symbols you can ask any question you can imagine, because you've got so
many levels of each one. Once you got your question framed, the other needle
swings round and points to more symbols that give you the answer.”
“But how does it know what level you're a
thinking of when you set the question?” said John Faa.
“Ah, by itself it don't. It only works if
the questioner holds the levels in their mind. You got to know all the
meanings, first, and there must be a thousand or more. Then you got to be able
to hold 'em in your mind without fretting at it or pushing for an answer, and
just watch while the needle wanders. When it's gone round its full range,
you'll know what the answer is. I know how it works because I seen it done once
by a wise man in Uppsala, and that's the only time I ever saw one before. Do
you know how rare these are?”
“The Master told me there was only six
made,” Lyra said.
“Whatever the number, it en't large.”
“And you kept this secret from Mrs.
Coulter, like the Master told you?” said John Faa.
“Yes. But her daemon, right, he used to go
in my room. And I'm sure he found it.”
“I see. Well, Lyra, I don't know if we'll
ever understand the full truth, but this is my guess, as good as I can make it.
The Master was given a charge by Lord Asriel to look after you and keep you
safe from your mother. And that was what he did, for ten years or more. Then
Mrs. Coulter's friends in the Church helped her set up this Oblation Board, for
what purpose we don't know, and there she was, as powerful in her way as Lord
Asriel was in his. Your parents, both strong in the world, both ambitious, and
the Master of Jordan holding you in the balance between them.
“Now the Master's got a hundred things to
look after. His first concern is his College and the scholarship there. So if
he sees a threat to that, he has to move agin it. And the Church in recent
times, Lyra, it's been a getting more commanding. There's councils for this and
councils for that; there's talk of reviving the Office of Inquisition, God
forbid. And the Master has to tread warily between all these powers. He has to
keep Jordan College on the right side of the Church, or it won't survive.
“And another concern of the Master is you,
child. Bernie Johansen was always clear about that. The Master of Jordan and
the other Scholars, they loved you like their own child. They'd do anything to
keep you safe, not just because they'd promised to Lord Asriel that they would,
but for your own sake. So if the Master gave you up to Mrs. Coulter when he'd
promised Lord Asriel he wouldn't, he must have thought you'd be safer with her
than in Jordan College, in spite of all appearances. And when he set out to
poison Lord Asriel, he must have thought that what Lord Asriel was a doing
would place all of them in danger, and maybe all of us, too; maybe all the
world. I see the Master as a man having terrible choices to make; whatever he
chooses will do harm, but maybe if he does the right thing, a little less harm
will come about than if he chooses wrong. God preserve me from having to make
that sort of choice.
“And when it come to the point where he
had to let you go, he gave you the symbol reader and bade you keep it safe. I
wonder what he had in mind for you to do with it; as you couldn't read it, I'm
foxed as to what he was a thinking.”
“He said Uncle Asriel presented the
alethiometer to Jordan College years before,” Lyra said, struggling to
remember. “He was going to say something else, and then someone knocked at the
door and he had to stop. What I thought was, he might have wanted me to keep it
away from Lord Asriel too.”
“Or even the opposite,” said John Faa.
“What d'you mean, John?” said Farder
Coram.
“He might have had it in mind to ask Lyra
to return it to Lord Asriel, as a kind of recompense for trying to poison him.
He might have thought the danger from Lord Asriel had passed. Or that Lord
Asriel could read some wisdom from this instrument and hold back from his
purpose. If Lord Asriel's held captive now, it might help set him free. Well,
Lyra, you better take this symbol reader and keep it safe. If you kept it safe
so far, I en't worried about leaving it with you. But there might come a time
when we need to consult it, and I reckon we'll ask for it then.”
He folded the velvet over it and slid it
back across the table. Lyra wanted to ask all kinds of questions, but suddenly
she felt shy of this massive man, with his little eyes so sharp and kindly
among their folds and wrinkles.
One thing she had to ask, though.
“Who was the gyptian woman who nursed me
?”
“Why, it was Billy Costa's mother, of
course. She won't have told you, because I en't let her, but she knows what
we're a talking of here, so it's all out in the open.
“Now you best be getting back to her. You
got plenty to be a thinking of, child. When three days is gone past, we'll have
another roping and discuss all there is to do. You be a good girl. Goodnight,
Lyra.”
“Goodnight, Lord Faa. Goodnight, Farder
Coram,” she said politely, clutching the alethiometer to her breast with one
hand and scooping up Pantalaimon with the other.
Both old men smiled kindly at her. Outside
the door of the parley room Ma Costa was waiting, and as if nothing had
happened since Lyra was born, the boat mother gathered her into her great arms
and kissed her before bearing her off to bed.
EIGHT
FRUSTRATION
Lyra had to adjust to her new sense of her
own story, and that couldn't be done in a day. To see Lord Asriel as her father
was one thing, but to accept Mrs. Coulter as her mother was nowhere near so easy.
A couple of months ago she would have rejoiced, of course, and she knew that
too, and felt confused.
But, being Lyra, she didn't fret about it
for long, for there was the fen town to explore and many gyptian children to
amaze. Before the three days were up she was an expert with a punt (in her
eyes, at least) and she'd gathered a gang of urchins about her with tales of
her mighty father, so unjustly made captive.
“And then one evening the Turkish
Ambassador was a guest at Jordan for dinner. And he was under orders from the
Sultan hisself to kill my father, right, and he had a ring on his finger with a
hollow stone full of poison. And when the wine come round he made as if to
reach across my father's glass, and he sprinkled the poison in. It was done so quick
that no one else saw him, but—”
“What sort of poison?” demanded a
thin-faced girl.
“Poison out of a special Turkish serpent,”
Lyra invented, “what they catch by playing a pipe to lure out and then they
throw it a sponge soaked in honey and the serpent bites it and can't get his
fangs free, and they catch it and milk the venom out of it. Anyway, my father
seen what the Turk done, and he says, Gentlemen, I want to propose a toast of
friendship between Jordan College and the College of Izmir, which was the
college the Turkish Ambassador belonged to. And to show our willingness to be
friends, he says, we'll swap glasses and drink each other's wine.
“And the Ambassador was in a fix then,
'cause he couldn't refuse to drink without giving deadly insult, and he
couldn't drink it because he knew it was poisoned. He went pale and he fainted
right away at the table. And when he come round they was all still sitting
there, waiting and looking at him. And then he had to either drink the poison
or own up.”
“So what did he do?”
“He drunk it. It took him five whole
minutes to die, and he was in torment all the time.”
“Did you see it happen?”
“No, 'cause girls en't allowed at the High
Table. But I seen his body afterwards when they laid him out. His skin was all
withered like an old apple, and his eyes were starting from his head. In fact,
they had to push 'em back in the sockets....”
And so on.
Meanwhile, around the edges of the fen
country, the police were knocking at doors, searching attics and outhouses,
inspecting papers and interrogating everyone who claimed to have seen a blond
little girl; and in Oxford the search was even fiercer. Jordan College was
scoured from the dustiest boxroom to the darkest cellar, and so were Gabriel
and St. Michael's, till the heads of all the colleges issued a joint protest
asserting their ancient rights. The only notion Lyra had of the search for her
was the incessant drone of the gas engines of airships crisscrossing the skies.
They weren't visible, because the clouds were low and by statute airships had
to keep a certain height above fen country, but who knew what cunning spy
devices they might carry? Best to keep under cover when she heard them, or wear
the oilskin sou'wester over her bright distinctive hair.
And she questioned Ma Costa about every
detail of the story of her birth. She wove the details into a mental tapestry
even clearer and sharper than the stories she made up, and lived over and over
again the flight from the cottage, the concealment in the closet, the
harsh-voiced challenge, the clash of swords—
“Swords? Great God, girl, you dreaming?”
Ma Costa said. “Mr. Coulter had a gun, and Lord Asriel knocked it out his hand
and struck him down with one blow. Then there was two shots. I wonder you don't
remember; you ought to, little as you were. The first shot was Edward Coulter,
who reached his gun and fired, and the second was Lord Asriel, who tore it out
his grasp a second time and turned it on him. Shot him right between the eyes
and dashed his brains out. Then he says cool as paint, 'Come out, Mrs. Costa,
and bring the baby,' because you were setting up such a howl, you and that
daemon both; and he took you up and dandled you and sat you on his shoulders,
walking up and down in high good humor with the dead man at his feet, and
called for wine and bade me swab the floor.”
By the end of the fourth repetition of the
story Lyra was perfectly convinced she did remember it, and even volunteered
details of the color of Mr. Coulter's coat and the cloaks and furs hanging in
the closet. Ma Costa laughed.
And whenever she was alone, Lyra took out
the alethiome-ter and pored over it like a lover with a picture of the beloved.
So each image had several meanings, did it? Why shouldn't she work them out?
Wasn't she Lord Asriel's daughter?
Remembering what Farder Coram had said,
she tried to focus her mind on three symbols taken at random, and clicked the
hands round to point at them, and found that if she held the alethiometer just
so in her palms and gazed at it in a particular lazy way, as she thought of it,
the long needle
would begin to move more purposefully.
Instead of its wayward divagations around the dial it swung smoothly from one
picture to another. Sometimes it would pause at three, sometimes two, sometimes
five or more, and although she understood nothing of it, she gained a deep calm
enjoyment from it, unlike anything she'd known. Pantalaimon would crouch over
the dial, sometimes as a cat, sometimes as a mouse, swinging his head round
after the needle; and once or twice the two of them shared a glimpse of meaning
that felt as if a shaft of sunlight had struck through clouds to light up a
majestic line of great hills in the distance—something far beyond, and never
suspected. And Lyra thrilled at those times with the same deep thrill she'd
felt all her life on hearing the word North.
So the three days passed, with much coming
and going between the multitude of boats and the Zaal. And then came the
evening of the second roping. The hall was more crowded than before, if that
was possible. Lyra and the Costas got there in time to sit at the front, and as
soon as the flickering lights showed that the place was crammed, John Faa and
Farder Coram came out on the platform and sat behind the table. John Faa didn't
have to make a sign for silence; he just put his great hands flat on the table
and looked at the people below, and the hubbub died.
“Well,” he said, “you done what I asked.
And better than I hoped. I'm a going to call on the heads of the six families
now to come up here and give over their gold and recount their promises.
Nicholas Rokeby, you come first.”
A stout black-bearded man climbed onto the
platform and laid a heavy leather bag on the table.
“That's our gold,” he said. “And we offer
thirty-eight men.”
“Thank you, Nicholas,” said John Faa.
Farder Coram was making a note. The first man stood at the back of the platform
as John Faa called for the next, and the next, and each came up, laid a bag on
the table, and announced the number of men he could muster. The Costas were
part of the Stefanski family, and naturally Tony had been one of the first to
volunteer. Lyra noticed his hawk daemon shifting from foot to foot and
spreading her wings as the Stefanski money and the promise of twenty-three men
were laid before John Faa.
When the six family heads had all come up,
Farder Coram showed his piece of paper to John Faa, who stood up to address the
audience again.
“Friends, that's a muster of one hundred
and seventy men. I thank you proudly. As for the gold, I make no doubt from the
weight of it that you've all dug deep in your coffers, and my warm thanks go
out for that as well.
“What we're a going to do next is this.
We're a going to charter a ship and sail north, and find them kids and set 'em
free. From what we know, there might be some fighting to do. It won't be the
first time, nor it won't be the last, but we never had to fight yet with people
who kidnap children, and we shall have to be uncommon cunning. But we en't
going to come back without our kids. Yes, Dirk Vries?”
A man stood up and said, “Lord Faa, do you
know why they captured them kids?”
“We heard it's a theological matter.
They're making an experiment, but what nature it is we don't know. To tell you
all the truth, we don't even know whether any harm is a coming to 'em. But whatever
it is, good or bad, they got no right to reach out by night and pluck little
children out the hearts of their families. Yes, Raymond van Gerrit?”
The man who'd spoken at the first meeting
stood up and said, “That child, Lord Faa, the one you spoke of as being sought,
the one as is sitting in the front row now. I heard as all the folk living
around the edge of the fens is having their
houses turned upside down on her account.
I heard there's a move in Parliament this very day to rescind our ancient privileges
on account of this child. Yes, friends,” he said, over the babble of shocked
whispers, “they're a going to pass a law doing away with our right to free
movement in and out the fens. Now, Lord Faa, what we want to know is this: who
is this child on account of which we might come to such a pass? She en't a
gyptian child, not as I heard. How comes it that a landloper child can put us
all in danger?”
Lyra looked up at John Faa's massive
frame. Her heart was thumping so much she could hardly hear the first words of
his reply.
“Now spell it out, Raymond, don't be shy,”
he said. “You want us to give this child up to them she's a fleeing from, is
that right?”
The man stood obstinately frowning, but
said nothing.
“Well, perhaps you would, and perhaps you
wouldn't,” John Faa continued. “But if any man or woman needs a reason for
doing good, ponder on this. That little girl is the daughter of Lord Asriel, no
less. For them as has forgotten, it were Lord Asriel who interceded with the
Turk for the life of Sam Broekman. It were Lord Asriel who allowed gyptian
boats free passage on the canals through his property. It were Lord Asriel who
defeated the Watercourse Bill in Parliament, to our great and lasting benefit.
And it were Lord Asriel who fought day and night in the floods of '53, and
plunged headlong in the water twice to pull out young Ruud and Nellie Koopman.
You forgotten that? Shame, shame on you, shame.
“And now that same Lord Asriel is held in
the farthest coldest darkest regions of the wild, captive, in the fortress of
Svalbard. Do I need to tell you the kind of creatures a guarding him there? And
this is his little daughter in our care, and Raymond van Gerrit would hand her
over to the authorities for a bit of peace and quiet. Is that right, Raymond? Stand
up and answer, man.”
But Raymond van Gerrit had sunk to his
seat, and nothing would make him stand. A low hiss of disapproval sounded
through the great hall, and Lyra felt the shame he must be feeling, as well as
a deep glow of pride in her brave father.
John Faa turned away, and looked at the
other men on the platform.
“Nicholas Rokeby, I'm a putting you in
charge of finding a vessel, and commanding her once we sail. Adam Stefanski, I
want you to take charge of the arms and munitions, and command the fighting.
Roger van Poppel, you look to all the other stores, from food to cold-weather
clothing. Simon Hartmann, you be treasurer, and account to us all for a proper
apportionment of our gold. Benjamin de Ruyter, I want you to take charge of
spying. There's a great deal we ought to find out, and I'm a giving you the
charge of that, and you'll report to Farder Coram. Michael Canzona, you're
going to be responsible for coordinating the first four leaders' work, and
you'll report to me, and if I die, you're my second in command and you'll take
over.
“Now I've made my dispositions according
to custom, and if any man or woman seeks to disagree, they may do so freely.”
After a moment a woman stood up.
“Lord Faa, en't you a taking any women on
this expedition to look after them kids once you found 'em?”
“No, Nell. We shall have little space as
it is. Any kids we free will be better off in our care than where they've
been.”
“But supposing you find out that you can't
rescue 'em without some women in disguise as guards or nurses or whatever?”
“Well, I hadn't thought of that,” John Faa
admitted. “We'll consider that most carefully when we retire into the parley
room, you have my promise.”
She sat down and a man stood up.
“Lord Faa, I heard you say that Lord
Asriel is in captivity. Is it part of your plan to rescue him? Because if it
is, and if he's in the power of them bears as I think you said, that's going to
need more than a hundred and seventy men. And good friend as Lord Asriel is to
us, I don't know as there's any call on us to go as far as that.”
“Adriaan Braks, you're not wrong. What I
had it in my mind to do was to keep our eyes and ears open and see what
knowledge we can glean while we're in the North. It may be that we can do
something to help him, and it may not, but you can trust me not to use what
you've provided, man and gold, for any purpose outside the stated one of
finding our children and bringing 'em home.”
Another woman stood up.
“Lord Faa, we don't know what them
Gobblers might've been doing to our children. We all heard rumors and stories
of fearful things. We hear about children with no heads, or about children cut
in half and sewn together, or about things too awful to mention. I'm truly
sorry to distress anyone, but we all heard this kind of thing, and I want to
get it out in the open. Now in case you find anything of that awful kind, Lord
Faa, I hope you're a going to take powerful revenge. I hope you en't going to
let thoughts of mercy and gentleness hold your hand back from striking and
striking hard, and delivering a mighty blow to the heart of that infernal
wickedness. And I'm sure I speak for any mother as has lost a child to the
Gobblers.”
There was a loud murmur of agreement as
she sat down. Heads were nodding all over the Zaal.
John Faa waited for silence, and said:
“Nothing will hold my hand, Margaret, save
only judgment. If I stay my hand in the North, it will only be to strike the
harder in the South. To strike a day too soon is as bad as striking a hundred
miles off. To be sure, there's a warm passion behind what you say. But if you
give in to that passion, friends, you're a doing what I always warned you agin:
you're a placing the satisfaction of your own feelings above the work you have
to do. Our work here is first rescue, then punishment. It en't gratification
for upset feelings. Our feelings don't matter. If we rescue the kids but we
can't punish the Gobblers, we've done the main task. But if we aim to punish
the Gobblers first and by doing so lose the chance of rescuing the kids, we've
failed.
“But be assured of this, Margaret. When
the time comes to punish, we shall strike such a blow as'll make their hearts
faint and fearful. We shall strike the strength out of 'em. We shall leave them
ruined and wasted, broken and shattered, torn in a thousand pieces and
scattered to the four winds. Don't you worry that John Faa's heart is too soft
to strike a blow when the time comes. And the time will come under judgment.
Not under passion.
“Is there anyone else who wants to speak?
Speak if you will.”
But no one did, and presently John Faa
reached for the closing bell and rang it hard and loud, swinging it high and
shaking the peals out of it so that they filled the hall and rang the rafters.
John Faa and the other men left the
platform for the parley room. Lyra was a little disappointed. Didn't they want
her there too? But Tony laughed.
“They got plans to make,” he said. “You
done your part, Lyra. Now it's for John Faa and the council.”
“But I en't done nothing yet!” Lyra
protested, as she followed the others reluctantly out of the hall and down the
cobbled road toward the jetty. “All I done was run away from Mrs. Coulter!
That's just a beginning. I want to go north!”
“Tell you what,” said Tony, “I'll bring
you back a walrus tooth, that's what I'll do.”
Lyra scowled. For his part, Pantalaimon
occupied himself by making monkey faces at Tony's daemon, who closed her tawny
eyes in disdain. Lyra drifted to the jetty and hung about with her new
companions, dangling lanterns on strings over the black water to attract the
goggle-eyed fishes who swam slowly up to be lunged at with sharp sticks and
missed.
But her mind was on John Faa and the
parley room, and before long she slipped away up the cobbles again to the Zaal.
There was a light in the parley room window. It was too high to look through,
but she could hear a low rumble of voices inside.
So she walked up to the door and knocked
on it firmly five times. The voices stopped, a chair scraped across the floor,
and the door opened, spilling warm naphtha light out on the damp step.
“Yes?” said the man who'd opened it.
Beyond him Lyra could see the other men
around the table, with bags of gold stacked neatly, and papers and pens, and
glasses and a crock of jenniver.
“I want to come north,” Lyra said so they
could all hear it. “I want to come and help rescue the kids. That's what I set
out to do when I run away from Mrs. Coulter. And before that, even, I meant to
rescue my friend Roger the kitchen boy from Jordan who was took. I want to come
and help. I can do navigation and I can take anbaromagnetic readings off the
Aurora, and I know what parts of a bear you can eat, and all kind of useful
things. You'd be sorry if you got up there and then found you needed me and
found you'd left me behind. And like that woman said, you might need women to
play a part—well, you might need kids too. You don't know. So you oughter take
me, Lord Faa, excuse me for interrupting your talk.”
She was inside the room now, and all the
men and their daemons were watching her, some with amusement and some with
irritation, but she had eyes only for John Faa. Pantalaimon sat up in her arms,
his wildcat eyes blazing green.
John Faa said, “Lyra, there en't no
question of taking you into danger, so don't delude yourself, child. Stay here
and help Ma Costa and keep safe. That's what you got to do.”
“But I'm learning how to read the
alethiometer, too. It's coming clearer every day! You're bound to need
that—bound to!”
He shook his head.
“No,” he said. “I know your heart was set
on going north, but it's my belief not even Mrs. Coulter was going to take you.
If you want to see the North, you'll have to wait till all this trouble's over.
Now off you go.”
Pantalaimon hissed quietly, but John Faa's
daemon took off from the back of his chair and flew at them with black wings,
not threateningly, but like a reminder of good manners; and Lyra turned on her
heel as the crow glided over her head and wheeled back to John Faa. The door
shut behind her with a decisive click.
“We will go,” she said to Pantalaimon. “Let
'em try to stop us. We will!”
NINE
THE
SPIES
Over the next few days, Lyra concocted a
dozen plans and dismissed them impatiently; for they all boiled down to stowing
away, and how could you stow away on a narrowboat? To be sure, the real voyage
would involve a proper ship, and she knew enough stories to expect all kinds of
hiding places on a full-sized vessel: the lifeboats, the hold, the bilges,
whatever they were; but she'd have to get to the ship first, and leaving the
fens meant traveling the gyptian way.
And even if she got to the coast on her
own, she might stow away on the wrong ship. It would be a fine thing to hide in
a lifeboat and wake up on the way to High Brazil.
Meanwhile, all around her the tantalizing
work of assembling the expedition was going on day and night. She hung around
Adam Stefanski, watching as he made his choice of the volunteers for the
fighting force. She pestered Roger van Poppel with suggestions about the stores
they needed to take: Had he remembered snow goggles? Did he know the best place
to get arctic maps?
The man she most wanted to help was
Benjamin de Ruyter, the spy. But he had slipped away in the early hours of the
morning after the second roping, and naturally no one could say where he'd gone
or when he'd return. So in default, Lyra attached herself to Farder Coram.
“I think it'd be best if I helped you,
Farder Coram,” she said, “because I probably know more about the Gobblers than
anyone else, being as I was nearly one of them. Probably you'll need me to help
you understand Mr. de Ruyter's messages.”
He took pity on the fierce, desperate
little girl and didn't send her away. Instead he talked to her, and listened to
her memories of Oxford and of Mrs. Coulter, and watched as she read the
alethiometer.
“Where's that book with all the symbols
in?” she asked him one day.
“In Heidelberg,” he said.
“And is there just the one?”
“There may be others, but that's the one
I've seen.”
“I bet there's one in Bodley's Library in
Oxford,” she said.
She could hardly take her eyes off Farder
Coram's daemon, who was the most beautiful daemon she'd ever seen. When
Pantalaimon was a cat, he was lean and ragged and harsh, but Sophonax, for that
was her name, was golden-eyed and elegant beyond measure, fully twice as large
as a real cat and richly furred. When the sunlight touched her, it lit up more
shades of tawny-brown-leaf-hazel-corn-gold-autumn-mahogany than Lyra could
name. She longed to touch that fur, to rub her cheeks against it, but of course
she never did; for it was the grossest breach of etiquette imaginable to touch
another person's daemon. Daemons might touch each other, of course, or fight;
but the prohibition against human-daemon contact went so deep that even in
battle no warrior would touch an enemy's daemon. It was utterly forbidden. Lyra
couldn't remember having to be told that: she just knew it, as instinctively as
she felt that nausea was bad and comfort good. So although she admired the fur
of Sophonax and even speculated on what it might feel like, she never made the
slightest move to touch her, and never would.
Sophonax was as sleek and healthy and
beautiful as Farder Coram was ravaged and weak. He might have been ill, or he
might have suffered a crippling blow, but the result was that
he could not walk without leaning on two
sticks, and he trembled constantly like an aspen leaf. His mind was sharp and
clear and powerful, though, and soon Lyra came to love him for his knowledge
and for the firm way he directed her.
“What's that hourglass mean, Farder
Coram?” she asked, over the alethiometer, one sunny morning in his boat. “It
keeps coming back to that.”
“There's often a clue there if you look
more close. What's that little old thing on top of it?”
She screwed up her eyes and peered.
“That's a skull!”
“So what d'you think that might mean?”
“Death...Is that death?”
“That's right. So in the hourglass range
of meanings you get death. In fact, after time, which is the first one, death
is the second one.”
“D'you know what I noticed, Farder Coram?
The needle stops there on the second go-round! On the first round it kind of
twitches, and on the second it stops. Is that saying it's the second meaning,
then?”
“Probably. What are you asking it, Lyra?”
“I'm a thinking—” she stopped, surprised
to find that she'd actually been asking a question without realizing it. “I
just put three pictures together because...! was thinking about Mr. de Ruyter,
see....And I put together the serpent and the crucible and the beehive, to ask
how he's a getting on with his spying, and—”
“Why them three symbols?”
“Because I thought the serpent was
cunning, like a spy ought to be, and the crucible could mean like knowledge,
what you kind of distill, and the beehive was hard work, like bees are always
working hard; so out of the hard work and the cunning comes the knowledge, see,
and that's the spy's job; and I pointed to them and I thought the question in
my mind, and the needle stopped at death....D'you think that could be really
working, Farder Coram?”
“It's working all right, Lyra. What we
don't know is whether we're reading it right. That's a subtle art. I wonder
if—”
Before he could finish his sentence, there
was an urgent knock at the door, and a young gyptian man came in.
“Beg pardon, Farder Coram, there's Jacob
Huismans just come back, and he's sore wounded.”
“He was with Benjamin de Ruyter,” said
Farder Coram. “What's happened?”
“He won't speak,” said the young man. “You
better come, Farder Coram, 'cause he won't last long, he's a bleeding inside.”
Farder Coram and Lyra exchanged a look of
alarm and wonderment, but only for a second, and then Farder Coram was hobbling
out on his sticks as fast as he could manage, with his daemon padding ahead of
him. Lyra came too, hopping with impatience.
The young man led them to a boat tied up
at the sugar-beet jetty, where a woman in a red flannel apron held open the
door for them. Seeing her suspicious glance at Lyra, Farder Coram said, “It's
important the girl hears what Jacob's got to say, mistress.”
So the woman let them in and stood back,
with her squirrel daemon perched silent on the wooden clock. On a bunk under a
patchwork coverlet lay a man whose white face was damp with sweat and whose
eyes were glazed.
“I've sent for the physician, Farder
Coram,” said the woman shakily. “Please don't agitate him. He's in an agony of
pain. He come in off Peter Hawker's boat just a few minutes ago.”
“Where's Peter now?”
“He's a tying up. It was him said I had to
send for you.”
“Quite right. Now, Jacob, can ye hear me?”
Jacob's eyes rolled to look at Farder
Coram sitting on the opposite bunk, a foot or two away.
“Hello, Farder Coram,” he murmured.
Lyra looked at his daemon. She was a
ferret, and she lay very still beside his head, curled up but not asleep, for
her eyes were open and glazed like his.
“What happened?” said Farder Coram.
“Benjamin's dead,” came the answer. “He's
dead, and Gerard's captured.”
His voice was hoarse and his breath was
shallow. When he stopped speaking, his daemon uncurled painfully and licked his
cheek, and taking strength from that he went on:
“We was breaking into the Ministry of
Theology, because Benjamin had heard from one of the Gobblers we caught that
the headquarters was there, that's where all the orders was coming from....”
He stopped again.
“You captured some Gobblers?” said Farder
Coram.
Jacob nodded, and cast his eyes at his
daemon. It was unusual for daemons to speak to humans other than their own, but
it happened sometimes, and she spoke now.
“We caught three Gobblers in Clerkenwell
and made them tell us who they were working for and where the orders came from
and so on. They didn't know where the kids were being taken, except it was
north to Lapland....”
She had to stop and pant briefly, her
little chest fluttering, before she could go on.
“And so them Gobblers told us about the
Ministry of Theology and Lord Boreal. Benjamin said him and Gerard Hook should
break into the Ministry and Frans Broekman and Tom Mendham should go and find
out about Lord Boreal.”
“Did they do that?”
“We don't know. They never came back.
Farder Coram, it were like everything we did, they knew about before we did it,
and for all we know Frans and Tom were swallowed alive as soon as they got near
Lord Boreal.”
“Come back to Benjamin,” said Farder
Coram, hearing Jacob's breathing getting harsher and seeing his eyes close in
pain.
Jacob's daemon gave a little mew of
anxiety and love, and the woman took a step or two closer, her hands to her
mouth; but she didn't speak, and the daemon went on faintly:
“Benjamin and Gerard and us went to the
Ministry at White Hall and found a little side door, it not being fiercely
guarded, and we stayed on watch outside while they unfastened the lock and went
in. They hadn't been in but a minute when we heard a cry of fear, and
Benjamin's daemon came a flying out and beckoned to us for help and flew in
again, and we took our knife and ran in after her; only the place was dark, and
full of wild forms and sounds that were confusing in their frightful movements;
and we cast about, but there was a commotion above, and a fearful cry, and Benjamin
and his daemon fell from a high staircase above us, his daemon a tugging and a
fluttering to hold him up, but all in vain, for they crashed on the stone floor
and both perished in a moment.
“And we couldn't see anything of Gerard,
but there was a howl from above in his voice and we were too terrified and
stunned to move, and then an arrow shot down at our shoulder and pierced deep
down within....”
The daemon's voice was fainter, and a
groan came from the wounded man. Farder Coram leaned forward and gently pulled
back the counterpane, and there protruding from Jacob's shoulder was the
feathered end of an arrow in a mass
of clotted blood. The shaft and the head
were so deep in the poor man's chest that only six inches or so remained above
the skin. Lyra felt faint.
There was the sound of feet and voices
outside on the jetty.
Farder Coram sat up and said, “Here's the
physician, Jacob. We'll leave you now. We'll have a longer talk when you're
feeling better.”
He clasped the woman's shoulder on the way
out. Lyra stuck close to him on the jetty, because there was a crowd gathering
already, whispering and pointing. Farder Coram gave orders for Peter Hawker to
go at once to John Faa, and then said:
“Lyra, as soon as we know whether Jacob's
going to live or die, we must have another talk about that alethiometer. You go
and occupy yourself elsewhere, child; we'll send for you.”
Lyra wandered away on her own, and went to
the reedy bank to sit and throw mud into the water. She knew one thing: she was
not pleased or proud to be able to read the alethiometer— she was afraid.
Whatever power was making that needle swing and stop, it knew things like an
intelligent being.
“I reckon it's a spirit,” Lyra said, and
for a moment she was tempted to throw the little thing into the middle of the
fen.
“I'd see a spirit if there was one in
there,” said Pantalaimon. “Like that old ghost in Godstow. I saw that when you
didn't.”
“There's more than one kind of spirit,”
said Lyra reprovingly. “You can't see all of 'em. Anyway, what about those old
dead Scholars without their heads? I saw them, remember.”
“That was only a night-ghast.”
“It was not. They were proper spirits all
right, and you know it. But whatever spirits's moving this blooming needle en't
that sort of spirit.”
“It might not be a spirit,” said
Pantalaimon stubbornly.
“Well, what else could it be?”
“It might be...it might be elementary
particles.” She scoffed.
“It could be!” he insisted. “You remember
that photomill they got at Gabriel? Well, then.”
At Gabriel College there was a very holy
object kept on the high altar of the oratory, covered (now Lyra thought about
it) with a black velvet cloth, like the one around the alethiometer. She had
seen it when she accompanied the Librarian of Jordan to a service there. At the
height of the invocation the Intercessor lifted the cloth to reveal in the
dimness a glass dome inside which there was something too distant to see, until
he pulled a string attached to a shutter above, letting a ray of sunlight
through to strike the dome exactly. Then it became clear: a little thing like a
weathervane, with four sails black on one side and white on the other, that
began to whirl around as the light struck it. It illustrated a moral lesson,
the Intercessor explained, and went on to explain what that was. Five minutes
later Lyra had forgotten the moral, but she hadn't forgotten the little
whirling vanes in the ray of dusty light. They were delightful whatever they
meant, and all done by the power of photons, said the Librarian as they walked
home to Jordan.
So perhaps Pantalaimon was right. If
elementary particles could push a photomill around, no doubt they could make
light work of a needle; but it still troubled her.
“Lyra! Lyra!”
It was Tony Costa, waving to her from the
jetty.
“Come over here,” he called. “You got to
go and see John Faa at the Zaal. Run, gal, it's urgent.”
She found John Faa with Farder Coram and
the other leaders, looking troubled.
John Faa spoke:
“Lyra, child, Farder Coram has told me
about your reading of that instrument. And I'm sorry to say that poor Jacob has
just died. I think we're going to have to take you with us after all, against
my inclinations. I'm troubled in my mind about it, but there don't seem to be
any alternative. As soon as Jacob's buried according to custom, we'll take our
way. You understand me, Lyra: you're a coming too, but it en't an occasion for
joy or jubilation. There's trouble and danger ahead for all of us.
“I'm a putting you under Farder Coram's
wing. Don't you be a trouble or a hazard to him, or you'll be a feeling the
force of my wrath. Now cut along and explain to Ma Costa, and hold yourself in
readiness to leave.”
The next two weeks passed more busily than
any time of Lyra's life so far. Busily, but not quickly, for there were tedious
stretches of waiting, of hiding in damp crabbed closets, of watching a dismal
rain-soaked autumn landscape roll past the window, of hiding again, of sleeping
near the gas fumes of the engine and waking with a sick headache, and worst of
all, of never once being allowed out into the air to run along the bank or
clamber over the deck or haul at the lock gates or catch a mooring rope thrown
from the lockside.
Because, of course, she had to remain
hidden. Tony Costa told her of the gossip in the waterside pubs: that there was
a hunt the length of the kingdom for a little fair-haired girl, with a big
reward for her discovery and severe punishment for anyone concealing her. There
were strange rumors too: people said she was the only child to have escaped
from the Gobblers, and she had terrible secrets in her possession. Another
rumor said she wasn't a human child at all but a pair of spirits in the form of
child and daemon, sent to this world by the infernal powers in order to work
great ruin; and yet another rumor said it was no child but a fully grown human,
shrunk by magic and in the pay of the Tartars, come to spy on good English
people and prepare the way for a Tartar invasion.
Lyra heard these tales at first with glee
and later with despondency. All those people hating and fearing her! And she
longed to be out of this narrow boxy cabin. She longed to be north already, in
the wide snows under the blazing Aurora. And sometimes she longed to be back at
Jordan College, scrambling over the roofs with Roger with the Steward's bell
tolling half an hour to dinnertime and the clatter and sizzle and shouting of
the kitchen....Then she wished passionately that nothing had changed, nothing
would ever change, that she could be Lyra of Jordan College forever and ever.
The one thing that drew her out of her
boredom and irritation was the alethiometer. She read it every day, sometimes
with Farder Coram and sometimes on her own, and she found that she could sink
more and more readily into the calm state in which the symbol meanings clarified
themselves, and those great mountain ranges touched by sunlight emerged into
vision.
She struggled to explain to Farder Coram
what it felt like.
“It's almost like talking to someone, only
you can't quite hear them, and you feel kind of stupid because they're cleverer
than you, only they don't get cross or any thing.... And they know such a lot,
Farder Coram! As if they knew everything, almost! Mrs. Coulter was clever, she
knew ever such a lot, but this is a different kind of knowing....It's like
understanding, I suppose....”
He would ask specific questions, and she
would search for answers.
“What's Mrs. Coulter doing now?” he'd say,
and her hands would move at once, and he'd say, “Tell me what you're doing.”
“Well, the Madonna is Mrs. Coulter, and I
think my mother when I put the hand there; and the ant is busy—that's easy,
that's the top meaning; and the hourglass has got time in its meanings, and
partway down there's now, and I just fix my mind on it.”
“And how do you know where these meanings
are?”
“I kind of see 'em. Or feel 'em rather,
like climbing down a ladder at night, you put your foot down and there's
another rung. Well, I put my mind down and there's another meaning, and I kind
of sense what it is. Then I put 'em all together. There's a trick in it like
focusing your eyes.”
“Do that then, and see what it says.”
Lyra did. The long needle began to swing
at once, and stopped, moved on, stopped again in a precise series of sweeps and
pauses. It was a sensation of such grace and power that Lyra, sharing it, felt
like a young bird learning to fly. Farder Coram, watching from across the
table, noted the places where the needle stopped, and watched the little girl
holding her hair back from her face and biting her lower lip just a little, her
eyes following the needle at first but then, when its path was settled, looking
elsewhere on the dial. Not randomly, though. Farder Coram was a chess player,
and he knew how chess players looked at a game in play. An expert player seemed
to see lines of force and influence on the board, and looked along the
important lines and ignored the weak ones; and Lyra's eyes moved the same way,
according to some similar magnetic field that she could see and he couldn't.
The needle stopped at the thunderbolt, the
infant, the serpent, the elephant, and at a creature Lyra couldn't find a name
for: a sort of lizard with big eyes and a tail curled around the twig it stood
on. It repeated the sequence time after time, while Lyra watched.
“What's that lizard mean?” said Farder
Coram, breaking into her concentration.
“It don't make sense....! can see what it
says, but I must be misreading it. The thunderbolt I think is anger, and the
child ...I think it's me...l was getting a meaning for that lizard thing, but
you talked to me, Farder Coram, and I lost it. See, it's just floating any old
where.”
“Yes, I see that. I'm sorry, Lyra. You
tired now? D'you want to stop?”
“No, I don't,” she said, but her cheeks
were flushed and her eyes bright. She had all the signs of fretful
overexcitement, and it was made worse by her long confinement in this stuffy
cabin.
He looked out of the window. It was nearly
dark, and they were traveling along the last stretch of inland water before
reaching the coast. Wide brown scummed expanses of an estuary extended under a
dreary sky to a distant group of coal-spirit tanks, rusty and cobwebbed with
pipework, beside a refinery where a thick smear of smoke ascended reluctantly
to join the clouds.
“Where are we?” said Lyra. “Can I go
outside just for a bit, Farder Coram?”
“This is Colby water,” he said. “The
estuary of the river Cole. When we reach the town, we'll tie up by the
Smoke-market and go on foot to the docks. We'll be there in an hour or two....”
But it was getting dark, and in the wide
desolation of the creek nothing was moving but their own boat and a distant
coal barge laboring toward the refinery; and Lyra was so flushed and tired, and
she'd been inside for so long; and so Farder Coram went on:
“Well, I don't suppose it'll matter just
for a few minutes in the open air. I wouldn't call it fresh; ten't fresh except
when it's blowing off the sea; but you can sit out on top and look around till
we get closer in.”
Lyra leaped up, and Pantalaimon became a
seagull at once, eager to stretch his wings in the open. It was cold outside,
and although she was well wrapped up, Lyra was soon shivering. Pantalaimon, on
the other hand, leaped into the air with a loud caw of delight, and wheeled and
skimmed and darted now ahead of the boat, now behind the stern. Lyra exulted in
it, feeling with him as he flew, and urging him mentally to provoke the old
tillerman's cormorant daemon into a race. But she ignored him and settled down
sleepily on the handle of the tiller near her man.
There was no life out on this bitter brown
expanse, and only the steady chug of the engine and the subdued splashing of
the water under the bows broke the wide silence. Heavy clouds hung low without
offering rain; the air beneath was grimy with smoke. Only Pantalaimon's
flashing elegance had anything in it of life and joy.
As he soared up out of a dive with wide
wings white against the gray, something black hurtled at him and struck. He
fell sideways in a flutter of shock and pain, and Lyra cried out, feeling it
sharply. Another little black thing joined the first; they moved not like birds
but like flying beetles, heavy and direct, and with a droning sound.
As Pantalaimon fell, trying to twist away
and make for the boat and Lyra's desperate arms, the black things kept driving
into him, droning, buzzing, and murderous. Lyra was nearly mad with
Pantalaimon's fear and her own, but then something swept past her and upward.
It was the tillerman's daemon, and clumsy
and heavy as she looked, her flight was powerful and swift. Her head snapped
this way and that—there was a flutter of black wings, a shiver of white—and a
little black thing fell to the tarred roof of the cabin at Lyra's feet just as
Pantalaimon landed on her outstretched hand.
Before she could comfort him, he changed
into his wildcat shape and sprang down on the creature, batting it back from
the edge of the roof, where it was crawling swiftly to escape. Pantalaimon held
it firmly down with a needle-filled paw and looked up at the darkening sky,
where the black wing flaps of the cormorant were circling higher as she cast
around for the other.
Then the cormorant glided swiftly back and
croaked something to the tillerman, who said, “It's gone. Don't let that other
one escape. Here—” and he flung the dregs out of the tin mug he'd been drinking
from, and tossed it to Lyra.
She clapped it over the creature at once.
It buzzed and snarled like a little machine.
“Hold it still,” said Farder Coram from
behind her, and then he was kneeling to slip a piece of card under the mug.
“What is it, Farder Coram?” she said
shakily.
“Let's go below and have a look. Take it
careful, Lyra. Hold that tight.”
She looked at the tillerman's daemon as
she passed, intending to thank her, but her old eyes were closed. She thanked
the tillerman instead.
“You oughter stayed below” was all he
said.
She took the mug into the cabin, where
Farder Coram had found a beer glass. He held the tin mug upside down over it
and then slipped the card out from between them, so that the creature fell into
the glass. He held it up so they could see the angry little thing clearly.
It was about as long as Lyra's thumb, and
dark green, not black. Its wing cases were erect, like a ladybird's about to
fly, and the wings inside were beating so furiously that they were only a blur.
Its six clawed legs were scrabbling on the smooth glass.
“What is it?” she said.
Pantalaimon, a wildcat still, crouched on
the table six inches away, his green eyes following it round and round inside
the glass.
“If you was to crack it open,” said Farder
Coram, “you'd find no living thing in there. No animal nor insect, at any rate.
I seen one of these things afore, and I never thought I'd see one again this
far north. Afric things. There's a clockwork running in there, and pinned to
the spring of it, there's a bad spirit with a spell through its heart.”
“But who sent it?”
“You don't even need to read the symbols,
Lyra; you can guess as easy as I can.”
“Mrs. Coulter?”
'“Course. She en't only explored up north;
there's strange things aplenty in the southern wild. It was Morocco where I saw
one of these last. Deadly dangerous; while the spirit's in it, it won't never
stop, and when you let the spirit free, it's so monstrous angry it'll kill the
first thing it gets at.”
“But what was it after?”
“Spying. I was a cursed fool to let you up
above. And I should have let you think your way through the symbols without
interrupting.”
“I see it now!” said Lyra, suddenly
excited. “It means air, that lizard thing! I saw that, but I couldn't see why,
so I tried to work it out and I lost it.”
“Ah,” said Farder Coram, “then I see it
too. It en't a lizard, that's why; it's a chameleon. And it stands for air
because they don't eat nor drink, they just live on air.”
“And the elephant—”
“Africa,” he said, and “Aha.”
They looked at each other. With every
revelation of the alethiometer's power, they became more awed by it.
“It was telling us about these things all
the time,” said Lyra. “We oughter listened. But what can we do about this un,
Farder Coram? Can we kill it or something?”
“I don't know as we can do anything. We
shall just have to keep him shut up tight in a box and never let him out. What
worries me more is the other one, as got away. He'll be a flying back to Mrs.
Coulter now, with the news that he's seen you. Damn me, Lyra, but I'm a fool.”
He rattled about in a cupboard and found a
smokeleaf tin about three inches in diameter. It had been used for holding
screws, but he tipped those out and wiped the inside with a rag before
inverting the glass over it with the card still in place over the mouth.
After a tricky moment when one of the
creature's legs escaped and thrust the tin away with surprising strength, they
had it captured and the lid screwed down tight.
“As soon's we get about the ship I'll run
some solder round the edge to make sure of it,” Farder Coram said.
“But don't clockwork run down?”
“Ordinary clockwork, yes. But like I said,
this un's kept tight wound by the spirit pinned to the end. The more he
struggles, the tighter it's wound, and the stronger the force is. Now let's put
this feller out the way....”
He wrapped the tin in a flannel cloth to
stifle the incessant buzzing and droning, and stowed it away under his bunk.
It was dark now, and Lyra watched through
the window as the lights of Colby came closer. The heavy air was thickening
into mist, and by the time they tied up at the wharves alongside the
Smokemarket everything in sight was softened and blurred. The darkness shaded
into pearly silver-gray veils laid over the warehouses and the cranes, the
wooden market stalls and the granite many-chimneyed building the market was
named after, where day and night fish hung kippering in the fragrant oakwood
smoke. The chimneys were contributing their thickness to the clammy air, and
the pleasant reek of smoked herring and mackerel and haddock seemed to breathe
out of the very cobbles.
Lyra, wrapped up in oilskin and with a
large hood hiding her revealing hair, walked along between Farder Coram and the
tillerman. All three daemons were alert, scouting around corners ahead,
watching behind, listening for the slightest footfall.
But they were the only figures to be seen.
The citizens of Colby were all indoors, probably sipping jenniver beside
roaring stoves. They saw no one until they reached the dock, and the first man
they saw there was Tony Costa, guarding the gates.
“Thank God you got here,” he said quietly,
letting them through. “We just heard as Jack Verhoeven's been shot and his boat
sunk, and no one'd heard where you was. John Faa's on board already and jumping
to go.”
The vessel looked immense to Lyra: a
wheelhouse and funnel amidships, a high fo'c'sle and a stout derrick over a
canvas-covered hatch; yellow light agleam in the portholes and the bridge, and
white light at the masthead; and three or four men on deck, working urgently at
things she couldn't see.
She hurried up the wooden gangway ahead of
Farder Coram, and looked around with excitement. Pantalaimon became a monkey
and clambered up the derrick at once, but she called him down again; Farder
Coram wanted them indoors, or below, as you called it on board ship.
Down some stairs, or a companionway, there
was a small saloon where John Faa was talking quietly with Nicholas Rokeby, the
gyptian in charge of the vessel. John Faa did nothing hastily. Lyra was waiting
for him to greet her, but he finished his remarks about the tide and pilotage
before turning to the incomers.
“Good evening, friends,” he said. “Poor
Jack Verhoeven's dead, perhaps you've heard. And his boys captured.”
“We have bad news too,” said Farder Coram,
and told of their encounter with the flying spirits.
John Faa shook his great head, but didn't
reproach them.
“Where is the creature now?” he said.
Farder Coram took out the leaf tin and
laid it on the table. Such a furious buzzing came from it that the tin itself
moved slowly over the wood.
“I've heard of them clockwork devils, but
never seen one,” John Faa said. “There en't no way of taming it and turning it
back, I do know that much. Nor is it any use weighing it down with lead and
dropping it in the ocean, because one day it'd rust through and out the devil
would come and make for the child wherever she was. No, we'll have to keep it
by, and exercise our vigilance.”
Lyra being the only female on board (for
John Faa had decided against taking women, after much thought), she had a cabin
to herself. Not a grand cabin, to be sure; in fact, little more than a closet
with a bunk and a scuttle, which was the proper name for porthole. She stowed
her few things in the drawer below the bunk and ran up excitedly to lean over
the rail and watch England vanish behind, only to find that most of England had
vanished in the mist before she got there.
But the rush of water below, the movement
in the air, the ship's lights glowing bravely in the dark, the rumble of the
engine, the smells of salt and fish and coal spirit were exciting enough by
themselves. It wasn't long before another sensation joined them, as the vessel
began to roll in the German Ocean swell. When someone called Lyra down for a
bite of supper, she found she was less hungry than she'd thought, and presently
she decided it would be a good idea to lie down, for Pantalaimon's sake,
because the poor creature was feeling sadly ill at ease.
And so began her journey to the North.
