A Letter to Joel Gotler

When Los Angeles literary agent, Joel Gotler, began representing Heinlein's film rights in 1986, Joel and I had been friends since he'd begun representing me eleven years earlier. Since that time, I'd also worked for Joel as an assistant on and off, got him started representing science fiction writers, which later became a substantial part of his "stable," and later co- represented several clients with him when I took my own shot at becoming a literary agent. So when I heard that Joel was taking on Heinlein as a client, I thought I'd better write him a "user's manual."

***

30 October 1986

Dear Joel:

I'm writing regarding your recent addition of Robert Heinlein to your client list. As you know, Vic Koman and I are both huge Heinlein fans. I've practically memorized Heinlein's entire writing output and have been a friend of the Heinleins since I interviewed Robert for the New York Sunday News in 1973. So I thought you might want some background by way of an introduction.

Heinlein was born July 7, 1907--which makes him just short of 80. He's a tough old bird who's a graduate of Annapolis, trained as an engineer, and served as a naval officer on aircraft carriers before World War Two until tuberculosis disabled him out. By the time World War Two broke out, he was already established as one of the top science fiction writers. He tried to get back into the navy for the war, but he was needed elsewhere--Roosevelt needed him to work secretly as an engineer on the Manhattan A-bomb Project.

After the War, Heinlein was the first American science fiction writer to break out of the pulps into the mass-market slick magazines--Saturday Evening Post for one--the first to have his science fiction novels published not only serialized in magazines but as books--and the first modern science fiction writer to have his work made into a successful movie: Heinlein co-scripted, and was technical consultant for George Pal's 1950 Destination Moon, based loosely on Heinlein's novel Rocket Ship Galileo--the huge success of which started the spate of science fiction movies of the 1950's. But Heinlein disliked working in Hollywood and after having his script for a 1951 picture called Project Moonbase turned into a mishmash by the producers, left Hollywood vowing never to return.

Heinlein's novel Space Cadet was the basis for both the Space Cadet TV series of the early 50's and the basis for the immensely popular Tom Corbett--Space Cadet series of books, which Heinlein didn't write but which a friend of his--scientist Willy Ley--acted as a consultant for. But Space Cadet has never been seriously filmed; it would be terrific.

For many years the Heinleins spent 3/4s of each year traveling the world--both he and Ginny are multi-lingual--and 1/4 of the year at home where he did his writing. Poor health in recent years (he had a stroke and carotid artery bypass in 1979) has interfered with that. Currently he suffers from emphysema and a troublesome nasal hemorrhage which recently has been hospitalizing him. But he's also vowed not to die until he can die on the moon. I hope he makes it and I wouldn't make large bets against it either.

After a decade of not writing much (only two novels in the 70's) he's been prolific recently--almost a book a year for the last few years. Heinlein never shows anybody anything until it's finished and never writes on contract, which he considers wage slavery. Ginny Heinlein has handled her husband's literary and business affairs for the last thirty or so years, and I've heard from writers and agents that she's a top expert on publishing, negotiating, and contracts--as good as the best agents in the business.

I should also mention that the Heinleins are hard-core libertarians. They're also supporters of Reagan's SDI "Star Wars" Defense program. (Heinlein was predicting the inevitability of space-based defenses as far back as the forties.) Incidentally, Heinlein is also the inventor of the water bed (the first manufacturer got the plans from Heinlein's description in Stranger in a Strange Land) and the robot arms used in radioactive labs are called "waldoes" after robot arms Heinlein first described in his 1940's story "Waldo."

Robert Heinlein is considered--by other leading lights in the field ranging from Isaac Asimov to Ray Bradbury to Jerry Pournelle and Larry Niven--as the most important science fiction writer since H.G. Wells and Jules Verne. I second or third the nomination. Half the ideas in modern science fiction--ideas that movies like Star Wars and E.T.--have made a fortune on--stem from one or another of Heinlein's books.

Twenty years before there was E.T.--about a human boy making friends with an alien--there was Heinlein's The Star Beast. The Force in Star Wars couldn't do anything that Heinlein's human raised by Martians, Valentine Michael Smith, didn't do first in Stranger in a Strange Land--and Luke Skywalker can trace his roots back to young heroes in Heinlein books like Space Cadet and Starman Jones. The book Invasion of the Body Snatchers came out about the same time as Heinlein's The Puppet Masters--but Heinlein's Puppet Masters are even more frightening than the Body Snatchers, and in Puppet Masters humans wage war against the planetwide invasion of alien slugs and win.

Aliens? Heinlein was there first, and