PART
TWO
BOLVAHGAR
TEN
THE CONSUL AHD THE BEAR
John Faa and the other leaders had decided
that they would make for Trollesund, the main port of Lapland. The witches had
a consulate in the town, and John Faa knew that without their help, or at least
their friendly neutrality, it would be impossible to rescue the captive
children.
He explained his idea to Lyra and Farder
Coram the next day, when Lyra's seasickness had abated slightly. The sun was
shining brightly and the green waves were dashing against the bows, bearing
white streams of foam as they curved away. Out on the deck, with the breeze
blowing and the whole sea a-sparkle with light and movement, she felt little
sickness at all; and now that Pantalaimon had discovered the delights of being
a seagull and then a stormy petrel and skimming the wave tops, Lyra was too
absorbed by his glee to wallow in landlubberly misery.
John Faa, Farder Coram, and two or three
others sat in the stern of the ship, with the sun full on them, talking about
what to do next.
“Now, Farder Coram knows these Lapland
witches,” John Faa said. “And if I en't mistaken, there's an obligation there.”
“That's right, John,” said Farder Coram.
“It were forty years back, but that's nothing to a witch. Some of 'em live to
many times that.”
“What happened to bring this obligation
about, Farder Coram?” said Adam Stefanski, the man in charge of the fighting
troop.
“I saved a witch's life,” Farder Coram
explained. “She fell out of the air, being pursued by a great red bird like to
nothing I'd seen before. She fell injured in the marsh and I set out to find
her. She was like to drowning, and I got her on board and shot that bird down,
and it fell into a bog, to my regret, for it was as big as a bittern, and
flame-red.”
“Ah,” the other men murmured, captured by
Farder Coram's story.
“Now, when I got her in the boat,” he went
on, “I had the most grim shock I'd ever known, because that young woman had no
daemon.”
It was as if he'd said, “She had no head.”
The very thought was repugnant. The men shuddered, their daemons bristled or
shook themselves or cawed harshly, and the men soothed them. Pantalaimon crept
into Lyra's arms, their hearts beating together.
“At least,” Farder Coram said, “that's
what it seemed. Being as she'd fell out of the air, I more than suspected she
was a witch. She looked exactly like a young woman, thinner than some and
prettier than most, but not seeing that daemon gave me a hideous turn.”
“En't they got daemons then, the witches?”
said the other man, Michael Canzona.
“Their daemons is invisible, I expect,”
said Adam Stefanski. “He was there all the time, and Farder Coram never saw
him.”
“No, you're wrong, Adam,” said Farder
Coram. “He weren't there at all. The witches have the power to separate
their-selves from their daemons a mighty sight further'n what we can. If need
be, they can send their daemons far abroad on the wind or the clouds, or down
below the ocean. And this witch I found, she hadn't been resting above an hour
when her daemon came a flying back, because he'd felt her fear and her injury,
of course. And it's my belief, though she never admitted to this, that the
great red bird I shot was another witch's daemon, in pursuit. Lord! That made
me shiver, when I thought of that. I'd have stayed my hand; I'd have taken any
measures on sea or land; but there it was. Anyway, there was no doubt I'd saved
her life, and she gave me a token of it, and said I was to call on her help if
ever it was needed. And once she sent me help when the Skraelings shot me with
a poison arrow. We had other connections, too....I haven't seen her from that
day to this, but she'll remember.”
“And does she live at Trollesund, this
witch?”
“No, no. They live in forests and on the
tundra, not in a seaport among men and women. Their business is with the wild.
But they keep a consul there, and I shall get word to her, make no doubt about
that.”
Lyra was keen to know more about the
witches, but the men had turned their talk to the matter of fuel and stores,
and presently she grew impatient to see the rest of the ship. She wandered
along the deck toward the bows, and soon made the acquaintance of an able
seaman by flicking at him the pips she'd saved from the apple she'd eaten at
breakfast. He was a stout and placid man, and when he'd sworn at her and been
sworn at in return, they became great friends. He was called Jerry. Under his
guidance she found out that having something to do prevented you from feeling
seasick, and that even a job like scrubbing a deck could be satisfying, if it
was done in a seamanlike way. She was very taken with this notion, and later on
she folded the blankets on her bunk in a seamanlike way, and put her
possessions in the closet in a seamanlike way, and used “stow” instead of
“tidy” for the process of doing so.
After two days at sea, Lyra decided that
this was the life for her. She had the run of the ship, from the engine room to
the bridge, and she was soon on first-name terms with all the crew. Captain
Rokeby let her signal to a Hollands frigate by pulling the handle of the steam
whistle; the cook suffered her help in mixing plum duff; and only a stern word
from John Faa prevented her from climbing the foremast to inspect the horizon
from the crow's nest.
All the time they were steaming north, and
it grew colder daily. The ship's stores were searched for oilskins that could
be cut down for her, and Jerry showed her how to sew, an art she learned
willingly from him, though she had scorned it at Jordan and avoided instruction
from Mrs. Lonsdale. Together they made a waterproof bag for the alethiometer
that she could wear around her waist, in case she fell in the sea, she said.
With it safely in place she clung to the rail in her oilskins and sou'wester as
the stinging spray broke over the bows and surged along the deck. She still
felt seasick occasionally, especially when the wind got up and the ship plunged
heavily over the crests of the gray-green waves, and then it was Pantalaimon's
job to distract her from it by skimming the waves as a stormy petrel; because
she could feel his boundless glee in the dash of wind and water, and forget her
nausea. From time to time he even tried being a fish, and once joined a school
of dolphins, to their surprise and pleasure. Lyra stood shivering in the
fo'c'sle and laughed with delight as her beloved Pantalaimon, sleek and
powerful, leaped from the water with half a dozen other swift gray shapes. He
had to stay close to the ship, of course, for he could never go far from her;
but she sensed his desire to speed as far and as fast as he could, for pure
exhilaration. She shared his pleasure, but for her it wasn't simple pleasure,
for there was pain and fear in it too. Suppose he loved being a dolphin more
than he loved being with her on land? What would she do then?
Her friend the able seaman was nearby, and
he paused as he adjusted the canvas cover of the forward hatch to look out at
the little girl's daemon skimming and leaping with the dolphins. His own
daemon, a seagull, had her head tucked under her wing on the capstan. He knew
what Lyra was feeling.
“I remember when I first went to sea, my
Belisaria hadn't settled on one form, I was that young, and she loved being a
porpoise. I was afraid she'd settle like that. There was one old sailorman on
my first vessel who could never go ashore at all, because his daemon had
settled as a dolphin, and he could never leave the water. He was a wonderful
sailor, best navigator you ever knew; could have made a fortune at the fishing,
but he wasn't happy at it. He was never quite happy till he died and he could
be buried at sea.”
“Why do daemons have to settle?” Lyra
said. “I want Pantalaimon to be able to change forever. So does he.”
“Ah, they always have settled, and they
always will. That's part of growing up. There'll come a time when you'll be
tired of his changing about, and you'll want a settled kind of form for him.”
“I never will!”
“Oh, you will. You'll want to grow up like
all the other girls. Anyway, there's compensations for a settled form.”
“What are they?”
“Knowing what kind of person you are. Take
old Belisaria. She's a seagull, and that means I'm a kind of seagull too. I'm
not grand and splendid nor beautiful, but I'm a tough old thing and I can
survive anywhere and always find a bit of food and company. That's worth
knowing, that is. And when your daemon settles, you'll know the sort of person
you are.”
“But suppose your daemon settles in a
shape you don't like?”
“Well, then, you're discontented, en't
you? There's plenty of folk as'd like to have a lion as a daemon and they end
up with a poodle. And till they learn to be satisfied with what they are,
they're going to be fretful about it. Waste of feeling, that is.”
But it didn't seem to Lyra that she would
ever grow up.
One morning there was a different smell in
the air, and the ship was moving oddly, with a brisker rocking from side to side
instead of the plunging and soaring. Lyra was on deck a minute after she woke
up, gazing greedily at the land: such a strange sight, after all that water,
for though they had only been at sea a few days, Lyra felt as if they'd been on
the ocean for months. Directly ahead of the ship a mountain rose, green flanked
and snow-capped, and a little town and harbor lay below it: wooden houses with
steep roofs, an oratory spire, cranes in the harbor, and clouds of gulls
wheeling and crying. The smell was of fish, but mixed with it came land smells
too: pine resin and earth and something animal and musky, and something else
that was cold and blank and wild: it might have been snow. It was the smell of
the North.
Seals frisked around the ship, showing
their clown faces above the water before sinking back without a splash. The
wind that lifted spray off the white-capped waves was monstrously cold, and
searched out every gap in Lyra's wolfskin, and her hands were soon aching and
her face numb. Pantalaimon, in his ermine shape, warmed her neck for her, but
it was too cold to stay outside for long without work to do, even to watch the
seals, and Lyra went below to eat her breakfast porridge and look through the
porthole in the saloon.
Inside the harbor the water was calm, and
as they moved past the massive breakwater Lyra began to feel unsteady from the
lack of motion. She and Pantalaimon avidly watched as the ship inched
ponderously toward the quayside. During the next hour the sound of the engine
died away to a quiet background rumble, voices shouted orders or queries, ropes
were thrown, gangways lowered, hatches opened.
“Come on,
Lyra,” said Farder Coram. “Is
everything packed?”
Lyra's possessions, such as they were, had
been packed ever since she'd woken up and seen the land. All she had to do was
run to the cabin and pick up the shopping bag, and she was ready.
The first thing she and Farder Coram did
ashore was to visit the house of the witch consul. It didn't take long to find
it; the little town was clustered around the harbor, with the oratory and the
governor's house the only buildings of any size. The witch consul lived in a
green-painted wooden house within sight of the sea, and when they rang the bell
it jangled loudly in the quiet street.
A servant showed them into a little parlor
and brought them coffee. Presently the consul himself came in to greet them. He
was a fat man with a florid face and a sober black suit, whose name was Martin
Lanselius. His dsmon was a little serpent, the same intense and brilliant green
as his eyes, which were the only witchlike thing about him, though Lyra was not
sure what she had been expecting a witch to look like.
“How can I help you, Farder Coram?” he
said.
“In two ways, Dr. Lanselius. First, I'm
anxious to get in touch with a witch lady I met some years ago, in the fen
country of Eastern Anglia. Her name is Serafina Pekkala.”
Dr. Lanselius made a note with a silver
pencil.
“How long ago was your meeting with her?”
he said.
“Must be forty years. But I think she
would remember.”
“And what is the second way in which you
seek my help?”
“I'm representing a number of gyptian
families who've lost children. We've got reason to believe there's an
organization capturing these children, ours and others, and bringing them to
the North for some unknown purpose. I'd like to know whether you or your people
have heard of anything like this a going on.”
Dr. Lanselius sipped his coffee blandly.
“It's not impossible that notice of some
such activity might have come our way,” he said. “You realize, the relations
between my people and the Northlanders are perfectly cordial. It would be
difficult for me to justify disturbing them.”
Farder Coram nodded as if he understood
very well.
“To be sure,” he said. “And it wouldn't be
necessary for me to ask you if I could get the information any other way. That
was why I asked about the witch lady first.”
Now Dr. Lanselius nodded as if he
understood. Lyra watched this game with puzzlement and respect. There were all
kinds of things going on beneath it, and she saw that the witch consul was
coming to a decision.
“Very well,” he said. “Of course, that's
true, and you'll realize that your name is not unknown to us, Farder Coram.
Serafina Pekkala is queen of a witch clan in the region of Lake Enara. As for
your other question, it is of course understood that this information is not
reaching you through me.”
“Quite so.”
“Well, in this very town there is a branch
of an organization called the Northern Progress Exploration Company, which
pretends to be searching for minerals, but which is really controlled by
something called the General Oblation Board of London. This organization, I
happen to know, imports children. This is not generally known in the town; the
Norroway government is not officially aware of it. The children don't remain
here long. They are taken some distance inland.”
“Do you know where, Dr. Lanselius?”
“No. I would tell you if I did.”
“And do you know what happens to them
there?”
For the first time, Dr. Lanselius glanced
at Lyra. She looked stolidly back. The little green serpent daemon raised her
head from the consul's collar and whispered tongue-flickeringly in his ear.
The consul said, “I have heard the phrase
the M.aystadt process in connection with this matter. I think they use that in
order to avoid calling what they do by its proper name. I have also heard the
word intercision, but what it refers to I could not say.”
“And are there any children in the town at
the moment?” said Farder Coram.
He was stroking his daemon's fur as she
sat alert in his lap. Lyra noticed that she had stopped purring.
“No, I think not,” said Dr. Lanselius. “A
group of about twelve arrived a week ago and moved out the day before
yesterday.”
“Ah! As recent as that? Then that gives us
a bit of hope. How did they travel, Dr. Lanselius?”
“By sledge.”
“And you have no idea where they went?”
“Very little. It is not a subject we are
interested in.”
“Quite so. Now, you've answered all my
questions very fairly, sir, and here's just one more. If you were me, what
question would you ask of the Consul of the Witches?”
For the first time Dr. Lanselius smiled.
“I would ask where I could obtain the
services of an armored bear,” he said.
Lyra sat up, and felt Pantalaimon's heart
leap in her hands.
“I understood the armored bears to be in
the service of the Oblation Board,” said Farder Coram in surprise. “I mean, the
Northern Progress Company, or whatever they're calling themselves.”
“There is at least one who is not. You
will find him at the sledge depot at the end of Langlokur Street. He earns a
living there at the moment, but such is his temper and the fear he engenders in
the dogs, his employment might not last for long.”
“Is he a renegade, then?”
“It seems so. His name is lorek Byrnison.
You asked what I would ask, and I told you. Now here is what I would do: I
would seize the chance to employ an armored bear, even if it were far more
remote than this.”
Lyra could hardly sit still. Farder Coram,
however, knew the etiquette for meetings such as this, and took another spiced
honey cake from the plate. While he ate it, Dr. Lanselius turned to Lyra.
“I understand that you are in possession
of an alethiome-ter,” he said, to her great surprise; for how could he have
known that?
“Yes,” she said, and then, prompted by a
nip from Pantalaimon, added, “Would you like to look at it?”
“I should like that very much.”
She fished inelegantly in the oilskin
pouch and handed him the velvet package. He unfolded it and held it up with
great care, gazing at the face like a Scholar gazing at a rare manuscript.
“How exquisite!” he said. “I have seen one
other example, but it was not so fine as this. And do you possess the books of
readings?”
“No,” Lyra began, but before she could say
any more, Farder Coram was speaking.
“No, the great pity is that although Lyra
possesses the alethiometer itself, there's no means of reading it whatsoever,”
he said. “It's just as much of a mystery as the pools of ink the Hindus use for
reading the future. And the nearest book of readings I know of is in the Abbey
of St. Johann at Heidelberg.”
Lyra could see why he was saying this: he
didn't want Dr. Lanselius to know of Lyra's power. But she could also see
something Farder Coram couldn't, which was the agitation of Dr. Lanselius's
daemon, and she knew at once that it was no good to pretend.
So she said, “Actually, I can read it,”
speaking half to Dr. Lanselius and half to Farder Coram, and it was the consul
who responded.
“That is wise of you,” he said. “Where did
you obtain this one?”
“The Master of Jordan College in Oxford
gave it to me,” she said. “Dr. Lanselius, do you know who made them?”
“They are said to originate in the city of
Prague,” said the consul. “The Scholar who invented the first alethiometer was
apparently trying to discover a way of measuring the influences of the planets,
according to the ideas of astrology. He intended to make a device that would
respond to the idea of Mars or Venus as a compass responds to the idea of
North. In that he failed, but the mechanism he invented was clearly responding
to something, even if no one knew what it was.”
“And where did they get the symbols from?”
“Oh, this was in the seventeenth century.
Symbols and emblems were everywhere. Buildings and pictures were designed to be
read like books. Everything stood for something else; if you had the right
dictionary, you could read Nature itself. It was hardly surprising to find
philosophers using the symbolism of their time to interpret knowledge that came
from a mysterious source. But, you know, they haven't been used seriously for
two centuries or so.”
He handed the instrument back to Lyra, and
added:
“May I ask a question? Without the books
of symbols, how do you read it?”
“I just make my mind go clear and then
it's sort of like looking down into water. You got to let your eyes find the
right level, because that's the only one that's in focus. Something like that,”
she said.
“I wonder if I might ask to see you do
it?” he said.
Lyra looked at Farder Coram, wanting to
say yes but waiting for his approval. The old man nodded.
“What shall I ask?” said Lyra.
“What are the intentions of the Tartars
with regard to Kamchatka?”
That wasn't hard. Lyra turned the hands to
the camel, which meant Asia, which meant Tartars; to the cornucopia, for
Kamchatka, where there were gold mines; and to the ant, which meant activity,
which meant purpose and intention. Then she sat still, letting her mind hold
the three levels of meaning together in focus, and relaxed for the answer,
which came almost at once. The long needle trembled on the dolphin, the helmet,
the baby, and the anchor, dancing between them and onto the crucible in a
complicated pattern that Lyra's eyes followed without hesitation, but which was
incomprehensible to the two men.
When it had completed the movements
several times, Lyra looked up. She blinked once or twice as if she were coming
out of a trance.
“They're going to pretend to attack it,
but they're not really going to, because it's too far away and they'd be too
stretched out,” she said.
“Would you tell me how you read that?”
“The dolphin, one of its deep-down
meanings is playing, sort of like being playful,” she explained. “I know it's
the fifteenth because it stopped fifteen times and it just got clear at that
level but nowhere else. And the helmet means war, and both together they mean
pretend to go to war but not be serious. And the baby means—it means
difficult—it'd be too hard for them to attack it, and the anchor says why,
because they'd be stretched out as tight as an anchor rope. I just see it all
like that, you see.”
Dr. Lanselius nodded.
“Remarkable,” he said. “I am very
grateful. I shall not forget that.”
Then he looked strangely at Farder Coram,
and back at Lyra.
“Could I ask you for one more
demonstration?” he said. “If you look out of this window, you'll see a shed
with forty or more sprays of cloud-pine hanging on the wall. One of them has
been used by Serafina Pekkala, and the others have not. Could you tell which is
hers?”
“Yeah!” said Lyra, always ready to show
off, and she took the alethiometer and hurried out. She was eager to see cloud-pine,
because the witches used it for flying, and she'd never seen any before.
The two men stood by the window and
watched as she kicked her way through the snow, Pantalaimon bouncing beside her
as a hare, to stand in front of the wooden shed, head down, manipulating the
alethiometer. After a few seconds she reached forward and unhesitatingly picked
out one of the many sprays of pine and held it up.
Dr. Lanselius nodded.
Lyra, intrigued and eager to fly, held it
above her head and jumped, and ran about in the snow trying to be a witch. The
consul turned to Farder Coram and said: “Do you realize who this child is?”
“She's the daughter of Lord Asriel,” said
Farder Coram.
“And her mother is Mrs. Coulter, of the
Oblation Board.”
“And apart from that?”
The old gyptian had to shake his head.
“No,” he said, “I don't know any more. But she's a strange innocent creature,
and I wouldn't have her harmed for the world. How she comes to read that
instrument I couldn't guess, but I believe her when she talks of it. Why, Dr.
Lanselius? What do you know about her?”
“The witches have talked about this child
for centuries past,” said the consul. “Because they live so close to the place
where the veil between the worlds is thin, they hear immortal whispers from
time to time, in the voices of those beings who pass between the worlds. And
they have spoken of a child such as this, who has a great destiny that can only
be fulfilled elsewhere—not in this world, but far beyond. Without this child,
we shall all die. So the witches say. But she must fulfill this destiny in
ignorance of what she is doing, because only in her ignorance can we be saved.
Do you understand that, Farder Coram?”
“No,” said Farder Coram, “I'm unable to
say that I do.”
“What it means is that she must be free to
make mistakes. We must hope that she does not, but we can't guide her. I am
glad to have seen this child before I die.”
“But how did you recognize her as being
that particular child? And what did you mean about the beings who pass between
the worlds? I'm at a loss to understand you, Dr. Lanselius, for all that I
judge you're an honest man....”
But before the consul could answer, the
door opened and Lyra came in bearing a little branch of pine.
“This is the one!” she said. “I tested 'em
all, and this is it, I'm sure. But it won't fly for me.”
The consul said, “Well, Lyra, that is
remarkable. You are lucky to have an instrument like that, and I wish you well
with it. I would like to give you something to take away with you....”
He took the spray and broke off a twig for
her.
“Did she really fly with this?” Lyra said.
“Yes, she did. But then she is a witch,
and you are not. I can't give you all of it, because I need it to contact her,
but this will be enough. Look after it.”
“Yes, I will,” she said. “Thank you.”
And she tucked it into her purse beside
the alethiometer. Farder Coram touched the spray of pine as if for luck, and on
his face was an expression Lyra had never seen before: almost a longing. The
consul showed them to the door, where he shook hands with Farder Coram, and
shook Lyra's hand too.
“I hope you find success,” he said, and
stood on his doorstep in the piercing cold to watch them up the little street.
“He knew the answer about the Tartars
before I did,” Lyra told Farder Coram. “The alethiometer told me, but I never
said. It was the crucible.”
“I expect he was testing you, child. But
you done right to be polite, being as we can't be sure what he knows already.
And that was a useful tip about the bear. I don't know how we would a heard
otherwise.”
They found their way to the depot, which
was a couple of concrete warehouses in a scrubby area of waste ground where
thin weeds grew between gray rocks and pools of icy mud. A surly man in an
office told them that they could find the bear off duty at six, but they'd have
to be quick, because he usually went straight to the yard behind Einarsson's
Bar, where they gave him drink.
Then Farder Coram took Lyra to the best
outfitter's in town and bought her some proper cold-weather clothing. They
bought a parka made of reindeer skin, because reindeer hair is hollow and
insulates well; and the hood was lined with wolverine fur, because that sheds
the ice that forms when you breathe. They bought underclothing and boot liners
of reindeer calf skin, and silk gloves to go inside big fur mittens. The boots
and mittens were made of skin from the reindeer's forelegs, because that is
extra tough, and the boots were soled with the skin of the bearded seal, which
is as tough as walrus hide, but lighter. Finally they bought a waterproof cape
that enveloped her completely, made of semitransparent seal intestine.
With all that on, and a silk muffler
around her neck and a woollen cap over her ears and the big hood pulled
forward, she was uncomfortably warm; but they were going to much colder regions
than this.
John Faa had been supervising the
unloading of the ship, and was keen to hear about the witch consul's words, and
even keener to learn of the bear.
“We'll go to him this very evening,” he
said. “Have you ever spoken to such a creature, Farder Coram?”
“Yes, I have; and fought one, too, though
not by myself, thank God. We must be ready to treat with him, John. He'll ask a
lot, I've no doubt, and be surly and difficult to manage; but we must have
him.”
“Oh, we must. And what of your witch?”
“Well, she's a long way off, and a clan queen now,” said Farder Coram. “I did
hope it might be possible for a message to reach her, but it would take too
long to wait for a reply.” “Ah, well. Now let me tell you what I've found, old
friend.” For John Faa had been fidgeting with impatience to tell them
something. He had met a prospector on the quayside, a New Dane from the country
of Texas, and this man had a balloon, of all things. The expedition he'd been
hoping to join had failed for lack of funds even before it had left Amsterdam,
so he was stranded.
“Think what we might do with the help of
an aeronaut, Farder Coram!” said John Faa, rubbing his great hands together.
“I've engaged him to sign up with us. Seems to me we struck lucky a coming here.”
“Luckier still if we had a clear idea of
where we were going,” said Farder Coram, but nothing could damp John Faa's
pleasure in being on campaign once more.
After darkness had fallen, and when the
stores and equipment had all been safely unloaded and stood in waiting on the
quay, Farder Coram and Lyra walked along the waterfront and looked for
Einarsson's Bar. They found it easily enough: a crude concrete shed with a red
neon sign flashing irregularly over the door and the sound of loud voices
through the condensation-frosted windows.
A pitted alley beside it led to a
sheet-metal gate into a rear yard, where a lean-to shed stood crazily over a
floor of frozen mud. Dim yellow light through the rear window of the bar showed
a vast pale form crouching upright and gnawing at a haunch of meat which it
held in both hands. Lyra had an impression of bloodstained muzzle and face,
small malevolent black eyes, and an immensity of dirty matted yellowish fur. As
it gnawed, hideous growling, crunching, sucking noises came from it.
Farder Coram stood by the gate and called:
“lorek Byrnison!”
The bear stopped eating. As far as they
could tell, he was looking at them directly, but it was impossible to read any
expression on his face.
“lorek Byrnison,” said Farder Coram again.
“May I speak to you?”
Lyra's heart was thumping hard, because
something in the bear's presence made her feel close to coldness, danger,
brutal power, but a power controlled by intelligence; and not a human
intelligence, nothing like a human, because of course bears had no daemons.
This strange hulking presence gnawing its meat was like nothing she had ever
imagined, and she felt a profound admiration and pity for the lonely creature.
He dropped the reindeer leg in the dirt
and slumped on all fours to the gate. Then he reared up massively, ten feet or
more high, as if to show how mighty he was, to remind them how useless the gate
would be as a barrier, and he spoke to them from that height.
“Well? Who are you?”
His voice was so deep it seemed to shake
the earth. The rank smell that came from his body was almost overpowering.
“I'm Farder Coram, from the gyptian people
of Eastern Anglia. And this little girl is Lyra Belacqua.”
“What do you want?”
“We want to offer you employment, lorek
Byrnison.”
“I am employed.”
The bear dropped on all fours again. It
was very hard to detect any expressive tones in his voice, whether of irony or
anger, because it was so deep and so flat.
“What do you do at the sledge depot?”
Farder Coram asked.
“I mend broken machinery and articles of
iron. I lift heavy objects.”
“What kind of work is that for a panserbjorn?”
“Paid work.”
Behind the bear, the door of the bar
opened a little way and a man put down a large earthenware jar before looking
up to peer at them.
“Who's that?” he said.
“Strangers,” said the bear.
The bartender looked as if he was going to
ask something more, but the bear lurched toward him suddenly and the man shut
the door in alarm. The bear hooked a claw through the handle of the jar and
lifted it to his mouth. Lyra could smell the tang of the raw spirits that
splashed out.
After swallowing several times, the bear
put the jar down and turned back to gnaw his haunch of meat, heedless of Farder
Coram and Lyra, it seemed; but then he spoke again.
“What work are you offering?”
“Fighting, in all probability,” said
Farder Coram. “We're moving north until we find a place where they've taken
some children captive. When we find it, we'll have to fight to get the children
free; and then we'll bring them back.”
“And what will you pay?”
“I don't know what to offer you, lorek
Byrnison. If gold is desirable to you, we have gold.”
“No good.”
“What do they pay you at the sledge
depot?”
“My keep here in meat and spirits.”
Silence from the bear; and then he dropped
the ragged bone and lifted the jar to his muzzle again, drinking the powerful
spirits like water.
“Forgive me for asking, lorek Byrnison,”
said Farder Coram, “but you could live a free proud life on the ice hunting
seals and walruses, or you could go to war and win great prizes. What ties you
to Trollesund and Einarsson's Bar?”
Lyra felt her skin shiver all over. She
would have thought a question like that, which was almost an insult, would
enrage the great creature beyond reason, and she wondered at Farder Coram's
courage in asking it. lorek Byrnison put down his jar and came close to the
gate to peer at the old man's face. Farder Coram didn't flinch.
“I know the people you are seeking, the
child cutters,” the bear said. “They left town the day before yesterday to go
north with more children. No one will tell you about them; they pretend not to
see, because the child cutters bring money and business. Now, I don't like the
child cutters, so I shall answer you politely. I stay here and drink spirits
because the men here took my armor away, and without that, I can hunt seals but
I can't go to war; and I am an armored bear; war is the sea I swim in and the
air I breathe. The men of this town gave me spirits and let me drink till I was
asleep, and then they took my armor away from me. If I knew where they keep it,
I would tear down the town to get it back. If you want my service, the price is
this: get me back my armor. Do that, and I shall serve you in your campaign,
either until I am dead or until you have a victory. The price is my armor. I
want it back, and then I shall never need spirits again.”
ELEVEN
ARMOR
When they returned to the ship, Farder
Coram and John Faa and the other leaders spent a long time in conference in the
saloon, and Lyra went to her cabin to consult the alethiome-ter. Within five
minutes she knew exactly where the bear's armor was, and why it would be
difficult to get it back.
She wondered whether to go to the saloon
and tell John Faa and the others, but decided that they'd ask her if they
wanted to know. Perhaps they knew already.
She lay on her bunk thinking of that
savage mighty bear, and the careless way he drank his fiery spirit, and the
loneliness of him in his dirty lean-to. How different it was to be human, with
one's daemon always there to talk to! In the silence of the still ship, without
the continual creak of metal and timber or the rumble of the engine or the rush
of water along the side, Lyra gradually fell asleep, with Pantalaimon on her
pillow sleeping too.
She was dreaming of her great imprisoned
father when suddenly, for no reason at all, she woke up. She had no idea what
time it was. There was a faint light in the cabin that she took for moonlight,
and it showed her new cold-weather furs that lay stiffly in the corner of the
cabin. No sooner did she see them than she longed to try them on again.
Once they were on, she had to go out on
deck, and a minute later she opened the door at the top of the compan-ionway
and stepped out.
At once she saw that something strange was
happening in the sky. She thought it was clouds, moving and trembling under a
nervous agitation, but Pantalaimon whispered:
“The Aurora!”
Her wonder was so strong that she had to
clutch the rail to keep from falling.
The sight filled the northern sky; the
immensity of it was scarcely conceivable. As if from Heaven itself, great
curtains of delicate light hung and trembled. Pale green and rose-pink, and as
transparent as the most fragile fabric, and at the bottom edge a profound and
fiery crimson like the fires of Hell, they swung and shimmered loosely with
more grace than the most skillful dancer. Lyra thought she could even hear
them: a vast distant whispering swish. In the evanescent delicacy she felt
something as profound as she'd felt close to the bear. She was moved by it; it
was so beautiful it was almost holy; she felt tears prick her eyes, and the
tears splintered the light even further into prismatic rainbows. It wasn't long
before she found herself entering the same kind of trance as when she consulted
the alethiometer. Perhaps, she thought calmly, whatever moves the
alethiometer's needle is making the Aurora glow too. It might even be Dust
itself. She thought that without noticing that she'd thought it, and she soon
forgot it, and only remembered it much later.
And as she gazed, the image of a city
seemed to form itself behind the veils and streams of translucent color: towers
and domes, honey-colored temples and colonnades, broad boulevards and sunlit
parkland. Looking at it gave her a sense of vertigo, as if she were looking not
up but down, and across a gulf so wide that nothing could ever pass over it. It
was a whole universe away.
But something was moving across it, and as
she tried to focus her eyes on the movement, she felt faint and dizzy, because
the little thing moving wasn't part of the Aurora or
of the other universe behind it. It was in
the sky over the roofs of the town. When she could see it clearly, she had come
fully awake and the sky city was gone.
The flying thing came closer and circled
the ship on outspread wings. Then it glided down and landed with brisk sweeps
of its powerful pinions, and came to a halt on the wooden deck a few yards from
Lyra.
In the Aurora's light she saw a great
bird, a beautiful gray goose whose head was crowned with a flash of pure white.
And yet it wasn't a bird: it was a daemon, though there was no one in sight but
Lyra herself. The idea filled her with sickly fear.
The bird said:
“Where is Farder Coram?”
And suddenly Lyra realized who it must be.
This was the daemon of Serafina Pekkala, the clan queen, Farder Coram's witch
friend.
She stammered to reply:
“I—he's—I'll go and get him....”
She turned and scampered down the
companionway to the cabin Farder Coram occupied, and opened the door to speak
into the darkness:
“Farder Coram! The witch's daemon's come!
He's waiting on the deck! He flew here all by hisself—I seen him coming in the
sky—”
The old man said, “Ask him to wait on the
afterdeck, child.”
The goose made his stately way to the
stern of the ship, where he looked around, elegant and wild simultaneously, and
a cause of fascinated terror to Lyra, who felt as though she were entertaining
a ghost.
Then Farder Coram came up, wrapped in his
cold-weather gear, closely followed by John Faa. Both old men bowed
respectfully, and their daemons also acknowledged the visitor.
“Greetings,” said Farder Coram. “And I'm
happy and proud to see you again, Kaisa. Now, would you like to come inside, or
would you prefer to stay out here in the open?”
“I would rather stay outside, thank you, Farder
Coram. Are you warm enough for a while?”
Witches and their daemons felt no cold,
but they were aware that other humans did.
Farder Coram assured him that they were
well wrapped up, and said, “How is Serafina Pekkala?”
“She sends her greetings to you, Farder
Coram, and she is well and strong. Who are these two people?”
Farder Coram introduced them both. The
goose daemon looked hard at Lyra.
“I have heard of this child,” he said.
“She is talked about among witches. So you have come to make war?”
“Not war, Kaisa. We are going to free the
children taken from us. And I hope the witches will help.”
“Not all of them will. Some clans are
working with the Dust hunters.”
“Is that what you call the Oblation
Board?” “I don't know what this board may be. They are Dust hunters. They came
to our regions ten years ago with philosophical instruments. They paid us to
allow them to set up stations in our lands, and they treated us with courtesy.”
“What is this Dust?”
“It comes from the sky. Some say it has
always been there, some say it is newly falling. What is certain is that when
people become aware of it, a great fear comes over them, and they'll stop at
nothing to discover what it is. But it is not of any concern to witches.”
“And where are they now, these Dust hunters?”
“Four days northeast of here, at a place called Bolvangar. Our clan made no
agreement with them, and because of our longstanding obligation to you, Farder
Coram, I have come to show you how to find these Dust hunters.”
Farder Coram smiled, and John Faa clapped
his great hands together in satisfaction.
“Thank you kindly, sir,” he said to the
goose. “But tell us this: do you know anything more about these Dust hunters?
What do they do at this Bolvangar?”
“They have put up buildings of metal and
concrete, and some underground chambers. They burn coal spirit, which they
bring in at great expense. We don't know what they do, but there is an air of
hatred and fear over the place and for miles around. Witches can see these
things where other humans can't. Animals keep away too. No birds fly there;
lemmings and foxes have fled. Hence the name Bolvangar: the fields of evil.
They don't call it that. They call it 'the station.' But to everyone else it is
Bolvangar.”
“And how are they defended?”
“They have a company of Northern Tartars
armed with rifles. They are good soldiers, but they lack practice, because no
one has ever attacked the settlement since it was built. Then there is a wire
fence around the compound, which is filled with anbaric force. There may be other
means of defense that we don't know about, because as I say they have no
interest for us.”
Lyra was bursting to ask a question, and
the goose dasmon knew it and looked at her as if giving permission.
“Why do the witches talk about me?” she
said.
“Because of your father, and his knowledge
of the other worlds,” the daemon replied.
That surprised all three of them. Lyra
looked at Farder Coram, who looked back in mild wonder, and at John Faa, whose
expression was troubled.
“Other worlds?” John Faa said. “Pardon me, sir, but what worlds
would those be? Do you mean the stars?”
“Indeed no.”
“Perhaps the world of spirits?” said
Farder Coram.
“Nor that.”
“Is it the city in the lights?” said Lyra.
“It is, en't it?”
The goose turned his stately head toward
her. His eyes were black, surrounded by a thin line of pure sky-blue, and their
gaze was intense.
“Yes,” he said. “Witches have known of the
other worlds for thousands of years. You can see them sometimes in the Northern
Lights. They aren't part of this universe at all; even the furthest stars are
part of this universe, but the lights show us a different universe entirely.
Not further away, but interpenetrating with this one. Here, on this deck,
millions of other universes exist, unaware of one another....”
He raised his wings and spread them wide
before folding them again.
“There,” he said, “I have just brushed ten
million other worlds, and they knew nothing of it. We are as close as a
heartbeat, but we can never touch or see or hear these other worlds except in
the Northern Lights.”
“And why there?” said Farder Coram.
“Because the charged particles in the
Aurora have the property of making the matter of this world thin, so that we
can see through it for a brief time. Witches have always known this, but we
seldom speak of it.”
“My father believes in it,” Lyra said. “I
know because I heard him talking and showing pictures of the Aurora.”
“Is this anything to do with Dust?” said
John Faa.
“Who can say?” said the goose daemon. “All
I can tell you is that the Dust hunters are as frightened of it as if it were
deadly poison. That is why they imprisoned Lord Asriel.”
“But why?” Lyra said.
“They think he intends to use Dust in some
way in order to make a bridge between this world and the world beyond the
Aurora.”
There was a lightness in Lyra's head.
She heard Farder Coram say, “And does he?”
“Yes,” said the goose daemon. “They don't
believe he can, because they think he is mad to believe in the other worlds in
the first place. But it is true: that is his intention. And he is so powerful a
figure that they feared he would upset their own plans, so they made a pact
with the armored bears to capture him and keep him imprisoned in the fortress
of Svalbard, out of the way. Some say they helped the new bear king to gain his
throne, as part of the bargain.”
Lyra said, “Do the witches want him to
make this bridge? Are they on his side or against him?”
“That is a question with too complicated
an answer. Firstly, the witches are not united. There are differences of
opinion among us. Secondly, Lord Asriel's bridge will have a bearing on a war
being waged at the present between some witches and various other forces, some
in the spirit world. Possession of the bridge, if it ever existed, would give a
huge advantage to whoever held it. Thirdly, Serafina Pekkala's clan—my clan—is
not yet part of any alliance, though great pressure is being put on us to
declare for one side or another. You see, these are questions of high politics,
and not easily answered.”
“What about the bears?” said Lyra. “Whose
side are they on?”
“On the side of anyone who pays them. They
have no interest whatever in these questions; they have no daemons; they are
unconcerned about human problems. At least, that is how bears used to be, but
we have heard that their new king is intent on changing their old ways....At
any rate, the Dust hunters have paid them to imprison Lord Asriel, and they
will hold him on Svalbard until the last drop of blood drains from the body of
the last bear alive.”
“But not all bears!” Lyra said. “There's
one who en't on Svalbard at all. He's an outcast bear, and he's going to come
with us.”
The goose gave Lyra another of his
piercing looks. This time she could feel his cold surprise.
Farder Coram shifted uncomfortably, and
said, “The fact is, Lyra, I don't think he is. We heard he's serving out a term
as an indentured laborer; he en't free, as we thought he might be, he's under
sentence. Till he's discharged he won't be free to come, armor or no armor; and
he won't never have that back, either.”
“But he said they tricked him! They made
him drunk and stole it away!”
“We heard a different story,” said John
Faa. “He's a dangerous rogue, is what we heard.”
“If—” Lyra was passionate; she could
hardly speak for indignation. “—if the alethiometer says something, I know it's
true. And I asked it, and it said that he was telling the truth, they did trick
him, and they're telling lies and not him. I believe him, Lord Faa! Farder
Coram—you saw him too, and you believe him, don't you?”
“I thought I did, child. I en't so certain
of things as you are.”
“But what are they afraid of? Do they
think he's going to go round killing people as soon's he gets his armor on? He
could kill dozens of 'em now!”
“He has done,” said John Faa. “Well, if
not dozens, then some. When they first took his armor away, he went a rampaging
round looking for it. He tore open the police house and the bank and I don't
know where else, and there's at least two men who died. The only reason they
didn't shoot to kill him is because of his wondrous skill with metals; they
wanted to use him like a laborer.”
“Like a slave!” Lyra said hotly. “They
hadn't got the right!”
“Be that as it may, they might have shot
him for the killings he done, but they didn't. And they bound him over to labor
in the town's interest until he's paid off the damage and the blood money.”
“John,” said Farder Coram, “I don't know
how you feel, but it's my belief they'll never let him have that armor back.
The longer they keep him, the more angry he'll be when he gets it.”
“But if we get his armor back, he'll come
with us and never bother 'em again,” said Lyra. “I promise, Lord Faa.”
“And how are we going to do that?”
“I know where it is!”
There was a silence, in which they all
three became aware of the witch's daemon and his fixed stare at Lyra. All three
turned to him, and their own daemons too, who had until then affected the
extreme politeness of keeping their eyes modestly away from this singular
creature, here without his body.
“You won't be surprised,” said the goose,
“to know that the alethiometer is one other reason the witches are interested
in you, Lyra. Our consul told us about your visit this morning. I believe it
was Dr. Lanselius who told you about the bear.”
“Yes, it was,” said John Faa. “And she and
Farder Coram went theirselves and talked to him. I daresay what Lyra says is
true, but if we go breaking the law of these people we'll only get involved in
a quarrel with them, and what we ought to be doing is pushing on towards this
Bolvangar, bear or no bear.”
“Ah, but you en't seen him, John,” said
Farder Coram. “And I do believe Lyra. We could promise on his behalf, maybe. He
might make all the difference.”
“What do you think, sir?” said John Faa to
the witch's daemon.
“We have few dealings with bears. Their
desires are as strange to us as ours are to them. If this bear is an outcast,
he might be less reliable than they are said to be. You must decide for
yourselves.”
“We will,” said John Faa firmly. “But now,
sir, can you tell us how to get to Bolvangar from here?”
The goose daemon began to explain. He
spoke of valleys and hills, of the tree line and the tundra, of star sightings.
Lyra listened awhile, and then lay back in the deck chair with Pantalaimon
curled around her neck, and thought of the grand vision the goose daemon had
brought with him. A bridge between two worlds...This was far more splendid than
anything she could have hoped for! And only her great father could have
conceived it. As soon as they had rescued the children, she would go to
Svalbard with the bear and take Lord Asriel the alethiometer, and use it to
help set him free; and they'd build the bridge together, and be the first
across....
Sometime in the night John Faa must have
carried Lyra to her bunk, because that was where she awoke. The dim sun was as high
in the sky as it was going to get, only a hand's breadth above the horizon, so
it must be nearly noon, she thought. Soon, when they moved further north, there
would be no sun at all.
She dressed quickly and ran on deck to
find nothing very much happening. All the stores had been unloaded, sledges and
dog teams had been hired and were waiting to go; everything was ready and
nothing was moving. Most of the gyp-tians were sitting in a smoke-filled cafe
facing the water, eating spice cakes and drinking strong sweet coffee at the
long wooden tables under the fizz and crackle of some ancient anbaric lights.
“Where's Lord Faa?” she said, sitting down
with Tony Costa and his friends. “And Farder Coram? Are they getting the bear's
armor for him?”
“They're a talking to the sysselman.
That's their word for governor. You seen this bear, then, Lyra?”
“Yeah!” she said, and explained all about
him. As she talked, someone else pulled a chair up and joined the group at the
table.
“So you've spoken to old lorek?” he said.
She looked at the newcomer with surprise.
He was a tall, lean man with a thin black moustache and narrow blue eyes, and a
perpetual expression of distant and sardonic amusement. She felt strongly about
him at once, but she wasn't sure whether it was liking she felt, or dislike.
His daemon was a shabby hare as thin and tough-looking as he was.
He held out his hand and she shook it
warily.
“Lee Scoresby,” he said.
“The aeronaut!” she exclaimed. “Where's
your balloon? Can I go up in it?”
“It's packed away right now, miss. You
must be the famous Lyra. How did you get on with lorek Byrnison?”
“You know him?”
“I fought beside him in the Tunguska
campaign. Hell, I've known lorek for years. Bears are difficult critters no
matter what, but he's a problem, and no mistake. Say, are any of you gentlemen
in the mood for a game of hazard?”
A pack of cards had appeared from nowhere
in his hand. He riffled them with a snapping noise.
“Now I've heard of the card power of your
people,” Lee Scoresby was saying, cutting and folding the cards over and over
with one hand and fishing a cigar out of his breast pocket with the other, “and
I thought you wouldn't object to giving a simple Texan traveler the chance to
joust with your skill and daring on the field of pasteboard combat. What do you
say, gentlemen?”
Gyptians prided themselves on their
ability with cards, and several of the men looked interested and pulled their
chairs up. While they were agreeing with Lee Scoresby what to play and for what
stakes, his daemon flicked her ears at Pantalaimon, who understood and leaped
to her side lightly as a squirrel.
She was speaking for Lyra's ears too, of
course, and Lyra heard her say quietly, “Go straight to the bear and tell him
direct. As soon as they know what's going on, they'll move his armor somewhere
else.”
Lyra got up, taking her spice cake with
her, and no one noticed; Lee Scoresby was already dealing the cards, and every
suspicious eye was on his hands.
In the dull light, fading through an
endless afternoon, she found her way to the sledge depot. It was something she
knew she had to do, but she felt uneasy about it, and afraid, too.
Outside the largest of the concrete sheds
the great bear was working, and Lyra stood by the open gate to watch. lorek
Byrnison was dismantling a gas-engined tractor that had crashed; the metal
covering of the engine was twisted and buckled and one runner bent upward. The
bear lifted the metal off as if it were cardboard, and turned it this way and
that in his great hands, seeming to test it for some quality or other, before
setting a rear paw on one corner and then bending the whole sheet in such a way
that the dents sprang out and the shape was restored. Leaning it against the
wall, he lifted the massive weight of the tractor with one paw and laid it on
its side before bending to examine the crumpled runner.
As he did so, he caught sight of Lyra. She
felt a bolt of cold fear strike at her, because he was so massive and so alien.
She was gazing through the chain-link fence about forty yards from him, and she
thought how he could clear the distance in a bound or two and sweep the wire
aside like a cobweb, and she almost turned and ran away; but Pantalaimon said,
“Stop! Let me go and talk to him.”
He was a tern, and before she could answer
he'd flown off the fence and down to the icy ground beyond it. There was an
open gate a little way along, and Lyra could have followed him, but she hung
back uneasily. Pantalaimon looked at her, and then became a badger.
She knew what he was doing. Daemons could
move no more than a few yards from their humans, and if she stood by the fence
and he remained a bird, he wouldn't get near the bear; so he was going to pull.
She felt angry and miserable. His badger
claws dug into the earth and he walked forward. It was such a strange
tormenting feeling when your daemon was pulling at the link between you; part
physical pain deep in the chest, part intense sadness and love. And she knew it
was the same for him. Everyone tested it when they were growing up: seeing how
far they could pull apart, coming back with intense relief.
He tugged a little harder.
“Don't, Pan!”
But he didn't stop. The bear watched,
motionless. The pain in Lyra's heart grew more and more unbearable, and a sob
of longing rose in her throat.
“Pan—”
Then she was through the gate, scrambling
over the icy mud toward him, and he turned into a wildcat and sprang up into
her arms, and they were clinging together tightly with little shaky sounds of
unhappiness coming from them both.
“I thought you really would—”
“No—”
“I couldn't believe how much it hurt—”
And then she brushed the tears away
angrily and sniffed hard. He nestled in her arms, and she knew she would rather
die than let them be parted and face that sadness again; it would send her mad
with grief and terror. If she died, they'd still be together, like the Scholars
in the crypt at Jordan.
Then girl and daemon looked up at the
solitary bear. He had no daemon. He was alone, always alone. She felt such a
stir of pity and gentleness for him that she almost reached out to touch his
matted pelt, and only a sense of courtesy toward those cold ferocious eyes
prevented her.
“lorek Byrnison,” she said.
“Well?”
“Lord Faa and Farder Coram have gone to
try and get your armor for you.”
He didn't move or speak. It was clear what
he thought of their chances.
“I know where it is, though,” she said,
“and if I told you, maybe you could get it by yourself, I don't know.”
“How do you know where it is?”
“I got a symbol reader. I think I ought to
tell you, lorek Byrnison, seeing as they tricked you out of it in the first
place. I don't think that's right. They shouldn't've done that. Lord Faa's
going to argue with the sysselman, but probably they won't let you have it
whatever he says. So if I tell you, will you come with us and help rescue the
kids from Bolvangar?”
“Yes.”
“I...” She didn't mean to be nosy, but she
couldn't help being curious. She said, “Why don't you just make some more armor
out of this metal here, lorek Byrnison?”
“Because it's worthless. Look,” he said,
and, lifting the engine cover with one paw, he extended a claw on the other
hand and ripped right through it like a can opener. “My armor is made of sky
iron, made for me. A bear's armor is his soul, just as your daemon is your
soul. You might as well take him away” —indicating Pantalaimon—”and replace him
with a doll full of sawdust. That is the difference. Now, where is my armor?”
“Listen, you got to promise not to take
vengeance. They done wrong taking it, but you just got to put up with that.”
“All right. No vengeance afterwards. But
no holding back as I take it, either. If they fight, they die.”
“It's hidden in the cellar of the priest's
house,” she told him. “He thinks there's a spirit in it, and he's been a trying
to conjure it out. But that's where it is.”
He stood high up on his hind legs and
looked west, so that the last of the sun colored his face a creamy brilliant
yellow white amid the gloom. She could feel the power of the great creature
coming off him like waves of heat.
“I must work till sunset,” he said. “I gave
my word this morning to the master here. I still owe a few minutes' work.”
“The sun's set where I am,” she pointed
out, because from her point of view it had vanished behind the rocky headland
to the southwest.
He dropped to all fours.
“It's true,” he said, with his face now in
shadow like hers. “What's your name, child?”
“Lyra Belacqua.”
“Then I owe you a debt, Lyra Belacqua,” he
said.
He turned and lurched away, padding so
swiftly across the freezing ground that Lyra couldn't keep up, even running. She
did run, though, and Pantalaimon flew up as a seagull to watch where the bear
went and called down to tell her where to follow.
Iorek Byrnison bounded out of the depot
and along the narrow street before turning into the main street of the town,
past the courtyard of the sysselman's residence where a flag hung in the still
air and a sentry marched stiffly up and down, down the hill past the end of the
street where the witch consul lived. The sentry by this time had realized what
was happening, and was trying to gather his wits, but lorek Byrnison was
already turning a corner near the harbor.
People stopped to watch or scuttled out of
his careering way. The sentry fired two shots in the air, and set off down the
hill after the bear, spoiling the effect by skidding on the icy slope and only
regaining his balance after seizing the nearest railings. Lyra was not far
behind. As she passed the syssel-man's house, she was aware of a number of
figures coming out into the courtyard to see what was going on, and thought she
saw Farder Coram among them; but then she was past, hurtling down the street
toward the corner where the sentry was already turning to follow the bear.
The priest's house was older than most,
and made of costly bricks. Three steps led up to the front door, which was now
hanging in matchwood splinters, and from inside the house came screams and the
crashing and tearing of more wood. The sentry hesitated outside, his rifle at
the ready; but then as passers-by began to gather and people looked out of windows
from across the street, he realized that he had to act, and fired a shot into
the air before running in.
A moment later, the whole house seemed to
shake. Glass broke in three windows and a tile slid off the roof, and then a
maidservant ran out, terrified, her clucking hen of a daemon flapping after
her.
Another shot came from inside the house,
and then a full-throated roar made the servant scream. As if fired from a
cannon, the priest himself came hurtling out, with his pelican daemon in a wild
flutter of feathers and injured pride. Lyra heard orders shouted, and turned to
see a squad of armed policemen hurrying around the corner, some with pistols
and some with rifles, and not far behind them came John Faa and the stout,
fussy figure of the sysselman.
A rending, splintering sound made them all
look back at the house. A window at ground level, obviously opening on a
cellar, was being wrenched apart with a crash of glass and a screech of tearing
wood. The sentry who'd followed lorek Byrnison into the house came running out
and stood to face the cellar window, rifle at his shoulder; and then the window
tore open completely, and out climbed lorek Byrnison, the bear in armor.
Without it, he was formidable. With it, he
was terrifying. It was rust-red, and crudely riveted together: great sheets and
plates of dented discolored metal that scraped and screeched as they rode over
one another. The helmet was pointed like his muzzle, with slits for eyes, and
it left the lower part of his jaw bare for tearing and biting.
The sentry fired several shots, and the
policemen leveled their weapons too, but lorek Byrnison merely shook the
bullets off like raindrops, and lunged forward in a screech and clang of metal
before the sentry could escape, and knocked him to the ground. His daemon, a
husky dog, darted at the bear's throat, but lorek Byrnison took no more notice
of him than he would of a fly, and dragging the sentry to him with one vast
paw, he bent and enclosed his head in his jaws. Lyra could see exactly what
would happen next: he'd crush the man's skull like an egg, and there would
follow a bloody fight, more deaths, and more delay; and they would never get
free, with or without the bear.
Without even thinking, she darted forward
and put her hand on the one vulnerable spot in the bear's armor, the gap that
appeared between the helmet and the great plate over his shoulders when he bent
his head, where she could see the yellow-white fur dimly between the rusty
edges of metal. She dug her fingers in, and Pantalaimon instantly flew to the
same spot and became a wildcat, crouched to defend her; but lorek Byrnison was
still, and the riflemen held their fire.
“lorek!” she said in a fierce undertone.
“Listen! You owe me a debt, right. Well, now you can repay it. Do as I ask. Don't
fight these men. Just turn around and walk away with me. We want you, lorek,
you can't stay here. Just come down to the harbor with me and don't even look
back. Farder Coram and Lord Faa, let them do the talking, they'll make it all
right. Leave go this man and come away with me....”
The bear slowly opened his jaws. The
sentry's head, bleeding and wet and ash-pale, fell to the ground as he fainted,
and his dsmon set about calming and gentling him as the bear stepped away
beside Lyra.
No one else moved. They watched the bear
turn away from his victim at the bidding of the girl with the cat daemon, and
then they shuffled aside to make room as lorek Byrnison padded heavily through
the midst of them at Lyra's side and made for the harbor.
Her mind was all on him, and she didn't
see the confusion behind her, the fear and the anger that rose up safely when
he was gone. She walked with him, and Pantalaimon padded ahead of them both as
if to clear the way.
When they reached the harbor, lorek
Byrnison dipped his head and unfastened the helmet with a claw, letting it
clang on the frozen ground. Gyptians came out of the cafe, having sensed that
something was going on, and watched in the gleam of the anbaric lights on the
ship's deck as lorek Byrnison shrugged off the rest of his armor and left it in
a heap on the quayside. Without a word to anyone he padded to the water and
slipped into it without a ripple, and vanished.
“What's happened?” said Tony Costa,
hearing the indignant voices from the streets above, as the townsfolk and the
police made their way to the harbor.
Lyra told him, as clearly as she could.
“But where's he gone now?” he said. “He
en't just left his armor on the ground? They'll have it back, as soon's they
get here!”
Lyra was afraid they might, too, for
around the corner came the first policemen, and then more, and then the
sysselman and the priest and twenty or thirty onlookers, with John Faa and
Farder Coram trying to keep up.
But when they saw the group on the
quayside they stopped, for someone else had appeared. Sitting on the bear's
armor with one ankle resting on the opposite knee was the long-limbed form of
Lee Scoresby, and in his hand was the longest pistol Lyra had ever seen,
casually pointing at the ample stomach of the sysselman.
“Seems to me you ain't taken very good
care of my friend's armor,” he said conversationally. “Why, look at the rust!
And I wouldn't be surprised to find moths in it, too. Now you just stand where
you are, still and easy, and don't anybody move till the bear comes back with
some lubrication. Or I guess you could all go home and read the newspaper. 'S
up to you.”
“There he is!” said Tony, pointing to a
ramp at the far end of the quay, where lorek Byrnison was emerging from the
water, dragging something dark with him. Once he was up on the quayside he
shook himself, sending great sheets of water flying in all directions, till his
fur was standing up thickly again. Then he bent to take the black object in his
teeth once more and dragged it along to where his armor lay. It was a dead
seal.
“lorek,” said the aeronaut, standing up
lazily and keeping his pistol firmly fixed on the sysselman. “Howdy.”
The bear looked up and growled briefly,
before ripping the seal open with one claw. Lyra watched fascinated as he laid
the skin out flat and tore off strips of blubber, which he then rubbed all over
his armor, packing it carefully into the places where the plates moved over one
another.
“Are you with these people?” the bear said
to Lee Scoresby as he worked.
“Sure. I guess we're both hired hands,
lorek.”
“Where's your balloon?” said Lyra to the
Texan.
“Packed away in two sledges,” he said.
“Here comes the boss.”
John Faa and Farder Coram, together with
the sysselman, came down the quay with four armed policemen.
“Bear!” said the sysselman, in a high,
harsh voice. “For now, you are allowed to depart in the company of these
people. But let me tell you that if you appear within the town limits again,
you will be treated mercilessly.”
lorek Byrnison took not the slightest
notice, but continued to rub the seal blubber all over his armor, the care and
attention he was paying the task reminding Lyra of her own devotion to
Pantalaimon. Just as the bear had said: the armor was his soul. The sysselman
and the policemen withdrew, and slowly the other townspeople turned and drifted
away, though a few remained to watch.
John Faa put his hands to his mouth and
called: “Gyptians!”
They were all ready to move. They had been
itching to get under way ever since they had disembarked; the sledges were packed,
the dog teams were in their traces.
John Faa said, “Time to move out, friends.
We're all assembled now, and the road lies open. Mr. Scoresby, you all a
loaded?”
“Ready to go, Lord Faa.”
“And you, lorek Byrnison?”
“When I am clad,” said the bear.
He had finished oiling the armor. Not
wanting to waste the seal meat, he lifted the carcass in his teeth and flipped
it onto the back of Lee Scoresby's larger sledge before donning the armor. It
was astonishing to see how lightly he dealt with it: the sheets of metal were
almost an inch thick in places, and yet he swung them round and into place as
if they were silk robes. It took him less than a minute, and this time there
was no harsh scream of rust.
So in less than half an hour, the
expedition was on its way northward. Under a sky peopled with millions of stars
and a glaring moon, the sledges bumped and clattered over the ruts and stones
until they reached clear snow at the edge of town. Then the sound changed to a
quiet crunch of snow and creak of timber, and the dogs began to step out
eagerly, and the motion became swift and smooth.
Lyra, wrapped up so thickly in the back of
Farder Coram's sledge that only her eyes were exposed, whispered to
Pantalaimon:
“Can you see lorek?”
“He's padding along beside Lee Scoresby's
sledge,” the daemon replied, looking back in his ermine form as he clung to her
wolverine-fur hood.
Ahead of them, over the mountains to the
north, the pale arcs and loops of the Northern Lights began to glow and
tremble. Lyra saw through half-closed eyes, and felt a sleepy thrill of perfect
happiness, to be speeding north under the Aurora. Pantalaimon struggled against
her sleepiness, but it was too strong; he curled up as a mouse inside her hood.
He could tell her when they woke, and it was probably a marten, or a dream, or
some kind of harmless local spirit; but something was following the train of
sledges, swinging lightly from branch to branch of the close-clustering pine
trees, and it put him uneasily in mind of a monkey.
TWELVE
THE LOST BOY
They traveled for several hours and then
stopped to eat. While the men were lighting fires and melting snow for water,
with lorek Byrnison watching Lee Scoresby roast seal meat close by, John Faa
spoke to Lyra.
“Lyra, can you see that instrument to read
it?” he said.
The moon itself had long set. The light
from the Aurora was brighter than moonlight, but it was inconstant. However,
Lyra's eyes were keen, and she fumbled inside her furs and tugged out the black
velvet bag.
“Yes, I can see all right,” she said. “But
I know where most of the symbols are by now anyway. What shall I ask it, Lord
Faa?”
“I want to know more about how they're
defending this place, Bolvangar,” he said.
Without even having to think about it, she
found her fingers moving the hands to point to the helmet, the griffin, and the
crucible, and felt her mind settle into the right meanings like a complicated
diagram in three dimensions. At once the needle began to swing round, back,
round and on further, like a bee dancing its message to the hive. She watched
it calmly, content not to know at first but to know that a meaning was coming,
and then it began to clear. She let it dance on until it was certain.
“It's just like the witch's daemon said,
Lord Faa. There's a company of Tartars guarding the station, and they got wires
all round it. They don't really expect to be attacked, that's what the symbol
reader says. But Lord Faa...”
“What, child?”
“It's a telling me something else. In the
next valley there's a village by a lake where the folk are troubled by a
ghost.”
John Faa shook his head impatiently, and
said, “That don't matter now. There's bound to be spirits of all kinds among
these forests. Tell me again about them Tartars. How many, for instance? What
are they armed with?”
Lyra dutifully asked, and reported the
answer:
“There's sixty men with rifles, and they
got a couple of larger guns, sort of cannons. They got fire throwers too.
And... Their daemons are all wolves, that's what it says.”
That caused a stir among the older
gyptians, those who'd campaigned before.
“The Sibirsk regiments have wolf daemons,”
said one.
John Faa said, “I never met fiercer. We
shall have to fight like tigers. And consult the bear; he's a shrewd warrior,
that one.”
Lyra was impatient, and said, “But Lord
Faa, this ghost—I think it's the ghost of one of the kids!”
“Well, even if it is, Lyra, I don't know
what anyone could do about it. Sixty Sibirsk riflemen, and fire throwers...Mr.
Scoresby, step over here if you would, for a moment.”
While the aeronaut came to the sledge,
Lyra slipped away and spoke to the bear.
“lorek, have you traveled this way
before?”
“Once,” he said in that deep flat voice.
“There's a village near, en't there?”
“Over the ridge,” he said, looking up
through the sparse trees.
“Is it far?”
“For you or for me?”
“For me,” she said.
“Too far. Not at all far for me.”
“How long would it take you to get there, then?” “I could be there
and back three times by next moonrise.” “Because, lorek, listen: I got this
symbol reader that tells me things, you see, and it's told me that there's
something important I got to do over in that village, and Lord Faa won't let me
go there. He just wants to get on quick, and 1 know that's important too. But
unless I go and find out what it is, we might not know what the Gobblers are
really doing.”
The bear said nothing. He was sitting up
like a human, his great paws folded in his lap, his dark eyes looking into hers
down the length of his muzzle. He knew she wanted something.
Pantalaimon spoke: “Can you take us there
and catch up with the sledges later on?”
“I could. But I have given my word to Lord
Faa to obey him, not anyone else.”
“If I got his permission?” said Lyra.
“Then yes.”
She turned and ran back through the snow.
“Lord Faa! If lorek Byrnison takes me over the ridge to the village, we can
find out whatever it is, and then catch the sledges up further on. He knows the
route,” she urged. “And I wouldn't ask, except it's like what I did before,
Farder Coram, you remember, with that chameleon? I didn't understand it then,
but it was true, and we found out soon after. I got the same feeling now. I
can't understand properly what it's saying, only I know it's important. And
lorek Byrnison knows the way, he says he could get there and back three times
by next moonrise, and I couldn't be safer than I'd be with him, could I? But he
won't go without he gets Lord Faa's permission.”
There was a silence. Farder Coram sighed.
John Faa was frowning, and his mouth inside the fur hood was set grimly.
But before he could speak, the aeronaut
put in:
“Lord Faa, if lorek Byrnison takes the
little girl, she'll be as safe as if she was here with us. All bears are true,
but I've known lorek for years, and nothing under the sky will make him break
his word. Give him the charge to take care of her and he'll do it, make no
mistake. As for speed, he can lope for hours without tiring.”
“But why should not some men go?” said
John Faa.
“Well, they'd have to walk,” Lyra pointed
out, “because you couldn't run a sledge over that ridge. lorek Byrnison can go
faster than any man over that sort of country, and I'm light enough so's he
won't be slowed down. And I promise, Lord Faa, I promise not to be any longer
than I need, and not to give anything away about us, or to get in any danger.”
“You're sure you need to do this? That
symbol reader en't playing the fool with you?”
“It never does, Lord Faa, and I don't
think it could.”
John Faa rubbed his chin.
“Well, if all comes out right, we'll have
a piece more knowledge than we do now. lorek Byrnison,” he called, “are you
willing to do as this child bids?”
“I do your bidding, Lord Faa. Tell me to
take the child there, and I will.”
“Very well. You are to take her where she
wishes to go and do as she bids. Lyra, I'm a commanding you now, you
understand?”
“Yes, Lord Faa.”
“You go and search for whatever it is, and
when you've found it, you turn right round and come back. lorek Byrnison, we'll
be a traveling on by that time, so you'll have to catch us up.”
The bear nodded his great head.
“Are there any soldiers in the village?”
he said to Lyra.
“Will I need my armor? We shall be swifter
without it.” “No,” she said. “I'm certain of that, lorek. Thank you, Lord Faa,
and I promise I'll do just as you say.”
Tony Costa gave her a strip of dried seal
meat to chew, and with Pantalaimon as a mouse inside her hood, Lyra clambered
onto the great bear's back, gripping his fur with her mittens and his narrow
muscular back between her knees. His fur was wondrously thick, and the sense of
immense power she felt was overwhelming. As if she weighed nothing at all, he
turned and loped away in a long swinging run up toward the ridge and into the
low trees.
It took some time before she was used to
the movement, and then she felt a wild exhilaration. She was riding a bear! And
the Aurora was swaying above them in golden arcs and loops, and all around was
the bitter arctic cold and the immense silence of the North.
lorek Byrnison's paws made hardly any
sound as they padded forward through the snow. The trees were thin and stunted
here, for they were on the edge of the tundra, but there were brambles and
snagging bushes in the path. The bear ripped through them as if they were
cobwebs.
They climbed the low ridge, among outcrops
of black rock, and were soon out of sight of the party behind them. Lyra wanted
to talk to the bear, and if he had been human, she would already be on familiar
terms with him; but he was so strange and wild and cold that she was shy,
almost for the first time in her life. So as he loped along, his great legs
swinging tirelessly, she sat with the movement and said nothing. Perhaps he
preferred that anyway, she thought; she must seem a little prattling cub, only
just past babyhood, in the eyes of an armored bear.
She had seldom considered herself before,
and found the experience interesting but uncomfortable, very like riding the
bear, in fact. lorek Byrnison was pacing swiftly, moving both legs on one side
of his body at the same time, and rocking from side to side in a steady
powerful rhythm. She found she couldn't just sit: she had to ride actively.
They had been traveling for an hour or
more, and Lyra was stiff and sore but deeply happy, when lorek Byrnison slowed
down and stopped.
“Look up,” he said.
Lyra raised her eyes and had to wipe them
with the inside of her wrist, for she was so cold that tears were blurring
them. When she could see clearly, she gasped at the sight of the sky. The
Aurora had faded to a pallid trembling glimmer, but the stars were as bright as
diamonds, and across the great dark diamond-scattered vault, hundreds upon
hundreds of tiny black shapes were flying out of the east and south toward the
north.
“Are they birds?” she said.
“They are witches,” said the bear.
“Witches! What are they doing?”
“Flying to war, maybe. I have never seen
so many at one time.”
“Do you know any witches, lorek?”
“I have served some. And fought some, too.
This is a sight to frighten Lord Faa. If they are flying to the aid of your
enemies, you should all be afraid.”
“Lord Faa wouldn't be frightened. You en't
afraid, are you?”
“Not yet. When I am, I shall master the
fear. But we had better tell Lord Faa about the witches, because the men might
not have seen them.”
He moved on more slowly, and she kept
watching the sky until her eyes splintered again with tears of cold, and she
saw no end to the numberless witches flying north.
Finally lorek Byrnison stopped and said,
“There is the village.”
They were looking down a broken, rugged
slope toward a cluster of wooden buildings beside a wide stretch of snow as
flat as could be, which Lyra took to be the frozen lake. A wooden jetty showed
her she was right. They were no more than five minutes from the place.
“What do you want to do?” the bear asked.
Lyra slipped off his back, and found it hard to stand. Her face was stiff with
cold and her legs were shaky, but she clung to his fur and stamped until she
felt stronger.
“There's a child or a ghost or something
down in that village,” she said, “or maybe near it, I don't know for certain. I
want to go and find him and bring him back to Lord Faa and the others if I can.
I thought he was a ghost, but the symbol reader might be telling me something I
can't understand.”
“If he is outside,” said the bear, “he had
better have some shelter.”
“I don't think he's dead,” said Lyra, but
she was far from sure. The alethiometer had indicated something uncanny and
unnatural, which was alarming; but who was she? Lord Asriel's daughter. And who
was under her command? A mighty bear. How could she possibly show any fear?
“Let's just go and look,” she said.
She clambered on his back again, and he
set off down the broken slope, walking steadily and not pacing any more. The
dogs of the village smelled or heard or sensed them coming, and began to howl
frightfully; and the reindeer in their enclosure moved about nervously, their
antlers clashing like dry sticks. In the still air every movement could be
heard for a long way.
As they reached the first of the houses,
Lyra looked to the right and left, peering hard into the dimness, for the
Aurora was fading and the moon still far from rising. Here and there a light
flickered under a snow-thick roof, and Lyra thought she saw pale faces behind
some of the windowpanes, and imagined their astonishment to see a child riding
a great white bear.
At the center of the little village there
was an open space next to the jetty, where boats had been drawn up, mounds
under the snow. The noise of the dogs was deafening, and just as Lyra thought
it must have wakened everyone, a door opened and a man came out holding a
rifle. His wolverine daemon leaped onto the woodstack beside the door,
scattering snow.
Lyra slipped down at once and stood
between him and lorek Byrnison, conscious that she had told the bear there was
no need for his armor.
The man spoke in words she couldn't
understand. lorek Byrnison replied in the same language, and the man gave a
little moan of fear.
“He thinks we are devils,” lorek told
Lyra. “What shall I say?”
“Tell him we're not devils, but we've got
friends who are. And we're looking for...Just a child. A strange child. Tell
him that.”
As soon as the bear had said that, the man
pointed to the right, indicating some place further off, and spoke quickly.
lorek Byrnison said, “He asks if we have
come to take the child away. They are afraid of it. They have tried to drive it
away, but it keeps coming back.”
“Tell him we'll take it away with us, but
they were very bad to treat it like that. Where is it?”
The man explained, gesticulating
fearfully. Lyra was afraid he'd fire his rifle by mistake, but as soon as he'd
spoken he hastened inside his house and shut the door. Lyra could see faces at
every window.
“Where is the child?” she said.
“In the fish house,” the bear told her,
and turned to pad down toward the jetty.
Lyra followed. She was horribly nervous.
The bear was making for a narrow wooden shed, raising his head to sniff this
way and that, and when he reached the door he stopped and said: “In there.”
Lyra's heart was beating so fast she could
hardly breathe. She raised her hand to knock at the door and then, feeling that
that was ridiculous, took a deep breath to call out, but realized that she
didn't know what to say. Oh, it was so dark now! She should have brought a
lantern....
There was no choice, and anyway, she
didn't want the bear to see her being afraid. He had spoken of mastering his
fear: that was what she'd have to do. She lifted the strap of reindeer hide
holding the latch in place, and tugged hard against the frost binding the door
shut. It opened with a snap. She had to kick aside the snow piled against the
foot of the door before she could pull it open, and Pantalaimon was no help,
running back and forth in his ermine shape, a white shadow over the white
ground, uttering little frightened sounds.
“Pan, for God's sake!” she said. “Be a
bat. Go and look for me....”
But he wouldn't, and he wouldn't speak
either. She had never seen him like this except once, when she and Roger in the
crypt at Jordan had moved the d^mon-coins into the wrong skulls. He was even
more frightened than she was. As for lorek Byrnison, he was lying in the snow
nearby, watching in silence.
“Come out,” Lyra said as loud as she
dared. “Come out!”
Not a sound came in answer. She pulled the
door a little wider, and Pantalaimon leaped up into her arms, pushing and
pushing at her in his cat form, and said, “Go away! Don't stay here! Oh, Lyra,
go now! Turn back!”
Trying to hold him still, she was aware of
lorek Byrnison getting to his feet, and turned to see a figure hastening down
the track from the village, carrying a lantern. When he came close enough to
speak, he raised the lantern and held it to show his face: an old man with a
broad, lined face, and eyes nearly lost in a thousand wrinkles. His daemon was
an arctic fox.
He spoke, and lorek Byrnison said:
“He says that it's not the only child of
that kind. He's seen others in the forest. Sometimes they die quickly,
sometimes they don't die. This one is tough, he thinks. But it would be better
for him if he died.”
“Ask him if I can borrow his lantern,”
Lyra said.
The bear spoke, and the man handed it to
her at once, nodding vigorously. She realized that he'd come down in order to
bring it to her, and thanked him, and he nodded again and stood back, away from
her and the hut and away from the bear.
Lyra thought suddenly: what if the child
is Roger? And she prayed with all her force that it wouldn't be. Pantalaimon
was clinging to her, an ermine again, his little claws hooked deep into her
anorak.
She lifted the lantern high and took a
step into the shed, and then she saw what it was that the Oblation Board was
doing, and what was the nature of the sacrifice the children were having to
make.
The little boy was huddled against the
wood drying rack where hung row upon row of gutted fish, all as stiff as
boards. He was clutching a piece of fish to him as Lyra was clutching
Pantalaimon, with her left hand, hard, against her heart; but that was all he
had, a piece of dried fish; because he had no da;mon at all. The Gobblers had
cut it away. That was intercision, and this was a severed child.
THIRTEEN
FENCING
Her first impulse was to turn and run, or
to be sick. A human being with no daemon was like someone without a face, or
with their ribs laid open and their heart torn out: something unnatural and
uncanny that belonged to the world of night-ghasts, not the waking world of
sense.
So Lyra clung to Pantalaimon and her head
swam and her gorge rose, and cold as the night was, a sickly sweat moistened
her flesh with something colder still.
“Ratter,” said the boy. “You got my
Ratter?”
Lyra was in no doubt what he meant.
“No,” she said in a voice as frail and
frightened as she felt. Then, “What's your name?”
“Tony Makarios,” he said. “Where's
Ratter?”
“I don't know...” she began, and swallowed
hard to govern her nausea. “The Gobblers...” But she couldn't finish. She had
to go out of the shed and sit down by herself in the snow, except that of
course she wasn't by herself, she was never by herself, because Pantalaimon was
always there. Oh, to be cut from him as this little boy had been parted from
his Ratter! The worst thing in the world! She found herself sobbing, and
Pantalaimon was whimpering too, and in both of them there was a passionate pity
and sorrow for the half-boy.
Then she got to her feet again.
“Come on,” she called in a trembling
voice. “Tony, come out. We're going to take you somewhere safe.”
There was a stir of movement in the fish
house, and he appeared at the door, still clutching his dried fish. He was
dressed in warm enough garments, a thickly padded and quilted coal-silk anorak
and fur boots, but they had a secondhand look and didn't fit well. In the wider
light outside that came from the faint trails of the Aurora and the
snow-covered ground he looked more lost and piteous even than he had at first,
crouching in the lantern light by the fish racks.
The villager who'd brought the lantern had
retreated a few yards, and called down to them.
lorek Byrnison interpreted: “He says you
must pay for that fish.”
Lyra felt like telling the bear to kill
him, but she said, “We're taking the child away for them. They can afford to
give one fish to pay for that.”
The bear spoke. The man muttered, but
didn't argue. Lyra set his lantern down in the snow and took the half-boy's
hand to guide him to the bear. He came helplessly, showing no surprise and no
fear at the great white beast standing so close, and when Lyra helped him to
sit on lorek's back, all he said was:
“I dunno where my Ratter is.”
“No, nor do we, Tony,” she said. “But
we'll...we'll punish the Gobblers. We'll do that, I promise. lorek, is it all
right if I sit up there too?”
“My armor weighs far more than children,”
he said.
So she scrambled up behind Tony and made
him cling to the long stiff fur, and Pantalaimon sat inside her hood, warm and
close and full of pity. Lyra knew that Pantalaimon's impulse was to reach out
and cuddle the little half-child, to lick him and gentle him and warm him as
his own daemon would have done; but the great taboo prevented that, of course.
They rose through the village and up
toward the ridge, and the villagers' faces were open with horror and a kind of
fearful relief at seeing that hideously mutilated creature taken away by a girl
and a great white bear.
In Lyra's heart, revulsion struggled with
compassion, and compassion won. She put her arms around the skinny little form
to hold him safe. The journey back to the main party was colder, and harder,
and darker, but it seemed to pass more quickly for all that. lorek Byrnison was
tireless, and Lyra's riding became automatic, so that she was never in danger
of falling off. The cold body in her arms was so light that in one way he was
easy to manage, but he was inert; he sat stiffly without moving as the bear
moved, so in another way he was difficult too.
From time to time the half-boy spoke.
“What's that you said?” asked Lyra.
“I says is she gonna know where I am?”
“Yeah, she'll know, she'll find you and
we'll find her. Hold on tight now, Tony. It en't far from here....”
The bear loped onward. Lyra had no idea
how tired she was until they caught up with the gyptians. The sledges had
stopped to rest the dogs, and suddenly there they all were, Farder Coram, Lord
Faa, Lee Scoresby, all lunging forward to help and then falling back silent as
they saw the other figure with Lyra. She was so stiff that she couldn't even
loosen her arms around his body, and John Faa himself had to pull them gently
open and lift her off.
“Gracious God, what is this?” he said.
“Lyra, child, what have you found?”
“He's called Tony,” she mumbled through
frozen lips. “And they cut his daemon away. That's what the Gobblers do.”
The men held back, fearful; but the bear
spoke, to Lyra's weary amazement, chiding them.
“Shame on you! Think what this child has
done! You might not have more courage, but you should be ashamed to show less.”
“You're right, lorek Byrnison,” said John
Faa, and turned to give orders. “Build that fire up and heat some soup for the
child. For both children. Farder Coram, is your shelter rigged?”
“It is, John. Bring her over and we'll get
her warm....”
“And the little boy,” said someone else.
“He can eat and get warm, even if...”
Lyra was trying to tell John Faa about the
witches, but they were all so busy, and she was so tired. After a confusing few
minutes full of lantern light, woodsmoke, figures hurrying to and fro, she felt
a gentle nip on her ear from Pantalaimon's ermine teeth, and woke to find the
bear's face a few inches from hers.
“The witches,” Pantalaimon whispered. “I
called lorek.”
“Oh yeah,” she mumbled. “lorek, thank you
for taking me there and back. I might not remember to tell Lord Faa about the
witches, so you better do that instead of me.”
She heard the bear agree, and then she
fell asleep properly.
When she woke up, it was as close to
daylight as it was ever going to get. The sky was pale in the southeast, and
the air was suffused with a gray mist, through which the gyptians moved like
bulky ghosts, loading sledges and harnessing dogs to the traces.
She saw it all from the shelter on Farder
Coram's sledge, inside which she lay under a heap of furs. Pantalaimon was fully
awake before she was, trying the shape of an arctic fox before reverting to his
favorite ermine.
lorek Byrnison was asleep in the snow
nearby, his head on his great paws; but Farder Coram was up and busy, and as
soon as he saw Pantalaimon emerge, he limped across to wake Lyra properly.
She saw him coming, and sat up to speak.
“Farder Coram, I know what it was that I
couldn't understand! The alethiometer kept saying bird and not, and that didn't
make sense, because it meant no daemon and I didn't see how it could be....What
is it?”
“Lyra, I'm afraid to tell you this after
what you done, but that little boy died an hour ago. He couldn't settle, he
couldn't stay in one place; he kept asking after his daemon, where she was, was
she a coming soon, and all; and he kept such a tight hold on that bare old
piece of fish as if...Oh, I can't speak of it, child; but he closed his eyes
finally and fell still, and that was the first time he looked peaceful, for he
was like any other dead person then, with their daemon gone in the course of
nature. They've been a trying to dig a grave for him, but the earth's bound
like iron. So John Faa ordered a fire built, and they're a going to cremate
him, so as not to have him despoiled by carrion eaters.
“Child, you did a brave thing and a good
thing, and I'm proud of you. Now we know what terrible wickedness those people
are capable of, we can see our duty plainer than ever. What you must do is rest
and eat, because you fell asleep too soon to restore yourself last night, and
you have to eat in these temperatures to stop yourself getting weak....”
He was fussing around, tucking the furs
into place, tightening the tension rope across the body of the sledge, running
the traces through his hands to untangle them.
“Farder Coram, where is the little boy
now? Have they burned him yet?”
“No, Lyra, he's a lying back there.”
“I want to go and see him.”
He couldn't refuse her that, for she'd
seen worse than a dead body, and it might calm her. So with Pantalaimon as a
white hare bounding delicately at her side, she trudged along the line of
sledges to where some men were piling brushwood.
The boy's body lay under a checkered
blanket beside the path. She knelt and lifted the blanket in her mittened
hands. One man was about to stop her, but the others shook their heads.
Pantalaimon crept close as Lyra looked
down on the poor wasted face. She slipped her hand out of the mitten and
touched his eyes. They were marble-cold, and Farder Coram had been right; poor
little Tony Makarios was no different from any other human whose daemon had
departed in death. Oh, if they took Pantalaimon from her! She swept him up and
hugged him as if she meant to press him right into her heart. And all little
Tony had was his pitiful piece offish....
Where was it?
She pulled the blanket down. It was gone.
She was on her feet in a moment, and her
eyes flashed fury at the men nearby.
“Where's his fish?”
They stopped, puzzled, unsure what she
meant; though some of their daemons knew, and looked at one another. One of the
men began to grin uncertainly.
“Don't you dare laugh! I'll tear your
lungs out if you laugh at him! That's all he had to cling onto, just an old
dried fish, that's all he had for a daemon to love and be kind to! Who's took
it from him? Where's it gone?”
Pantalaimon was a snarling snow leopard,
just like Lord Asriel's daemon, but she didn't see that; all she saw was right
and wrong.
“Easy, Lyra,” said one man. “Easy, child.”
“Who's took it?” she flared again, and the
gyptian took a step back from her passionate fury.
“I didn't know,” said another man
apologetically. “I thought it was just what he'd been eating. I took it out his
hand because I thought it was more respectful. That's all, Lyra.”
“Then where is it?”
The man said uneasily, “Not thinking he
had a need for it, I gave it to my dogs. I do beg your pardon.”
“It en't my pardon you need, it's his,”
she said, and turned at once to kneel again, and laid her hand on the dead
child's icy cheek.
Then an idea came to her, and she fumbled
inside her furs. The cold air struck through as she opened her anorak, but in a
few seconds she had what she wanted, and took a gold coin from her purse before
wrapping herself close again.
“I want to borrow your knife,” she said to
the man who'd taken the fish, and when he'd let her have it, she said to
Pantalaimon: “What was her name?”
He understood, of course, and said,
“Ratter.”
She held the coin tight in her left
mittened hand and, holding the knife like a pencil, scratched the lost daemon's
name deeply into the gold.
“I hope that'll do, if I provide for you
like a Jordan Scholar,” she whispered to the dead boy, and forced his teeth
apart to slip the coin into his mouth. It was hard, but she managed it, and
managed to close his jaw again.
Then she gave the man back his knife and turned
in the morning twilight to go back to Farder Coram.
He gave her a mug of soup straight off the
fire, and she sipped it greedily.
“What we going to do about them witches,
Farder Coram?” she said. “I wonder if your witch was one of them.”
“My witch? I wouldn't presume that far,
Lyra. They might be going anywhere. There's all kinds of concerns that play on
the life of witches, things invisible to us: mysterious sicknesses they fall
prey to, which we'd shrug off; causes of war quite beyond our understanding;
joys and sorrows bound up with the flowering of tiny plants up on the
tundra....But I wish I'd seen them a flying, Lyra. I wish I'd been able to see
a sight like that. Now drink up all that soup. D'you want some more? There's
some pan-bread a cooking too. Eat up, child, because we're on our way soon.”
The food revived Lyra, and presently the
chill at her soul began to melt. With the others, she went to watch the little
half-child laid on his funeral pyre, and bowed her head and closed her eyes for
John Faa's prayers; and then the men sprinkled coal spirit and set matches to
it, and it was blazing in a moment.
Once they were sure he was safely burned,
they set off to travel again. It was a ghostly journey. Snow began to fall
early on, and soon the world was reduced to the gray shadows of the dogs ahead,
the lurching and creaking of the sledge, the biting cold, and a swirling sea of
big flakes only just darker than the sky and only just lighter than the ground.
Through it all the dogs continued to run,
tails high, breath puffing steam. North and further north they ran, while the
pallid noontide came and went and the twilight wrapped itself again around the
world. They stopped to eat and drink and rest in a fold of the hills, and to
get their bearings, and while John Faa talked to Lee Scoresby about the way
they might best use the balloon, Lyra thought of the spy-fly; and she asked
Farder Coram what had happened to the smokeleaf tin he'd trapped it in.
“I've got it tucked away tight,” he said.
“It's down in the bottom of that kit bag, but there's nothing to see; I
soldered it shut on board ship, like I said I would. I don't know what we're a
going to do with it, to tell you the truth; maybe we could drop it down a fire
mine, maybe that would settle it. But you needn't worry, Lyra. While I've got
it, you're safe.” The first chance she had, she plunged her arm down into the
stiffly frosted canvas of the kit bag and brought up the little tin. She could
feel the buzz it was making before she touched it.
While Farder Coram was talking to the
other leaders, she took the tin to lorek Byrnison and explained her idea. It
had come to her when she remembered his slicing so easily through the metal of
the engine cover.
He listened, and then took the lid of a
biscuit tin and deftly folded it into a small flat cylinder. She marveled at
the skill of his hands: unlike most bears, he and his kin had opposable thumb
claws with which they could hold things still to work on them; and he had some
innate sense of the strength and flexibility of metals which meant that he only
had to lift it once or twice, flex it this way and that, and he could run a
claw over it in a circle to score it for folding. He did this now, folding the
sides in and in until they stood in a raised rim and then making a lid to fit
it. At Lyra's bidding he made two: one the same size as the original smokeleaf
tin, and another just big enough to contain the tin itself and a quantity of
hairs and bits of moss and lichen all packed down tight to smother the noise. When
it was closed, it was the same size and shape as the alethiometer.
When that was done, she sat next to lorek
Byrnison as he gnawed a haunch of reindeer that was frozen as hard as wood.
“lorek,” she said, “is it hard not having
a daemon? Don't you get lonely?”
“Lonely?” he said. “I don't know. They
tell me this is cold. I don't know what cold is, because I don't freeze. So I
don't know what lonely means either. Bears are made to be solitary.”
“What about the Svalbard bears?” she said.
“There's thousands of them, en't there? That's what I heard.”
He said nothing, but ripped the joint in
half with a sound like a splitting log.
“Beg pardon, lorek,” she said. “I hope I
en't offended you. It's just that I'm curious. See, I'm extra curious about the
Svalbard bears because of my father.”
“Who is your father?”
“Lord Asriel. And they got him captive on
Svalbard, you see. I think the Gobblers betrayed him and paid the bears to keep
him in prison.”
“I don't know. I am not a Svalbard bear.”
“I thought you was....”
“No. I was a Svalbard bear, but I am not
now. I was sent away as a punishment because I killed another bear. So I was
deprived of my rank and my wealth and my armor and sent out to live at the edge
of the human world and fight when I could find employment at it, or work at
brutal tasks and drown my memory in raw spirits.”
“Why did you kill the other bear?”
“Anger. There are ways among bears of
turning away our anger with each other, but I was out of my own control. So I
killed him and I was justly punished.”
“And you were wealthy and high-ranking,”
said Lyra, marveling. “Just like my father, lorek! That's just the same with
him after I was born. He killed someone too and they took all his wealth away.
That was long before he got made a prisoner on Svalbard, though. I don't know
anything about Svalbard, except it's in the farthest North....Is it all covered
in ice? Can you get there over the frozen sea?”
“Not from this coast. The sea is sometimes
frozen south of it, sometimes not. You would need a boat.”
“Or a balloon, maybe.”
“Or a balloon, yes, but then you would
need the right wind.”
He gnawed the reindeer haunch, and a wild
notion flew into Lyra's mind as she remembered all those witches in the night
sky; but she said nothing about that. Instead she asked lorek Byrnison about
Svalbard, and listened eagerly as he told her of the slow-crawling glaciers, of
the rocks and ice floes where the bright-tusked walruses lay in groups of a
hundred or more, of the seas teeming with seals, of narwhals clashing their
long white tusks above the icy water, of the great grim iron-bound coast, the
cliffs a thousand feet and more high where the foul cliff-ghasts perched and
swooped, the coal pits and the fire mines where the bearsmiths hammered out
mighty sheets of iron and riveted them into armor...
“If they took your armor away, lorek,
where did you get this set from?”
“I made it myself in Nova Zembla from sky
metal. Until I did that, I was incomplete.”
“So bears can make their own souls...” she
said. There was a great deal in the world to know. “Who is the king of
Svalbard?” she went on. “Do bears have a king?”
“He is called lofur Raknison.”
That name shook a little bell in Lyra's
mind. She'd heard it before, but where? And not in a bear's voice, either, nor
in a gyptian's. The voice that had spoken it was a Scholar's, precise and
pedantic and lazily arrogant, very much a Jordan College voice. She tried it
again in her mind. Oh, she knew it so well!
And then she had it: the Retiring Room.
The Scholars listening to Lord Asriel. It was the Palmerian Professor who had
said something about lofur Raknison. He'd used the word panserbj0rne, which
Lyra didn't know, and she hadn't known that lofur Raknison was a bear; but what
was it he'd said? The king of Svalbard was vain, and he could be flattered.
There was something else, if only she could remember it, but so much had
happened since then....
“If your father is a prisoner of the
Svalbard bears,” said lorek Byrnison, “he will not escape. There is no wood
there to make a boat. On the other hand, if he is a nobleman, he will be
treated fairly. They will give him a house to live in and a servant to wait on
him, and food and fuel.”
“Could the bears ever be defeated, lorek?”
“No.”
“Or tricked, maybe?”
He stopped gnawing and looked at her
directly. Then he said, “You will never defeat the armored bears. You have seen
my armor; now look at my weapons.”
He dropped the meat and held out his paws,
palm upward, for her to look at. Each black pad was covered in horny skin an
inch or more thick, and each of the claws was as long as Lyra's hand at least,
and as sharp as a knife. He let her run her hands over them wonderingly.
“One blow will crush a seal's skull,” he
said. “Or break a man's back, or tear off a limb. And I can bite. If you had
not stopped me in Trollesund, I would have crushed that man's head like an egg.
So much for strength; now for trickery. You cannot trick a bear. You want to
see proof? Take a stick and fence with me.”
Eager to try, she snapped a stick off a
snow-laden bush, trimmed all the side shoots off, and swished it from side to
side like a rapier. lorek Byrnison sat back on his haunches and waited,
forepaws in his lap. When she was ready, she faced him, but she didn't like to
stab at him because he looked so peaceable. So she flourished it, feinting to
right and left, not intending to hit him at all, and he didn't move. She did
that several times, and not once did he move so much as an inch.
Finally she decided to thrust at him
directly, not hard, but just to touch the stick to his stomach. Instantly his
paw reached forward and flicked the stick aside.
Surprised, she tried again, with the same
result. He moved far more quickly and surely than she did. She tried to hit him
in earnest, wielding the stick like a fencer's foil, and not once did it land
on his body. He seemed to know what she intended before she did, and when she
lunged at his head, the great paw swept the stick aside harmlessly, and when
she feinted, he didn't move at all.
She became exasperated, and threw herself
into a furious attack, jabbing and lashing and thrusting and stabbing, and
never once did she get past those paws. They moved everywhere, precisely in
time to parry, precisely at the right spot to block.
Finally she was frightened, and stopped.
She was sweating inside her furs, out of breath, exhausted, and the bear still
sat impassive. If she had had a real sword with a murderous point, he would
have been quite unharmed.
“I bet you could catch bullets,” she said,
and threw the stick away. “How do you do that?”
“By not being human,” he said. “That's why
you could never trick a bear. We see tricks and deceit as plain as arms and
legs. We can see in a way humans have forgotten. But you know about this; you
can understand the symbol reader.”
“That en't the same, is it?” she said. She
was more nervous of the bear now than when she had seen his anger.
“It is the same,” he said. “Adults can't
read it, as I understand. As I am to human fighters, so you are to adults with
the symbol reader.”
“Yes, I suppose,” she said, puzzled and
unwilling. “Does that mean I'll forget how to do it when I grow up?”
“Who knows? I have never seen a symbol
reader, nor anyone who could read them. Perhaps you are different from others.”
He dropped to all fours again and went on gnawing his meat. Lyra had unfastened
her furs, but now the cold was striking in again and she had to do them up. All
in all, it was a disquieting episode. She wanted to consult the alethiome-ter
there and then, but it was too cold, and besides, they were calling for her because
it was time to move on. She took the tin boxes that lorek Byrnison had made,
put the empty one back into Farder Coram's kit bag, and put the one with the
spy-fly in it together with the alethiometer in the pouch at her waist. She was
glad when they were moving again.
The leaders had agreed with Lee Scoresby
that when they reached the next stopping place, they would inflate his balloon
and he would spy from the air. Naturally Lyra was eager to fly with him, and
naturally it was forbidden; but she rode with him on the way there and pestered
him with questions. “Mr. Scoresby, how would you fly to Svalbard?” “You'd need
a dirigible with a gas engine, something like a zeppelin, or else a good south
wind. But hell, I wouldn't dare. Have you ever seen it? The bleakest barest
most inhospitable godforsaken dead end of nowhere.”
“I was just wondering, if lorek Bymison
wanted to go back...” “He'd be killed. lorek's in exile. As soon as he set foot
there, they'd tear him to pieces.”
“How do you inflate your balloon, Mr.
Scoresby?” “Two ways. I can make hydrogen by pouring sulfuric acid onto iron
filings. You catch the gas it gives off and gradually fill the balloon like
that. The other way is to find a ground-gas vent near a fire mine. There's a
lot of gas under the ground here, and rock oil besides. I can make gas from
rock oil, if I need to, and from coal as well; it's not hard to make gas. But
the quickest way is to use ground gas. A good vent will fill the balloon in an
hour.”
“How many people can you carry?”
“Six, if I need to.”
“Could you carry lorek Byrnison in his
armor?”
“I have done. I rescued him one time from
the Tartars, when he was cut off and they were starving him out—that was in the
Tunguska campaign; I flew in and took him off. Sounds easy, but hell, I had to
calculate the weight of that old boy by guess-work. And then I had to bank on
finding ground gas under the ice fort he'd made. But I could see what kind of
ground it was from the air, and I reckoned we'd be safe in digging. See, to go
down I have to let gas out of the balloon, and I can't get airborne again
without more. Anyway, we made it, armor and all.”
“Mr. Scoresby, you know the Tartars make
holes in people's heads?”
“Oh, sure. They've been doing that for
thousands of years. In the Tunguska campaign we captured five Tartars alive,
and three of them had holes in their skulls. One of them had two.”
“They do it to each other?”
“That's right. First they cut partway
around a circle of skin on the scalp, so they can lift up a flap and expose the
bone. Then they cut a little circle of bone out of the skull, very carefully so
they don't penetrate the brain, and then they sew the scalp back over.”
“I thought they did it to their enemies!”
“Hell, no. It's a great privilege. They do
it so the gods can talk to them.”
“Did you ever hear of an explorer called
Stanislaus Grumman?”
“Grumman? Sure. I met one of his team when
I flew over the Yenisei River two years back. He was going to live among the
Tartar tribes up that way. Matter of fact, I think he had that hole in the
skull done. It was part of an initiation ceremony, but the man who told me
didn't know much about it.”
“So...If he was like an honorary Tartar,
they wouldn't have killed him?”
“Killed him? Is he dead then?”
“Yeah. I saw his head,” Lyra said proudly.
“My father found it. I saw it when he showed it to the Scholars at Jordan
College in Oxford. They'd scalped it, and all.”
“Who'd scalped it?”
“Well, the Tartars, that's what the
Scholars thought....But maybe it wasn't.”
“It might not have been Grumman's head,”
said Lee Scoresby. “Your father might have been misleading the Scholars.”
“I suppose he might,” said Lyra
thoughtfully. “He was asking them for money.”
“And when they saw the head, they gave him
the money?”
“Yeah.”
“Good trick to play. People are shocked
when they see a thing like that; they don't like to look too close.”
“Especially Scholars,” said Lyra.
“Well, you'd know better than I would. But
if that was Grumman's head, I'll bet it wasn't the Tartars who scalped him.
They scalp their enemies, not their own, and he was a Tartar by adoption.”
Lyra turned that over in her mind as they
drove on. There were wide currents full of meaning flowing fast around her; the
Gobblers and their cruelty, their fear of Dust, the city in the Aurora, her
father in Svalbard, her mother....And where was she? The alethiometer, the
witches flying northward. And poor little Tony Makarios; and the clockwork
spy-fly; and lorek Byrnison's uncanny fencing...
She fell asleep. And every hour they drew
closer to Bolvangar.
FOURTEEN
BOLVANGAR LIGHTS
The fact that the gyptians had heard or
seen nothing of Mrs. Coulter worried Farder Coram and John Faa more than they
let Lyra know; but they weren't to know that she was worried too. Lyra feared
Mrs. Coulter and thought about her often. And whereas Lord Asriel was now
“father,” Mrs. Coulter was never “mother.” The reason for that was Mrs.
Coulter's daemon, the golden monkey, who had filled Pantalaimon with a powerful
loathing, and who, Lyra felt, had pried into her secrets, and particularly that
of the alethiometer.
And they were bound to be chasing her; it
was silly to think otherwise. The spy-fly proved that, if nothing else.
But when an enemy did strike, it wasn't
Mrs. Coulter. The gyptians had planned to stop and rest their dogs, repair a
couple of sledges, and get all their weapons into shape for the assault on
Bolvangar. John Faa hoped that Lee Scoresby might find some ground gas to fill
his smaller balloon (for he had two, apparently) and go up to spy out the land.
However, the aeronaut attended to the condition of the weather as closely as a
sailor, and he said there was going to be a fog; and sure enough, as soon as
they stopped, a thick mist descended. Lee Scoresby knew he'd see nothing from
the sky, so he had to content himself with checking his equipment, though it
was all in meticulous order. Then, with no warning at all, a volley of arrows
flew out of the dark.
Three gyptian men went down at once, and
died so silently that no one heard a thing. Only when they slumped clumsily
across the dog traces or lay unexpectedly still did the nearest men notice what
was happening, and then it was already too late, because more arrows were
flying at them. Some men looked up, puzzled by the fast irregular knocking
sounds that came from up and down the line as arrows hurtled into wood or
frozen canvas.
The first to come to his wits was John
Faa, who shouted orders from the center of the line. Cold hands and stiff limbs
moved to obey as yet more arrows flew down like rain, straight rods of rain
tipped with death.
Lyra was in the open, and the arrows were
passing over her head. Pantalaimon heard before she did, and became a leopard
and knocked her over, making her less of a target. Brushing snow out of her
eyes, she rolled over to try and see what was happening, for the semidarkness
seemed to be overflowing with confusion and noise. She heard a mighty roar, and
the clang and scrape of lorek Byrnison's armor as he leaped fully clad over the
sledges and into the fog, and that was followed by screams, snarling, crunching
and tearing sounds, great smashing blows, cries of terror and roars of bearish
fury as he laid them waste.
But who was them? Lyra had seen no enemy
figures yet. The gyptians were swarming to defend the sledges, but that (as
even Lyra could see) made them better targets; and their rifles were not easy
to fire in gloves and mittens; she had only heard four or five shots, as
against the ceaseless knocking rain of arrows. And more and more men fell every
minute.
Oh, John Faa! she thought in anguish. You
didn't foresee this, and I didn't help you!
But she had no more than a second to think
that, for there was a mighty snarl from Pantalaimon, and something— another
daemon—hurtled at him and knocked him down, crushing all the breath out of Lyra
herself; and then hands were hauling at her, lifting her, stifling her cry with
foul-smelling mittens, tossing her through the air into another's arms, and
then pushing her flat down into the snow again, so that she was dizzy and
breathless and hurt all at once. Her arms were hauled behind till her shoulders
cracked, and someone lashed her wrists together, and then a hood was crammed
over her head to muffle her screams, for scream she did, and lustily:
“lorek! lorek Byrnison! Help me!”
But could he hear? She couldn't tell; she
was hurled this way and that, crushed onto a hard surface which then began to
lurch and bump like a sledge. The sounds that reached her were wild and
confused. She might have heard lorek Byrnison's roar, but it was a long way
off, and then she was jolting over rough ground, arms twisted, mouth stifled,
sobbing with rage and fear. And strange voices spoke around her.
“Pan...”
“I'm here, shh, I'll help you breathe.
Keep still...”
His mouse paws tugged at the hood until her
mouth was freer, and she gulped at the frozen air.
“Who are they?” she whispered.
“They look like Tartars. I think they hit
John Faa.”
“No—”
“I saw him fall. But he should have been
ready for this sort of attack. We know that.”
“But we should have helped him! We should
have been watching the alethiometer!”
“Hush. Pretend to be unconscious.”
There was a whip cracking, and the howl of
racing dogs. From the way she was being jerked and bounced about, Lyra could
tell how fast they were going, and though she strained to hear the sounds of
battle, all she made out was a forlorn volley of shots, muffled by the
distance, and then the creak and rush and soft paw thuds in the snow were all
there was to hear.
“They'll take us to the Gobblers,” she
whispered.
The word severed came to their mind.
Horrible fear filled Lyra's body, and Pantalaimon nestled close against her.
“I'll fight,” he said.
“So will I. I'll kill them.”
“So will lorek when he finds out. He'll
crush them to death.”
“How far are we from Bolvangar?”
Pantalaimon didn't know, but he thought it
was less than a day's ride.
After they had been driving along for such
a time that Lyra's body was in torment from cramp, the pace slackened a little,
and someone roughly pulled off the hood.
She looked up at a broad Asiatic face,
under a wolverine hood, lit by flickering lamplight. His black eyes showed a
glint of satisfaction, especially when Pantalaimon slid out of Lyra's anorak to
bare his white ermine teeth in a hiss. The man's daemon, a big heavy wolverine,
snarled back, but Pantalaimon didn't flinch.
The man hauled Lyra up to a sitting
position and propped her against the side of the sledge. She kept falling
sideways because her hands were still tied behind her, and so he tied her feet
together instead and released her hands.
Through the snow that was falling and the
thick fog she saw how powerful this man was, and the sledge driver too, how
balanced in the sledge, how much at home in this land in a way the gyptians
weren't.
The man spoke, but of course she understood
nothing. He tried a different language with the same result. Then he tried
English.
“You name?”
Pantalaimon bristled warningly, and she
knew what he meant at once. So these men didn't know who she was! They hadn't
kidnapped her because of her connection with Mrs. Coulter; so perhaps they
weren't in the pay of the Gobblers after all.
“Lizzie Brooks,” she said.
“Lissie Broogs,” he said after her. “We
take you nice place. Nice peoples.”
“Who are you?”
“Samoyed peoples. Hunters.”
“Where are you taking me?”
“Nice place. Nice peoples. You have
panserbjorne?”
“For protection.”
“No good! Ha, ha, bear no good! We got you
anyway!”
He laughed loudly. Lyra controlled herself
and said nothing.
“Who those peoples?” the man asked next,
pointing back the way they had come.
“Traders.”
“Traders...What they trade?”
“Fur, spirits,” she said. “Smokeleaf.”
“They sell smokeleaf, buy furs?”
“Yes.”
He said something to his companion, who
spoke back briefly. All the time the sledge was speeding onward, and Lyra
pulled herself up more comfortably to try and see where they were heading; but
the snow was falling thickly, and the sky was dark, and presently she became
too cold to peer out any longer, and lay down. She and Pantalaimon could feel
each other's thoughts, and tried to keep calm, but the thought of John Faa
dead...And what had happened to Farder Coram? And would lorek manage to kill
the other Samoyeds? And would they ever manage to track her down?
For the first time, she began to feel a
little sorry for herself.
After a long time, the man shook her by
the shoulder and handed her a strip of dried reindeer meat to chew. It was rank
and tough, but she was hungry, and there was nourishment in it. After chewing
it, she felt a little better. She slipped her hand slowly into her furs till
she was sure the alethiometer was still there, and then carefully withdrew the
spy-fly tin and slipped it down into her fur boot. Pantalaimon crept in as a
mouse and pushed it as far down as he could, tucking it under the bottom of her
reindeer-skin legging.
When that was done, she closed her eyes.
Fear had made her exhausted, and soon she slipped uneasily into sleep.
She woke up when the motion of the sledge
changed. It was suddenly smoother, and when she opened her eyes there were
passing lights dazzling above her, so bright she had to pull the hood further
over her head before peering out again. She was horribly stiff and cold, but
she managed to pull herself upright enough to see that the sledge was driving
swiftly between a row of high poles, each carrying a glaring anbaric light. As
she got her bearings, they passed through an open metal gate at the end of the
avenue of lights and into a wide open space like an empty marketplace or an
arena for some game or sport. It was perfectly flat and smooth and white, and
about a hundred yards across. Around the edge ran a high metal fence.
At the far end of this arena the sledge
halted. They were outside a low building, or a range of low buildings, over
which the snow lay deeply. It was hard to tell, but she had the impression that
tunnels connected one part of the buildings with another, tunnels humped under
the snow. At one side a stout metal mast had a familiar look, though she
couldn't say what it reminded her of.
Before she could take much more in, the
man in the sledge cut through the cord around her ankles, and hauled her out
roughly while the driver shouted at the dogs to make them still. A door opened
in the building a few yards away, and an anbaric light came on overhead,
swiveling to find them, like a searchlight.
Lyra's captor thrust her forward like a
trophy, without letting go, and said something. The figure in the padded
coal-silk anorak answered in the same language, and Lyra saw his features: he
was not a Samoyed or a Tartar. He could have been a Jordan Scholar. He looked
at her, and particularly at Pantalaimon.
The Samoyed spoke again, and the man from
Bolvangar said to Lyra, “You speak English?”
“Yes,” she said.
“Does your daemon always take that form?”
Of all the unexpected questions! Lyra could
only gape. But Pantalaimon answered it in his own fashion by becoming a falcon,
and launching himself from her shoulder at the man's daemon, a large marmot,
which struck up at Pantalaimon with a swift movement and spat as he circled
past on swift wings.
“I see,” said the man in a tone of
satisfaction, as Pantalaimon returned to Lyra's shoulder.
The Samoyed men were looking expectant,
and the man from Bolvangar nodded and took off a mitten to reach into a pocket.
He took out a drawstring purse and counted out a dozen heavy coins into the
hunter's hand.
The two men checked the money, and then
stowed it carefully, each man taking half. Without a backward glance they got
in the sledge, and the driver cracked the whip and shouted to the dogs; and
they sped away across the wide white arena and into the avenue of lights,
gathering speed until they vanished into the dark beyond.
The man was opening the door again.
“Come in quickly,” he said. “It's warm and
comfortable. Don't stand out in the cold. What is your name ?”
His voice was an English one, without any
accent Lyra could name. He sounded like the sort of people she had met at Mrs.
Coulter's: smart and educated and important.
“Lizzie Brooks,” she said.
“Come in, Lizzie. We'll look after you
here, don't worry.”
He was colder than she was, even though
she'd been outside for far longer; he was impatient to be in the warm again.
She decided to play slow and dim-witted and reluctant, and dragged her feet as
she stepped over the high threshold into the building.
There were two doors, with a wide space
between them so that not too much warm air escaped. Once they were through the
inner doorway, Lyra found herself sweltering in what seemed unbearable heat,
and had to pull open her furs and push back her hood.
They were in a space about eight feet
square, with corridors to the right and left, and in front of her the sort of
reception desk you might see in a hospital. Everything was brilliantly lit,
with the glint of shiny white surfaces and stainless steel. There was the smell
of food in the air, familiar food, bacon and coffee, and under it a faint
perpetual hospital-medical smell; and coming from the walls all around was a
slight humming sound, almost too low to hear, the sort of sound you had to get
used to or go mad.
Pantalaimon at her ear, a goldfinch now,
whispered, “Be stupid and dim. Be really slow and stupid.”
Adults were looking down at her: the man
who'd brought her in, another man wearing a white coat, a woman in a nurse's
uniform.
“English,” the first man was saying.
“Traders, apparently.”
“Usual hunters? Usual story?”
“Same tribe, as far as I could tell.
Sister Clara, could you take little, umm, and see to her?”
“Certainly, Doctor. Come with me, dear,”
said the nurse, and Lyra obediently followed.
They went along a short corridor with
doors on the right and a canteen on the left, from which came a clatter of
knives and forks, and voices, and more cooking smells. The nurse was about as
old as Mrs. Coulter, Lyra guessed, with a brisk, blank, sensible air; she would
be able to stitch a wound or change a bandage, but never to tell a story. Her
daemon (and Lyra had a moment of strange chill when she noticed) was a little
white trotting dog (and after a moment she had no idea why it had chilled her).
“What's your name, dear?” said the nurse,
opening a heavy door. “Lizzie.” “Just Lizzie?” “Lizzie Brooks.” “And how old
are you?” “Eleven.”
Lyra had been told that she was small for
her age, whatever that meant. It had never affected her sense of her own
importance, but she realized that she could use the fact now to make Lizzie shy
and nervous and insignificant, and shrank a little as she went into the room.
She was half expecting questions about
where she had come from and how she had arrived, and she was preparing answers;
but it wasn't only imagination the nurse lacked, it was curiosity as well.
Bolvangar might have been on the outskirts of London, and children might have
been arriving all the time, for all the interest Sister Clara seemed to show.
Her pert neat little daemon trotted along at her heels just as brisk and blank
as she was.
In the room they entered there was a couch
and a table and two chairs and a filing cabinet, and a glass cupboard with
medicines and bandages, and a wash basin. As soon as they were inside, the
nurse took Lyra's outer coat off and dropped it on the shiny floor.
“Off with the rest, dear,” she said.
“We'll have a quick little look to see you're nice and healthy, no frostbite or
sniffles, and then we'll find some nice clean clothes. We'll pop you in the
shower, too,” she added, for Lyra had not changed or washed for days, and in
the enveloping warmth, that was becoming more and more evident.
Pantalaimon fluttered in protest, but Lyra
quelled him with a scowl. He settled on the couch as one by one all Lyra's
clothes came off, to her resentment and shame; but she still had the presence
of mind to conceal it and act dull-witted and compliant.
“And the money belt, Lizzie,” said the
nurse, and untied it herself with strong fingers. She went to drop it on the
pile with Lyra's other clothes, but stopped, feeling the edge of the
alethiometer.
“What's this?” she said, and unbuttoned
the oilcloth.
“Just a sort of toy,” said Lyra. “It's
mine.”
“Yes, we won't take it away from you,
dear,” said Sister Clara, unfolding the black velvet. “That's pretty, isn't it,
like a compass. Into the shower with you,” she went on, putting the
alethiometer down and whisking back a coal-silk curtain in the corner.
Lyra reluctantly slipped under the warm
water and soaped herself while Pantalaimon perched on the curtain rail. They
were both conscious that he mustn't be too lively, for the daemons of dull
people were dull themselves. When she was washed and dry, the nurse took her
temperature and looked into her eyes and ears and throat, and then measured her
height and put her on some scales before writing a note on a clipboard. Then
she gave Lyra some pajamas and a dressing gown. They were clean, and of good
quality, like Tony Makarios's anorak, but again there was a secondhand air
about them. Lyra felt very uneasy.
“These en't mine,” she said.
“No, dear. Your clothes need a good wash.”
“Am I going to get my own ones back?”
“I expect so. Yes, of course.”
“What is this place?”
“It's called the Experimental Station.”
That wasn't an answer, and whereas Lyra
would have pointed that out and asked for more information, she didn't think
Lizzie Brooks would; so she assented dumbly in the dressing and said no more.
“I want my toy back,” she said stubbornly
when she was dressed.
“Take it, dear,” said the nurse. “Wouldn't
you rather have a nice woolly bear, though? Or a pretty doll?”
She opened a drawer where some soft toys
lay like dead things. Lyra made herself stand and pretend to consider for
several seconds before picking out a rag doll with big vacant eyes. She had
never had a doll, but she knew what to do, and pressed it absently to her
chest.
“What about my money belt?” she said. “I
like to keep my toy in there.”
“Go on, then, dear,” said Sister Clara,
who was filling in a form on pink paper.
Lyra hitched up her unfamiliar skirt and
tied the oilskin pouch around her waist.
“What about my coat and boots?” she said.
“And my mittens and things?”
“We'll have them cleaned for you,” said
the nurse automatically.
Then a telephone buzzed, and while the
nurse answered it, Lyra stooped quickly to recover the other tin, the one
containing the spy-fly, and put it in the pouch with the alethiometer.
“Come along, Lizzie,” said the nurse,
putting the receiver down. “We'll go and find you something to eat. I expect
you're hungry.”
She followed Sister Clara to the canteen,
where a dozen round white tables were covered in crumbs and the sticky rings
where drinks had been carelessly put down. Dirty plates and cutlery were
stacked on a steel trolley. There were no windows, so to give an illusion of
light and space one wall was covered in a huge photogram showing a tropical
beach, with bright blue sky and white sand and coconut palms.
The man who had brought her in was
collecting a tray from a serving hatch.
“Eat up,” he said.
There was no need to starve, so she ate
the stew and mashed potatoes with relish. There was a bowl of tinned peaches
and ice cream to follow. As she ate, the man and the nurse talked quietly at
another table, and when she had finished, the nurse brought her a glass of warm
milk and took the tray away.
The man came to sit down opposite. His
daemon, the marmot, was not blank and incurious as the nurse's dog had been,
but sat politely on his shoulder watching and listening.
“Now, Lizzie,” he said. “Have you eaten
enough?”
“Yes, thank you.”
“I'd like you to tell me where you come
from. Can you do that?”
“London,” she said.
“And what are you doing so far north?”
“With my father,” she mumbled. She kept
her eyes down, avoiding the gaze of the marmot, and trying to look as if she
was on the verge of tears.
“With your father? I see. And what's he
doing in this part of the world?”
“Trading. We come with a load of New
Danish smokeleaf and we was buying furs.”
“And was your father by himself?”
“No. There was my uncles and all, and some
other men,” she said vaguely, not knowing what the Samoyed hunter had told him.
“Why did he bring you on a journey like
this, Lizzie?”
“ 'Cause two years ago he brung my brother
and he says he'll bring me next, only he never. So I kept asking him, and then
he did.”
“And how old are you?”
“Eleven.”
“Good, good. Well, Lizzie, you're a lucky
little girl. Those huntsmen who found you brought you to the best place you
could be.”
“They never found me,” she said
doubtfully. “There was a fight. There was lots of 'em and they had arrows....”
“Oh, I don't think so. I think you must
have wandered away from your father's party and got lost. Those huntsmen found
you on your own and brought you straight here. That's what happened, Lizzie.”
“I saw a fight,” she said. “They was
shooting arrows and that....I want my dad,” she said more loudly, and felt
herself beginning to cry.
“Well, you're quite safe here until he
comes,” said the doctor.
“But I saw them shooting arrows!”
“Ah, you thought you did. That often
happens in the intense cold, Lizzie. You fall asleep and have bad dreams and
you can't remember what's true and what isn't. That wasn't a fight, don't
worry. Your father is safe and sound and he'll be looking for you now and soon
he'll come here because this is the only place for hundreds of miles, you know,
and what a surprise he'll have to find you safe and sound! Now Sister Clara
will take you along to the dormitory where you'll meet some other little girls
and boys who got lost in the wilderness just like you. Off you go. We'll have
another little talk in the morning.”
Lyra stood up, clutching her doll, and
Pantalaimon hopped onto her shoulder as the nurse opened the door to lead them
out.
More corridors, and Lyra was tired by now,
so sleepy she kept yawning and could hardly lift her feet in the woolly
slippers they'd given her. Pantalaimon was drooping, and he had to change to a
mouse and settle inside her dressing-gown pocket. Lyra had the impression of a
row of beds, children's faces, a pillow, and then she was asleep.
Someone was shaking her. The first thing
she did was to feel at her waist, and both tins were still there, still safe;
so she tried to open her eyes, but oh, it was hard; she had never felt so
sleepy.
“Wake up! Wake up!”
It was a whisper in more than one voice.
With a huge effort, as if she were pushing a boulder up a slope, Lyra forced
herself to wake up.
In the dim light from a very low-powered
anbaric bulb over the doorway she saw three other girls clustered around her.
It wasn't easy to see, because her eyes were slow to focus, but they seemed
about her own age, and they were speaking English.
“She's awake.”
“They gave her sleeping pills. Must've...”
“What's your name?”
“Lizzie,” Lyra mumbled.
“Is there a load more new kids coming?”
demanded one of the girls.
“Dunno. Just me.”
“Where'd they get you then?”
Lyra struggled to sit up. She didn't
remember taking a sleeping pill, but there might well have been something in
the drink she'd had. Her head felt full of eiderdown, and there was a faint
pain throbbing behind her eyes.
“Where is this place?”
“Middle of nowhere. They don't tell us.”
“They usually bring more'n one kid at a
time....”
“What do they do?” Lyra managed to ask,
gathering her doped wits as Pantalaimon stirred into wakefulness with her.
“We dunno,” said the girl who was doing
most of the talking. She was a tall, red-haired girl with quick twitchy
movements and a strong London accent. “They sort of measure us and do these
tests and that—”
“They measure Dust,” said another girl,
friendly and plump and dark-haired.
“You don't know,” said the first girl.
“They do,” said the third, a
subdued-looking child cuddling her rabbit daemon. “I heard 'em talking.”
“Then they take us away one by one and
that's all we know. No one comes back,” said the redhead.
“There's this boy, right,” said the plump
girl, “he reckons—”
“Don't tell her that!” said the redhead.
“Not yet.”
“Is there boys here as well?” said Lyra.
“Yeah. There's lots of us. There's about
thirty, I reckon.”
“More'n that,” said the plump girl. “More
like forty.”
“Except they keep taking us away,” said
the redhead. “They usually start off with bringing a whole bunch here, and then
there's a lot of us, and one by one they all disappear.”
“They're Gobblers,” said the plump girl.
“You know Gobblers. We was all scared of 'em till we was caught....”
Lyra was gradually coming more and more
awake. The other girls' daemons, apart from the rabbit, were close by listening
at the door, and no one spoke above a whisper. Lyra asked their names. The
red-haired girl was Annie, the dark plump one Bella, the thin one Martha. They
didn't know the names of the boys, because the two sexes were kept apart for
most of the time. They weren't treated badly.
“It's all right here,” said Bella.
“There's not much to do, except they give us tests and make us do exercises and
then they measure us and take our temperature and stuff. It's just boring
really.”
“Except when Mrs. Coulter comes,” said
Annie.
Lyra had to stop herself crying out, and
Pantalaimon fluttered his wings so sharply that the other girls noticed.
“He's nervous,” said Lyra, soothing him.
“They must've gave us some sleeping pills, like you said, 'cause we're all
dozy. Who's Mrs. Coulter?”
“She's the one who trapped us, most of us,
anyway,” said Martha. “They all talk about her, the other kids. When she comes,
you know there's going to be kids disappearing.”
“She likes watching the kids, when they
take us away, she likes seeing what they do to us. This boy Simon, he reckons
they kill us, and Mrs. Coulter watches.”
“They kill us?” said Lyra, shuddering.
“Must do. 'Cause no one comes back.”
“They're always going on about daemons
too,” said Bella. “Weighing them and measuring them and all...”
“They touch your daemons?”
“No! God! They put scales there and your
daemon has to get on them and change, and they make notes and take pictures.
And they put you in this cabinet and measure Dust, all the time, they never
stop measuring Dust.”
“What dust?” said Lyra.
“We dunno,” said Annie. “Just something
from space. Not real dust. If you en't got any Dust, that's good. But everyone
gets Dust in the end.”
“You know what I heard Simon say?” said
Bella. “He said that the Tartars make holes in their skulls to let the Dust
in.”
“Yeah, he'd know,” said Annie scornfully.
“I think I'll ask Mrs. Coulter when she comes.”
“You wouldn't dare!” said Martha
admiringly.
“I would.”
“When's she coming?” said Lyra.
“The day after tomorrow,” said Annie.
A cold drench of terror went down Lyra's
spine, and Pantalaimon crept very close. She had one day in which to find Roger
and discover whatever she could about this place, and either escape or be
rescued; and if all the gyptians had been killed, who would help the children
stay alive in the icy wilderness?
The other girls went on talking, but Lyra
and Pantalaimon nestled down deep in the bed and tried to get warm, knowing
that for hundreds of miles all around her little bed there was nothing but
fear.
FIFTEEN
THE DAEMON CAGES
It wasn't Lyra's way to brood; she was a
sanguine and practical child, and besides, she wasn't imaginative. No one with
much imagination would have thought seriously that it was possible to come all
this way and rescue her friend Roger; or, having thought it, an imaginative
child would immediately have come up with several ways in which it was
impossible. Being a practiced liar doesn't mean you have a powerful
imagination. Many good liars have no imagination at all; it's that which gives
their lies such wide-eyed conviction.
So now that she was in the hands of the
Oblation Board, Lyra didn't fret herself into terror about what had happened to
the gyptians. They were all good fighters, and even though Pantalaimon said
he'd seen John Faa shot, he might have been mistaken; or if he wasn't mistaken,
John Faa might not have been seriously hurt. It had been bad luck that she'd
fallen into the hands of the Samoyeds, but the gyptians would be along soon to
rescue her, and if they couldn't manage it, nothing would stop lorek Byrnison
from getting her out; and then they'd fly to Svalbard in Lee Scoresby's balloon
and rescue Lord Asriel.
In her mind, it was as easy as that.
So next morning, when she awoke in the
dormitory, she was curious and ready to deal with whatever the day would bring.
And eager to see Roger—in particular, eager to see him before he saw her.
She didn't have long to wait. The children
in their different dormitories were woken at half-past seven by the nurses who
looked after them. They washed and dressed and went with the others to the canteen
for breakfast.
And there was Roger.
He was sitting with five other boys at a
table just inside the door. The line for the hatch went right past them, and
she was able to pretend to drop a handkerchief and crouch to pick it up,
bending low next to his chair, so that Pantalaimon could speak to Roger's
daemon Salcilia.
She was a chaffinch, and she fluttered so
wildly that Pantalaimon had to be a cat and leap at her, pinning her down to
whisper. Such brisk fights or scuffles between children's daemons were common,
luckily, and no one took much notice, but Roger went pale at once. Lyra had
never seen anyone so white. He looked up at the blank haughty stare she gave
him, and the color flooded back into his cheeks as he brimmed over with hope,
excitement, and joy; and only Pantalaimon, shaking Salcilia firmly, was able to
keep Roger from shouting out and leaping up to greet his best friend, his
comrade in arms, his Lyra.
But he saw how she looked away
disdainfully, and he followed her example faithfully, as he'd done in a hundred
Oxford battles and campaigns. No one must know, of course, because they were
both in deadly danger. She rolled her eyes at her new friends, and they
collected their trays of cornflakes and toast and sat together, an instant
gang, excluding everyone else in order to gossip about them.
You can't keep a large group of children
in one place for long without giving them plenty to do, and in some ways
Bolvangar was run like a school, with timetabled activities such as gymnastics
and “art.” Boys and girls were kept separate except for breaks and mealtimes,
so it wasn't until midmorning, after an hour and a half of sewing directed by
one of the nurses, that Lyra had the chance to talk to Roger. But it had to
look natural; that was the difficulty. All the children there were more or less
at the same age, and it was the age when most boys talk to boys and girls to
girls, each making a conspicuous point of ignoring the opposite sex.
She found her chance in the canteen again,
when the children came in for a drink and a biscuit. Lyra sent Pantalaimon, as
a fly, to talk to Salcilia on the wall next to their table while she and Roger
kept quietly in their separate groups. It was difficult to talk while your
daemon's attention was somewhere else, so Lyra pretended to look glum and
rebellious as she sipped her milk with the other girls. Half her thoughts were
with the tiny buzz of talk between the daemons, and she wasn't really
listening, but at one point she heard another girl with bright blond hair say a
name that made her sit up.
It was the name of Tony Makarios. As
Lyra's attention snapped toward that, Pantalaimon had to slow down his
whispered conversation with Roger's daemon, and both children listened to what
the girl was saying.
“No, I know why they took him,” she said,
as heads clustered close nearby. “It was because his daemon didn't change. They
thought he was older than he looked, or summing, and he weren't really a young
kid. But really his daemon never changed very often because Tony hisself never
thought much about anything. I seen her change. She was called Ratter...”
“Why are they so interested in daemons?”
said Lyra.
“No one knows,” said the blond girl.
“I know,” said one boy who'd been
listening. “What they do is kill your daemon and then see if you die.”
“Well, how come they do it over and over
with different kids?” said someone. “They'd only need to do it once, wouldn't
they?”
“I know what they do,” said the first
girl.
She had everyone's attention now. But
because they didn't want to let the staff know what they were talking about,
they had to adopt a strange, half-careless, indifferent manner, while listening
with passionate curiosity.
“How?” said someone.
“ 'Cause I was with him when they came for
him. We was in the linen room,” she said.
She was blushing hotly. If she was
expecting jeers and teasing, they didn't come. All the children were subdued,
and no one even smiled.
The girl went on: “We was keeping quiet
and then the nurse came in, the one with the soft voice. And she says, Come on,
Tony, I know you're there, come on, we won't hurt you....And he says, What's
going to happen? And she says, We just put you to sleep, and then we do a
little operation, and then you wake up safe and sound. But Tony didn't believe
her. He says—”
“The holes!” said someone. “They make a
hole in your head like the Tartars! I bet!”
“Shut up! What else did the nurse say?”
someone else put in. By this time, a dozen or more children were clustered
around her table, their daemons as desperate to know as they were, all
wide-eyed and tense.
The blond girl went on: “Tony wanted to
know what they was gonna do with Ratter, see. And the nurse says, Well, she's
going to sleep too, just like when you do. And Tony says, You're gonna kill
her, en't yer? 1 know you are. We all know that's what happens. And the nurse
says, No, of course not. It's just a little operation. Just a little cut. It
won't even hurt, but we put you to sleep to make sure.
All the room had gone quiet now. The nurse
who'd been supervising had left for a moment, and the hatch to the kitchen was
shut so no one could hear from there.
“What sort of cut?” said a boy, his voice
quiet and frightened. “Did she say what sort of cut?”
“She just said, It's something to make you
more grown up. She said everyone had to have it, that's why grownups' daemons
don't change like ours do. So they have a cut to make them one shape forever,
and that's how you get grown up.”
“But—”
“Does that mean—”
“What, all grownups've had this cut?”
“What about—”
Suddenly all the voices stopped as if they
themselves had been cut, and all eyes turned to the door. Sister Clara stood
there, bland and mild and matter-of-fact, and beside her was a man in a white
coat whom Lyra hadn't seen before.
“Bridget McGinn,” he said.
The blond girl stood up trembling. Her
squirrel daemon clutched her breast.
“Yes, sir?” she said, her voice hardly
audible.
“Finish your drink and come with Sister
Clara,” he said. “The rest of you run along and go to your classes.”
Obediently the children stacked their mugs
on the stainless-steel trolley before leaving in silence. No one looked at
Bridget McGinn except Lyra, and she saw the blond girl's face vivid with fear.
The rest of that morning was spent in
exercise. There was a small gymnasium at the station, because it was hard to
exercise outside during the long polar night, and each group of children took
turns to play in there, under the supervision of a nurse. They had to form
teams and throw balls around, and at first Lyra, who had never in her life
played at anything like this, was at a loss what to do. But she was quick and
athletic, and a natural leader, and soon found herself enjoying it. The shouts
of the children, the shrieks and hoots of the daemons, filled the little
gymnasium and soon banished fearful thoughts; which of course was exactly what
the exercise was intended to do.
At lunchtime, when the children were
lining up once again in the canteen, Lyra felt Pantalaimon give a chirrup of
recognition, and turned to find Billy Costa standing just behind her.
“Roger told me you was here,” he muttered.
“Your brother's coming, and John Faa and a
whole band of gyptians,” she said. “They're going to take you home.”
He nearly cried aloud with joy, but
subdued the cry into a cough.
“And you got to call me Lizzie,” Lyra said,
“never Lyra. And you got to tell me everything you know, right.”
They sat together, with Roger close by. It
was easier to do this at lunchtime, when children spent more time coming and
going between the tables and the counter, where bland-looking adults served
equally bland food. Under the clatter of knives and forks and plates Billy and
Roger both told her as much as they knew. Billy had heard from a nurse that
children who had had the operation were often taken to hostels further south,
which might explain how Tony Makarios came to be wandering in the wild. But
Roger had something even more interesting to tell her.
“I found a hiding place,” he said.
“What? Where?”
“See that picture...” He meant the big
photogram of the tropical beach. “If you look in the top right corner, you see
that ceiling panel?”
The ceiling consisted of large rectangular
panels set in a framework of metal strips, and the corner of the panel above
the picture had lifted slightly.
“I saw that,” Roger said, “and I thought
the others might be like it, so I lifted 'em, and they're all loose. They just
lift up. Me and this boy tried it one night in our dormitory, before they took
him away. There's a space up there and you can crawl inside....”
“How far can you crawl in the ceiling?”
“I dunno. We just went in a little way. We
reckoned when it was time we could hide up there, but they'd probably find us.”
Lyra saw it not as a hiding place but as a
highway. It was the best thing she'd heard since she'd arrived. But before they
could talk any more, a doctor banged on a table with a spoon and began to
speak.
“Listen, children,” he said. “Listen
carefully. Every so often we have to have a fire drill. It's very important
that we all get dressed properly and make our way outside without any panic. So
we're going to have a practice fire drill this afternoon. When the bell, rings
you must stop whatever you're doing and do what the nearest grownup says.
Remember where they take you. That's the place you must go to if there's a real
fire.”
Well, thought Lyra, there's an idea.
During the first part of the afternoon,
Lyra and four other girls were tested for Dust. The doctors didn't say that was
what they were doing, but it was easy to guess. They were taken one by one to a
laboratory, and of course this made them all very frightened; how cruel it
would be, Lyra thought, if she perished without striking a blow at them! But
they were not going to do that operation just yet, it seemed.
“We want to make some measurements,” the
doctor explained. It was hard to tell the difference between these people: all
the men looked similar in their white coats and with their clipboards and
pencils, and the women resembled one another too, the uniforms and their
strange bland calm manner making them all look like sisters.
“I was measured yesterday,” Lyra said.
“Ah, we're making different measurements
today. Stand on the metal plate—oh, slip your shoes off first. Hold your
daemon, if you like. Look forward, that's it, stare at the little green light.
Good girl...”
Something flashed. The doctor made her
face the other way and then to left and right, and each time something clicked
and flashed.
“That's fine. Now come over to this
machine and put your hand into the tube. Nothing to harm you, I promise.
Straighten your fingers. That's it.”
“What are you measuring?” she said. “Is it
Dust?”
“Who told you about Dust?”
“One of the other girls, I don't know her
name. She said we was all over Dust. I en't dusty, at least I don't think I am.
I had a shower yesterday.”
“Ah, it's a different sort of dust. You
can't see it with your ordinary eyesight. It's a special dust. Now clench your
fist— that's right. Good. Now if you feel around in there, you'll find a sort
of handle thing—got that? Take hold of that, there's a good girl. Now can you put
your other hand over this way— rest it on this brass globe. Good. Fine. Now
you'll feel a slight tingling, nothing to worry about, it's just a slight
anbaric current....”
Pantalaimon, in his most tense and wary
wildcat form, prowled with lightning-eyed suspicion around the apparatus,
continually returning to rub himself against Lyra.
She was sure by now that they weren't
going to perform the operation on her yet, and sure too that her disguise as
Lizzie Brooks was secure; so she risked a question.
“Why do you cut people's daemons away?”
“What? Who's been talking to you about
that?”
“This girl, I dunno her name. She said you
cut people's daemons away.”
“Nonsense...”
He was agitated, though. She went on:
'“Cause you take people out one by one and
they never come back. And some people reckon you just kill 'em, and other
people say different, and this girl told me you cut—”
“It's not true at all. When we take
children out, it's because it's time for them to move on to another place.
They're growing up. I'm afraid your friend is alarming herself. Nothing of the
sort! Don't even think about it. Who is your friend?”
“I only come here yesterday, I don't know
anyone's name.”
“What does she look like?”
“I forget. I think she had sort of brown
hair...light brown, maybe...! dunno.”
The doctor went to speak quietly to the
nurse. As the two of them conferred, Lyra watched their daemons. This nurse's
was a pretty bird, just as neat and incurious as Sister Clara's dog, and the
doctor's was a large heavy moth. Neither moved. They were awake, for the bird's
eyes were bright and the moth's feelers waved languidly, but they weren't
animated, as she would have expected them to be. Perhaps they weren't really
anxious or curious at all.
Presently the doctor came back and they
went on with the examination, weighing her and Pantalaimon separately, looking
at her from behind a special screen, measuring her heartbeat, placing her under
a little nozzle that hissed and gave off a smell like fresh air.
In the middle of one of the tests, a loud
bell began to ring and kept ringing.
“The fire alarm,” said the doctor,
sighing. “Very well. Lizzie, follow Sister Betty.”
“But all their outdoor clothes are down in
the dormitory building, Doctor. She can't go outside like this. Should we go
there first, do you think?”
He was annoyed at having his experiments
interrupted, and snapped his fingers in irritation.
“I suppose this is just the sort of thing
the practice is meant to show up,” he said. “What a nuisance.”
“When I came yesterday,” Lyra said helpfully,
“Sister Clara put my other clothes in a cupboard in that first room where she
looked at me. The one next door. I could wear them.”
“Good idea!” said the nurse. “Quick,
then.”
With a secret glee, Lyra hurried there
behind the nurse and retrieved her proper furs and leggings and boots, and
pulled them on quickly while the nurse dressed herself in coal silk.
Then they hurried out. In the wide arena
in front of the main group of buildings, a hundred or so people, adults and
children, were milling about: some in excitement, some in irritation, many just
bewildered.
“See?” one adult was saying. “It's worth
doing this to find out what chaos we'd be in with a real fire.”
Someone was blowing a whistle and waving
his arms, but no one was taking much notice. Lyra saw Roger and beckoned. Roger
tugged Billy Costa's arm and soon all three of them were together in a
maelstrom of running children.
“No one'll notice if we take a look
around,” said Lyra. “It'll take 'em ages to count everyone, and we can say we
just followed someone else and got lost.”
They waited till most of the grownups were
looking the other way, and then Lyra scooped up some snow and rammed it into a
loose powdery snowball, and hurled it at random into the crowd. In a moment all
the children were doing it, and the air was full of flying snow. Screams of
laughter covered completely the shouts of the adults trying to regain control,
and then the three children were around the corner and out of sight.
The snow was so thick that they couldn't
move quickly, but it didn't seem to matter; no one was following. Lyra and the
others scrambled over the curved roof of one of the tunnels, and found
themselves in a strange moonscape of regular hummocks and hollows, all swathed
in white under the black sky and lit by reflections from the lights around the
arena.
“What we looking for?” said Billy.
“Dunno. Just looking,” said Lyra, and led
the way to a squat, square building a little apart from the rest, with a
low-powered anbaric light at the corner.
The hubbub from behind was as loud as
ever, but more distant. Clearly the children were making the most of their
freedom, and Lyra hoped they'd keep it up for as long as they could. She moved
around the edge of the square building, looking for a window. The roof was only
seven feet or so off the ground, and unlike the other buildings, it had no
roofed tunnel to connect it with the rest of the station.
There was no window, but there was a door.
A notice above it said ENTRY STRICTLY FORBIDDEN
in red letters.
Lyra set her hand on it to try, but before
she could turn the handle, Roger said:
“Look! A bird! Or—”
His or was an exclamation of doubt,
because the creature swooping down from the black sky was no bird at all: it
was someone Lyra had seen before.
“The witch's daemon!”
The goose beat his great wings, raising a
flurry of snow as he landed.
“Greetings, Lyra,” he said. “I followed
you here, though you didn't see me. I have been waiting for you to come out
into the open. What is happening?”
She told him quickly.
“Where are the gyptians?” she said. “Is
John Faa safe? Did they fight off the Samoyeds?”
“Most of them are safe. John Faa is
wounded, though not severely. The men who took you were hunters and raiders who
often prey on parties of travelers, and alone they can travel more quickly than
a large party. The gyptians are still a day's journey away.”
The two boys were staring in fear at the
goose daemon and at Lyra's familiar manner with him, because of course they'd
never seen a daemon without his human before, and they knew little about
witches.
Lyra said to them, “Listen, you better go
and keep watch, right. Billy, you go that way, and Roger, watch out the way we
just come. We en't got long.”
They ran off to do as she said, and then
Lyra turned back to the door.
“Why are you trying to get in there?” said
the goose daemon.
“Because of what they do here. They cut—”
she lowered her voice, “they cut people's daemons away. Children's. And I think
maybe they do it in here. At least, there's something here, and I was going to
look. But it's locked....”
“I can open it,” said the goose, and beat
his wings once or twice, throwing snow up against the door; and as he did, Lyra
heard something turn in the lock.
“Go in carefully,” said the daemon.
Lyra pulled open the door against the snow
and slipped inside. The goose daemon came with her. Pantalaimon was agitated
and fearful, but he didn't want the witch's daemon to see his fear, so he had
flown to Lyra's breast and taken sanctuary inside her furs.
As soon as her eyes had adjusted to the light,
Lyra saw why.
In a series of glass cases on shelves
around the walls were all the daemons of the severed children: ghostlike forms
of cats, or birds, or rats, or other creatures, each bewildered and frightened
and as pale as smoke.
The witch's daemon gave a cry of anger,
and Lyra clutched Pantalaimon to her and said, “Don't look! Don't look!”
“Where are the children of these daemons?”
said the goose daemon, shaking with rage.
Lyra explained fearfully about her
encounter with little Tony Makarios, and looked over her shoulder at the poor
caged daemons, who were clustering forward pressing their pale faces to the
glass. Lyra could hear faint cries of pain and misery. In the dim light from a
low-powered anbaric bulb she could see a name on a card at the front of each
case, and yes, there was an empty one with Tony Makarios on it. There were four
or five other empty ones with names on them, too.
“I want to let these poor things go!” she
said fiercely. “I'm going to smash the glass and let 'em out—”
And she looked around for something to do
it with, but the place was bare. The goose daemon said, “Wait.”
He was a witch's daemon, and much older
than she was, and stronger. She had to do as he said.
“We must make these people think someone
forgot to lock the place and shut the cages,” he explained. “If they see broken
glass and footprints in the snow, how long do you think your disguise will
last? And it must hold out till the gyptians come. Now do exactly as I say:
take a handful of snow, and when I tell you, blow a little of it against each
cage in turn.”
She ran outside. Roger and Billy were
still on guard, and there was still a noise of shrieking and laughter from the
arena, because only a minute or so had gone by.
She grabbed a big double handful of the
light powdery snow, and then came back to do as the goose daemon said. As she
blew a little snow on each cage, the goose made a clicking sound in his throat,
and the catch at the front of the cage came open.
When she had unlocked them all, she lifted
the front of the first one, and the pale form of a sparrow fluttered out, but
fell to the ground before she could fly. The goose tenderly bent and nudged her
upright with his beak, and the sparrow became a mouse, staggering and confused.
Pantalaimon leaped down to comfort her.
Lyra worked quickly, and within a few
minutes every daemon was free. Some were trying to speak, and they clustered
around her feet and even tried to pluck at her leggings, though the taboo held
them back. She could tell why, poor things; they missed the heavy solid warmth
of their humans' bodies; just as Pantalaimon would have done, they longed to
press themselves against a heartbeat.
“Now, quick,” said the goose. “Lyra, you
must run back and mingle with the other children. Be brave, child. The gyptians
are coming as fast as they can. I must help these poor daemons to find their
people....” He came closer and said quietly, “But they'll never be one again.
They're sundered forever. This is the most wicked thing I have ever
seen....Leave the footprints you've made; I'll cover them up. Hurry now....”
“Oh, please! Before you go! Witches...They
do fly, don't they? I wasn't dreaming when I saw them flying the other night?”
“Yes, child; why?”
“Could they pull a balloon?”
“Undoubtedly, but—”
“Will Serafina Pekkala be coming?”
“There isn't time to explain the politics
of witch nations. There are vast powers involved here, and Serafina Pekkala
must guard the interests of her clan. But it may be that what's happening here
is part of all that's happening elsewhere. Lyra, you're needed inside. Run,
run!”
She ran, and Roger, who was watching
wide-eyed as the pale daemons drifted out of the building, waded toward her
through the thick snow.
“They're—it's like the crypt in
Jordan—they're daemons!”
“Yes, hush. Don't tell Billy, though.
Don't tell anyone yet. Come on back.”
Behind them, the goose was beating his
wings powerfully, throwing snow over the tracks they'd made; and near him, the
lost daemons were clustering or drifting away, crying little bleak cries of
loss and longing. When the footprints were covered, the goose turned to herd
the pale daemons together. He spoke, and one by one they changed, though you
could see the effort it cost them, until they were all birds; and like
fledglings they followed the witch's daemon, fluttering and falling and running
through the snow after him, and finally, with great difficulty, taking off.
They rose in a ragged line, pale and spectral against the deep black sky, and
slowly gained height, feeble and erratic though some of them were, and though
others lost their will and fluttered downward; but the great gray goose wheeled
round and nudged them back, herding them gently on until they were lost against
the profound dark.
Roger was tugging at Lyra's arm.
“Quick,” he said, “they're nearly ready.”
They stumbled away to join Billy, who was
beckoning from the corner of the main building. The children were tired now, or
else the adults had regained some authority, because people were lining up
raggedly by the main door, with much jostling and pushing. Lyra and the other
two slipped out from the corner and mingled with them, but before they did,
Lyra said:
“Pass the word around among all the
kids—they got to be ready to escape. They got to know where the outdoor clothes
are and be ready to get them and run out as soon as we give the signal. And
they got to keep this a deadly secret, understand?”
Billy nodded, and Roger said, “What's the
signal?”
“The fire bell,” said Lyra. “When the time
comes, I'll set it off.”
They waited to be counted off. If anyone
in the Oblation Board had had anything to do with a school, they would have
arranged this better; because they had no regular group to go to, each child
had to be ticked off against the complete list,
and of course they weren't in alphabetical
order; and none of the adults was used to keeping control. So there was a good
deal of confusion, despite the fact that no one was running around anymore.
Lyra watched and noticed. They weren't
very good at this at all. They were slack in a lot of ways, these people; they
grumbled about fire drills, they didn't know where the outdoor clothes should
be kept, they couldn't get children to stand in line properly; and their
slackness might be to her advantage.
They had almost finished when there came
another distraction, though, and from Lyra's point of view, it was the worst
possible.
She heard the sound as everyone else did.
Heads began to turn and scan the dark sky for the zeppelin, whose gas engine
was throbbing clearly in the still air.
The one lucky thing was that it was coming
from the direction opposite to the one in which the gray goose had flown. But
that was the only comfort. Very soon it was visible, and a murmur of excitement
went around the crowd. Its fat sleek silver form drifted over the avenue of
lights, and its own lights blazed downward from the nose and the cabin slung
beneath the body.
The pilot cut the speed and began the
complex business of adjusting the height. Lyra realized what the stout mast was
for: of course, it was a mooring mast. As the adults ushered the children
inside, with everyone staring back and pointing, the ground crew clambered up
the ladders in the mast and prepared to attach the mooring cables. The engines
were roaring, and snow was swirling up from the ground, and the faces of
passengers showed in the cabin windows.
Lyra looked, and there was no mistake.
Pantalaimon clutched at her, became a wildcat, hissed in hatred, because
looking out with curiosity was the beautiful dark-haired head of Mrs. Coulter,
with her golden daemon in her lap.
SIXTEEN
THE SILVER GUILLOTINE
Lyra ducked her head at once under the
shelter of her wolverine hood, and shuffled in through the double doors with
the other children. Time enough later to worry about what she'd say when they
came face to face: she had another problem to deal with first, and that was how
to hide her furs where she could get at them without asking permission.
But luckily, there was such disorder
inside, with the adults trying to hurry the children through so as to clear the
way for the passengers from the zeppelin, that no one was watching very
carefully. Lyra slipped out of the anorak, the leggings, and the boots and
bundled them up as small as she could before shoving through the crowded
corridors to her dormitory.
Quickly she dragged a locker to the
corner, stood on it, and pushed at the ceiling. The panel lifted, just as Roger
had said, and into the space beyond she thrust the boots and leggings. As an
afterthought, she took the alethiometer from her pouch and hid it in the inmost
pocket of the anorak before shoving that through too.
She jumped down, pushed back the locker,
and whispered to Pantalaimon, “We must just pretend to be stupid till she sees
us, and then say we were kidnapped. And nothing about the gyptians or lorek
Byrnison especially.”
Because Lyra now realized, if she hadn't
done so before, that all the fear in her nature was drawn to Mrs. Coulter as a
compass needle is drawn to the Pole. All the other things
she'd seen, and even the hideous cruelty of
the intercision, she could cope with; she was strong enough; but the thought of
that sweet face and gentle voice, the image of that golden playful monkey, was
enough to melt her stomach and make her pale and nauseated.
But the gyptians were coming. Think of
that. Think of lorek Byrnison. And don't give yourself away, she said, and
drifted back toward the canteen, from where a lot of noise was coming.
Children were lining up to get hot drinks,
some of them still in their coal-silk anoraks. Their talk was all of the
zep-pelin and its passenger.
“It was her—with the monkey daemon—”
“Did she get you, too?”
“She said she'd write to my mum and dad
and I bet she never....”
“She never told us about kids getting
killed. She never said nothing about that.”
“That monkey, he's the worst—he caught my
Karossa and nearly killed her—I could feel all weak....”
They were as frightened as Lyra was. She
found Annie and the others, and sat down.
“Listen,” she said, “can you keep a
secret?”
“Yeah!”
The three faces turned to her, vivid with
expectation.
“There's a plan to escape,” Lyra said
quietly. “There's some people coming to take us away, right, and they'll be
here in about a day. Maybe sooner. What we all got to do is be ready as soon as
the signal goes and get our cold-weather clothes at once and run out. No
waiting about. You just got to run. Only if you don't get your anoraks and
boots and stuff, you'll die of cold.”
“What signal?” Annie demanded.
“The fire bell, like this afternoon. It's
all organized. All the kids're going to know and none of the grownups.
Especially not her.”
Their eyes were gleaming with hope and
excitement. And all through the canteen the message was being passed around.
Lyra could tell that the atmosphere had changed. Outside, the children had been
energetic and eager for play; then when they had seen Mrs. Coulter they were
bubbling with a suppressed hysterical fear; but now there was a control and
purpose to their talkativeness. Lyra marveled at the effect hope could have.
She watched through the open doorway, but
carefully, ready to duck her head, because there were adult voices coming, and
then Mrs. Coulter herself was briefly visible, looking in and smiling at the
happy children, with their hot drinks and their cake, so warm and well fed. A
little shiver ran almost instantaneously through the whole canteen, and every
child was still and silent, staring at her.
Mrs. Coulter smiled and passed on without
a word. Little by little the talk started again.
Lyra said, “Where do they go to talk?”
“Probably the conference room,” said
Annie. “They took us there once,” she added, meaning her and her dasmon. “There
was about twenty grownups there and one of 'em was giving a lecture and I had
to stand there and do what he told me, like seeing how far my Kyrillion could
go away from me, and then he hypnotized me and did some other things....It's a
big room with a lot of chairs and tables and a little platform. It's behind the
front office. Hey, I bet they're going to pretend the fire drill went off all
right. I bet they're scared of her, same as we are....”
For the rest of the day, Lyra stayed close
to the other girls, watching, saying little, remaining inconspicuous. There was
exercise, there was sewing, there was supper, there was playtime in the lounge:
a big shabby room with board games and a few tattered books and a table-tennis
table. At some point Lyra and the others became aware that there was some kind
of subdued emergency going on, because the adults were hurrying to and fro or
standing in anxious groups talking urgently. Lyra guessed they'd discovered the
daemons' escape, and were wondering how it had happened.
But she didn't see Mrs. Coulter, which was
a relief. When it was time for bed, she knew she had to let the other girls
into her confidence.
“Listen,” she said, “do they ever come
round and see if we're asleep?”
“They just look in once,” said Bella.
“They just flash a lantern round, they don't really look.”
“Good. 'Cause I'm going to go and look
round. There's a way through the ceiling that this boy showed me....”
She explained, and before she'd even
finished, Annie said, “I'll come with you!”
“No, you better not, 'cause it'll be
easier if there's just one person missing. You can all say you fell asleep and
you don't know where I've gone.”
“But if I came with you—”
“More likely to get caught,” said Lyra.
Their two daemons were staring at each
other, Pantalaimon as a wildcat, Annie's Kyrillion as a fox. They were
quivering. Pantalaimon uttered the lowest, softest hiss and bared his teeth,
and Kyrillion turned aside and began to groom himself unconcernedly.
“All right then,” said Annie, resigned.
It was quite common for struggles between
children to be settled by their daemons in this way, with one accepting the
dominance of the other. Their humans accepted the outcome without resentment,
on the whole, so Lyra knew that Annie would do as she asked.
They all contributed items of clothing to
bulk out Lyra's bed and make it look as if she was still there, and swore to
say they knew nothing about it. Then Lyra listened at the door to make sure no
one was coming, jumped up on the locker, pushed up the panel, and hauled
herself through.
“Just don't say anything,” she whispered
down to the three faces watching.
Then she dropped the panel gently back
into place and looked around.
She was crouching in a narrow metal
channel supported in a framework of girders and struts. The panels of the
ceilings were slightly translucent, so some light came up from below, and in
the faint gleam Lyra could see this narrow space (only two feet or so in
height) extending in all directions around her. It was crowded with metal ducts
and pipes, and it would be easy to get lost in, but provided she kept to the
metal and avoided putting any weight on the panels, and as long as she made no
noise, she should be able to go from one end of the station to the other.
“It's just like back in Jordan, Pan,” she
whispered, “looking in the Retiring Room.”
“If you hadn't done that, none of this
would have happened,” he whispered back.
“Then it's up to me to undo it, isn't it?”
She got her bearings, working out
approximately which direction the conference room was in, and then set off. It
was a far from easy journey. She had to move on hands and knees, because the
space was too low to crouch in, and every so often she had to squeeze under a
big square duct or lift herself over some heating pipes. The metal channels she
crawled in followed the tops of internal walls, as far as she could tell, and
as long as she stayed in them she felt a comforting solidity below her; but
they were very narrow, and had sharp edges, so sharp that she cut her knuckles
and her knees on them, and before long she was sore all over, and cramped, and
dusty.
But she knew roughly where she was, and
she could see the dark bulk of her furs crammed in above the dormitory to guide
her back. She could tell where a room was empty because the panels were dark,
and from time to time she heard voices from below, and stopped to listen, but
it was only the cooks in the kitchen, or the nurses in what Lyra, in her Jordan
way, thought of as their common room. They were saying nothing interesting, so
she moved on.
At last she came to the area where the
conference room should be, according to her calculations; and sure enough,
there was an area free of any pipework, where air conditioning and heating
ducts led down at one end, and where all the panels in a wide rectangular space
were lit evenly. She placed her ear to the panel, and heard a murmur of male
adult voices, so she knew she had found the right place.
She listened carefully, and then inched
her way along till she was as close as she could get to the speakers. Then she
lay full length in the metal channel and leaned her head sideways to hear as
well as she could.
There was the occasional clink of cutlery,
or the sound of glass on glass as drink was poured, so they were having dinner
as they talked. There were four voices, she thought, including Mrs. Coulter's.
The other three were men. They seemed to be discussing the escaped dasmons.
“But who is in charge of supervising that
section?” said Mrs. Coulter's gentle musical voice.
“A research student called McKay,” said
one of the men. “But there are automatic mechanisms to prevent this sort of
thing happening—”
“They didn't work,” she said.
“With respect, they did, Mrs. Coulter.
McKay assures us that he locked all the cages when he left the building at
eleven hundred hours today. The outer door of course would not have been open
in any case, because he entered and left by the inner door, as he normally did.
There's a code that has to be entered in the ordinator controlling the locks,
and there's a record in its memory of his doing so. Unless that's done, an
alarm goes off.”
“But the alarm didn't go off,” she said.
“It did. Unfortunately, it rang when everyone
was outside, taking part in the fire drill.”
“But when you went back inside—”
“Unfortunately, both alarms are on the
same circuit; that's a design fault that will have to be rectified. What it
meant was that when the fire bell was turned off after the practice, the
laboratory alarm was turned off as well. Even then it would still have been
picked up, because of the normal checks that would have taken place after every
disruption of routine; but by that time, Mrs. Coulter, you had arrived
unexpectedly, and if you recall, you asked specifically to meet the laboratory
staff there and then, in your room. Consequently, no one returned to the
laboratory until some time later.”
“I see,” said Mrs. Coulter coldly. “In
that case, the daemons must have been released during the fire drill itself.
And that widens the list of suspects to include every adult in the station. Had
you considered that?”
“Had you considered that it might have
been done by a child?” said someone else.
She was silent, and the second man went on:
“Every adult had a task to do, and every
task would have taken their full attention, and every task was done. There is
no possibility that any of the staff here could have opened the door. None. So
either someone came from outside altogether with the intention of doing that,
or one of the children managed to find his way there, open the door and the
cages, and return to the front of the main building.”
“And what are you doing to investigate?”
she said. “No; on second thought, don't tell me. Please understand, Dr. Cooper,
I'm not criticizing out of malice. We have to be quite extraordinarily careful.
It was an atrocious lapse to have allowed both alarms to be on the same
circuit. That must be corrected at once. Possibly the Tartar officer in charge
of the guard could help your investigation? I merely mention that as a
possibility. Where were the Tartars during the fire drill, by the way? I
suppose you have considered that?”
“Yes, we have,” said the man wearily. “The
guard was fully occupied on patrol, every man. They keep meticulous records.”
“I'm sure you're doing your very best,”
she said. “Well, there we are. A great pity. But enough of that for now. Tell
me about the new separator.”
Lyra felt a thrill of fear. There was only
one thing this could mean.
“Ah,” said the doctor, relieved to find
the conversation turning to another subject, “there's a real advance. With the
first model we could never entirely overcome the risk of „ the patient dying of shock, but we've improved
that no end.”
“The Skraelings did it better by hand,”
said a man who hadn't spoken yet.
“Centuries of practice,” said the other
man.
“But simply tearing was the only option
for some time,” said the main speaker, “however distressing that was to the
adult operators. If you remember, we had to discharge quite a number for
reasons of stress-related anxiety. But the first big breakthrough was the use
of anesthesia combined with the Maystadt anbaric scalpel. We were able to
reduce death from operative shock to below five percent.”
“And the new instrument?” said Mrs.
Coulter.
Lyra was trembling. The blood was pounding
in her ears, and Pantalaimon was pressing his ermine form against her side, and
whispering, “Hush, Lyra, they won't do it—we won't let them do it—”
“Yes, it was a curious discovery by Lord
Asriel himself that gave us the key to the new method. He discovered that an
alloy of manganese and titanium has the property of insulating body from
daemon. By the way, what is happening with Lord Asriel?”
“Perhaps you haven't heard,” said Mrs. Coulter.
“Lord Asriel is under suspended sentence of death. One of the conditions of his
exile in Svalbard was that he give up his philosophical work entirely.
Unfortunately, he managed to obtain books and materials, and he's pushed his
heretical investigations to the point where it's positively dangerous to let
him live. At any rate, it seems that the Vatican Council has begun to debate
the question of the sentence of death, and the probability is that it'll be
carried out. But your new instrument, Doctor. How does it work?”
“Ah—yes—sentence of death, you say?
Gracious God...I'm sorry. The new instrument. We're investigating what happens
when the intercision is made with the patient in a conscious state, and of
course that couldn't be done with the Maystadt process. So we've developed a
kind of guillotine, I suppose you could say. The blade is made of manganese and
titanium alloy, and the child is placed in a compartment—like a small cabin— of
alloy mesh, with the daemon in a similar compartment connecting with it. While
there is a connection, of course, the link remains. Then the blade is brought
down between them, severing the link at once. They are then separate entities.”
“I should like to see it,” she said.
“Soon, I hope. But I'm tired now. I think I'll go to bed. I want to see all the
children tomorrow. We shall find out who opened that door.”
There was the sound of chairs being pushed
back, polite expressions, a door closing. Then Lyra heard the others sit down
again, and go on talking, but more quietly.
“What is Lord Asriel up to?”
“I think he's got an entirely different
idea of the nature of Dust. That's the point. It's profoundly heretical, you
see, and the Consistorial Court of Discipline can't allow any other
interpretation than the authorized one. And besides, he wants to experiment—”
“To experiment? With Dust?”
“Hush! Not so loud...”
“Do you think she'll make an unfavorable
report?”
“No, no. I think you dealt with her very
well.”
“Her attitude worries me....”
“Not philosophical, you mean?”
“Exactly. A personal interest. I don't
like to use the word, but it's almost ghoulish.”
“That's a bit strong.”
“But do you remember the first
experiments, when she was so keen to see thefn pulled apart—”
Lyra,coutdn't help it: a little cry
escaped her, and at the same time she tensed and shivered, and her foot knocked
against a stanchion.
“What was that?”
“In the ceiling—”
“Quick!”
The sound of chairs being thrown aside,
feet running, a table pulled across the floor. Lyra tried to scramble away, but
there was so little space, and before she could move more than a few yards the
ceiling panel beside her was thrust up suddenly, and she was looking into the
startled face of a man. She was close enough to see every hair in his
moustache. He was as startled as she was, but with more freedom to move, he was
able to thrust a hand into the gap and seize her arm.
“A child!”
“Don't let her go—”
Lyra sank her teeth into his large
freckled hand. He cried out, but didn't let go, even when she drew blood.
Pan-talaimon was snarling and spitting, but it was no good, the man was much
stronger than she was, and he pulled and pulled until her other hand,
desperately clinging to the stanchion, had to loosen, and she half-fell through
into the room.
Still she didn't utter a sound. She hooked
her legs over the sharp edge of the metal above, and struggled upside down,
scratching, biting, punching, spitting in passionate fury. The men were gasping
and grunting with pain or exertion, but they pulled and pulled.
And suddenly all the strength went out of
her.
It was as if an alien hand had reached
right inside where no hand had a right to be, and wrenched at something deep
and precious.
She felt faint, dizzy, sick, disgusted,
limp with shock.
One of the men was holding Pantalaimon.
He had seized Lyra's daemon in his human
hands, and poor Pan was shaking, nearly out of his mind with horror and
disgust. His wildcat shape, his fur now dull with weakness, now sparking glints
of anbaric alarm...He curved toward his Lyra as she reached with both hands for
him....
They fell still. They were captured.
She felt those hands....It wasn't
allowed....Not supposed to touch... Wrong....
“Was she on her own?”
A man was peering into the ceiling space.
“Seems to be on her own....”
“Who is she?”
“The new child.”
“The one the Samoyed hunters...”
“Yes.”
“You don't suppose she...the daemons...”
“Could well be. But not on her own,
surely?”
“Should we tell—”
“I think that would put the seal on
things, don't you?”
“I agree. Better she doesn't hear at all.”
“But what can we do about this?”
“She can't go back with the other
children.”
“Impossible!”
“There's only one thing we can do, it
seems to me.”
“Now?”
“Have to. Can't leave it till the morning.
She wants to watch.”
“We could do it ourselves. No need to
involve anyone else.”
The man who seemed to be in charge, the
man who wasn't holding either Lyra or Pantalaimon, tapped his teeth with a
thumbnail. His eyes were never still; they flicked and slid and darted this way
and that. Finally he nodded.
“Now. Do it now,” he said. “Otherwise
she'll talk. The shock will prevent that, at least. She won't remember who she
is, what she saw, what she heard....Come on.”
Lyra couldn't speak. She could hardly
breathe. She had to let herself be carried through the station, along white
empty corridors, past rooms humming with anbaric power, past the dormitories
where children slept with their dasmons on the pillow beside them, sharing
their dreams; and every second of the way she watched Pantalaimon, and he
reached for her, and their eyes never left each other.
Then a door which opened by means of a
large wheel; a hiss of air; and a brilliantly lit chamber with dazzling white
tiles and stainless steel. The fear she felt was almost a physical pain; it was
a physical pain, as they pulled her and Pantalaimon over toward a large cage of
pale silver mesh, above which a great pale silver blade hung poised to separate
them forever and ever.
She found a voice at last, and screamed.
The sound echoed loudly off the shiny surfaces, but the heavy door had hissed
shut; she could scream and scream forever, and not a sound would escape.
But Pantalaimon, in answer, had twisted
free of those hateful hands—he was a lion, an eagle; he tore at them with
vicious talons, great wings beat wildly, and then he was a wolf, a bear, a
polecat—darting, snarling, slashing, a succession of transformations too quick
to register, and all the time leaping, flying, dodging from one spot to another
as their clumsy hands flailed and snatched at the empty air.
But they had daemons too, of course. It
wasn't two against three, it was two against six. A badger, an owl, and a
baboon were all just as intent to pin Pantalaimon down, and Lyra was crying to
them: “Why? Why are you doing this? Help us! You shouldn't be helping them!”
And she kicked and bit more passionately
than ever, until the man holding her gasped and let go for a moment—and she was
free, and Pantalaimon sprang toward her like a spark of lightning, and she
clutched him to her fierce breast, and he dug his wildcat claws into her flesh,
and every stab of pain was dear to her.
“Never! Never! Never!” she cried, and
backed against the wall to defend him to their death.
But they fell on her again, three big
brutal men, and she was only a child, shocked and terrified; and they tore
Pantalaimon away, and threw her into one side of the cage of mesh and carried
him, struggling still, around to the other. There was a mesh barrier between
them, but he was still part of her, they were still joined. For a second or so
more, he was still her own dear soul.
Above the panting of the men, above her
own sobs, above the high wild howl of her daemon, Lyra heard a humming sound,
and saw one man (bleeding from the nose) operate a bank of switches. The other
two looked up, and her eyes followed theirs. The great pale silver blade was
rising slowly, catching the brilliant light. The last moment in her complete
life was going to be the worst by far.
“What is going on here?”
A light, musical voice: her voice.
Everything stopped.
“What are you doing? And who is this
child—”
She didn't complete the word child,
because in that instant she recognized Lyra. Through tear-blurred eyes Lyra saw
her totter and clutch at a bench; her face, so beautiful and composed, grew in
a moment haggard and horror-struck.
“Lyra—” she whispered.
The golden monkey darted from her side in
a flash, and tugged Pantalaimon out from the mesh cage as Lyra fell out
herself. Pantalaimon pulled free of the monkey's solicitous paws and stumbled
to Lyra's arms.
“Never, never,” she breathed into his fur,
and he pressed his beating heart to hers.
They clung together like survivors of a
shipwreck, shivering on a desolate coast. Dimly she heard Mrs. Coulter speaking
to the men, but she couldn't even interpret her tone of voice. And then they
were leaving that hateful room, and Mrs. Coulter was half-carrying,
half-supporting her along a corridor, and then there was a door, a bedroom,
scent in the air, soft light.
Mrs. Coulter laid her gently on the bed.
Lyra's arm was so tight around Pantalaimon that she was trembling with the
force of it. A tender hand stroked her head.
“My dear, dear child,” said that sweet
voice. “However did you come to be here?”
SEVENTEEN
THE WITCHES
Lyra moaned and trembled uncontrollably,
just as if she had been pulled out of water so cold that her heart had nearly
frozen. Pantalaimon simply lay against her bare skin, inside her clothes,
loving her back to herself, but aware all the time of Mrs. Coulter, busy
preparing a drink of something, and most of all of the golden monkey, whose
hard little fingers had run swiftly over Lyra's body when only Pantalaimon
could have noticed; and who had felt, around her waist, the oilskin pouch with
its contents.
“Sit up, dear, and drink this,” said Mrs.
Coulter, and her gentle arm slipped around Lyra's back and lifted her.
Lyra clenched herself, but relaxed almost
at once as Pantalaimon thought to her: We're only safe as long as we pretend.
She opened her eyes and found that they'd been containing tears, and to her
surprise and shame she sobbed and sobbed.
Mrs. Coulter made sympathetic sounds and
put the drink into the monkey's hands while she mopped Lyra's eyes with a
scented handkerchief.
“Cry as much as you need to, darling,”
said that soft voice, and Lyra determined to stop as soon as she possibly
could. She struggled to hold back the tears, she pressed her lips together, she
choked down the sobs that still shook her chest.
Pantalaimon played the same game: fool
them, fool them. He became a mouse and crept away from Lyra's hand to sniff
timidly at the drink in the monkey's
clutch. It was innocuous: an infusion of chamomile, nothing more. He crept back
to Lyra's shoulder and whispered, “Drink it.”
She sat up and took the hot cup in both
hands, alternately sipping and blowing to cool it. She kept her eyes down. She
must pretend harder than she'd ever done in her life.
“Lyra, darling,” Mrs. Coulter murmured,
stroking her hair. “I thought we'd lost you forever! What happened? Did you get
lost? Did someone take you out of the flat?”
“Yeah,” Lyra whispered.
“Who was it, dear?”
“A man and a woman.”
“Guests at the party?”
“I think so. They said you needed
something that was downstairs and I went to get it and they grabbed hold of me
and took me in a car somewhere. But when they stopped, I ran out quick and
dodged away and they never caught me. But I didn't know where I was....”
Another sob shook her briefly, but they
were weaker now, and she could pretend this one was caused by her story.
“And I just wandered about trying to find
my way back, only these Gobblers caught me....And they put me in a van with
some other kids and took me somewhere, a big building, I dunno where it was.”
With every second that went past, with
every sentence she spoke, she felt a little strength flowing back. And now that
she was doing something difficult and familiar and never quite predictable,
namely lying, she felt a sort of mastery again, the same sense of complexity
and control that the alethiometer gave her. She had to be careful not to say
anything obviously impossible; she had to be vague in some places and invent
plausible details in others; she had to be an artist, in short.
“How long did they keep you in this
building?” said Mrs. Coulter.
Lyra's journey along the canals and her
time with the gyp-tians had taken weeks: she'd have to account for that time.
She invented a voyage with the Gobblers to Trollesund, and then an escape,
lavish with details from her observation of the town; and a time as
maid-of-all-work at Einarsson's Bar, and then a spell working for a family of
farmers inland, and then being caught by the Samoyeds and brought to Bolvangar.
“And they were going to—going to cut—”
“Hush, dear, hush. I'm going to find out
what's been going on.”
“But why were they going to do that? I
never done anything wrong! All the kids are afraid of what happens in there,
and no one knows. But it's horrible. It's worse than anything....Why are they
doing that, Mrs. Coulter? Why are they so cruel?”
“There, there...You're safe, my dear. They
won't ever do it to you. Now I know you're here, and you're safe, you'll never
be in danger again. No one's going to harm you, Lyra darling; no one's ever
going to hurt you....”
“But they do it to other children! Why?”
“Ah, my love—”
“It's Dust, isn't it?”
“Did they tell you that? Did the doctors
say that?”
“The kids know it. All the kids talk about
it, but no one knows! And they nearly done it to me—you got to tell me! You got
no right to keep it secret, not anymore!”
“Lyra...Lyra, Lyra. Darling, these are big
difficult ideas, Dust and so on. It's not something for children to worry
about. But the doctors do it for the children's own good, my love. Dust is
something bad, something wrong, something evil and wicked.
Grownups and their daemons are infected
with Dust so deeply that it's too late for them. They can't be helped....But a
quick operation on children means they're safe from it. Dust just won't stick
to them ever again. They're safe and happy and—”
Lyra thought of little Tony Makarios. She
leaned forward suddenly and retched. Mrs. Coulter moved back and let go.
“Are you all right, dear? Go to the
bathroom—”
Lyra swallowed hard and brushed her eyes.
“You don't have to do that to us,” she
said. “You could just leave us. I bet Lord Asriel wouldn't let anyone do that
if he knew what was going on. If he's got Dust and you've got Dust, and the
Master of Jordan and every other grownup's got Dust, it must be all right. When
I get out I'm going to tell all the kids in the world about this. Anyway, if it
was so good, why'd you stop them doing it to me? If it was good, you should've
let them do it. You should have been glad.”
Mrs. Coulter was shaking her head and
smiling a sad wise smile.
“Darling,” she said, “some of what's good
has to hurt us a little, and naturally it's upsetting for others if you're
upset.... But it doesn't mean your daemon is taken away from you. He's still
there! Goodness me, a lot of the grownups here have had the operation. The
nurses seem happy enough, don't they?”
Lyra blinked. Suddenly she understood
their strange blank incuriosity, the way their little trotting daemons seemed
to be sleepwalking.
Say nothing, she thought, and shut her
mouth hard.
“Darling, no one would ever dream of
performing an operation on a child without testing it first. And no one in a
thousand years would take a child's daemon away altogether! All that happens is
a little cut, and then everything's peaceful. Forever! You see, your daemon's a
wonderful friend and com panion when you're young, but at the age we call
puberty, the age you're coming to very soon, darling, daemons bring all sort of
troublesome thoughts and feelings, and that's what lets Dust in. A quick little
operation before that, and you're never troubled again. And your daemon stays
with you, only...just not connected. Like a...like a wonderful pet, if you
like. The best pet in the world! Wouldn't you like that?”
Oh, the wicked liar, oh, the shameless
untruths she was telling! And even if Lyra hadn't known them to be lies (Tony
Makarios; those caged daemons) she would have hated it with a furious passion.
Her dear soul, the daring companion of her heart, to be cut away and reduced to
a little trotting pet? Lyra nearly blazed with hatred, and Pantalaimon in her
arms became a polecat, the most ugly and vicious of all his forms, and snarled.
But they said nothing. Lyra held
Pantalaimon tight and let Mrs. Coulter stroke her hair.
“Drink up your chamomile,” said Mrs.
Coulter softly. “We'll have them make up a bed for you in here. There's no need
to go back and share a dormitory with other girls, not now I've got my little
assistant back. My favorite! The best assistant in the world. D'you know, we
searched all over London for you, darling? We had the police searching every
town in the land. Oh, I missed you so much! I can't tell you how happy I am to
find you again....”
All the time, the golden monkey was
prowling about restlessly, one minute perching on the table swinging his tail,
the next clinging to Mrs. Coulter and chittering softly in her ear, the next
pacing the floor with tail erect. He was betraying Mrs. Coulter's impatience,
of course, and finally she couldn't hold it in.
“Lyra, dear,” she said, “I think that the
Master of Jordan gave you something before you left. Isn't that right? He gave
you an alethiometer. The trouble is, it wasn't his to give. It was left in his
care. It's really too valuable to be carried about—d'you know, it's one of only
two or three in the world! I think the Master gave it to you in the hope that
it would fall into Lord Asriel's hands. He told you not to tell me about it,
didn't he?”
Lyra twisted her mouth.
“Yes, I can see. Well, never mind,
darling, because you didn't tell me, did you? So you haven't broken any
promises. But listen, dear, it really ought to be properly looked after. I'm
afraid it's so rare and delicate that we can't let it be at risk any longer.”
“Why shouldn't Lord Asriel have it?” Lyra
said, not moving.
“Because of what he's doing. You know he's
been sent away to exile, because he's got something dangerous and wicked in
mind. He needs the alethiometer to finish his plan, but believe me, dear, the
last thing anyone should do is let him have it. The Master of Jordan was sadly
mistaken. But now that you know, it really would be better to let me have it,
wouldn't it? It would save you the trouble of carrying it around, and all the
worry of looking after it—and really it must have been such a puzzle, wondering
what a silly old thing like that was any good for....”
Lyra wondered how she had ever, ever, ever
found this woman to be so fascinating and clever.
“So if you've got it now, dear, you'd
really better let me have it to look after. It's in that belt around your
waist, isn't it? Yes, that was a clever thing to do, putting it away like
this....”
Her hands were at Lyra's skirt, and then
she was unfastening the stiff oilcloth. Lyra tensed herself. The golden monkey
was crouching at the end of the bed, trembling with anticipation, little black
hands to his mouth. Mrs. Coulter pulled the belt away from Lyra's waist and
unbuttoned the pouch. She was breathing fast. She took out the black velvet
cloth and unfolded it, finding the tin box lorek Byrnison had made.
Pantalaimon was a cat again, tensed to
spring. Lyra drew her legs up away from Mrs. Coulter, and swung them down to
the floor so that she too could run when the time came.
“What's this?” said Mrs. Coulter, as if
amused. “What a funny old tin! Did you put it in here to keep it safe, dear?
All this moss...You have been careful, haven't you? Another tin, inside the
first one! And soldered! Who did this, dear?”
She was too intent on opening it to wait
for an answer. She had a knife in her handbag with a lot of different
attachments, and she pulled out a blade and dug it under the lid.
At once a furious buzzing filled the room.
Lyra and Pantalaimon held themselves
still. Mrs. Coulter, puzzled, curious, pulled at the lid, and the golden monkey
bent close to look.
Then in a dazzling moment the black form
of the spy-fly hurtled out of the tin and crashed hard into the monkey's face.
He screamed and flung himself backward;
and of course it was hurting Mrs. Coulter too, and she cried out in pain and
fright with the monkey, and then the little clockwork devil swarmed upward at
her, up her breast and throat toward her face.
Lyra didn't hesitate. Pantalaimon sprang
for the door and she was after him at once, and she tore it open and raced away
faster than she had ever run in her life.
“Fire alarm!” Pantalaimon shrieked, as he
flew ahead of her.
She saw a button on the next corner, and
smashed the glass with her desperate fist. She ran on, heading toward the
dormitories, smashed another alarm and another, and then people began to come
out into the corridor, looking up and down for the fire.
By this time she was near the kitchen, and
Pantalaimon flashed a thought into her mind, and she darted in. A moment later
she had turned on all the gas taps and flung a match at the nearest burner.
Then she dragged a bag of flour from a shelf and hurled it at the edge of a
table so it burst and filled the air with white, because she had heard that
flour will explode if it's treated like that near a flame.
Then she ran out and on as fast as she
could toward her own dormitory. The corridors were full now: children running
this way and that, vivid with excitement, for the word escape had got around.
The oldest were making for the storerooms where the clothing was kept, and
herding the younger ones with them. Adults were trying to control it all, and
none of them knew what was happening. Shouting, pushing, crying, jostling
people were everywhere.
Through it all Lyra and Pantalaimon darted
like fish, making always for the dormitory, and just as they reached it, there
was a dull explosion from behind that shook the building.
The other girls had fled: the room was
empty. Lyra dragged the locker to the corner, jumped up, hauled the furs out of
the ceiling, felt for the alethiometer. It was still there. She tugged the furs
on quickly, pulling the hood forward, and then Pantalaimon, a sparrow at the
door, called:
“Now!”
She ran out. By luck a group of children
who'd already found some cold-weather clothing were racing down the corridor
toward the main entrance, and she joined them, sweating, her heart thumping,
knowing that she had to escape or die.
The way was blocked. The fire in the
kitchen had taken quickly, and whether it was the flour or the gas, something
had brought down part of the roof. People were clambering over twisted struts
and girders to get up to the bitter cold air. The smell of gas was strong. Then
came another explosion, louder than the first and closer. The blast knocked
several people over, and cries of fear and pain filled the air.
Lyra struggled up, and with Pantalaimon
calling, “This way! This way!” among the other daemon-cries and flutter-ings,
she hauled herself over the rubble. The air she was breathing was frozen, and
she hoped that the children had managed to find their outdoor clothing; it
would be a fine thing to escape from the station only to die of cold.
There really was a blaze now. When she got
out onto the roof under the night sky, she could see flames licking at the
edges of a great hole in the side of the building. There was a throng of
children and adults by the main entrance, but this time the adults were more
agitated and the children more fearful: much more fearful.
“Roger! Roger!” Lyra called, and
Pantalaimon, keen-eyed as an owl, hooted that he'd seen him.
A moment later they found each other.
“Tell 'em all to come with me!” Lyra
shouted into his ear.
“They won't—they're all panicky—”
“Tell 'em what they do to the kids that
vanish! They cut their demons off with a big knife! Tell 'em what you saw this
afternoon—all them daemons we let out! Tell 'em that's going to happen to them
too unless they get away!”
Roger gaped, horrified, but then collected
his wits and ran to the nearest group of hesitating children. Lyra did the
same, and as the message passed along, some children cried out and clutched
their daemons in fear.
“Come with me!” Lyra shouted. “There's a
rescue a coming! We got to get out of the compound! Come on, run!”
The children heard her and followed,
streaming across the enclosure toward the avenue of lights, their boots
pattering and creaking in the hard-packed snow.
Behind them, adults were shouting, and
there was a rumble and crash as another part of the building fell in. Sparks
gushed into the air, and flames billowed out with a sound like tearing cloth;
but cutting through this came another sound, dreadfully close and violent. Lyra
had never heard it before, but she knew it at once: it was the howl of the
Tartar guards' wolf daemons. She felt weak from head to foot, and many children
turned in fear and stumbled to a stop, for there running at a low swift
tireless lope came the first of the Tartar guards, rifle at the ready, with the
mighty leaping grayness of his daemon beside him.
Then came another, and another. They were
all in padded mail, and they had no eyes—or at least you couldn't see any eyes
behind the snow slits of their helmets. The only eyes you could see were the
round black ends of the rifle barrels and the blazing yellow eyes of the wolf
daemons above the slaver dripping from their jaws.
Lyra faltered. She hadn't dreamed of how
frightening those wolves were. And now that she knew how casually people at
Bolvangar broke the great taboo, she shrank from the thought of those dripping
teeth....
The Tartars ran to stand in a line across
the entrance to the avenue of lights, their daemons beside them as disciplined
and drilled as they were. In another minute there'd be a second line, because
more were coming, and more behind them. Lyra thought with despair: children
can't fight soldiers. It wasn't like the battles in the Oxford claybeds,
hurling lumps of mud at the brickburners' children.
Or perhaps it was! She remembered hurling
a handful of clay in the broad face of a brickburner boy bearing down on her.
He'd stopped to claw the stuff out of his eyes, and then the townies leaped on
him.
She'd been standing in the mud. She was
standing in the snow.
Just as she'd done that afternoon, but in
deadly earnest now, she scooped a handful together and hurled it at the nearest
soldier.
“Get 'em in the eyes!” she yelled, and
threw another.
Other children joined in, and then
someone's daemon had the notion of flying as a swift beside the snowball and
nudging it directly at the eye slits of the target—and then they all joined in,
and in a few moments the Tartars were stumbling about, spitting and cursing and
trying to brush the packed snow out of the narrow gap in front of their eyes.
“Come on!” Lyra screamed, and flung
herself at the gate into the avenue of lights.
The children streamed after her, every
one, dodging the snapping jaws of the wolves and racing as hard as they could
down the avenue toward the beckoning open dark beyond.
A harsh scream came from behind as an
officer shouted an order, and then a score of rifle bolts worked at once, and
then there was another scream and a tense silence, with only the fleeing
children's pounding feet and gasping breath to be heard.
They were taking aim. They wouldn't miss.
But before they could fire, a choking gasp
came from one of the Tartars, and a cry of surprise from another.
Lyra stopped and turned to see a man lying
on the snow, with a gray-feathered arrow in his back. He was writhing and
twitching and coughing out blood, and the other soldiers were looking around to
left and right for whoever had fired it, but the archer was nowhere to be seen.
And then an arrow came flying straight
down from the sky, and struck another man behind the head. He fell at once. A
shout from the officer, and everyone looked up at the dark sky.
“Witches!” said Pantalaimon.
And so they were: ragged elegant black
shapes sweeping past high above, with a hiss and swish of air through the
needles of the cloud-pine branches they flew on. As Lyra watched, one swooped
low and loosed an arrow: another man fell.
And then all the Tartars turned their
rifles up and blazed into the dark, firing at nothing, at shadows, at clouds,
and more and more arrows rained down on them.
But the officer in charge, seeing the
children almost away, ordered a squad to race after them. Some children
screamed. And then more screamed, and they weren't moving forward anymore, they
were turning back in confusion, terrified by the monstrous shape hurtling
toward them from the dark beyond the avenue of lights.
“lorek Byrnison!” cried Lyra, her chest
nearly bursting with joy.
The armored bear at the charge seemed to
be conscious of no weight except what gave him momentum. He bounded past Lyra
almost in a blur and crashed into the Tartars, scattering soldiers, daemons,
rifles to all sides. Then he stopped and whirled round, with a lithe athletic
power, and struck two massive blows, one to each side, at the guards closest to
him.
A wolf daemon leaped at him: he slashed at
her in midair, and bright fire spilled out of her as she fell to the snow,
where she hissed and howled before vanishing. Her human died at once.
The Tartar officer, faced with this double
attack, didn't hesitate. A long high scream of orders, and the force divided
itself into two: one to keep off the witches, the bigger part to overcome the
bear. His troops were magnificently brave. They dropped to one knee in groups
of four and fired their rifles as if they were on the practice range, not
budging an inch as lorek's mighty bulk hurtled toward them. A moment later they
were dead.
lorek struck again, twisting to one side,
slashing, snarling, crushing, while bullets flew about him like wasps or flies,
doing no harm at all. Lyra urged the children on and out into the darkness
beyond the lights. They must get away, because dangerous as the Tartars were,
far more dangerous were the adults of Bolvangar.
So she called and beckoned and pushed to
get the children moving. As the lights behind them threw long shadows on the
snow, Lyra found her heart moving out toward the deep dark of the arctic night
and the clean coldness, leaping forward to love it as Pantalaimon was doing, a
hare now delighting in his own propulsion.
“Where we going?” someone said.
“There's nothing out here but snow!”
“There's a rescue party coming,” Lyra told
them. “There's fifty gyptians or more. I bet there's some relations of yours,
too. All the gyptian families that lost a kid, they all sent someone.”
“I en't a gyptian,” a boy said.
“Don't matter. They'll take you anyway.”
“Where?” someone said querulously.
“Home,” said Lyra. “That's what I come
here for, to rescue you, and I brung the gyptians here to take you home again.
We just got to go on a bit further and then we'll find 'em. The bear was with
'em, so they can't be far off.”
“D'you see that bear!” one boy was saying.
“When he slashed open that daemon—the man died as if someone whipped his heart
out, just like that!”
“I never knew daemons could be killed,”
someone else said.
They were all talking now; the excitement
and relief had loosened everyone's tongue. As long as they kept moving, it
didn't matter if they talked.
“Is that true,” said a girl, “about what
they do back there?”
“Yeah,” Lyra said. “I never thought I'd
ever see anyone without their daemon. But on the way here, we found this boy on
his own without any daemon. He kept asking for her, where she was, would she
ever find him. He was called Tony Makarios.”
“I know him!” said someone, and others
joined in: “Yeah, they took him away about a week back....”
“Well, they cut his daemon away,” said
Lyra, knowing how it would affect them. “And a little bit after we found him,
he died. And all the daemons they cut away, they kept them in cages in a square
building back there.”
“It's true,” said Roger. “And Lyra let 'em
out during the fire drill.”
“Yeah, I seen “em!” said Billy Costa. “I
didn't know what they was at first, but I seen 'em fly away with that goose.”
“But why do they do it?” demanded one boy.
“Why do they cut people's daemons away? That's torture! Why do they do it?”
“Dust,” suggested someone doubtfully.
But the boy laughed in scorn. “Dust!” he
said. “There en't no such thing! They just made that up! I don't believe in
it.”
“Here,” said someone else, “look what's
happening to the zeppelin!”
They all looked back. Beyond the dazzle of
lights, where the fight was still continuing, the great length of the airship
was not floating freely at the mooring mast any longer; the free end was
drooping downward, and beyond it was rising a globe of—
“Lee Scoresby's balloon!” Lyra cried, and
clapped her mit-tened hands with delight.
The other children were baffled. Lyra
herded them onward, wondering how the aeronaut had got his balloon that far. It
was clear what he was doing, and what a good idea, to fill his balloon with the
gas out of theirs, to escape by the same means that crippled their pursuit!
“Come on, keep moving, else you'll
freeze,” she said, for some of the children were shivering and moaning from the
cold, and their daemons were crying too in high thin voices. Pantalaimon found
this irritating, and as a wolverine he snapped at one girl's squirrel daemon
who was just lying across her shoulder whimpering faintly.
“Get in her coat! Make yourself big and
warm her up!” he snarled, and the girl's daemon, frightened, crept inside her
coal-silk anorak at once.
The trouble was that coal silk wasn't as
warm as proper fur, no matter how much it was padded out with hollow coal-silk
fibers. Some of the children looked like walking puffballs, they were so bulky,
but their gear had been made in factories and laboratories far away from the
cold, and it couldn't really cope. Lyra's furs looked ragged and they stank,
but they kept the warmth in.
“If we don't find the gyptians soon, they
en't going to last,” she whispered to Pantalaimon.
“Keep 'em moving then,” he whispered back.
“If they lie down, they're finished. You know what Farder Coram said....”
Farder Coram had told her many tales of
his own journeys in the North, and so had Mrs. Coulter—always supposing that hers
were true. But they were both quite clear about one point, which was that you
must keep going.
“How far we gotta go?” said a little boy.
“She's just making us walk out here to
kill us,” said a girl.
“Rather be out here than back there,”
someone said.
“I wouldn't! It's warm back in the
station. There's food and hot drinks and everything.”
“But it's all on fire!”
“What we going to do out here? I bet we
starve to death....”
Lyra's mind was full of dark questions
that flew around like witches, swift and untouchable, and somewhere, just
beyond where she could reach, there was a glory and a thrill which she didn't
understand at all.
But it gave her a surge of strength, and
she hauled one girl up out of a snowdrift, and shoved at a boy who was
dawdling, and called to them all: “Keep going! Follow the bear's tracks! He
come up with the gyptians, so the tracks'll lead us to where they are! Just
keep walking!”
Big flakes of snow were beginning to fall.
Soon it would have covered lorek Byrnison's tracks altogether. Now that they
were out of sight of the lights of Bolvangar, and the blaze of the fire was
only a faint glow, the only light came from the faint radiance of the
snow-covered ground. Thick clouds obscured the sky, so there was neither moon
nor Northern Lights; but by peering closely, the children could make out the
deep trail lorek Byrnison had plowed in the snow. Lyra encouraged, bullied,
hit, half-carried, swore at, pushed, dragged, lifted tenderly, wherever it was
needed, and Pantalaimon (by the state of each child's daemon) told her what was
needed in each case.
I'll get them there, she kept saying to
herself. I come here to get 'em and I'll bloody get 'em.
Roger was following her example, and Billy
Costa was leading the way, being sharper-eyed than most. Soon the snow was
falling so thickly that they had to cling on to one another to keep from
getting lost, and Lyra thought, perhaps if we all lie close and keep warm like
that...Dig holes in the snow...
She was hearing things. There was the
snarl of an engine somewhere, not the heavy thump of a zeppelin but something
higher like the drone of a hornet. It drifted in and out of hearing.
And howling...Dogs? Sledge dogs? That too
was distant and hard to be sure of, blanketed by millions of snowflakes and
blown this way and that by little puffing gusts of wind. It might have been the
gyptians' sledge dogs, or it might have been wild spirits of the tundra, or
even those freed daemons crying for their lost children.
She was seeing things....There weren't any
lights in the snow, were there? They must be ghosts as well....Unless they'd
come round in a circle, and were stumbling back into Bolvangar.
But these were little yellow lantern
beams, not the white glare of anbaric lights. And they were moving, and the
howling was nearer, and before she knew for certain whether she'd fallen
asleep, Lyra was wandering among familiar figures, and men in furs were holding
her up: John Faa's mighty arm lifted her clear of the ground, and Farder Coram
was laughing with pleasure; and as far through the blizzard as she could see,
gyptians were lifting children into sledges, covering them with furs, giving
them seal meat to chew. And Tony Costa was there, hugging Billy and then
punching him softly only to hug him again and shake him for joy. And Roger...
“Roger's coming with us,” she said to
Farder Coram. “It was him I meant to get in the first place. We'll go back to
Jordan in the end. What's that noise—”
It was that snarl again, that engine, like
a crazed spy-fly ten thousand times the size.
Suddenly there came a blow that sent her
sprawling, and Pantalaimon couldn't defend her, because the golden monkey—
Mrs. Coulter—
The golden monkey was wrestling, biting,
scratching at Pantalaimon, who was nickering through so many changes of form it
was hard to see him, and fighting back: stinging, lashing, tearing. Mrs.
Coulter, meanwhile, her face in its furs a frozen glare of intense feeling, was
dragging Lyra to the back of a motorized sledge, and Lyra struggled as hard as
her daemon. The snow was so thick that they seemed to be isolated in a little
blizzard of their own, and the anbaric headlights of the sledge only showed up
the thick swirling flakes a few inches ahead.
“Help!” Lyra cried, to the gyptians who
were just there in the blinding snow and who could see nothing. “Help me!
Farder Coram! Lord Faa! Oh, God, help!”
Mrs. Coulter shrieked a high command in
the language of the northern Tartars. The snow swirled open, and there they
were, a squad of them, armed with rifles, and the wolf daemons snarled beside
them. The chief saw Mrs. Coulter struggling, and picked up Lyra with one hand
as if she were a doll and threw her into the sledge, where she lay stunned and
dazed.
A rifle banged, and then another, as the
gyptians realized what was happening. But firing at targets you can't see is
dangerous when you can't see your own side either. The Tartars, in a tight
group now around the sledge, were able to blaze at will into the snow, but the
gyptians dared not shoot back for fear of hitting Lyra.
Oh, the bitterness she felt! The
tiredness!
Still dazed, with her head ringing, she
hauled herself up to find Pantalaimon desperately fighting the monkey still,
with wolverine jaws fastened tight on a golden arm, changing no more but grimly
hanging on. And who was that?
Not Roger?
Yes, Roger, battering at Mrs. Coulter with
fists and feet, hurtling his head against hers, only to be struck down by a
Tartar who swiped at him like someone brushing away a fly. It was all a
phantasmagoria now: white, black, a swift green flutter across her vision,
ragged shadows, racing light—
A great swirl lifted curtains of snow
aside, and into the cleared area leaped lorek Byrnison, with a clang and
screech of iron on iron. A moment later and those great jaws snapped left,
right, a paw ripped open a mailed chest, white teeth, black iron, red wet fur—
Then something was pulling her up,
powerfully up, and she seized Roger too, tearing him out of the hands of Mrs.
Coulter and clinging tight, each child's daemon a shrill bird fluttering in
amazement as a greater fluttering swept all around them, and then Lyra saw in
the air beside her a witch, one of those elegant ragged black shadows from the
high air, but close enough to touch; and there was a bow in the witch's bare
hands, and she exerted her bare pale arms (in this freezing air!) to pull the
string and then loose an arrow into the eye slit of a mailed and lowering
Tartar hood only three feet away—
And the arrow sped in and halfway out at
the back, and the man's wolf daemon vanished in midleap even before he hit the
ground.
Up! Into midair Lyra and Roger were caught
and swept, and found themselves clinging with weakening fingers to a cloud-pine
branch, where a young witch was sitting tense with balanced grace, and then she
leaned down and to the left and something huge was looming and there was the
ground.
They tumbled into the snow beside the
basket of Lee Scoresby's balloon.
“Skip inside,” called the Texan, “and
bring your friend, by all means. Have ye seen that bear?”
Lyra saw that three witches were holding a
rope looped around a rock, anchoring the great buoyancy of the gas bag to the
earth.
“Get in!” she cried to Roger, and
scrambled over the leatherbound rim of the basket to fall in a snowy heap
inside. A moment later Roger fell on top of her, and then a mighty noise
halfway between a roar and a growl made the very ground shake.
“C'mon, lorek! On board, old feller!”
yelled Lee Scoresby, and over the side came the bear in a hideous creak of
wicker and bending wood.
At once the aeronaut lowered his arm in a
signal, and the witches let go of the rope.
The balloon lifted immediately and surged
upward into the snow-thick air at a rate Lyra could scarcely believe. After a
moment the ground disappeared in the mist, and up they went, faster and faster,
so that she thought no rocket could have left the earth more swiftly. She lay
holding on to Roger on the floor of the basket, pressed down by the
acceleration.
Lee Scoresby was cheering and laughing and
uttering wild Texan yells of delight; lorek Byrnison was calmly unfastening his
armor, hooking a deft claw into all the linkages and undoing them with a twist
before packing the separate pieces in a pile. Somewhere outside, the flap and
swish of air through cloud-pine needles and witch garments told that the
witches were keeping them company into the upper airs.
Little by little Lyra recovered her
breath, her balance, and her heartbeat. She sat up and looked around.
The basket was much bigger than she'd
thought. Ranged around the edges were racks of philosophical instruments, and
there were piles of furs, and bottled air, and a variety of other things too
small or confusing to make out in the thick mist they were ascending through.
“Is this a cloud?” she said.
“Sure is. Wrap your friend in some furs
before he turns into an icicle. It's cold here, but it's gonna get colder.”
“How did you find us?”
“Witches. There's one witch lady who wants
to talk to you. When we get clear of the cloud, we'll get our bearings and then
we can sit and have a yarn.”
“lorek,” said Lyra, “thank you for
coming.” The bear grunted, and settled down to lick the blood off his fur. His
weight meant that the basket was tilted to one side, but that didn't matter.
Roger was wary, but lorek Byrnison took no more notice of him than of a flake
of snow. Lyra contented herself with clinging to the rim of the basket, just
under her chin when she was standing, and peering wide-eyed into the swirling
cloud.
Only a few seconds later the balloon
passed out of the cloud altogether and, still rising rapidly, soared on into
the heavens.
What a sight!
Directly above them the balloon swelled
out in a huge curve. Above and ahead of them the Aurora was blazing, with more
brilliance and grandeur than she had ever seen. It was all around, or nearly,
and they were nearly part of it. Great swathes of incandescence trembled and
parted like angels' wings beating; cascades of luminescent glory tumbled down
invisible crags to lie in swirling pools or hang like vast waterfalls.
So Lyra gasped at that, and then she
looked below, and saw a sight almost more wondrous.
As far as the eye could see, to the very
horizon in all directions, a tumbled sea of white extended without a break.
Soft peaks and vaporous chasms rose or opened here and there, but mostly it
looked like a solid mass of ice.
And rising through it in ones and twos and
larger groups as well came small black shadows, those ragged figures of such
elegance, witches on their branches of cloud-pine.
They flew swiftly, without any effort, up
and toward the balloon, leaning to one side or another to steer. And one of
them, the archer who'd saved Lyra from Mrs. Coulter, flew directly alongside
the basket, and Lyra saw her clearly for the first time.
She was young—younger than Mrs. Coulter;
and fair, with bright green eyes; and clad like all the witches in strips of
black silk, but wearing no furs, no hood or mittens. She seemed to feel no cold
at all. Around her brow was a simple chain of little red flowers. She sat on
her cloud-pine branch as if it were a steed, and seemed to rein it in a yard
from Lyra's wondering gaze.
“Lyra?”
“Yes! And are you Serafina Pekkala?”
“I am.”
Lyra could see why Farder Coram loved her,
and why it was breaking his heart, though she had known neither of those things
a moment before. He was growing old; he was an old broken man; and she would be
young for generations.
“Have you got the symbol reader?” said the
witch, in a voice so like the high wild singing of the Aurora itself that Lyra
could hardly hear the sense for the sweet sound of it.
“Yes. I got it in my pocket, safe.”
Great wingbeats told of another arrival,
and then he was gliding beside her: the gray goose daemon. He spoke briefly and
then wheeled away to glide in a wide circle around the balloon as it continued
to rise.
“The gyptians have laid waste to
Bolvangar,” said Serafina Pekkala. “They have killed twenty-two guards and nine
of the staff, and they've set light to every part of the buildings that still
stood. They are going to destroy it completely.”
“What about Mrs. Coulter?”
“No sign of her.”
“And the kids? They got all the kids
safely?”
“Every one. They are all safe.”
Serafina Pekkala cried out in a wild yell,
and other witches circled and flew in toward the balloon.
“Mr. Scoresby,” she said. “The rope, if
you please.”
“Ma'am, I'm very grateful. We're still
rising. I guess we'll go on up awhile yet. How many of you will it take to pull
us north?”
“We are strong” was all she said.
Lee Scoresby was attaching a coil of stout
rope to the leather-covered iron ring that gathered the ropes running over the
gas bag, and from which the basket itself was suspended. When it was securely
fixed, he threw the free end out, and at once six witches darted toward it,
caught hold, and began to pull, urging the cloud-pine branches toward the Polar
Star.
As the balloon began to move in that
direction, Pan-talaimon came to perch on the edge of the basket as a tern.
Roger's daemon came out to look, but crept back again soon, for Roger was fast
asleep, as was lorek Byrnison. Only Lee Scoresby was awake, calmly chewing a
thin cigar and watching his instruments.
“So, Lyra,” said Serafina Pekkala. “Do you
know why you're going to Lord Asriel?”
Lyra was astonished. “To take him the
alethiometer, of course!” she said.
She had never considered the question; it
was obvious. Then she recalled her first motive, from so long ago that she'd
almost forgotten it.
“Or... To help him escape. That's it.
We're going to help him get away.”
But as she said that, it sounded absurd.
Escape from Svalbard? Impossible!
“Try, anyway,” she added stoutly. “Why?”
“I think there are things I need to tell
you,” said Serafina Pekkala.
“About Dust?”
It was the first thing Lyra wanted to
know.
“Yes, among other things. But you are
tired now, and it will be a long flight. We'll talk when you wake up.”
Lyra yawned. It was a jaw-cracking,
lung-bursting yawn that lasted almost a minute, or felt like it, and for all
that Lyra struggled, she couldn't resist the onrush of sleep. Serafina Pekkala
reached a hand over the rim of the basket and touched her eyes, and as Lyra
sank to the floor, Pantalaimon fluttered down, changed to an ermine, and
crawled to his sleeping place by her neck.
The witch settled her branch into a steady
speed beside the basket as they moved north toward Svalbard.
PART
THREE
SVALBARD
EIGHTEEN
FOG AND ICE
Lee Scoresby arranged some furs over Lyra.
She curled up close to Roger and they lay together asleep as the balloon swept
on toward the Pole. The aeronaut checked his instruments from time to time,
chewed on the cigar he would never light with the inflammable hydrogen so
close, and huddled deeper into his own furs.
“This little girl's pretty important,
huh?” he said after several minutes.
“More than she will know,” Serafina
Pekkala said.
“Does that mean there's gonna be much in
the way of armed pursuit? You understand, I'm speaking as a practical man with
a living to earn. I can't afford to get busted up or shot to pieces without
some kind of compensation agreed to in advance. I ain't trying to lower the
tone of this expedition, believe me, ma'am. But John Faa and the gyptians paid
me a fee that's enough to cover my time and skill and the normal wear and tear
on the balloon, and that's all. It didn't include acts-of-war insurance. And
let me tell you, ma'am, when we land lorek Byrnison on Svalbard, that will
count as an act of war.”
He spat a piece of smokeleaf delicately
overboard.
“So I'd like to know what we can expect in
the way of mayhem and ructions,” he finished.
“There may be fighting,” said Serafina
Pekkala. “But you have fought before.”
“Sure, when I'm paid. But the fact is, I
thought this was a straightforward transportation contract, and I charged
according. And I'm a wondering now, after that little dust-up down there, I'm a
wondering how far my transportation responsibility extends. Whether I'm bound
to risk my life and my equipment in a war among the bears, for example. Or
whether this little child has enemies on Svalbard as hot-tempered as the ones
back at Bolvangar. I merely mention all this by way of making conversation.”
“Mr. Scoresby,” said the witch, “I wish I
could answer your question. All I can say is that all of us, humans, witches,
bears, are engaged in a war already, although not all of us know it. Whether
you find danger on Svalbard or whether you fly off unharmed, you are a recruit,
under arms, a soldier.”
“Well, that seems kinda precipitate. Seems
to me a man should have a choice whether to take up arms or not.”
“We have no more choice in that than in
whether or not to be born.”
“Oh, I like choice, though,” he said. “I
like choosing the jobs I take and the places I go and the food I eat and the
companions I sit and yarn with. Don't you wish for a choice once in a while ?”
Serafina Pekkala considered, and then
said, “Perhaps we don't mean the same thing by choice, Mr. Scoresby. Witches
own nothing, so we're not interested in preserving value or making profits, and
as for the choice between one thing and another, when you live for many
hundreds of years, you know that every opportunity will come again. We have
different needs. You have to repair your balloon and keep it in good condition,
and that takes time and trouble, I see that; but for us to fly, all we have to
do is tear off a branch of cloud-pine; any will do, and there are plenty more.
We don't feel cold, so we need no warm clothes. We have no means of exchange
apart from mutual aid. If a witch needs something, another witch will give it
to her. If there is a war to be fought, we don't consider cost one of the
factors in deciding whether or not it is right to fight. Nor do we have any
notion of honor, as bears do, for instance. An insult to a bear is a deadly
thing. To us... inconceivable. How could you insult a witch? What would it
matter if you did?”
“Well, I'm kinda with you on that. Sticks
and stones, I'll break yer bones, but names ain't worth a quarrel. But ma'am,
you see my dilemma, I hope. I'm a simple aeronaut, and I'd like to end my days
in comfort. Buy a little farm, a few head of cattle, some horses...Nothing grand,
you notice. No palace or slaves or heaps of gold. Just the evening wind over
the sage, and a ceegar, and a glass of bourbon whiskey. Now the trouble is,
that costs money. So I do my flying in exchange for cash, and after every job I
send some gold back to the Wells Fargo Bank, and when I've got enough, ma'am,
I'm gonna sell this balloon and book me a passage on a steamer to Port
Galveston, and I'll never leave the ground again.”
“There's another difference between us,
Mr. Scoresby. A witch would no sooner give up flying than give up breathing. To
fly is to be perfectly ourselves.”
“I see that, ma'am, and I envy you; but I
ain't got your sources of satisfaction. Flying is just a job to me, and I'm
just a technician. I might as well be adjusting valves in a gas engine or
wiring up anbaric circuits. But I chose it, you see. It was my own free choice.
Which is why I find this notion of a war I ain't been told nothing about kinda
troubling.”
“lorek Byrnison's quarrel with his king is
part of it too,” said the witch. “This child is destined to play a part in
that.”
“You speak of destiny,” he said, “as if it
was fixed. And I ain't sure I like that any more than a war I'm enlisted in
without knowing about it. Where's my free will, if you please? And this child seems
to me to have more free will than anyone I ever met. Are you telling me that
she's just some kind of clockwork toy wound up and set going on a course she
can't change?”
“We are all subject to the fates. But we
must all act as if we are not,” said the witch, “or die of despair. There is a
curious prophecy about this child: she is destined to bring about the end of
destiny. But she must do so without knowing what she is doing, as if it were
her nature and not her destiny to do it. If she's told what she must do, it
will all fail; death will sweep through all the worlds; it will be the triumph
of despair, forever. The universes will all become nothing more than
interlocking machines, blind and empty of thought, feeling, life...”
They looked down at Lyra, whose sleeping
face (what little of it they could see inside her hood) wore a stubborn little
frown.
“I guess part of her knows that,” said the
aeronaut. “Looks prepared for it, anyways. How about the little boy? You know
she came all this way to save him from those fiends back there? They were
playmates, back in Oxford or somewhere. Did you know that?”
“Yes, I did know that. Lyra is carrying
something of immense value, and it seems that the fates are using her as a
messenger to take it to her father. So she came all this way to find her
friend, not knowing that her friend was brought to the North by the fates, in
order that she might follow and bring something to her father.”
“That's how you read it, huh?”
For the first time the witch seemed
unsure.
“That is how it seems....But we can't read
the darkness, Mr. Scoresby. It is more than possible that I might be wrong.”
“And what brought you into all this, if I
can ask?”
“Whatever they were doing at Bolvangar, we
felt it was wrong with all our hearts. Lyra is their enemy; so we are her
friends. We don't see more clearly than that. But also there is my clan's
friendship for the gyptian people, which goes back to the time when Farder
Coram saved my life. We are doing this at their bidding. And they have ties of
obligation with Lord Asriel.”
“I see. So you're towing the balloon to
Svalbard for the gyp-tians' sake. And does that friendship extend to towing us
back again? Or will I have to wait for a kindly wind, and depend on the
indulgence of the bears in the meantime? Once again, ma'am, I'm asking merely
in a spirit of friendly enquiry.”
“If we can help you back to Trollesund,
Mr. Scoresby, we shall do so. But we don't know what we shall meet on Svalbard.
The bears' new king has made many changes; the old ways are out of favor; it
might be a difficult landing. And I don't know how Lyra will find her way to
her father. Nor do I know what lorek Byrnison has it in mind to do, except that
his fate is involved with hers.”
“I don't know either, ma'am. I think he's
attached himself to the little girl as a kind of protector. She helped him get
his armor back, you see. Who knows what bears feel? But if a bear ever loved a
human being, he loves her. As for landing on Svalbard, it's never been easy.
Still, if I can call on you for a tug in the right direction, I'll feel kinda
easier in my mind; and if there's anything I can do for you in return, you only
have to say. But just so as I know, would you mind telling me whose side I'm on
in this invisible war?”
“We are both on Lyra's side.”
“Oh, no doubt about that.”
They flew on. Because of the clouds below
there was no way of telling how fast they were going. Normally, of course, a
balloon remained still with respect to the wind, floating at whatever speed the
air itself was moving; but now, pulled by the witches, the balloon was moving
through the air instead of with it, and resisting the movement, too, because
the unwieldy gas bag had none of the streamlined smoothness of a zeppelin. As a
result, the basket swung this way and that, rocking and bumping much more than
on a normal flight.
Lee Scoresby wasn't concerned for his
comfort so much as for his instruments, and he spent some time making sure they
were securely lashed to the main struts. According to the altimeter, they were
nearly ten thousand feet up. The temperature was minus 20 degrees. He had been
colder than this, but not much, and he didn't want to get any colder now; so he
unrolled the canvas sheet he used as an emergency bivouac, and spread it in
front of the sleeping children to keep off the wind, before lying down back to
back with his old comrade in arms, lorek Byrnison, and falling asleep.
When Lyra woke up, the moon was high in
the sky, and everything in sight was silver-plated, from the roiling surface of
the clouds below to the frost spears and icicles on the rigging of the balloon.
Roger was sleeping, and so were Lee
Scoresby and the bear. Beside the basket, however, the witch queen was flying
steadily.
“How far are we from Svalbard?” Lyra said.
“If we meet no winds, we shall be over
Svalbard in twelve hours or so.”
“Where are we going to land?”
“It depends on the weather. We'll try to
avoid the cliffs, though. There are creatures living there who prey on anything
that moves. If we can, we'll set you down in the interior, away from lofur
Raknison's palace.”
“What's going to happen when I find Lord
Asriel? Will he want to come back to Oxford, or what? I don't know if I ought
to tell him I know he's my father, neither. He might want to pretend he's still
my uncle. I don't hardly know him at all.”
“He won't want to go back to Oxford, Lyra.
It seems that there is something to be done in another world, and Lord Asriel
is the only one who can bridge the gulf between that world and this. But he
needs something to help him.”
“The alethiometer!” Lyra said. “The Master
of Jordan gave it to me and I thought there was something he wanted to say
about Lord Asriel, except he never had the chance. I knew he didn't really want
to poison him. Is he going to read it and see how to make the bridge? I bet I
could help him. I can probably read it as good as anyone now.”
“I don't know,” said Serafina Pekkala.
“How he'll do it, and what his task will be, we can't tell. There are powers
who speak to us, and there are powers above them; and there are secrets even
from the most high.”
“The alethiometer would tell me! I could
read it now....”
But it was too cold; she would never have
managed to hold it. She bundled herself up and pulled the hood tight against
the chill of the wind, leaving only a slit to look through. Far ahead, and a
little below, the long rope extended from the suspension ring of the balloon,
pulled by six or seven witches sitting on their cloud-pine branches. The stars
shone as bright and cold and hard as diamonds.
“Why en't you cold, Serafina Pekkala?”
“We feel cold, but we don't mind it,
because we will not come to harm. And if we wrapped up against the cold, we
wouldn't feel other things, like the bright tingle of the stars, or the music
of the Aurora, or best of all the silky feeling of moonlight on our skin. It's
worth being cold for that.” “Could I feel them?”
“No. You would die if you took your furs
off. Stay wrapped up.”
“How long do witches live, Serafina
Pekkala? Farder Coram says hundreds of years. But you don't look old at all.”
“I am three hundred years or more. Our
oldest witch mother is nearly a thousand. One day, Yambe-Akka will come for
her. One day she'll come for me. She is the goddess of the dead. She comes to
you smiling and kindly, and you know it is time to die.”
“Are there men witches? Or only women?”
“There are men who serve us, like the
consul at Trollesund. And there are men we take for lovers or husbands. You are
so young, Lyra, too young to understand this, but I shall tell you anyway and
you'll understand it later: men pass in front of our eyes like butterflies,
creatures of a brief season. We love them; they are brave, proud, beautiful,
clever; and they die almost at once. They die so soon that our hearts are
continually racked with pain. We bear their children, who are witches if they
are female, human if not; and then in the blink of an eye they are gone,
felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he
is immortal. His mother knows he isn't. Each time becomes more painful, until
finally your heart is broken. Perhaps that is when Yambe-Akka comes for you.
She is older than the tundra. Perhaps, for her, witches' lives are as brief as
men's are to us.”
“Did you love Farder Coram?”
“Yes. Does he know that?”
“I don't know, but I know he loves you.”
“When he rescued me, he was young and
strong and full of pride and beauty. I loved him at once. I would have changed
my nature, I would have forsaken the star-tingle and the music of the Aurora; I
would never have flown again—I would have given all that up in a moment,
without a thought, to be a gyptian boat wife and cook for him and share his bed
and bear his children. But you cannot change what you are, only what you do. I
am a witch. He is a human. I stayed with him for long enough to bear him a
child....”
“He never said! Was it a girl? A witch?”
“No. A boy, and he died in the great
epidemic of forty years ago, the sickness that came out of the East. Poor
little child; he flickered into life and out of it like a mayfly. And it tore
pieces out of my heart, as it always does. It broke Coram's. And then the call
came for me to return to my own people, because Yambe-Akka had taken my mother,
and I was clan queen. So I left, as I had to.”
“Did you never see Farder Coram again?”
“Never. I heard of his deeds; I heard how
he was wounded by the Skraelings, with a poisoned arrow, and I sent herbs and
spells to help him recover, but I wasn't strong enough to see him. I heard how
broken he was after that, and how his wisdom grew, how much he studied and
read, and I was proud of him and his goodness. But I stayed away, for they were
dangerous times for my clan, and witch wars were threatening, and besides, I
thought he would forget me and find a human wife....”
“He never would,” said Lyra stoutly. “You
oughter go and see him. He still loves you, I know he does.”
“But he would be ashamed of his own age,
and I wouldn't want to make him feel that.”
“Perhaps he would. But you ought to send a
message to him, at least. That's what I think.”
Serafina Pekkala said nothing for a long
time. Pantalaimon became a tern and flew to her branch for a second, to
acknowledge that perhaps they had been insolent.
Then Lyra said, “Why do people have
daemons, Serafina Pekkala?”
“Everyone asks that, and no one knows the
answer. As long as there have been human beings, they have had daemons. It's
what makes us different from animals.”
“Yeah! We're different from them all
right....Like bears. They're strange, en't they, bears? You think they're like
a person, and then suddenly they do something so strange or ferocious you think
you'll never understand them....But you know what lorek said to me, he said
that his armor for him was like what a daemon is for a person. It's his soul,
he said. But that's where they're different again, because he made this armor
his-self. They took his first armor away when they sent him into exile, and he
found some sky iron and made some new armor, like making a new soul. We can't
make our daemons. Then the people at Trollesund, they got him drunk on spirits
and stole it away, and I found out where it was and he got it back....But what
I wonder is, why's he coming to Svalbard? They'll fight him. They might kill
him....I love lorek. I love him so much I wish he wasn't coming.”
“Has he told you who he is?”
“Only his name. And it was the consul at
Trollesund who told us that.”
“He is highborn. He is a prince. In fact,
if he had not committed a great crime, he would be the king of the bears by
now.”
“He told me their king was called lofur
Raknison.”
“lofur Raknison became king when lorek
Byrnison was exiled. lofur is a prince, of course, or he wouldn't be allowed to
rule; but he is clever in a human way; he makes alliances and treaties; he
lives not as bears do, in ice forts, but in a new-built palace; he talks of
exchanging ambassadors with human nations and developing the fire mines with
the help of human engineers....He is very skillful and subtle. Some say that he
provoked lorek into the deed for which he was exiled, and others say that even
if he didn't, he encourages them to think he did, because it adds to his
reputation for craft and subtlety.”
“What did lorek do? See, one reason I love
lorek, it's because of my father doing what he did and being punished. Seems to
me they're like each other. lorek told me he'd killed another bear, but he
never said how it came about.”
“The fight was over a she-bear. The male
whom lorek killed would not display the usual signals of surrender when it was
clear that lorek was stronger. For all their pride, bears never fail to
recognize superior force in another bear and surrender to it, but for some
reason this bear didn't do it. Some say that lofur Raknison worked on his mind,
or gave him confusing herbs to eat. At any rate, the young bear persisted, and
lorek Byrnison allowed his temper to master him. The case was not hard to
judge; he should have wounded, not killed.”
“So otherwise he'd be king,” Lyra said.
“And I heard something about lofur Raknison from the Palmerian Professor at
Jordan, 'cause he'd been to the North and met him. He said... I wish I could
remember what it was....I think he'd tricked his way on to the throne or
something....But you know, lorek said to me once that bears couldn't be
tricked, and showed me that I couldn't trick him. It sounds as if they was both
tricked, him and the other bear. Maybe only bears can trick bears, maybe people
can't. Except...The people at Trollesund, they tricked him, didn't they? When
they got him drunk and stole his armor?”
“When bears act like people, perhaps they
can be tricked,” said Serafina Pekkala. “When bears act like bears, perhaps
they can't. No bear would normally drink spirits. lorek Byrnison drank to
forget the shame of exile, and it was only that which let the Trollesund people
trick him.”
“Ah, yes,” said Lyra, nodding. She was
satisfied with that idea. She admired lorek almost without limit, and she was
glad to find confirmation of his nobility. “That's clever of you,” she said. “I
wouldn't have known that if you hadn't told me. I think you're probably cleverer
than Mrs. Coulter.”
They flew on. Lyra chewed some of the seal
meat she found in her pocket.
“Serafina Pekkala,” she said after some
time, “what's Dust? 'Cause it seems to me that all this trouble's about Dust,
only no one's told me what it is.”
“I don't know,” Serafina Pekkala told her.
“Witches have never worried about Dust. All I can tell you is that where there
are priests, there is fear of Dust. Mrs. Coulter is not a priest, of course,
but she is a powerful agent of the Magisterium, and it was she who set up the
Oblation Board and persuaded the Church to pay for Bolvangar, because of her
interest in Dust. We can't understand her feelings about it. But there are many
things we have never understood. We see the Tartars making holes in their
skulls, and we can only wonder at the strangeness of it. So Dust may be
strange, and we wonder at it, but we don't fret and tear things apart to
examine it. Leave that to the Church.”
“The Church?” said Lyra. Something had
come back to her: she remembered talking with Pantalaimon, in the fens, about
what it might be that was moving the needle of the alethiometer, and they had
thought of the photomill on the high altar at Gabriel College, and how
elementary particles pushed the little vanes around. The Intercessor there was
clear about the link between elementary particles and religion. “Could be,” she
said, nodding. “Most Church things, they keep secret, after all. But most
Church things are old, and Dust en't old, as far as I know. I wonder if Lord
Asriel might tell me....”
She yawned.
“I better lie down,” she said to Serafina
Pekkala, “else I'll probably freeze. I been cold down on the ground, but I
never been this cold. I think I might die if I get any colder.”
“Then lie down and wrap yourself in the
furs.”
“Yeah, I will. If I was going to die, I'd
rather die up here than down there, any day. I thought when they put us under
that blade thing, I thought that was it....We both did. Oh, that was cruel. But
we'll lie down now. Wake us up when we get there,” she said, and got down on
the pile of furs, clumsy and aching in every part of her with the profound
intensity of the cold, and lay as close as she could to the sleeping Roger.
And so the four travelers sailed on,
sleeping in the ice-encrusted balloon, toward the rocks and glaciers, the fire
mines and the ice forts of Svalbard.
Serafina Pekkala called to the aeronaut,
and he woke at once, groggy with cold, but aware from the movement of the
basket that something was wrong. It was swinging wildly as strong winds
buffeted the gas bag, and the witches pulling the rope were barely managing to
hold it. If they let go, the balloon would be swept off course at once, and to
judge by his glance at the compass, would be swept toward Nova Zembla at nearly
a hundred miles an hour.
“Where are we?” Lyra heard him call. She
was half-waking herself, uneasy because of the motion, and so cold that every
part of her body was numb.
She couldn't hear the witch's reply, but
through her half-closed hood she saw, in the light of an anbaric lantern, Lee
Scoresby hold on to a strut and pull at a rope leading up into the gas bag
itself. He gave a sharp tug as if against some obstruction, and looked up into
the buffeting dark before looping the rope around a cleat on the suspension
ring.
“I'm letting out some gas!” he shouted to
Serafina Pekkala. “We'll go down. We're way too high.”
The witch called something in return, but
again Lyra couldn't hear it. Roger was waking too; the creaking of the basket
was enough to wake the deepest sleeper, never mind the rocking and bumping.
Roger's daemon and Pantalaimon clung together like marmosets, and Lyra
concentrated on lying still and not leaping up in fear.
'“S all right,” Roger said, sounding much
more cheerful than she was. “Soon's we get down we can make a fire and get
warm. I got some matches in me pocket. I pinched 'em out the kitchen at
Bolvangar.”
The balloon was certainly descending,
because they were enveloped a second later in thick freezing cloud. Scraps and
wisps of it flew through the basket, and then everything was obscured, all at
once. It was like the thickest fog Lyra had ever known. After a moment or two
there came another cry from Serafina Pekkala, and the aeronaut unlooped the
rope from the cleat and let go. It sprang upward through his hands, and even
over the creak and the buffeting and the howl of wind through the rigging Lyra
heard or felt a mighty thump from somewhere far above.
Lee Scoresby saw her wide eyes.
“That's the gas valve!” he shouted. “It
works on a spring to hold the gas in. When I pull it down, some gas escapes
outta the top, and we lose buoyancy and go down.”
“Are we nearly—”
She didn't finish, because something
hideous happened. A creature half the size of a man, with leathery wings and
hooked claws, was crawling over the side of the basket toward Lee Scoresby. It
had a flat head, with bulging eyes and a wide frog mouth, and from it came
wafts of abominable stink. Lyra had no time to scream, even, before lorek
Byrnison reached up and cuffed it away. It fell out of the basket and vanished
with a shriek.
“Cliff-ghast,” said lorek briefly.
The next moment Serafina Pekkala appeared,
and clung to the side of the basket, speaking urgently.
“The cliff-ghasts are attacking. We'll
bring the balloon to the ground, and then we must defend ourselves. They're—”
But Lyra didn't hear the rest of what she
said, because there was a rending, ripping sound, and everything tilted
sideways. Then a terrific blow hurled the three humans against the side of the
balloon where lorek Byrnison's armor was stacked, lorek put out a great paw to
hold them in, because the basket was jolting so violently. Serafina Pekkala had
vanished. The noise was appalling: over every other sound there came the
shrieking of the cliff-ghasts, and Lyra saw them hurtling past, and smelled
their foul stench.
Then there came another jerk, so sudden
that it threw them all to the floor again, and the basket began to sink with
frightening speed, spinning all the while. It felt as if they had torn loose
from the balloon, and were dropping unchecked by anything; and then came
another series of jerks and crashes, the basket being tossed rapidly from side
to side as if they were bouncing between rock walls.
The last thing Lyra saw was Lee Scoresby
firing his long-barreled pistol directly in the face of a cliff-ghast; and then
she shut her eyes tight, and clung to lorek Byrnison's fur with passionate
fear. Howls, shrieks, the lash and whistle of the wind, the creak of the basket
like a tormented animal, all filled the wild air with hideous noise.
Then came the biggest jolt of all, and she
found herself hurled out altogether. Her grip was torn loose, and all the
breath was knocked out of her lungs as she landed in such a tangle that she
couldn't tell which way was up; and her face in the tight-pulled hood was full
of powder, dry, cold, crystals—
It was snow; she had landed in a
snowdrift. She was so battered that she could hardly think. She lay quite still
for several seconds before feebly spitting out the snow in her mouth, and then
she blew just as feebly until there was a little space to breathe in.
Nothing seemed to be hurting in
particular; she just felt utterly breathless. Cautiously she tried to move
hands, feet, arms, legs, and to raise her head.
She could see very little, because her
hood was still filled with snow. With an effort, as if her hands weighed a ton
each, she brushed it off and peered out. She saw a world of gray, of pale grays
and dark grays and blacks, where fog drifts wandered like wraiths.
The only sounds she could hear were the
distant cries of the cliff-ghasts, high above, and the crash of waves on rocks,
some way off.
“lorek!” she cried. Her voice was faint
and shaky, and she tried again, but no one answered. “Roger!” she called, with
the same result.
She might have been alone in the world,
but of course she never was, and Pantalaimon crept out of her anorak as a mouse
to keep her company.
“I've checked the alethiometer,” he said,
“and it's all right. Nothing's broken.”
“We're lost, Pan!” she said. “Did you see
those cliff-ghasts? And Mr. Scoresby shooting 'em? God help us if they come
down here....”
“We better try and find the basket,” he
said, “maybe.”
“We better not call out,” she said. “I did
just now, but maybe I better not in case they hear us. I wish I knew where we were.”
“We might not like it if we did,” he
pointed out. “We might be at the bottom of a cliff with no way up, and the
cliff-ghasts at the top to see us when the fog clears.”
She felt around, once she had rested a few
more minutes, and found that she had landed in a gap between two ice-covered
rocks. Freezing fog covered everything; to one side there was the crash of
waves about fifty yards off, by the sound of it, and from high above there
still came the shrieking of the cliff-ghasts, though that seemed to be abating
a little. She could see no more than two or three yards in the murk, and even
Pantalaimon's owl eyes were helpless.
She made her way painfully, slipping and
sliding on the rough rocks, away from the waves and up the beach a little, and
found nothing but rock and snow, and no sign of the balloon or any of the
occupants.
“They can't have all just vanished,” she
whispered.
Pantalaimon prowled, cat-formed, a little
farther afield, and came across four heavy sandbags broken open, with the
scattered sand already freezing hard.
“Ballast,” Lyra said. “He must've slung
'em off to fly up again....”
She swallowed hard to subdue the lump in
her throat, or the fear in her breast, or both.
“Oh, God, I'm frightened,” she said. “I
hope they're safe.”
He came to her arms and then,
mouse-formed, crept into her hood where he couldn't be seen. She heard a noise,
something scraping on rock, and turned to see what it was.
“lorek!”
But she choked the word back unfinished,
for it wasn't lorek Byrnison at all. It was a strange bear, clad in polished
armor with the dew on it frozen into frost, and with a plume in his helmet.
He stood still, about six feet away, and
she thought she really was finished.
The bear opened his mouth and roared. An
echo came back from the cliffs and stirred more shrieking from far above. Out
of the fog came another bear, and another. Lyra stood still, clenching her
little human fists.
The bears didn't move until the first one
said, “Your name?”
“Lyra.”
“Where have you come from?”
“The sky.”
“In a balloon?”
“Yes.”
“Come with us. You are a prisoner. Move,
now. Quickly.”
Weary and scared, Lyra began to stumble
over the harsh and slippery rocks, following the bear, wondering how she could
talk her way out of this.
NINETEEN
CAPTIVITY
The bears took Lyra up a gully in the
cliffs, where the fog lay even more thickly than on the shore. The cries of the
cliff-ghasts and the crash of the waves grew fainter as they climbed, and
presently the only sound was the ceaseless crying of seabirds. They clambered
in silence over rocks and snowdrifts, and although Lyra peered wide-eyed into
the enfolding grayness, and strained her ears for the sound of her friends, she
might have been the only human on Svalbard; and lorek might have been dead.
The bear sergeant said nothing to her
until they were on level ground. There they stopped. From the sound of the
waves, Lyra judged them to have reached the top of the cliffs, and she dared
not run away in case she fell over the edge.
“Look up,” said the bear, as a waft of
breeze moved aside the heavy curtain of the fog.
There was little daylight in any case, but
Lyra did look, and found herself standing in front of a vast building of stone.
It was as tall at least as the highest part of Jordan College, but much more
massive, and carved all over with representations of warfare, showing bears
victorious and Skraelings surrendering, showing Tartars chained and slaving in
the fire mines, showing zeppelins flying from all parts of the world bearing
gifts and tributes to the king of the bears, lofur Raknison.
At least, that was what the bear sergeant
told her the carvings showed. She had to take his word for it, because every
projection and ledge on the deeply sculpted facade was occu-pied by gannets and
skuas, which cawed and shrieked and wheeled constantly around overhead, and
whose droppings had coated every part of the building with thick smears of
dirty white.
The bears seemed not to see the mess,
however, and they led the way in through the huge arch, over the icy ground
that was filthy with the spatter of the birds. There was a courtyard, and high
steps, and gateways, and at every point bears in armor challenged the incomers
and were given a password. Their armor was polished and gleaming, and they all
wore plumes in their helmets. Lyra couldn't help comparing every bear she saw
with lorek Byrnison, and always to his advantage; he was more powerful, more
graceful, and his armor was real armor, rust-colored, bloodstained, dented with
combat, not elegant, enameled, and decorative like most of what she saw around
her now.
As they went further in, the temperature
rose, and so did something else. The smell in lofur's palace was repulsive:
rancid seal fat, dung, blood, refuse of every sort. Lyra pushed back her hood
to be cooler, but she couldn't help wrinkling her nose. She hoped bears
couldn't read human expressions. There were iron brackets every few yards,
holding blubber lamps, and in their flaring shadows it wasn't always easy to
see where she was treading, either.
Finally they stopped outside a heavy door
of iron. A guard bear pulled back a massive bolt, and the sergeant suddenly
swung his paw at Lyra, knocking her head over heels through the doorway. Before
she could scramble up, she heard the door being bolted behind her.
It was profoundly dark, but Pantalaimon
became a firefly, and shed a tiny glow around them. They were in a narrow cell
where the walls dripped with damp, and there was one stone bench for furniture.
In the farthest corner there was a heap of rags she took for bedding, and that
was all she could see.
Lyra sat down, with Pantalaimon on her
shoulder, and felt in her clothes for the alethiometer.
“It's certainly had a lot of banging
about, Pan,” she whispered. “I hope it still works.”
Pantalaimon flew down to her wrist, and
sat there glowing while Lyra composed her mind. With a part of her, she found
it remarkable that she could sit here in terrible danger and yet sink into the
calm she needed to read the alethiometer; and yet it was so much a part of her
now that the most complicated questions sorted themselves out into their
constituent symbols as naturally as her muscles moved her limbs: she hardly had
to think about them.
She turned the hands and thought the
question: “Where is lorek?”
The answer came at once: “A day's journey
away, carried there by the balloon after your crash; but hurrying this way.”
“And Roger?”
“With lorek.”
“What will lorek do?”
“He intends to break into the palace and
rescue you, in the face of all the difficulties.”
She put the alethiometer away, even more
anxious than before.
“They won't let him, will they?” she said
to Pantalaimon. “There's too many of 'em. I wish I was a witch, Pan, then you
could go off and find him and take messages and all, and we could make a proper
plan....”
Then she had the fright of her life.
A man's voice spoke in the darkness a few
feet away, and said, “Who are you?”
She leaped up with a cry of alarm.
Pantalaimon became a bat at once, shrieking, and flew around her head as she
backed against the wall.
“Eh? Eh?” said the man again. “Who is
that? Speak up! Speak up!”
“Be a firefly again, Pan,” she said
shakily. “But don't go too close.”
The little wavering point of light danced
through the air and fluttered around the head of the speaker. And it hadn't
been a heap of rags after all; it was a gray-bearded man, chained to the wall,
whose eyes glittered in Pantalaimon's luminance, and whose tattered hair hung
over his shoulders. His daemon, a weary-looking serpent, lay in his lap,
flicking out her tongue occasionally as Pantalaimon flew near.
“What's your name?” she said.
“Jotham Santelia,” he replied. “I am the
Regius Professor of Cosmology at the University of Gloucester. Who are you?”
“Lyra Belacqua. What have they locked you
up for?”
“Malice and jealousy...Where do you come
from? Eh?”
“From Jordan College,” she said.
“What? Oxford?”
“Yes.”
“Is that scoundrel Trelawney still there?
Eh?”
“The Palmerian Professor? Yes,” she said.
“Is he, by God! Eh? They should have
forced his resignation long ago. Duplicitous plagiarist! Coxcomb!”
Lyra made a neutral sound.
“Has he published his paper on gamma-ray
photons yet?” the Professor said, thrusting his face up toward Lyra's.
She moved back.
“I don't know,” she said, and then, making
it up out of pure habit, “no,” she went on. “I remember now. He said he still
needed to check some figures. And...He said he was going to write about Dust as
well. That's it.”
“Scoundrel! Thief! Blackguard! Rogue!”
shouted the old man, and he shook so violently that Lyra was afraid he'd have a
fit. His daemon slithered lethargically off his lap as the Professor beat his
fists against his shanks. Drops of saliva flew out of his mouth.
“Yeah,” said Lyra, “I always thought he
was a thief. And a rogue and all that.”
If it was unlikely for a scruffy little girl
to turn up in his cell knowing the very man who figured in his obsessions, the
Regius Professor didn't notice. He was mad, and no wonder, poor old man; but he
might have some scraps of information that Lyra could use.
She sat carefully near him, not near
enough for him to touch, but near enough for Pantalaimon's tiny light to show
him clearly.
“One thing Professor Trelawney used to
boast about,” she said, “was how well he knew the king of the bears—”
“Boast! Eh? Eh? I should say he boasts!
He's nothing but a popinjay! And a pirate! Not a scrap of original research to
his name! Everything filched from better men!”
“Yeah, that's right,” said Lyra earnestly.
“And when he does do something of his own, he gets it wrong.”
“Yes! Yes! Absolutely! No talent, no imagination,
a fraud from top to bottom!”
“I mean, for example,” said Lyra, “I bet
you know more about the bears than he does, for a start.”
“Bears,” said the old man, “ha! I could
write a treatise on them! That's why they shut me away, you know.”
“Why's that?”
“I know too much about them, and they
daren't kill me. They daren't do it, much as they'd like to. I know, you see. I
have friends. Yes! Powerful friends.”
“Yeah,” said Lyra. “And I bet you'd be a
wonderful teacher,” she went on. “Being as you got so much knowledge and
experience.”
Even in the depths of his madness a little
common sense still flickered, and he looked at her sharply, almost as if he
suspected her of sarcasm. But she had been dealing with suspicious and cranky
Scholars all her life, and she gazed back with such bland admiration that he
was soothed.
“Teacher,” he said, “teacher...Yes, I
could teach. Give me the right pupil, and I will light a fire in his mind!”
“Because your knowledge ought not to just
vanish,” Lyra said encouragingly. “It ought to be passed on so people remember
you.”
“Yes,” he said, nodding seriously. “That's
very perceptive of you, child. What is your name?”
“Lyra,” she told him again. “Could you
teach me about the bears?”
“The bears...” he said doubtfully.
“I'd really like to know about cosmology
and Dust and all, but I'm not clever enough for that. You need really clever
students for that. But I could learn about the bears. You could teach me about
them all right. And we could sort of practice on that and work up to Dust,
maybe.”
He nodded again.
“Yes,” he said, “yes, I believe you're
right. There is a correspondence between the microcosm and the macrocosm! The
stars are alive, child. Did you know that? Everything out there is alive, and
there are grand purposes abroad! The universe is full of intentions, you know.
Everything happens for a purpose. Your purpose is to remind me of that. Good,
good—in my despair I had forgotten. Good! Excellent, my child!”
“So, have you seen the king? lofur
Raknison?”
“Yes. Oh, yes. I came here at his
invitation, you know. He intended to set up a university. He was going to make
me Vice-Chancellor. That would be one in the eye for the Royal Arctic
Institute, eh! Eh? And that scoundrel Trelawney! Ha!”
“What happened?”
“I was betrayed by lesser men. Trelawney
among them, of course. He was here, you know. On Svalbard. Spread lies and
calumny about my qualifications. Calumny! Slander! Who was it discovered the
final proof of the Barnard-Stokes hypothesis, eh? Eh? Yes, Santelia, that's
who. Trelawney couldn't take it. Lied through his teeth. lofur Raknison had me
thrown in here. I'll be out one day, you'll see. I'll be Vice-Chancellor, oh
yes. Let Trelawney come to me then begging for mercy! Let the Publications
Committee of the Royal Arctic Institute spurn my contributions then! Ha! I'll
expose them all! “
“I expect lorek Byrnison will believe you,
when he comes back,” Lyra said.
“lorek Byrnison? No good waiting for that.
He'll never come back.”
“He's on his way now.”
“Then they'll kill him. He's not a bear,
you see. He's an outcast. Like me. Degraded, you see. Not entitled to any of
the privileges of a bear.”
“Supposing lorek Byrnison did come back,
though,” Lyra said. “Supposing he challenged lofur Raknison to a fight...”
“Oh, they wouldn't allow it,” said the
Professor decisively, “lofur would never lower himself to acknowledge lorek
Byrnison's right to fight him. Hasn't got a right. lorek might as well be a
seal now, or a walrus, not a bear. Or worse: Tartar or Skraeling. They wouldn't
fight him honorably like a bear; they'd kill him with fire hurlers before he
got near. Not a hope. No mercy.”
“Oh,” said Lyra, with a heavy despair in
her breast. “And what about the bears' other prisoners? Do you know where they
keep them?”
“Other prisoners?”
“Like.-.Lord Asriel.”
Suddenly the Professor's manner changed
altogether. He cringed and shrank back against the wall, and shook his head
warningly.
“Shh! Quiet! They'll hear you!” he
whispered.
“Why mustn't we mention Lord Asriel?”
“Forbidden! Very dangerous! lofur Raknison
will not allow him to be mentioned!”
“Why?” Lyra said, coming closer and
whispering herself so as not to alarm him.
“Keeping Lord Asriel prisoner is a special
charge laid on lofur by the Oblation Board,” the old man whispered back. “Mrs.
Coulter herself came here to see lofur and offered him all kinds of rewards to
keep Lord Asriel out of the way. I know about it, you see, because at the time
I was in lofur's favor myself. I met Mrs. Coulter! Yes. Had a long conversation
with her. lofur was besotted with her. Couldn't stop talking about her. Would
do anything for her. If she wants Lord Asriel kept a hundred miles away, that's
what will happen. Anything for Mrs. Coulter, anything. He's going to name his
capital city after her, did you know that?”
“So he wouldn't let anyone go and see Lord
Asriel?”
“No! Never! But he's afraid of Lord Asriel
too, you know, lofur's playing a difficult game. But he's clever. He's done
what they both want. He's kept Lord Asriel isolated, to please Mrs. Coulter;
and he's let Lord Asriel have all the equipment he wants, to please him. Can't
last, this equilibrium. Unstable. Pleasing both sides. Eh? The wave function of
this situation is going to collapse quite soon. I have it on good authority.”
“Really?” said Lyra, her mind elsewhere,
furiously thinking about what he'd just said.
“Yes. My daemon's tongue can taste
probability, you know.”
“Yeah. Mine too. When do they feed us,
Professor?”
“Feed us?”
“They must put some food in sometime, else
we'd starve. And there's bones on the floor. I expect they're seal bones,
aren't they?”
“Seal...I don't know. It might be.”
Lyra got up and felt her way to the door.
There was no handle, naturally, and no keyhole, and it fitted so closely at top
and bottom that no light showed. She pressed her ear to it, but heard nothing.
Behind her the old man was muttering to himself. She heard his chain rattle as
he turned over wearily and lay the other way, and presently he began to snore.
She felt her way back to the bench.
Pantalaimon, tired of putting out light, had become a bat, which was all very
well for him; he fluttered around squeaking quietly while Lyra sat and chewed a
fingernail.
Quite suddenly, with no warning at all,
she remembered what it was that she'd heard the Palmerian Professor saying in
the Retiring Room all that time ago. Something had been nagging at her ever
since lorek Byrnison had first mentioned lofur's name, and now it came back:
what lofur Raknison wanted more than anything else, Professor Trelawney had
said, was a daemon.
Of course, she hadn't understood what he
meant; he'd spoken of panserbj0rne instead of using the English word, so she
didn't know he was talking about bears, and she had no idea that lofur Raknison
wasn't a man. And a man would have had a daemon anyway, so it hadn't made
sense.
But now it was plain. Everything she'd
heard about the bear-king added up: the mighty lofur Raknison wanted nothing
more than to be a human being, with a daemon of his own.
And as she thought that, a plan came to
her: a way of making lofur Raknison do what he would normally never have done;
a way of restoring lorek Byrnison to his rightful throne; a way, finally, of
getting to the place where they had put Lord Asriel, and taking him the
alethiometer.
The idea hovered and shimmered delicately,
like a soap bubble, and she dared not even look at it directly in case it
burst. But she was familiar with the way of ideas, and she let it shimmer,
looking away, thinking about something else.
She was nearly asleep when the bolts
clattered and the door opened. Light spilled in, and she was on her feet at
once, with Pantalaimon hidden swiftly in her pocket.
As soon as the bear guard bent his head to
lift the haunch of seal meat and throw it in, she was at his side, saying:
“Take me to lofur Raknison. You'll be in
trouble if you don't. It's very urgent.”
He dropped the meat from his jaws and
looked up. It wasn't easy to read bears' expressions, but he looked angry.
“It's about lorek Byrnison,” she said
quickly. “I know something about him, and the king needs to know.”
“Tell me what it is, and I'll pass the
message on,” said the bear.
“That wouldn't be right, not for someone
else to know before the king does,” she said. “I'm sorry, I don't mean to be
rude, but you see, it's the rule that the king has to know things first.”
Perhaps he was slow-witted. At any rate,
he paused, and then threw the meat into the cell before saying, “Very well. You
come with me.”
He led her out into the open air, for
which she was grateful. The fog had lifted and there were stars glittering
above the high-walled courtyard. The guard conferred with another bear, who
came to speak to her.
“You cannot see lofur Raknison when you
please,” he said. “You have to wait till he wants to see you.”
“But this is urgent, what I've got to tell
him,” she said. “It's about lorek Byrnison. I'm sure His Majesty would want to
know it, but all the same I can't tell it to anyone else, don't you see? It
wouldn't be polite. He'd be ever so cross if he knew we hadn't been polite.”
That seemed to carry some weight, or else
to mystify the bear sufficiently to make him pause. Lyra was sure her
interpretation of things was right: lofur Raknison was introducing so many new
ways that none of the bears was certain yet how to behave, and she could
exploit this uncertainty in order to get to lofur.
So that bear retreated to consult the bear
above him, and before long Lyra was ushered inside the palace again, but into
the state quarters this time. It was no cleaner here, and in fact the air was
even harder to breathe than in the cell, because all the natural stinks had
been overlaid by a heavy layer of cloying perfume. She was made to wait in a
corridor, then in an anteroom, then outside a large door, while bears discussed
and argued and scurried back and forth, and she had time to look around at the
preposterous decoration: the walls were rich with gilt plasterwork, some of
which was already peeling off or crumbling with damp, and the florid carpets
were trodden with filth.
Finally the large door was opened from the
inside. A blaze of light from half a dozen chandeliers, a crimson carpet, and
more of that thick perfume hanging in the air; and the faces of a dozen or more
bears, all gazing at her, none in armor but each with some kind of decoration:
a golden necklace, a headdress of purple feathers, a crimson sash. Curiously,
the room was also occupied by birds; terns and skuas perched on the plaster
cornice, and swooped low to snatch at bits of fish that had fallen out of one
another's nests in the chandeliers.
And on a dais at the far end of the room,
a mighty throne reared up high. It was made of granite for strength and
mas-siveness, but like so many other things in lofur's palace, it was decorated
with overelaborate swags and festoons of gilt that looked like tinsel on a
mountainside.
Sitting on the throne was the biggest bear
she had ever seen. lofur Raknison was even taller and bulkier than lorek, and
his face was much more mobile and expressive, with a kind of humanness in it
which she had never seen in lorek's. When lofur looked at her, she seemed to
see a man looking out of his eyes, the sort of man she had met at Mrs.
Coulter's, a subtle politician used to power. He was wearing a heavy gold chain
around his neck, with a gaudy jewel hanging from it, and his claws—a good six
inches long—were each covered in gold leaf. The effect was one of enormous
strength and energy and craft; he was quite big enough to carry the absurd
overdecoration; on him it didn't look preposterous, it looked barbaric and
magnificent.
She quailed. Suddenly her idea seemed too
feeble for words.
But she moved a little closer, because she
had to, and then she saw that lofur was holding something on his knee, as a
human might let a cat sit there—or a daemon.
It was a big stuffed doll, a manikin with
a vacant stupid human face. It was dressed as Mrs. Coulter would dress, and it
had a sort of rough resemblance to her. He was pretending he had a daemon. Then
she knew she was safe.
She moved up close to the throne and bowed
very low, with Pantalaimon keeping quiet and still in her pocket.
“Our greetings to you, great King,” she
said quietly. “Or I mean my greetings, not his.”
“Not whose?” he said, and his voice was
lighter than she had thought it would be, but full of expressive tones and
subtleties. When he spoke, he waved a paw in front of his mouth to dislodge the
flies that clustered there.
“lorek Byrnison's, Your Majesty,” she
said. “I've got something very important and secret to tell you, and I think I
ought to tell you in private, really.”
“Something about lorek Byrnison?”
She came close to him, stepping carefully
over the bird-spattered floor, and brushed away the flies buzzing at her face.
“Something about daemons,” she said, so
that only he could hear.
His expression changed. She couldn't read
what it was saying, but there was no doubt that he was powerfully interested.
Suddenly he lumbered forward off the throne, making her skip aside, and roared
an order to the other bears. They all bowed their heads and backed out toward
the door. The birds, which had risen in a flurry at his roar, squawked and
swooped around overhead before settling again on their nests.
When the throne room was empty but for
lofur Raknison and Lyra, he turned to her eagerly.
“Well?” he said. “Tell me who you are.
What is this about daemons?”
“I am a daemon, Your Majesty,” she said.
He stopped still.
“Whose?” he said.
“lorek Byrnison's,” was her answer.
It was the most dangerous thing she had
ever said. She could see quite clearly that only his astonishment prevented him
from killing her at once. She went on:
“Please, Your Majesty, let me tell you all
about it first before you harm me. I've come here at my own risk, as you can
see, and there's nothing I've got that could hurt you. In fact, I want to help
you, that's why I've come. lorek Byrnison was the first bear to get a daemon,
but it should have been you. I would much rather be your daemon than his,
that's why I came.”
“How?” he said, breathlessly. “How has a bear got a daemon? And why him?
And how are you so far from him?” The flies left his mouth like tiny words.
“That's easy. I can go far from him because I'm like a witch's daemon. You know
how they can go hundreds of miles from their humans? It's like that. And as for
how he got me, it was at Bolvangar. You've heard of Bolvangar, because Mrs.
Coulter must have told you about it, but she probably didn't tell you
everything they were doing there.” “Cutting...” he said.
“Yes, cutting, that's part of it,
intercision. But they're doing all kinds of other things too, like making
artificial daemons. And experimenting on animals. When lorek Byrnison heard
about it, he offered himself for an experiment to see if they could make a
daemon for him, and they did. It was me. My name is Lyra. Just like when people
have daemons, they're animal-formed, so when a bear has a daemon, it'll be
human. And I'm his daemon. I can see into his mind and know exactly what he's
doing and where he is and—” “Where is he now?”
“On Svalbard. He's coming this way as fast
as he can.” “Why? What does he want? He must be mad! We'll tear him to pieces!”
“He wants me. He's coming to get me back.
But I don't want to be his daemon, lofur Raknison, I want to be yours. Because
once they saw how powerful a bear was with a daemon, the people at Bolvangar
decided not to do that experiment ever again. lorek Byrnison was going to be
the only bear who ever had a daemon. And with me helping him, he could lead all
the bears against you. That's what he's come to Svalbard for.”
The bear-king roared his anger. He roared
so loudly that the crystal in the chandeliers tinkled, and every bird in the
great room shrieked, and Lyra's ears rang.
But she was equal to it.
“That's why I love you best,” she said to
lofur Raknison, “because you're passionate and strong as well as clever. And I
just had to leave him and come and tell you, because I don't want him ruling
the bears. It ought to be you. And there is a way of taking me away from him
and making me your daemon, but you wouldn't know what it was unless I told you,
and you might do the usual thing about fighting bears like him that've been
outcast; I mean, not fight him properly, but kill him with fire hurlers or
something. And if you did that, I'd just go out like a light and die with him.”
“But you—how can—”
“I can become your daemon,” she said, “but
only if you defeat lorek Byrnison in single combat. Then his strength will flow
into you, and my mind will flow into yours, and we'll be like one person,
thinking each other's thoughts; and you can send me miles away to spy for you,
or keep me here by your side, whichever you like. And I'd help you lead the
bears to capture Bolvangar, if you like, and make them create more daemons for
your favorite bears; or if you'd rather be the only bear with a daemon, we
could destroy Bolvangar forever. We could do anything, lofur Raknison, you and
me together!”
All the time she was holding Pantalaimon
in her pocket with a trembling hand, and he was keeping as still as he could,
in the smallest mouse form he had ever assumed.
lofur Raknison was pacing up and down with
an air of explosive excitement.
“Single combat?” he was saying. “Me? I
must fight lorek Byrnison? Impossible! He is outcast! How can that be? How can
I fight him? Is that the only way?”
“It's the only way,” said Lyra, wishing it
were not, because lofur Raknison seemed bigger and more fierce every minute.
Dearly as she loved lorek, and strong as her faith was in him, she couldn't
really believe that he would ever beat this giant among giant bears. But it was
the only hope they had. Being mown down from a distance by fire hurlers was no
hope at all. Suddenly lofur Raknison turned. “Prove it!” he said. “Prove that
you are a daemon!” “All right,” she said. “I can do that, easy. I can find out
anything that you know and no one else does, something that only a daemon would
be able to find out.”
“Then tell me what was the first creature
I killed.” “I'll have to go into a room by myself to do this,” she said. “When
I'm your daemon, you'll be able to see how I do it, but until then it's got to
be private.”
“There is an anteroom behind this one. Go
into that, and come out when you know the answer.”
Lyra opened the door and found herself in
a room lit by one torch, and empty but for a cabinet of mahogany containing
some tarnished silver ornaments. She took out the alethiome-ter and asked:
“Where is lorek now?”
“Four hours away, and hurrying ever
faster.” “How can I tell him what I've done?” “You must trust him.”
She thought anxiously of how tired he
would be. But then she reflected that she was not doing what the alethiometer
had just told her to do: she wasn't trusting him.
She put that thought aside and asked the
question lofur Raknison wanted. What was the first creature he had killed? The
answer came: lofur's own father.
She asked further, and learned that lofur
had been alone on the ice as a young bear, on his first hunting expedition, and
had come across a solitary bear. They had quarreled and fought, and lofur had
killed him. This in itself would have been a crime, but it was worse than
simple murder, for lofur learned later that the other bear was his own father.
Bears were brought up by their mothers, and seldom saw their fathers. Naturally
lofur concealed the truth of what he had done; no one knew about it but lofur
himself, and now Lyra knew as well.
She put the alethiometer away, and
wondered how to tell him about it.
“Flatter him!” whispered Pantalaimon.
“That's all he wants.”
So Lyra opened the door and found lofur
Raknison waiting for her, with an expression of triumph, slyness, apprehension,
and greed.
“Well?”
She knelt down in front of him and bowed
her head to touch his left forepaw, the stronger, for bears were left-handed.
“I beg your pardon, lofur Raknison!” she
said. “I didn't know you were so strong and great!”
“What's this? Answer my question!”
“The first creature you killed was your
own father. I think you're a new god, lofur Raknison. That's what you must be.
Only a god would have the strength to do that.”
“You know! You can see!”
“Yes, because I am a daemon, like I said.”
“Tell me one thing more. What did the Lady
Coulter promise me when she was here?”
Once again Lyra went into the empty room
and consulted the alethiometer before returning with the answer.
“She promised you that she'd get the
Magisterium in Geneva to agree that you could be baptized as a Christian, even
though you hadn't got a daemon then. Well, I'm afraid that she hasn't done
that, lofur Raknison, and quite honestly I don't think they'd ever agree to
that if you didn't have a daemon. I think she knew that, and she wasn't telling
you the truth. But in any case when you've got me as your daemon, you could be
baptized if you wanted to, because no one could argue then. You could demand it
and they wouldn't be able to turn you down.”
“Yes...True. That's what she said. True,
every word. And she has deceived me? I trusted her, and she deceived me?”
“Yes, she did. But she doesn't matter
anymore. Excuse me, lofur Raknison, I hope you won't mind me telling you, but
lorek Byrnison's only four hours away now, and maybe you better tell your guard
bears not to attack him as they normally would. If you're going to fight him
for me, he'll have to be allowed to come to the palace.”
“Yes...”
“And maybe when he comes I better pretend
I still belong to him, and say I got lost or something. He won't know. I'll
pretend. Are you going to tell the other bears about me being lorek's daemon
and then belonging to you when you beat him?”
“I don't know....What should I do?”
“I don't think you better mention it yet.
Once we're together, you and me, we can think what's best to do and decide
then. What you need to do now is explain to all the other bears why you're
going to let lorek fight you like a proper bear, even though he's an outcast.
Because they won't understand, and we got to find a reason for that. I mean,
they'll do what you tell them anyway, but if they see the reason for it,
they'll admire you even more.”
“Yes. What should we tell them?”
“Tell them.. .tell them that to make your
kingdom com-pletely secure, you've called lorek Byrnison here yourself to fight
him, and the winner will rule over the bears forever. See, if you make it look
like your idea that he's coming, and not his, they'll be really impressed.
They'll think you're able to call him here from far away. They'll think you can
do anything.”
“Yes...”
The great bear was helpless. Lyra found
her power over him almost intoxicating, and if Pantalaimon hadn't nipped her
hand sharply to remind her of the danger they were all in, she might have lost
all her sense of proportion.
But she came to herself and stepped
modestly back to watch and wait as the bears, under lofur's excited direction,
prepared the combat ground for lorek Byrnison; and meanwhile lorek, knowing
nothing about it, was hurrying ever closer toward what she wished she could
tell him was a fight for his life.
TWENTY
MORTAL COMBAT
Fights between bears were common, and the
subject of much ritual. For a bear to kill another was rare, though, and when
that happened it was usually by accident, or when one bear mistook the signals
from another, as in the case of lorek Byrnison. Cases of straightforward
murder, like lofur's killing of his own father, were rarer still.
But occasionally there came circumstances
in which the only way of settling a dispute was a fight to the death. And for
that, a whole ceremonial was prescribed.
As soon as lofur announced that lorek
Byrnison was on his way, and a combat would take place, the combat ground was
swept and smoothed, and armorers came up from the fire mines to check lofur's
armor. Every rivet was examined, every link tested, and the plates were
burnished with the finest sand. Just as much attention was paid to his claws.
The gold leaf was rubbed off, and each separate six-inch hook was sharpened and
filed to a deadly point. Lyra watched with a growing sickness in the pit of her
stomach, for lorek Byrnison wouldn't be having this attention; he had been
marching over the ice for nearly twenty-four hours already without rest or
food; he might have been injured in the crash. And she had let him in for this
fight without his knowledge. At one point, after lofur Raknison had tested the
sharpness of his claws on a fresh-killed walrus, slicing its skin open like
paper, and the power of his crashing blows on the walrus's skull (two blows,
and it was cracked like an egg), Lyra had to make an excuse to lofur and go
away by herself to weep with fear.
Even Pantalaimon, who could normally cheer
her up, had little to say that was hopeful. All she could do was consult the
alethiometer: he is an hour away, it told her, and again, she must trust him;
and (this was harder to read) she even thought it was rebuking her for asking
the same question twice.
By this time, word had spread among the
bears, and every part of the combat ground was crowded. Bears of high rank had
the best places, and there was a special enclosure for the she-bears,
including, of course, lofur's wives. Lyra was profoundly curious about
she-bears, because she knew so little about them, but this was no time to
wander about asking questions. Instead she stayed close to lofur Raknison and
watched the courtiers around him assert their rank over the common bears from
outside, and tried to guess the meaning of the various plumes and badges and
tokens they all seemed to wear. Some of the highest-ranking, she saw, carried
little manikins like lofur's rag-doll daemon, trying to curry favor, perhaps,
by imitating the fashion he'd begun. She was sardonically pleased to notice
that when they saw that lofur had discarded his, they didn't know what to do
with theirs. Should they throw them away? Were they out of favor now? How
should they behave?
{ Because that was the prevailing mood in
his court, she was beginning to see. They weren't sure what they were. They
weren't like lorek Byrnison, pure and certain and absolute; there was a
constant pall of uncertainty hanging over them, as they watched one another and
watched lofur.
And they watched her, with open curiosity.
She remained modestly close to lofur and said nothing, lowering her eyes
whenever a bear looked at her.
The fog had lifted by this time, and the
air was clear; and as chance would have it, the brief lifting of darkness
toward noon coincided with the time Lyra thought lorek was going to arrive. As
she stood shivering on a little rise of dense-packed snow at the edge of the
combat ground, she looked up toward the faint lightness in the sky, and longed
with all her heart to see a flight of ragged elegant black shapes descending to
bear her away; or to see the Aurora's hidden city, where she would be able to
walk safely along those broad boulevards in the sunlight; or to see Ma Costa's
broad arms, to smell the friendly smells of flesh and cooking that enfolded you
in her presence....
She found herself crying, with tears that
froze almost as soon as they formed, and which she had to brush away painfully.
She was so frightened. Bears, who didn't cry, couldn't understand what was
happening to her; it was some human process, meaningless. And of course
Pantalaimon couldn't comfort her as he normally would, though she kept her hand
in her pocket firmly around his warm little mouse-form, and he nuzzled at her
fingers.
Beside her, the smiths were making the
final adjustments to lofur Raknison's armor. He reared like a great metal
tower, shining in polished steel, the smooth plates inlaid with wires of gold;
his helmet enclosed the upper part of his head in a glistening carapace of
silver-gray, with deep eye slits; and the underside of his body was protected
by a close-fitting sark of chain mail. It was when she saw this that Lyra
realized that she had betrayed lorek Byrnison, for lorek had nothing like it.
His armor protected only his back and sides. She looked at lofur Raknison, so
sleek and powerful, and felt a deep sickness in her, like guilt and fear combined.
She said “Excuse me, Your Majesty, if you
remember what I said to you before...”
Her shaking voice felt thin and weak in
the air. lofur Raknison turned his mighty head, distracted from the target
three bears were holding up in front for him to slash at with his perfect
claws.
“Yes? Yes?”
“Remember, I said I'd better go and speak
to lorek Byrnison first, and pretend—”
But before she could even finish her
sentence, there was a roar from the bears on the watchtower. The others all
knew what it meant and took it up with a triumphant excitement. They had seen
lorek.
“Please?” Lyra said urgently. “I'll fool
him, you'll see.”
“Yes. Yes. Go now. Go and encourage him!”
lofur Raknison was hardly able to speak
for rage and excitement.
Lyra left his side and walked across the
combat ground, bare and clear as it was, leaving her little footprints in the
snow, and the bears on the far side parted to let her through. As their great
bodies lumbered aside, the horizon opened, gloomy in the pallor of the light.
Where was lorek Byrnison? She could see nothing; but then, the watchtower was
high, and they could see what was still hidden from her. All she could do was
walk forward in the snow.
He saw her before she saw him. There was a
bounding and a heavy clank of metal, and in a flurry of snow lorek Byrnison
stood beside her.
“Oh, lorek! I've done a terrible thing! My
dear, you're going to have to fight lofur Raknison, and you en't ready— you're
tired and hungry, and your armor's—”
“What terrible thing?”
“I told him you was coming, because I read
it on the symbol reader; and he's desperate to be like a person and have a
daemon, just desperate. So I tricked him into thinking that I was your daemon,
and I was going to desert you and be his instead, but he had to fight you to make
it happen. Because otherwise, lorek, dear, they'd never let you fight, they
were going to just burn you up before you got close—”
“You tricked lofur Raknison?”
“Yes. I made him agree that he'd fight you
instead of just killing you straight off like an outcast, and the winner would
be king of the bears. I had to do that, because—”
“Belacqua? No. You are Lyra Silvertongue,”
he said. “To fight him is all I want. Come, little daemon.”
She looked at lorek Byrnison in his
battered armor, lean and ferocious, and felt as if her heart would burst with
pride.
They walked together toward the massive
hulk of lofur's palace, where the combat ground lay flat and open at the foot
of the walls. Bears clustered at the battlements, white faces filled every
window, and their heavy forms stood like a dense wall of misty white ahead,
marked with the black dots of eyes and noses. The nearest ones moved aside,
making two lines for lorek Byrnison and his daemon to walk between. Every
bear's eyes were fixed on them.
lorek halted across the combat ground from
lofur Raknison. The king came down from the rise of trodden snow, and the two
bears faced each other several yards apart.
Lyra was so close to lorek that she could
feel a trembling in him like a great dynamo, generating mighty anbaric forces.
She touched him briefly on the neck at the edge of his helmet and said, “Fight
well, lorek my dear. You're the real king, and he en't. He's nothing.”
Then she stood back.
“Bears!” lorek Byrnison roared. An echo
rang back from the palace walls and startled birds out of their nests. He went
on: “The terms of this combat are these. If lofur Raknison kills me, then he
will be king forever, safe from challenge or
dispute. If I kill lofur Raknison, I shall
be your king. My first order to you all will be to tear down that palace, that
perfumed house of mockery and tinsel, and hurl the gold and marble into the
sea. Iron is bear-metal. Gold is not. lofur Raknison has polluted Svalbard. I
have come to cleanse it. lofur Raknison, I challenge you.”
Then lofur bounded forward a step or two,
as if he could hardly hold himself back.
“Bears!” he roared in his turn. “lorek
Byrnison has come back at my invitation. I drew him here. It is for me to make
the terms of this combat, and they are these: if I kill lorek Byrnison, his
flesh shall be torn apart and scattered to the cliff-ghasts. His head shall be
displayed above my palace. His memory shall be obliterated. It shall be a
capital crime to speak his name....”
He continued, and then each bear spoke
again. It was a formula, a ritual faithfully followed. Lyra looked at the two
of them, so utterly different: lofur so glossy and powerful, immense in his
strength and health, splendidly armored, proud and kinglike; and lorek smaller,
though she had never thought he would look small, and poorly equipped, his
armor rusty and dented. But his armor was his soul. He had made it and it
fitted him. They were one. lofur was not content with his armor; he wanted
another soul as well. He was restless while lorek was still.
And she was aware that all the other bears
were making the comparison too. But lorek and lofur were more than just two
bears. There were two kinds of beardom opposed here, two futures, two
destinies. lofur had begun to take them in one direction, and lorek would take
them in another, and in the same moment, one future would close forever as the
other began to unfold.
As their ritual combat moved toward the
second phase, the two bears began to prowl restlessly on the snow, edging
forward, swinging their heads. There was not a flicker of movement from the
spectators: but all eyes followed them.
Finally the warriors were still and
silent, watching each other face to face across the width of the combat ground.
Then with a roar and a blur of snow both
bears moved at the same moment. Like two great masses of rock balanced on
adjoining peaks and shaken loose by an earthquake, which bound down the
mountainsides gathering speed, leaping over crevasses and knocking trees into
splinters, until they crash into each other so hard that both are smashed to
powder and flying chips of stone: that was how the two bears came together. The
crash as they met resounded in the still air and echoed back from the palace
wall. But they weren't destroyed, as rock would have been. They both fell
aside, and the first to rise was lorek. He twisted up in a lithe spring and
grappled with lofur, whose armor had been damaged by the collision and who
couldn't easily raise his head. lorek made at once for the vulnerable gap at
his neck. He raked the white fur, and then hooked his claws beneath the edge of
lofur's helmet and wrenched it forward.
Sensing the danger, lofur snarled and
shook himself as Lyra had seen lorek shake himself at the water's edge, sending
sheets of water flying high into the air. And lorek fell away, dislodged, and
with a screech of twisting metal lofur stood up tall, straightening the steel
of his back plates by sheer strength. Then like an avalanche he hurled himself
down on lorek, who was still trying to rise.
Lyra felt her own breath knocked out of
her by the force of that crashing fall. Certainly the very ground shook beneath
her. How could lorek survive that? He was struggling to twist himself and gain
a purchase on the ground, but his feet were uppermost, and lofur had fixed his
teeth somewhere near lorek's throat. Drops of hot blood were flying through the
air: one landed on Lyra's furs, and she pressed her hand to it like a token of
love.
Then lorek's rear claws dug into the links
of lofur's chain-mail sark and ripped downward. The whole front came away, and
lofur lurched sideways to look at the damage, leaving lorek to scramble upright
again.
For a moment the two bears stood apart,
getting their breath back. lofur was hampered now by that chain mail, because
from a protection it had changed all at once into a hindrance: it was still
fastened at the bottom, and trailed around his rear legs. However, lorek was
worse off. He was bleeding freely from a wound at his neck, and panting
heavily.
But he leaped at lofur before the king
could disentangle himself from the clinging chain mail, and knocked him head
over heels, following up with a lunge at the bare part of lofur's neck, where
the edge of the helmet was bent. lofur threw him off, and then the two bears
were at each other again, throwing up fountains of snow that sprayed in all
directions and sometimes made it hard to see who had the advantage.
Lyra watched, hardly daring to breathe,
and squeezing her hands together so tight it hurt. She thought she saw lofur
tearing at a wound in lorek's belly, but that couldn't be right, because a
moment later, after another convulsive explosion of snow, both bears were
standing upright like boxers, and lorek was slashing with mighty claws at
lofur's face, with lofur hitting back just as savagely.
Lyra trembled at the weight of those
blows. As if a giant were swinging a sledgehammer, and that hammer were armed
with five steel spikes...
Iron clanged on iron, teeth crashed on
teeth, breath roared harshly, feet thundered on the hard-packed ground. The
snow around was splashed with red and trodden down for yards into a crimson
mud.
lofur's armor was in a pitiful state by
this time, the plates torn and distorted, the gold inlay torn out or smeared
thickly with blood, and his helmet gone altogether. lorek's was in much better
condition, for all its ugliness: dented, but intact, standing up far better to
the great sledgehammer blows of the bear-king, and turning aside those brutal
six-inch claws.
But against that, lofur was bigger and
stronger than lorek, and lorek was weary and hungry, and had lost more blood.
He was wounded in the belly, on both arms, and at the neck, whereas lofur was
bleeding only from his lower jaw. Lyra longed to help her dear friend, but what
could she do?
And it was going badly for lorek now. He
was limping; every time he put his left forepaw on the ground, they could see
that it hardly bore his weight. He never used it to strike with, and the blows
from his right hand were feebler, too, almost little pats compared with the
mighty crushing buffets he'd delivered only a few minutes before.
lofur had noticed. He began to taunt
lorek, calling him broken-hand, whimpering cub, rust-eaten, soon-to-die, and
other names, all the while swinging blows at him from right and left which
lorek could no longer parry. lorek had to move backward, a step at a time, and
to crouch low under the rain of blows from the jeering bear-king.
Lyra was in tears. Her dear, her brave
one, her fearless defender, was going to die, and she would not do him the treachery
of looking away, for if he looked at her he must see her shining eyes and their
love and belief, not a face hidden in cowardice or a shoulder fearfully turned
away.
So she looked, but her tears kept her from
seeing what was really happening, and perhaps it would not have been visible to
her anyway. It certainly was not seen by lofur.
Because lorek was moving backward only to
find clean dry footing and a firm rock to leap up from, and the useless left
arm was really fresh and strong. You could not trick a bear, but, as Lyra had
shown him, lofur did not want to be a bear, he wanted to be a man; and lorek
was tricking him.
At last he found what he wanted: a firm
rock deep-anchored in the permafrost. He backed against it, tensing his legs
and choosing his moment.
It came when lofur reared high above,
bellowing his triumph, and turning his head tauntingly toward lorek's
apparently weak left side.
That was when lorek moved. Like a wave
that has been building its strength over a thousand miles of ocean, and which
makes little stir in the deep water, but which when it reaches the shallows
rears itself up high into the sky, terrifying the shore dwellers, before
crashing down on the land with irresistible power—so lorek Byrnison rose up
against lofur, exploding upward from his firm footing on the dry rock and
slashing with a ferocious left hand at the exposed jaw of lofur Raknison.
It was a horrifying blow. It tore the
lower part of his jaw clean off, so that it flew through the air scattering
blood drops in the snow many yards away.
lofur's red tongue lolled down, dripping
over his open throat. The bear-king was suddenly voiceless, biteless, helpless,
lorek needed nothing more. He lunged, and then his teeth were in lofur's
throat, and he shook and shook this way, that way, lifting the huge body off
the ground and battering it down as if lofur were no more than a seal at the
water's edge.
Then he ripped upward, and lofur
Raknison's life came away in his teeth.
There was one ritual yet to perform. lorek
sliced open the dead king's unprotected chest, peeling the fur back to expose
the narrow white and red ribs like the timbers of an upturned boat. Into the
rib cage lorek reached, and he plucked out lofur's heart, red and steaming, and
ate it there in front of lofur's subjects.
Then there was acclamation, pandemonium, a
crush of bears surging forward to pay homage to lofur's conqueror.
lorek Byrnison's voice rose above the
clamor.
“Bears! Who is your king?”
And the cry came back, in a roar like that
of all the sea-smooth pebbles in the world in an ocean-battering storm:
“lorek Byrnison!”
The bears knew what they must do. Every
single badge and sash and coronet was thrown off at once and trampled
contemptuously underfoot, to be forgotten in a moment. They were lorek's bears
now, and true bears, not uncertain semi-humans conscious only of a torturing
inferiority. They swarmed to the palace and began to hurl great blocks of
marble from the topmost towers, rocking the battlemented walls with their
mighty fists until the stones came loose, and then hurling them over the cliffs
to crash on the jetty hundreds of feet below.
lorek ignored them and unhooked his armor
to attend to his wounds, but before he could begin, Lyra was beside him,
stamping her foot on the frozen scarlet snow and shouting to the bears to stop
smashing the palace, because there were prisoners inside. They didn't hear, but
lorek did, and when he roared they stopped at once.
“Human prisoners?” lorek said.
“Yes—lofur Raknison put them in the
dungeons—they ought to come out first and get shelter somewhere, else they'll
be killed with all the falling rocks—”
lorek gave swift orders, and some bears
hurried into the palace to release the prisoners. Lyra turned to lorek.
“Let me help you—I want to make sure you
en't too badly hurt, lorek dear—oh, I wish there was some bandages or
something! That's an awful cut on your belly—”
A bear laid a mouthful of some stiff green
stuff, thickly frosted, on the ground at lorek's feet.
“Bloodmoss,” said lorek. “Press it in the
wounds for me, Lyra. Fold the flesh over it and then hold some snow there till
it freezes.”
He wouldn't let any bears attend to him,
despite their eagerness. Besides, Lyra's hands were deft, and she was desperate
to help; so the small human bent over the great bear-king, packing in the
bloodmoss and freezing the raw flesh till it stopped bleeding. When she had
finished, her mittens were sodden with lorek's blood, but his wounds were
stanched.
And by that time the prisoners—a dozen or
so men, shivering and blinking and huddling together—had come out. There was no
point in talking to the professor, Lyra decided, because the poor man was mad;
and she would have liked to know who the other men were, but there were many
other urgent things to do. And she didn't want to distract lorek, who was
giving rapid orders and sending bears scurrying this way and that, but she was
anxious about Roger, and about Lee Scoresby and the witches, and she was hungry
and tired.... She thought the best thing she could do just then was to keep out
of the way.
So she curled up in a quiet corner of the
combat ground with Pantalaimon as a wolverine to keep her warm, and piled snow
over herself as a bear would do, and went to sleep.
Something nudged her foot, and a strange
bear voice said, “Lyra Silvertongue, the king wants you.”
She woke up nearly dead with cold, and
couldn't open her eyes, for they had frozen shut; but Pantalaimon licked them
to melt the ice on her eyelashes, and soon she was able to see the young bear
speaking to her in the moonlight.
She tried to stand, but fell over twice.
The bear said, “Ride on me,” and crouched
to offer his broad back, and half-clinging, half-falling, she managed to stay
on while he took her to a steep hollow, where many bears were assembled.
And among them was a small figure who ran
toward her, and whose daemon leaped up to greet Pantalaimon.
“Roger!” she said.
“lorek Byrnison made me stay out there in
the snow while he came to fetch you away—we fell out the balloon, Lyra! After
you fell out, we got carried miles and miles, and then Mr. Scoresby let some
more gas out and we crashed into a mountain, and we fell down such a slope like
you never seen! And I don't know where Mr. Scoresby is now, nor the witches.
There was just me and lorek Byrnison. He come straight back this way to look
for you. And they told me about his fight....”
Lyra looked around. Under the direction of
an older bear, the human prisoners were building a shelter out of driftwood and
scraps of canvas. They seemed pleased to have some work to do. One of them was
striking a flint to light a fire.
“There is food,” said the young bear who
had woken Lyra.
A fresh seal lay on the snow. The bear
sliced it open with a claw and showed Lyra where to find the kidneys. She ate
one raw: it was warm and soft and delicious beyond imagining.
“Eat the blubber too,” said the bear, and
tore off a piece for her. It tasted of cream flavored with hazelnuts. Roger
hesitated, but followed her example. They ate greedily, and within a very few
minutes Lyra was fully awake and beginning to be warm.
Wiping her mouth, she looked around, but
lorek was not in sight.
“lorek Byrnison is speaking with his
counselors,” said the young bear. “He wants to see you when you have eaten.
Follow me.”
He led them over a rise in the snow to a
spot where bears were beginning to build a wall of ice blocks. lorek sat at the
center of a group of older bears, and he rose to greet her.
“Lyra Silvertongue,” he said. “Come and
hear what I am being told.”
He didn't explain her presence to the
other bears, or perhaps they had learned about her already; but they made room
for her and treated her with immense courtesy, as if she were a queen. She felt
proud beyond measure to sit beside her friend lorek Byrnison under the Aurora
as it flickered gracefully in the polar sky, and join the conversation of the
bears.
It turned out that lofur Raknison's
dominance over them had been like a spell. Some of them put it down to the
influence of Mrs. Coulter, who had visited him before lorek's exile, though
lorek had not known about it, and given lofur various presents.
“She gave him a drug,” said one bear,
“which he fed secretly to Hjalmur Hjalmurson, and made him forget himself.”
Hjalmur Hjalmurson, Lyra gathered, was the
bear whom lorek had killed, and whose death had brought about his exile. So
Mrs. Coulter was behind that! And there was more.
“There are human laws that prevent certain
things that she was planning to do, but human laws don't apply on Svalbard. She
wanted to set up another station here like Bolvangar, only worse, and lofur was
going to allow her to do it, against all the custom of the bears; because
humans have visited, or been imprisoned, but never lived and worked here.
Little by little she was going to increase her power over lofur Raknison, and his
over us, until we were her creatures running back and forth at her bidding, and
our only duty to guard the abomination she was going to create....”
That was an old bear speaking. His name
was S0ren Eisarson, and he was a counselor, one who had suffered under lofur
Raknison.
“What is she doing now, Lyra?” said lorek
Byrnison. “Once she hears of lofur's death, what will her plans be?”
Lyra took out the alethiometer. There was
not much light to see it by, and lorek commanded that a torch be brought.
“What happened to Mr. Scoresby?” Lyra said
while they were waiting. “And the witches?”
“The witches were attacked by another
witch clan. I don't know if the others were allied to the child cutters, but
they were patrolling our skies in vast numbers, and they attacked in the storm.
I didn't see what happened to Serafina Pekkala. As for Lee Scoresby, the
balloon soared up again after I fell out with the boy, taking him with it. But
your symbol reader will tell you what their fate is.”
A bear pulled up a sledge on which a
cauldron of charcoal was smoldering, and thrust a resinous branch into the
heart of it. The branch caught at once, and in its glare Lyra turned the hands
of the alethiometer and asked about Lee Scoresby.
It turned out that he was still aloft,
borne by the winds toward Nova Zembla, and that he had been unharmed by the
cliff-ghasts and had fought off the other witch clan.
Lyra told lorek, and he nodded, satisfied.
“If he is in the air, he will be safe,” he
said. “What of Mrs. Coulter?”
The answer was complicated, with the
needle swinging from symbol to symbol in a sequence that made Lyra puzzle for a
long time. The bears were curious, but restrained by their respect for lorek
Byrnison, and his for Lyra, and she put them out of her mind and sank again into
the alethiometric trance.
The play of symbols, once she had
discovered the pattern of it, was dismaying.
“It says she's...She's heard about us
flying this way, and she's got a transport zeppelin that's armed with machine
guns—I think that's it—and they're a flying to Svalbard right now. She don't
know yet about lofur Raknison being beaten, of course, but she will soon
because...Oh yes, because some witches will tell her, and they'll learn it from
the cliff-ghasts. So I reckon there are spies in the air all around, lorek. She
was coming to...to pretend to help lofur Raknison, but really she was going to
take over power from him, with a regiment of Tartars that's a coming by sea,
and they'll be here in a couple of days.
“And as soon as she can, she's going to
where Lord Asriel is kept prisoner, and she's intending to have him killed.
Because ...It's coming clear now: something I never understood before, lorek!
It's why she wants to kill Lord Asriel: it's because she knows what he's going
to do, and she fears it, and she wants to do it herself and gain control before
he does....It must be the city in the sky, it must be! She's trying to get to
it first! And now it's telling me something else....”
She bent over the instrument,
concentrating furiously as the needle darted this way and that. It moved almost
too fast to follow; Roger, looking over her shoulder, couldn't even see it
stop, and was conscious only of a swift nickering dialogue between Lyra's
fingers turning the hands and the needle answering, as bewilderingly unlike
language as the Aurora was.
“Yes,” she said finally, putting the
instrument down in her lap and blinking and sighing as she woke out of her
profound concentration. “Yes, I see what it says. She's after me again.
She wants something I've got, because Lord
Asriel wants it too. They need it for this...for this experiment, whatever it
is...”
She stopped there, to take a deep breath.
Something was troubling her, and she didn't know what it was. She was sure that
this something that was so important was the alethiome-ter itself, because
after all, Mrs. Coulter had wanted it, and what else could it be? And yet it
wasn't, because the alethiometer had a different way of referring to itself,
and this wasn't it.
“I suppose it's the alethiometer,” she
said unhappily. “It's what I thought all along. I've got to take it to Lord
Asriel before she gets it. If she gets it, we'll all die.”
As she said that, she felt so tired, so
bone-deep weary and sad, that to die would have been a relief. But the example
of lorek kept her from admitting it. She put the alethiometer away and sat up
straight.
“How far away is she ?” said lorek.
“Just a few hours. I suppose I ought to
take the alethiometer to Lord Asriel as soon as I can.”
“I will go with you,” said lorek.
She didn't argue. While lorek gave
commands and organized an armed squad to accompany them on the final part of
their journey north, Lyra sat still, conserving her energy. She felt that
something had gone out of her during that last reading. She closed her eyes and
slept, and presently they woke her and set off.
LORD
ASRIEL'S WELCOME
Lyra rode a strong young bear, and Roger
rode another, while lorek paced tirelessly ahead and a squad armed with a fire
hurler followed guarding the rear.
The way was long and hard. The interior of
Svalbard was mountainous, with jumbled peaks and sharp ridges deeply cut by
ravines and steep-sided valleys, and the cold was intense. Lyra thought back to
the smooth-running sledges of the gyp-tians on the way to Bolvangar; how swift
and comfortable that progress now seemed to have been! The air here was more
penetratingly chill than any she had experienced before; or it might have been
that the bear she was riding wasn't as lightfooted as lorek; or it might have
been that she was tired to her very soul. At all events, it was desperately
hard going.
She knew little of where they were bound,
or how far it was. All she knew was what the older bear S0ren Eisarson had told
her while they were preparing the fire hurler. He had been involved in
negotiating with Lord Asriel about the terms of his imprisonment, and he
remembered it well.
At first, he'd said, the Svalbard bears
regarded Lord Asriel as being no different from any of the other politicians,
kings, or troublemakers who had been exiled to their bleak island. The
prisoners were important, or they would have been killed outright by their own
people; they might be valuable to the bears one day, if their political
fortunes changed and they returned to rule in their own countries; so it might
pay the bears not to treat them with cruelty or disrespect.
So Lord Asriel had found conditions on
Svalbard no better and no worse than hundreds of other exiles had done. But
certain things had made his jailers more wary of him than of other prisoners
they'd had. There was the air of mystery and spiritual peril surrounding
anything that had to do with Dust; there was the clear panic on the part of
those who'd brought him there; and there were Mrs. Coulter's private
communications with lofur Raknison.
Besides, the bears had never met anything
quite like Lord Asriel's own haughty and imperious nature. He dominated even
lofur Raknison, arguing forcefully and eloquently, and persuaded the bear-king
to let him choose his own dwelling place.
The first one he was allotted was too low
down, he said. He needed a high spot, above the smoke and stir of the fire
mines and the smithies. He gave the bears a design of the accommodation he
wanted, and told them where it should be; and he bribed them with gold, and he flattered
and bullied lofur Raknison, and with a bemused willingness the bears set to
work. Before long a house had arisen on a headland facing north: a wide and
solid place with fireplaces that burned great blocks of coal mined and hauled
by bears, and with large windows of real glass. There he dwelt, a prisoner
acting like a king.
And then he set about assembling the
materials for a laboratory.
With furious concentration he sent for
books, instruments, chemicals, all manner of tools and equipment. And somehow
it had come, from this source or that; some openly, some smuggled in by the
visitors he insisted he was entitled to have. By land, sea, and air, Lord
Asriel assembled his materials, and within six months of his committal, he had
all the equipment he wanted.
And so he worked, thinking and planning
and calculating, waiting for the one thing he needed to complete the task that
so terrified the Oblation Board. It was drawing closer every minute.
Lyra's first glimpse of her father's
prison came when lorek Byrnison stopped at the foot of a ridge for the children
to move and stretch themselves, because they had been getting dangerously cold
and stiff.
“Look up there,” he said.
A wide broken slope of tumbled rocks and
ice, where a track had been laboriously cleared, led up to a crag outlined
against the sky. There was no Aurora, but the stars were brilliant. The crag
stood black and gaunt, but at its summit was a spacious building from which
light spilled lavishly in all directions: not the smoky inconstant gleam of
blubber lamps, nor the harsh white of anbaric spotlights, but the warm creamy
glow of naphtha.
The windows from which the light emerged
also showed Lord Asriel's formidable power. Glass was expensive, and large
sheets of it were prodigal of heat in these fierce latitudes; so to see them
here was evidence of wealth and influence far greater than lofur Raknison's
vulgar palace.
Lyra and Roger mounted their bears for the
last time, and lorek led the way up the slope toward the house. There was a
courtyard that lay deep under snow, surrounded by a low wall, and as lorek
pushed open the gate they heard a bell ring somewhere in the building.
Lyra got down. She could hardly stand. She
helped Roger down too, and, supporting each other, the children stumbled through
the thigh-deep snow toward the steps up to the door.
Oh, the warmth there would be inside that
house! Oh, the peaceful rest!
She reached for the handle of the bell,
but before she could reach it, the door opened. There was a small dimly lit
vestibule to keep the warm air in, and standing under the lamp was a figure she
recognized: Lord Asriel's manservant Thorold, with his pinscher daemon Anfang.
Lyra wearily pushed back her hood.
“Who...” Thorold began, and then saw who
it was, and went on: “Not Lyra? Little Lyra? Am I dreaming?”
He reached behind him to open the inner
door.
A hall, with a coal fire blazing in a
stone grate; warm naphtha light glowing on carpets, leather chairs, polished
wood... It was like nothing Lyra had seen since leaving Jordan College, and it
brought a choking gasp to her throat.
Lord Asriel's snow-leopard daemon growled.
Lyra's father stood there, his powerful
dark-eyed face at first fierce, triumphant, and eager; and then the color faded
from it; his eyes widened, in horror, as he recognized his daughter.
“No! No!”
He staggered back and clutched at the
mantelpiece. Lyra couldn't move.
“Get out!” Lord Asriel cried. “Turn
around, get out, go! I did not send for you!”
She couldn't speak. She opened her mouth
twice, three times, and then managed to say:
“No, no, I came because—”
He seemed appalled; he kept shaking his
head, he held up his hands as if to ward her off; she couldn't believe his
distress.
She moved a step closer to reassure him,
and Roger came to stand with her, anxious. Their daemons fluttered out into the
warmth, and after a moment Lord Asriel passed a hand across his brow and
recovered slightly. The color began to return to his cheeks as he looked down
at the two.
“Lyra,” he said. “That is Lyra?”
“Yes, Uncle Asriel,” she said, thinking
that this wasn't the time to go into their true relationship. “I came to bring
you the alethiometer from the Master of Jordan.”
“Yes, of course you did,” he said. “Who is
this?”
“It's Roger Parslow,” she said. “He's the
kitchen boy from Jordan College. But—”
“How did you get here?”
“I was just going to say, there's lorek
Byrnison outside, he's brought us here. He came with me all the way from
Trollesund, and we tricked lofur—”
“Who's lorek Byrnison?”
“An armored bear. He brought us here.”
“Thorold,” he called, “run a hot bath for
these children, and prepare them some food. Then they will need to sleep. Their
clothes are filthy; find them something to wear. Do it now, while I talk to
this bear.”
Lyra felt her head swim. Perhaps it was
the heat, or perhaps it was relief. She watched the servant bow and leave the
hall, and Lord Asriel go into the vestibule and close the door behind, and then
she half-fell into the nearest chair.
Only a moment later, it seemed, Thorold
was speaking to her.
“Follow me, miss,” he was saying, and she
hauled herself up and went with Roger to a warm bathroom, where soft towels
hung on a heated rail, and where a tub of water steamed in the naphtha light.
“You go first,” said Lyra. “I'll sit
outside and we'll talk.”
So Roger, wincing and gasping at the heat,
got in and washed. They had swum naked together often enough, frolicking in the
Isis or the Cherwell with other children, but this was different.
“I'm afraid of your uncle,” said Roger
through the open door. “I mean your father.”
“Better keep calling him my uncle. I'm
afraid of him too, sometimes.”
“When we first come in, he never saw me at
all. He only saw you. And he was horrified, till he saw me. Then he calmed down
all at once.”
“He was just shocked,” said Lyra. “Anyone
would be, to see someone they didn't expect. He last saw me after that time in
the Retiring Room. It's bound to be a shock.”
“No,” said Roger, “it's more than that. He
was looking at me like a wolf, or summing.”
“You're imagining it.”
“I en't. I'm more scared of him than I was
of Mrs. Coulter, and that's the truth.”
He splashed himself. Lyra took out the
alethiometer.
“D'you want me to ask the symbol reader
about it?” Lyra said.
“Well, I dunno. There's things I'd rather
not know. Seems to me everything I heard of since the Gobblers come to Oxford,
everything's been bad. There en't been nothing good more than about five
minutes ahead. Like I can see now, this bath's nice, and there's a nice warm
towel there, about five minutes away. And once I'm dry, maybe I'll think of
summing nice to eat, but no further ahead than that. And when I've eaten, maybe
I'll look forward to a kip in a comfortable bed. But after that, I dunno, Lyra.
There's been terrible things we seen, en't there? And more a coming, more'n likely.
So I think I'd rather not know what's in the future. I'll stick to the
present.”
“Yeah,” said Lyra wearily. “There's times
I feel like that too.”
So although she held the alethiometer in
her hands for a little longer, it was only for comfort; she didn't turn the
wheels, and the swinging of the needle passed her by. Pantalaimon watched it in
silence.
After they'd both washed, and eaten some
bread and cheese and drunk some wine and hot water, the servant Thorold said,
“The boy is to go to bed. I'll show him where to go. His Lordship asks if you'd
join him in the library, Miss Lyra.”
Lyra found Lord Asriel in a room whose
wide windows overlooked the frozen sea far below. There was a coal fire under a
wide chimneypiece, and a naphtha lamp turned down low, so there was little in
the way of distracting reflections between the occupants of the room and the
bleak starlit panorama outside. Lord Asriel, reclining in a large armchair on
one side of the fire, beckoned her to come and sit in the other chair facing him.
“Your friend lorek Byrnison is resting
outside,” he said. “He prefers the cold.”
“Did he tell you about his fight with
lofur Raknison?”
“Not in detail. But I understand that he
is now the king of Svalbard. Is that true?”
“Of course it's true. lorek never lies.”
“He seems to have appointed himself your
guardian.”
“No. John Faa told him to look after me,
and he's doing it because of that. He's following John Faa's orders.”
“How does John Faa come into this?”
“I'll tell you if you tell me something,”
she said. “You're my father, en't you?”
“Yes. So what?”
“So you should have told me before, that's
what. You shouldn't hide things like that from people, because they feel stupid
when they find out, and that's cruel. What difference would it make if I knew I
was your daughter? You could have said it years ago. You could've told me and
asked me to keep it secret, and I would, no matter how young I was, I'd have
done that if you asked me. I'd have been so proud nothing would've torn it out
of me, if you asked me to keep it secret. But you never. You let other people
know, but you never told me.”
“Who did tell you?”
“John Faa.”
“Did he tell you about your mother?”
“Yes.”
“Then there's not much left for me to
tell. I don't think I want to be interrogated and condemned by an insolent
child. I want to hear what you've seen and done on the way here.”
“I brought you the bloody alethiometer,
didn't I?” Lyra burst out. She was very near to tears. “I looked after it all
the way from Jordan, I hid it and I treasured it, all through what's happened
to us, and I learned about using it, and I carried it all this bloody way when
I could've just given up and been safe, and you en't even said thank you, nor
showed any sign that you're glad to see me. I don't know why I ever done it. But
I did, and I kept on going, even in lofur Raknison's stinking palace with all
them bears around me I kept on going, all on me own, and I tricked him into
fighting with lorek so's I could come on here for your sake....And when you did
see me, you like to fainted, as if I was some horrible thing you never wanted
to see again. You en't human, Lord Asriel. You en't my father. My father
wouldn't treat me like that. Fathers are supposed to love their daughters, en't
they? You don't love me, and I don't love you, and that's a fact. I love Farder
Coram, and I love lorek Byrnison; I love an armored bear more'n I love my
father. And I bet lorek Byrnison loves me more'n you do.”
“You told me yourself he's only following
John Faa's orders.
If you're going to be sentimental, I
shan't waste time talking to you.”
“Take your bloody alethiometer, then, and
I'm going back with lorek.”
“Where?”
“Back to the palace. He can fight with
Mrs. Coulter and the Oblation Board, when they turn up. If he loses, then I'll
die too, I don't care. If he wins, we'll send for Lee Scoresby and I'll sail
away in his balloon and—”
“Who's Lee Scoresby?”
“An aeronaut. He brought us here and then
we crashed. Here you are, here's the alethiometer. It's all in good order.”
He made no move to take it, and she laid
it on the brass fender around the hearth.
“And I suppose I ought to tell you that
Mrs. Coulter's on her way to Svalbard, and as soon as she hears what's happened
to lofur Raknison, she'll be on her way here. In a zeppelin, with a whole lot of
soldiers, and they're going to kill us all, by order of the Magisterium.”
“They'll never reach us,” he said calmly.
He was so quiet and relaxed that some of
her ferocity dwindled.
“You don't know,” she said uncertainly.
“Yes I do.”
“Have you got another alethiometer, then?”
“I don't need an alethiometer for that.
Now I want to hear about your journey here, Lyra. Start from the beginning.
Tell me everything.”
So she did. She began with her hiding in
the Retiring Room, and went on to the Gobblers' taking Roger, and her time with
Mrs. Coulter, and everything else that had happened.
It was a long tale, and when she finished
it she said, “So there's one thing I want to know, and I reckon I've got the
right to know it, like I had the right to know who I really was. And if you
didn't tell me that, you've got to tell me this, in recompense. So: what's
Dust? And why's everyone so afraid of it?”
He looked at her as if trying to guess
whether she would understand what he was about to say. He had never looked at
her seriously before, she thought; until now he had always been like an adult
indulging a child in a pretty trick. But he seemed to think she was ready.
“Dust is what makes the alethiometer
work,” he said. “Ah...I thought it might! But what else? How did they find out
about it?”
“In one way, the Church has always been
aware of it. They've been preaching about Dust for centuries, only they didn't
call it by that name.
“But some years ago a Muscovite called
Boris Mikhailovitch Rusakov discovered a new kind of elementary particle.
You've heard of electrons, photons, neutrinos, and the rest? They're called
elementary particles because you can't break them down any further: there's
nothing inside them but themselves. Well, this new kind of particle was
elementary all right, but it was very hard to measure because it didn't react
in any of the usual ways. The hardest thing for Rusakov to understand was why
the new particle seemed to cluster where human beings were, as if it were
attracted to us. And especially to adults. Children too, but not nearly so much
until their daemons have taken a fixed form. During the years of puberty they
begin to attract Dust more strongly, and it settles on them as it settles on
adults.
“Now all discoveries of this sort, because
they have a bearing on the doctrines of the Church, have to be announced
through the Magisterium in Geneva. And this discovery of Rusakov's was so
unlikely and strange that the inspector from the Consistorial Court of
Discipline suspected Rusakov of diabolic possession. He performed an exorcism
in the laboratory, he interrogated Rusakov under the rules of the Inquisition,
but finally they had to accept the fact that Rusakov wasn't lying or deceiving
them: Dust really existed.
“That left them with the problem of
deciding what it was. And given the Church's nature, there was only one thing
they could have chosen. The Magisterium decided that Dust was the physical
evidence for original sin. Do you know what original sin is?”
She twisted her lips. It was like being
back at Jordan, being quizzed on something she'd been half-taught. “Sort of,”
she said.
“No, you don't. Go to the shelf beside the
desk and bring me the Bible.”
Lyra did so, and handed the big black book
to her father.
“You do remember the story of Adam and
Eve?”
'“Course,” she said. “She wasn't supposed
to eat the fruit and the serpent tempted her, and she did.”
“And what happened then?”
“Umm...They were thrown out. God threw
them out of the garden.”
“God had told them not to eat the fruit,
because they would die. Remember, they were naked in the garden, they were like
children, their daemons took on any form they desired. But this is what
happened.”
He turned to Chapter Three of Genesis, and
read:
“And the woman said unto the serpent, We
may eat of the fruit of the trees of the garden:
“But of the fruit of the tree which is in
the midst of the garden, God hath said, Ye shall not eat of it, neither shall
ye touch it, lest ye die.
“And the serpent said unto the woman, Ye
shall not surely die:
“For God doth know that in the day ye eat
thereof, then your eyes shall be opened, and your daemons shall assume their
true forms, and ye shall be as gods, knowing good and evil.
“And when the woman saw that the tree was
good for food, and that it was pleasant to the eyes, and a tree to be desired
to reveal the true form of one's daemon, she took of the fruit thereof, and did
eat, and gave also unto her husband with her; and he did eat.
“And the eyes of them both were opened,
and they saw the true form of their daemons, and spoke with them.
“But when the man and the woman knew their
own daemons, they knew that a great change had come upon them, for until that
moment it had seemed that they were at one with all the creatures of the earth
and the air, and there was no difference between them:
“And they saw the difference, and they
knew good and evil; and they were ashamed, and they sewed fig leaves together
to cover their nakedness....”
He closed the book.
“And that was how sin came into the
world,” he said, “sin and shame and death. It came the moment their daemons
became fixed.”
“But...” Lyra struggled to find the words
she wanted: “but it en't true, is it? Not true like chemistry or engineering,
not that kind of true? There wasn't really an Adam and Eve? The Cassington
Scholar told me it was just a kind of fairy tale.”
“The Cassington Scholarship is
traditionally given to a freethinker; it's his function to challenge the faith
of the Scholars. Naturally he'd say that. But think of Adam and Eve like an
imaginary number, like the square root of minus one: you can never see any
concrete proof that it exists, but if you include it in your equations, you can
calculate all manner of things that couldn't be imagined without it.
“Anyway, it's what the Church has taught
for thousands of years. And when Rusakov discovered Dust, at last there was a
physical proof that something happened when innocence changed into experience.
“Incidentally, the Bible gave us the name
Dust as well. At first they were called Rusakov Particles, but soon someone
pointed out a curious verse toward the end of the Third Chapter of Genesis,
where God's cursing Adam for eating the fruit.”
He opened the Bible again and pointed it
out to Lyra. She read:
“In the sweat of thy face shalt thou eat
bread, till thou return unto the ground; for out of it wast thou taken: for
dust thou art, and unto dust shalt thou return....”
Lord Asriel said, “Church scholars have
always puzzled over the translation of that verse. Some say it should read not
'unto dust shalt thou return' but 'thou shalt be subject to dust,' and others
say the whole verse is a kind of pun on the words 'ground' and 'dust,' and it
really means that God's admitting his own nature to be partly sinful. No one
agrees. No one can, because the text is corrupt. But it was too good a word to
waste, and that's why the particles became known as Dust.”
“And what about the Gobblers?” Lyra said.
“The General Oblation Board...Your
mother's gang. Clever of her to spot the chance of setting up her own power
base, but she's a clever woman, as I dare say you've noticed. It suits the
Magisterium to allow all kinds of different agencies to flourish. They can play
them off against one another; if one succeeds, they can pretend to have been
supporting it all along, and if it fails, they can pretend it was a renegade
outfit which had never been properly licensed.
“You see, your mother's always been
ambitious for power. At first she tried to get it in the normal way, through
marriage, but that didn't work, as I think you've heard. So she had to turn to
the Church. Naturally she couldn't take the route a man could have
taken—priesthood and so on—it had to be unorthodox; she had to set up her own
order, her own channels of influence, and work through that. It was a good move
to specialize in Dust. Everyone was frightened of it; no one knew what to do;
and when she offered to direct an investigation, the Magisterium was so
relieved that they backed her with money and resources of all kinds.”
“But they were cutting—” Lyra couldn't
bring herself to say it; the words choked in her mouth. “You know what they
were doing! Why did the Church let them do anything like that?”
“There was a precedent. Something like it
had happened before. Do you know what the word castration means? It means
removing the sexual organs of a boy so that he never develops the
characteristics of a man. A castrate keeps his high treble voice all his life,
which is why the Church allowed it: so useful in Church music. Some castrati
became great singers, wonderful artists. Many just became fat spoiled half-men.
Some died from the effects of the operation. But the Church wouldn't flinch at
the idea of a little cut, you see. There was a precedent. And this would be so
much more hygienic than the old methods, when they didn't have anesthetics or
sterile bandages or proper nursing care. It would be gentle by comparison.”
“It isn't!” Lyra said fiercely. “It
isn't!”
“No. Of course not. That's why they had to
hide away in the far North, in darkness and obscurity. And why the Church was
glad to have someone like your mother in charge. Who could doubt someone so
charming, so well-connected, so sweet and reasonable? But because it was an
obscure and unofficial kind of operation, she was someone the Magisterium could
deny if they needed to, as well.”
“But whose idea was it to do that cutting
in the first place?”
“It was hers. She guessed that the two
things that happen at adolescence might be connected: the change in one's
daemon and the fact that Dust began to settle. Perhaps if the daemon were separated
from the body, we might never be subject to Dust—to original sin. The question
was whether it was possible to separate daemon and body without killing the
person. But she's traveled in many places, and seen all kinds of things. She's
traveled in Africa, for instance.The Africans have a way of making a slave
called a zombi. It has no will of its own; it will work day and night without
ever running away or complaining. It looks like a corpse....”
“It's a person without their daemon!”
“Exactly. So she found out that it was
possible to separate them.”
“And...Tony Costa told me about the
horrible phantoms they have in the northern forests. I suppose they might be
the same kind of thing.”
“That's right. Anyway, the General
Oblation Board grew out of ideas like that, and out of the Church's obsession
with original sin.”
Lord Asriel's daemon twitched her ears,
and he laid his hand on her beautiful head.
“There was something else that happened
when they made the cut,” he went on. “And they didn't see it. The energy that
links body and daemon is immensely powerful. When the cut is made, all that
energy dissipates in a fraction of a second. They didn't notice, because they
mistook it for shock, or disgust, or moral outrage, and they trained themselves
to feel numb towards it. So they missed what it could do, and they never
thought of harnessing it....”
Lyra couldn't sit still. She got up and
walked to the window, and stared over the wide bleak darkness with unseeing
eyes. They were too cruel. No matter how important it was to find out about
original sin, it was too cruel to do what they'd done to Tony Makarios and all
the others. Nothing justified that.
“And what were you doing?” she said. “Did
you do any of that cutting?”
“I'm interested in something quite
different. I don't think the Oblation Board goes far enough. I want to go to
the source of Dust itself.”
“The source? Where's it come from, then?”
“From the other universe we can see
through the Aurora.”
Lyra turned around again. Her father was
lying back in his chair, lazy and powerful, his eyes as fierce as his daemon's.
She didn't love him, she couldn't trust him, but she had to admire him, and the
extravagant luxury he'd assembled in this desolate wasteland, and the power of
his ambition.
“What is that other universe?” she said.
“One of uncountable billions of parallel
worlds. The witches have known about them for centuries, but the first
theologians to prove their existence mathematically were excommunicated fifty
or more years ago. However, it's true; there's no possible way of denying it.
“But no one thought it would ever be
possible to cross from one universe to another. That would violate fundamental
laws, we thought. Well, we were wrong; we learned to see the world up there. If
light can cross, so can we. And we had to learn to see it, Lyra, just as you
learned to use the alethiometer.
“Now that world, and every other universe,
came about as a result of possibility. Take the example of tossing a coin: it
can come down heads or tails, and we don't know before it lands which way it's
going to fall. If it comes down heads, that means that the possibility of its
coming down tails has collapsed. Until that moment the two possibilities were
equal.
“But on another world, it does come down
tails. And when that happens, the two worlds split apart. I'm using the example
of tossing a coin to make it clearer. In fact, these possibility collapses
happen at the level of elementary particles, but they happen in just the same
way: one moment several things are possible, the next moment only one happens,
and the rest don't exist. Except that other worlds have sprung into being, on
which they did happen.
“And I'm going to that world beyond the
Aurora,” he said, “because I think that's where all the Dust in this universe
comes from. You saw those slides I showed the Scholars in the retiring room.
You saw Dust pouring into this world from the Aurora. You've seen that city
yourself. If light can cross the barrier between the universes, if Dust can, if
we can see that city, then we can build a bridge and cross. It needs a
phenomenal burst of energy. But I can do it. Somewhere out there is the origin
of all the Dust, all the death, the sin, the misery, the destructiveness in the
world. Human beings can't see anything without wanting to destroy it, Lyra.
That's original sin. And I'm going to destroy it. Death is going to die.”
“Is that why they put you here?”
“Yes. They are terrified. And with good
reason.”
He stood up, and so did his daemon, proud
and beautiful and deadly. Lyra sat still. She was afraid of her father, and she
admired him profoundly, and she thought he was stark mad; but who was she to
judge?
“Go to bed,” he said. “Thorold will show
you where to sleep.”
He turned to go.
“You've left the alethiometer,” she said.
“Ah, yes; I don't actually need that now,”
he said. “It would be no use to me without the books anyway. D'you know, I
think the Master of Jordan was giving it to you. Did he actually ask you to
bring it to me?”
“Well, yes!” she said. But then she
thought again, and realized that in fact the Master never had asked her to do
that; she had assumed it all the time, because why else would he have given it
to her? “No,” she said. “I don't know. I thought—”
“Well, I don't want it. It's yours, Lyra.”
“But—”
“Goodnight, child.”
Speechless, too bewildered by this to
voice any of the dozen urgent questions that pressed at her mind, she sat by
the fire and watched him leave the room.
TWENTY-TW0
BETRAYAL
She woke to find a stranger shaking her
arm, and then as Pantalaimon sprang awake and growled, she recognized Thorold.
He was holding a naphtha lamp, and his hand was trembling.
“Miss—miss—get up quickly. I don't know
what to do. He's left no orders. I think he's mad, miss.”
“What? What's happening?”
“Lord Asriel, miss. He's been almost in a
delirium since you went to bed. I've never seen him so wild. He packed a lot of
instruments and batteries in a sledge and he harnessed up the dogs and left.
But he's got the boy, miss!”
“Roger? He's taken Roger?”
“He told me to wake him and dress him, and
I didn't think to argue—I never have—the boy kept on asking for you, miss—but
Lord Asriel wanted him alone—you know when you first came to the door, miss?
And he saw you and couldn't believe his eyes, and wanted you gone?”
Lyra's head was in such a whirl of
weariness and fear that she could hardly think, but “Yes? Yes?” she said.
“It was because he needed a child to
finish his experiment, miss! And Lord Asriel has a way special to himself of
bringing about what he wants, he just has to call for something and—”
Now Lyra's head was full of a roar, as if
she were trying to stifle some knowledge from her own consciousness.
She had got out of bed, and was reaching
for her clothes, and then she suddenly collapsed, and a fierce cry of despair
enveloped her. She was uttering it, but it was bigger than she was; it felt as
if the despair were uttering her. For she remembered his words: the energy that
links body and daemon is immensely powerful; and to bridge the gap between
worlds needed a phenomenal burst of energy....
She had just realized what she'd done.
She had struggled all this way to bring
something to Lord Asriel, thinking she knew what he wanted; and it wasn't the
alethiometer at all. What he wanted was a child.
She had brought him Roger.
That was why he'd cried out, “I did not
send for you!” when he saw her; he had sent for a child, and the fates had
brought him his own daughter. Or so he'd thought, until she'd stepped aside and
shown him Roger.
Oh, the bitter anguish! She had thought
she was saving Roger, and all the time she'd been diligently working to betray
him....
Lyra shook and sobbed in a frenzy of
emotion. It couldn't be true.
Thorold tried to comfort her, but he
didn't know the reason for her extremity of grief, and could only pat her
shoulder nervously.
“lorek—” she sobbed, pushing the servant
aside. “Where's lorek Byrnison? The bear? Is he still outside?”
The old man shrugged helplessly.
“Help me!” she said, trembling all over
with weakness and fear. “Help me dress. I got to go. Now.1 Do it quick!”
He put the lamp down and did as she told
him. When she commanded, in that imperious way, she was very like her father,
for all that her face was wet with tears and her lips trembling. While
Pantalaimon paced the floor lashing his tail, his fur almost sparking, Thorold
hastened to bring her stiff, reeking furs and help her into them. As soon as
all the buttons were done up and all the flaps secured, she made for the door,
and felt the cold strike her throat like a sword and freeze the tears at once
on her cheeks.
“lorek!” she called. “lorek Byrnison!
Come, because I need you!”
There was a shake of snow, a clank of
metal, and the bear was there. He had been sleeping calmly under the falling
snow. In the light spilling from the lamp Thorold was holding at the window,
Lyra saw the long faceless head, the narrow eye slits, the gleam of white fur
below red-black metal, and wanted to embrace him and seek some comfort from his
iron helmet, his ice-tipped fur.
“Well?” he said.
“We got to catch Lord Asriel. He's taken
Roger and he's a going to—I daren't think—oh, lorek, I beg you, go quick, my
dear!”
“Come then,” he said, and she leaped on
his back.
There was no need to ask which way to go:
the tracks of the sledge led straight out from the courtyard and over the
plain, and lorek leaped forward to follow them. His motion was now so much a
part of Lyra's being that to sit balanced was entirely automatic. He ran over
the thick snowy mantle on the rocky ground faster than he'd ever done, and the
armor plates shifted under her in a regular swinging rhythm.
Behind them, the other bears paced easily,
pulling the fire hurler with them. The way was clear, for the moon was high and
the light it cast over the snowbound world was as bright as it had been in the
balloon: a world of bright silver and profound black. The tracks of Lord
Asriel's sledge ran straight toward a range of jagged hills, strange stark
pointed shapes jutting up into a sky as black as the alethiometer's velvet
cloth. There was no sign of the sledge itself—or was there a feather touch of
movement on the flank of the highest peak? Lyra peered ahead, straining her
eyes, and Pantalaimon flew as high as he could and looked with an owl's clear
vision.
“Yes,” he said, on her wrist a moment
later; “it's Lord Asriel, and he's lashing his dogs on furiously, and there's a
boy in the back....”
Lyra felt lorek Byrnison change pace.
Something had caught his attention. He was slowing and lifting his head to cast
left and right.
“What is it?” Lyra said.
He didn't say. He was listening intently,
but she could hear nothing. Then she did hear something: a mysterious, vastly
distant rustling and crackling. It was a sound she had heard before: the sound
of the Aurora. Out of nowhere a veil of radiance had fallen to hang shimmering
in the northern sky. All those unseen billions and trillions of charged
particles, and possibly, she thought, of Dust, conjured a radiating glow out of
the upper atmosphere. This was going to be a display more brilliant and
extraordinary than any Lyra had yet seen, as if the Aurora knew the drama that
was taking place below, and wanted to light it with the most awe-inspiring
effects.
But none of the bears were looking up:
their attention was all on the earth. It wasn't the Aurora, after all, that had
caught lorek's attention. He was standing stock-still now, and Lyra slipped off
his back, knowing that his senses needed to cast around freely. Something was
troubling him.
Lyra looked around, back across the vast
open plain leading to Lord Asriel's house, back toward the tumbled mountains
they'd crossed earlier, and saw nothing. The Aurora grew more intense. The
first veils trembled and raced to one side, and jagged curtains folded and
unfolded above, increasing in size and brilliance every minute; arcs and loops
swirled across from horizon to horizon, and touched the very zenith with bows
of radiance. She could hear more clearly than ever the immense singing hiss and
swish of vast intangible forces.
“Witches!” came a cry in a bear voice, and
Lyra turned in joy and relief.
But a heavy muzzle knocked her forward,
and with no breath left to gasp she could only pant and shudder, for there in
the place where she had been standing was the plume of a green-feathered arrow.
The head and the shaft were buried in the snow.
Impossible.! she thought weakly, but it
was true, for another arrow clattered off the armor of lorek, standing above
her. These were not Serafina Pekkala's witches; they were from another clan.
They circled above, a dozen of them or more, swooping down to shoot and soaring
up again, and Lyra swore with every word she knew.
lorek Byrnison gave swift orders. It was
clear that the bears were practiced at witch fighting, for they had moved at
once into a defensive formation, and the witches moved just as smoothly into
attack. They could only shoot accurately from close range, and in order not to
waste arrows they would swoop down, fire at the lowest part of their dive, and
turn upward at once. But when they reached the lowest point, and their hands were
busy with bow and arrow, they were vulnerable, and the bears would explode
upward with raking paws to drag them down. More than one fell, and was quickly
dispatched.
Lyra crouched low beside a rock, watching
for a witch dive. A few shot at her, but the arrows fell wide; and then Lyra,
looking up at the sky, saw the greater part of the witch flight peel off and
turn back.
If she was relieved by that, her relief
didn't last more than a few moments. Because from the direction in which they'd
flown, she saw many others coming to join them; and in midair with them there
was a group of gleaming lights; and across the broad expanse of the Svalbard
plain, under the radiance of the Aurora, she heard a sound she dreaded. It was
the harsh throb of a gas engine. The zeppelin, with Mrs. Coulter and her troops
on board, was catching up.
lorek growled an order and the bears moved
at once into another formation. In the lurid flicker from the sky Lyra watched
as they swiftly unloaded their fire hurler. The advance guard of the witch
flight had seen them too, and began to swoop downward and rain arrows on them,
but for the most part the bears trusted to their armor and worked swiftly to
erect the apparatus: a long arm extending upward at an angle, a cup or bowl a
yard across, and a great iron tank wreathed in smoke and steam.
As she watched, a bright flame gushed out,
and a team of bears swung into practiced action. Two of them hauled the long
arm of the fire thrower down, another scooped shovelfuls of fire into the bowl,
and at an order they released it, to hurl the flaming sulfur high into the dark
sky.
The witches were swooping so thickly above
them that three fell in flames at the first shot alone, but it was soon clear
that the real target was the zeppelin. The pilot either had never seen a fire
hurler before, or was underestimating its power, for he flew straight on toward
the bears without climbing or turning a fraction to either side.
Then it became clear that they had a
powerful weapon in the zeppelin too: a machine rifle mounted on the nose of the
gondola. Lyra saw sparks flying up from some of the bears' armor, and saw them
huddle over beneath its protection, before she heard the rattle of the bullets.
She cried out in fear.
“They're safe,” said lorek Byrnison. “Can't
pierce armor with little bullets.”
The fire thrower worked again: this time a
mass of blazing sulfur hurtled directly upward to strike the gondola and burst
in a cascade of flaming fragments on all sides. The zeppelin banked to the
left, and roared away in a wide arc before making again for the group of bears
working swiftly beside the apparatus. As it neared, the arm of the fire thrower
creaked downward; the machine rifle coughed and spat, and two bears fell, to a
low growl from lorek Byrnison; and when the aircraft was nearly overhead, a
bear shouted an order, and the spring-loaded arm shot upward again.
This time the sulfur hurtled against the
envelope of the zeppelin's gas bag. The rigid frame held a skin of oiled silk
in place to contain the hydrogen, and although this was tough enough to
withstand minor scratches, a hundredweight of blazing rock was too much for it.
The silk ripped straight through, and sulfur and hydrogen leaped to meet each
other in a catastrophe of flame.
At once the silk became transparent; the
entire skeleton of the zeppelin was visible, dark against an inferno of orange
and red and yellow, hanging in the air for what seemed like an impossibly long
time before drifting to the ground almost reluctantly. Little figures black
against the snow and the fire came tottering or running from it, and witches
flew down to help drag them away from the flames. Within a minute of the
zeppelin's hitting the ground it was a mass of twisted metal, a pall of smoke,
and a few scraps of fluttering fire.
But the soldiers on board, and the others
too (though Lyra was too far away by now to spot Mrs. Coulter, she knew she was
there), wasted no time. With the help of the witches they dragged the machine
gun out and set it up, and began to fight in earnest on the ground.
“On,” said lorek. “They will hold out for
a long time.”
He roared, and a group of bears peeled
away from the main group and attacked the Tartars' right flank. Lyra could feel
his desire to be there among them, but all the time her nerves were screaming:
On! On! and her mind was filled with pictures of Roger and Lord Asriel; and
lorek Byrnison knew, and turned up the mountain and away from the fight,
leaving his bears to hold back the Tartars.
On they climbed. Lyra strained her eyes to
look ahead, but not even Pantalaimon's owl eyes could see any movement on the
flank of the mountain they were climbing. Lord Asriel's sledge tracks were
clear, however, and lorek followed them swiftly, loping through the snow and
kicking it high behind them as he ran. Whatever happened behind now was simply
that: behind. Lyra had left it. She felt she was leaving the world altogether,
so remote and intent she was, so high they were climbing, so strange and
uncanny was the light that bathed them.
“lorek,” she said, “will you find Lee
Scoresby?”
“Alive or dead, I will find him.”
“And if you see Serafina Pekkala...”
“I will tell her what you did.”
“Thank you, lorek,” she said.
They spoke no more for some time. Lyra
felt herself moving into a kind of trance beyond sleep and waking: a state of
conscious dreaming, almost, in which she was dreaming that she was being
carried by bears to a city in the stars.
She was going to say something about it to
lorek Byrnison, when he slowed down and came to a halt.
“The tracks go on,” said lorek Byrnison.
“But I cannot.”
Lyra jumped down and stood beside him to
look. He was standing at the edge of a chasm. Whether it was a crevasse in the
ice or a fissure in the rock was hard to say, and made little difference in any
case; all that mattered was that it plunged downward into unfathomable gloom.
And the tracks of Lord Asriel's sledge ran
to the brink... and on, across a bridge of compacted snow.
This bridge had clearly felt the strain of
the sledge's weight, for a crack ran across it close to the other edge of the
chasm, and the surface on the near side of the crack had settled down a foot or
so. It might support the weight of a child: it would certainly not stand under
the weight of an armored bear.
And Lord Asriel's tracks ran on beyond the
bridge and further up the mountain. If she went on, it would have to be by
herself.
Lyra turned to lorek Byrnison.
“I got to go across,” she said. “Thank you
for all you done. I don't know what's going to happen when I get to him. We
might all die, whether I get to him or not. But if I come back, I'll come and
see you to thank you properly, King lorek Byrnison.”
She laid a hand on his head. He let it lie
there and nodded gently.
“Goodbye, Lyra Silvertongue,” he said.
Her heart thumping painfully with love,
she turned away and set her foot on the bridge. The snow creaked under her, and
Pantalaimon flew up and over the bridge, to settle in the snow on the far side
and encourage her onward. Step after step she took, and wondered with every
step whether it would be better to run swiftly and leap for the other side, or
go slowly as she was doing and tread as lightly as possible. Halfway across
there came another loud creak from the snow; a piece fell off near her feet and
tumbled into the abyss, and the bridge settled down another few inches against
the crack.
She stood perfectly still. Pantalaimon was
crouched, leopard-formed, ready to leap down and reach for her.
The bridge held. She took another step,
then another, and then she felt something settling down below her feet and
leaped for the far side with all her strength. She landed belly-down in the
snow as the entire length of the bridge fell into the crevasse with a soft
whoosh behind her.
Pantalaimon's claws were in her furs,
holding tight.
After a minute she opened her eyes and
crawled up away from the edge. There was no way back. She stood and raised her
hand to the watching bear. lorek Byrnison stood on his hind legs to acknowledge
her, and then turned and made off down the mountain in a swift run to help his
subjects in the battle with Mrs. Coulter and the soldiers from the zeppelin.
Lyra was alone.
TWENTY-THREE
THE BRIDGE TO THE STARS
Once lorek Byrnison was out of sight, Lyra
felt a great weakness coming over her, and she turned blindly and felt for
Pantalaimon, “Oh, Pan, dear, I can't go on! I'm so frightened—and so tired—all
this way, and I'm scared to death! I wish it was someone else instead of me, I
do honestly!”
Her daemon nuzzled at her neck in his cat
form, warm and comforting.
“I just don't know what we got to do,”
Lyra sobbed. “It's too much for us, Pan, we can't...”
She clung to him blindly, rocking back and
forth and letting the sobs cry out wildly over the bare snow.
“And even if—if Mrs. Coulter got to Roger
first, there'd be no saving him, because she'd take him back to Bolvangar, or
worse, and they'd kill me out of vengeance....Why do they do these things to
children, Pan? Do they all hate children so much, that they want to tear them
apart like this? Why do they do it?”
But Pantalaimon had no answer; all he
could do was hug her close. Little by little, as the storm of fear subsided,
she came to a sense of herself again. She was Lyra, cold and frightened by all
means, but herself.
“I wish...” she said, and stopped. There
was nothing that could be gained by wishing for it. A final deep shaky breath,
and she was ready to go on.
The moon had set by now, and the sky to
the south was profoundly dark, though the billions of stars lay on it like
diamonds on velvet. They were outshone, though, by the Aurora, outshone a
hundred times. Never had Lyra seen it so brilliant and dramatic; with every
twitch and shiver, new miracles of light danced across the sky. And behind the
ever-changing gauze of light, that other world, that sunlit city, was clear and
solid.
The higher they climbed, the more the
bleak land spread out below them. To the north lay the frozen sea, compacted
here and there into ridges where two sheets of ice had pressed together, but
otherwise flat and white and endless, reaching to the Pole itself and far
beyond, featureless, lifeless, colorless, and bleak beyond Lyra's imagination.
To the east and west were more mountains, great jagged peaks thrusting sharply
upward, their scarps piled high with snow and raked by the wind into bladelike
edges as sharp as scimitars. To the south lay the way they had come, and Lyra
looked most longingly back, to see if she could spy her dear friend lorek
Byrnison and his troops; but nothing stirred on the wide plain. She was not
even sure if she could see the burned wreckage of the zeppelin, or the
crimson-stained snow around the corpses of the warriors.
Pantalaimon flew high, and swooped back to
her wrist in his owl form.
“They're just beyond the peak!” he said.
“Lord Asriel's laid out all his instruments, and Roger can't get away—”
And as he said that, the Aurora nickered
and dimmed, like an anbaric bulb at the end of its life, and then went out
altogether. In the gloom, though, Lyra sensed the presence of the Dust, for the
air seemed to be full of dark intentions, like the forms of thoughts not yet
born.
In the enfolding dark she heard a cry:
“Lyra! Lyra!”
“I'm coming!” she cried back, and stumbled
upward, clambering, sprawling, struggling, at the end of her strength; but
hauling herself on and further on through the ghostly-gleaming snow.
“Lyra! Lyra!”
“I'm nearly there,” she gasped. “Nearly
there, Roger!”
Pantalaimon was changing rapidly, in his
agitation: lion, ermine, eagle, wildcat, hare, salamander, owl, leopard, every
form he'd ever taken, a kaleidoscope of forms among the Dust—
“Lyra!”
Then she reached the summit, and saw what
was happening.
Fifty yards away in the starlight Lord
Asriel was twisting together two wires that led to his upturned sledge, on
which stood a row of batteries and jars and pieces of apparatus, already
frosted with crystals of cold. He was dressed in heavy furs, his face
illuminated by the flame of a naphtha lamp. Crouching like the Sphinx beside
him was his daemon, her beautiful spotted coat glossy with power, her tail moving
lazily in the snow.
In her mouth she held Roger's daemon.
The little creature was struggling,
flapping, fighting, one moment a bird, the next a dog, then a cat, a rat, a
bird again, and calling every moment to Roger himself, who was a few yards off,
straining, trying to pull away against the heart-deep tug, and crying out with
the pain and the cold. He was calling his daemon's name, and calling Lyra; he
ran to Lord Asriel and plucked his arm, and Lord Asriel brushed him aside. He
tried again, crying and pleading, begging, sobbing, and Lord Asriel took no
notice except to knock him to the ground.
They were on the edge of a cliff. Beyond
them was nothing but a huge illimitable dark. They were a thousand feet or more
above the frozen sea.
All this Lyra saw by starlight alone; but
then, as Lord Asriel connected his wires, the Aurora blazed all of a sudden
into brilliant life. Like the long finger of blinding power that plays between
two terminals, except that this was a thousand miles high and ten thousand miles
long: dipping, soaring, undulating, glowing, a cataract of glory.
He was controlling it...
Or leading power down from it; for there
was a wire running off a huge reel on the sledge, a wire that ran directly
upward to the sky. Down from the dark swooped a raven, and Lyra knew it for a
witch daemon. A witch was helping Lord Asriel, and she had flown that wire into
the heights.
And the Aurora was blazing again.
He was nearly ready.
He turned to Roger and beckoned, and Roger
helplessly came, shaking his head, begging, crying, but helplessly going
forward.
“No! Run!” Lyra cried, and hurled herself
down the slope at him.
Pantalaimon leaped at the snow leopard and
snatched Roger's daemon from her jaws. In a moment the snow leopard had leaped
after him, and Pantalaimon let the other daemon go, and both young daemons,
changing flick-flick-flick, turned and battled with the great spotted beast.
She slashed left-right with needle-filled
paws, and her snarling roar drowned even Lyra's cries. Both children were fighting
her, too; or fighting the forms in the turbid air, those dark intentions, that
came thick and crowding down the streams of Dust—
And the Aurora swayed above, its continual
surging flicker picking out now this building, now that lake, now that row of
palm trees, so close you'd think that you
could step from this world to that.
Lyra leaped up and seized Roger's hand.
She pulled hard, and then they tore away
from Lord Asriel and ran, hand in hand, but Roger cried and twisted, because
his daemon was caught again, held fast in the snow leopard's jaws, and Lord
Asriel himself was reaching down toward her with a wire; and Lyra knew the
heart-convulsing pain of separation, and tried to stop—
But they couldn't stop.
The cliff was sliding away beneath them.
An entire shelf of snow, sliding
inexorably down—
The frozen sea, a thousand feet below—
“LYRA!”
Her heartbeats, leaping in anguish with
Roger's—
Tight-clutching hands—
His body, suddenly limp in hers; and high
above, the greatest wonder.
At the moment he fell still, the vault of
heaven, star-studded, profound, was pierced as if by a spear.
A jet of light, a jet of pure energy
released like an arrow from a great bow, shot upward from the spot where Lord
Asriel had joined the wire to Roger's daemon. The sheets of light and color
that were the Aurora tore apart; a great rending, grinding, crunching, tearing
sound reached from one end of the universe to the other; there was dry land in
the sky—
Sunlight!
Sunlight shining on the fur of a golden
monkey....
For the fall of the snow shelf had halted;
perhaps an unseen ledge had broken its fall; and Lyra could see, over the
trampled snow of the summit, the golden monkey spring out of the air to the
side of the leopard, and she saw the two daemons bristle, wary and powerful.
The monkey's tail was erect, the snow leopard's swept powerfully from side to
side. Then the monkey reached out a tentative paw, the leopard lowered her head
with a graceful sensual acknowledgment, they touched—
And when Lyra looked up from them, Mrs. Coulter
herself stood there, clasped in Lord Asriel's arms. Light played around them
like sparks and beams of intense anbaric power. Lyra, helpless, could only
imagine what had happened: somehow Mrs. Coulter must have crossed that chasm,
and followed her up here....
Her own parents, together!
And embracing so passionately: an
undreamed-of thing.
Her eyes were wide. Roger's body lay in
her arms, still, quiet, at rest. She heard her parents talking:
Her mother said, “They'll never allow it—”
Her father said, “Allow it? We've gone
beyond being allowed, as if we were children. I've made it possible for anyone
to cross, if they wish.”
“They'll forbid it! They'll seal it off
and excommunicate anyone who tries!”
“Too many people will want to. They won't
be able to prevent them. This will mean the end of the Church, Marisa, the end
of the Magisterium, the end of all those centuries of darkness! Look at that
light up there: that's the sun of another world! Feel the warmth of it on your
skin, now!”
“They are stronger than anyone, Asriel!
You don't know—”
“I don't know? I? No one in the world
knows better than I how strong the Church is! But it isn't strong enough for
this. The Dust will change everything, anyway. There's no stopping it now.”
“Is that what you wanted? To choke us and
kill us all with sin and darkness?”
“I wanted to break out, Marisa! And I
have. Look, look at the palm trees waving on the shore! Can you feel that wind?
A wind from another world! Feel it on your hair, on your face....”
Lord Asriel pushed back Mrs. Coulter's
hood and turned her head to the sky, running his hands through her hair. Lyra
watched breathless, not daring to move a muscle.
The woman clung to Lord Asriel as if she
were dizzy, and shook her head, distressed.
“No—no—they're coming, Asriel—they know
where I've gone-”
“Then come with me, away and out of this
world!”
“I daren't—”
“You? Dare not? Your child would come.
Your child would dare anything, and shame her mother.”
“Then take her and welcome. She's more
yours than mine, Asriel.”
“Not so. You took her in; you tried to
mold her. You wanted her then.”
“She was too coarse, too stubborn. I'd
left it too late....But where is she now? I followed her footsteps up....”
“You want her, still? Twice you've tried
to hold her, and twice she's got away. If I were her, I'd run, and keep on
running, sooner than give you a third chance.”
His hands, still clasping her head, tensed
suddenly and drew her toward him in a passionate kiss. Lyra thought it seemed
more like cruelty than love, and looked at their daemons, to see a strange
sight: the snow leopard tense, crouching with her claws just pressing in the
golden monkey's flesh, and the monkey relaxed, blissful, swooning on the snow.
Mrs. Coulter pulled fiercely back from the
kiss and said, “No, Asriel—my place is in this world, not that—”
“Come with me!” he said, urgent, powerful.
“Come and work with me!”
“We couldn't work together, you and I.”
“No? You and I could take the universe to
pieces and put it together again, Marisa! We could find the source of Dust and
stifle it forever! And you'd like to be part of that great work; don't lie to
me about it. Lie about everything else, lie about the Oblation Board, lie about
your lovers—yes, I know about Boreal, and I care nothing—lie about the Church,
lie about the child, even, but don't lie about what you truly want....”
And their mouths were fastened together
with a powerful greed. Their daemons were playing fiercely; the snow leopard
rolled over on her back, and the monkey raked his claws in the soft fur of her
neck, and she growled a deep rumble of pleasure.
“If I don't come, you'll try and destroy
me,” said Mrs. Coulter, breaking away.
“Why should I want to destroy you?” he
said, laughing, with the light of the other world shining around his head.
“Come with me, work with me, and I'll care whether you live or die. Stay here,
and you lose my interest at once. Don't flatter yourself that I'd give you a
second's thought. Now stay and work your mischief in this world, or come with
me.”
Mrs. Coulter hesitated; her eyes closed,
she seemed to sway as if she were fainting; but she kept her balance and opened
her eyes again, with an infinite beautiful sadness in them.
“No,” she said. “No.”
Their daemons were apart again. Lord
Asriel reached down and curled his strong fingers into the snow leopard's fur.
Then he turned his back and walked away without another word. The golden monkey
leaped into Mrs. Coulter's arms, making little sounds of distress, reaching out
to the snow leopard as she paced away, and Mrs. Coulter's face was a mask of
tears. Lyra could see them glinting; they were real.
Then her mother turned, shaking with
silent sobs, and moved down the mountain and out of Lyra's sight.
Lyra watched her coldly, and then looked
up toward the sky.
Such a vault of wonders she had never
seen.
The city hanging there so empty and silent
looked new-made, waiting to be occupied; or asleep, waiting to be woken. The
sun of that world was shining into this, making Lyra's hands golden, melting
the ice on Roger's wolfskin hood, making his pale cheeks transparent,
glistening in his open sightless eyes.
She felt wrenched apart with unhappiness.
And with anger, too; she could have killed her father; if she could have torn
out his heart, she would have done so there and then, for what he'd done to
Roger. And to her: tricking her: how dare he?
She was still holding Roger's body.
Pantalaimon was saying something, but her mind was ablaze, and she didn't hear
until he pressed his wildcat claws into the back of her hand to make her. She
blinked.
“What? What?”
“Dust!” he said.
“What are you talking about?”
“Dust. He's going to find the source of
Dust and destroy it, isn't he?”
“That's what he said.”
“And the Oblation Board and the Church and
Bolvangar and Mrs. Coulter and all, they want to destroy it too, don't they?”
“Yeah...Or stop it affecting
people...Why?”
“Because if they all think Dust is bad, it
must be good.”
She didn't speak. A little hiccup of
excitement leaped in her chest.
Pantalaimon went on:
“We've heard them all talk about Dust, and
they're so afraid of it, and you know what? We believed them, even though we
could see that what they were doing was wicked and evil and wrong....We thought
Dust must be bad too, because they were grown up and they said so. But what if
it isn't? What if it's—”
She said breathlessly, “Yeah! What if it's
really good...”
She looked at him and saw his green
wildcat eyes ablaze with her own excitement. She felt dizzy, as if the whole
world were turning beneath her.
If Dust were a good thing...If it were to
be sought and welcomed and cherished...
“We could look for it too, Pan!” she said.
That was what he wanted to hear.
“We could get to it before he does,” he
went on, “and....”
The enormousness of the task silenced
them. Lyra looked up at the blazing sky. She was aware of how small they were,
she and her daemon, in comparison with the majesty and vastness of the
universe; and of how little they knew, in comparison with the profound
mysteries above them.
“We could,” Pantalaimon insisted. “We came
all this way, didn't we? We could do it.”
“We got it wrong, though, Pan. We got it
all wrong about Roger. We thought we were helping him....” She choked, and
kissed Roger's still face clumsily, several times. “We got it wrong,” she said.
“Next time we'll check everything and ask
all the questions we can think of, then. We'll do better next time.”
“And we'd be alone. lorek Byrnison
couldn't follow us and help. Nor could Farder Coram or Serafina Pekkala, or Lee
Scoresby or no one.”
“Just us, then. Don't matter. We're not alone,
anyway; not like....”
She knew he meant not like Tony Makarios;
not like those poor lost daemons at Bolvangar; we're still one being; both of
us are one.
“And we've got the alethiometer,” she
said. “Yeah. I reckon we've got to do it, Pan. We'll go up there and we'll
search for Dust, and when we've found it we'll know what to do.”
Roger's body lay still in her arms. She
let him down gently.
“And we'll do it,” she said.
She turned away. Behind them lay pain and
death and fear; ahead of them lay doubt, and danger, and fathomless mysteries.
But they weren't alone.
So Lyra and her dsmon turned away from the
world they were born in, and looked toward the sun, and walked into the sky.
END
OF
BOOK
ONE
Philip Pullman has written picture books, plays, and
novels for readers of all ages, including The Subtle Knife, the second book of
the His Dark Materials trilogy. He is also the author of Count Karlstein and a
trilogy of Victorian thrillers featuring Sally Lockhart: The Ruby in the Smoke,
Shadow in the North, and The Tiger in the Well.
A graduate of Oxford University with a
degree in English, Philip Pullman taught literature for many years at
Westminster College. He now writes full-time in Oxford, England, where he lives
with his family.
Don't miss
THE SEQUEL TO THE GOLDEN COMPASS
The Subtle Knife
His Dark Materials • Book II
by Philip Pullman
The universe has broken wide, and Lyra's
friend lies dead. Desperate for answers and set on revenge, Lyra bursts into a
new world in pursuit of his killer. Instead, she finds Will, just twelve years
old and already a murderer himself. He's on a quest as fierce as Lyra's, and
together they strike out into this sunlit otherworld.
But Cittagazze is a strange and haunted
place. Soul-eating Specters stalk its streets while, high above, the wingbeats
of distant angels sound against the sky. And in the mysterious Torre degli
Angeli lurks Cittagazze's deadly secret—an object of extraordinary and
devastating power.
On this journey marked by danger, Will and
Lyra forge ahead. But with every step and each new horror, they move closer to
the greatest threat of all—and the shattering truth of their own destiny.
The Amber Spyglass
His Dark Materials • Book III
by Philip Pullman
The Amber Spyglass brings the intrigue of
The Golden Compass and The Subtle Knife to a heartstopping close, marking the
third volume as the most powerful of the trilogy. Along with the return of
Lyra, Will, Mrs. Coulter, Lord Asriel, Dr. Mary Malone, and lorek Byrnison the
armored bear, The Amber Spyglass introduces a host of new characters: the
Mulefa, mysterious wheeled creatures with the power to see Dust; Gallivespian
Lord Roke, a hand-high spy-master to Lord Asriel; and Metatron, a fierce and
mighty angel. And this final volume brings startling revelations, too: the
painful price Lyra must pay to walk through the land of the dead, the haunting
power of Dr. Malone's amber spyglass, and the names of who will live—and who
will die—for love. And all the while, war rages with the Kingdom of Heaven, a
brutal battle that—in its shocking outcome— will reveal the secret of Dust.
In The Amber Spyglass, Philip Pullman
deftly weaves the cliffhangers and mysteries of The Golden Compass and The
Subtle. Knife into an earth-shattering conclusion— and confirms his fantasy
trilogy as an undoubted and enduring classic.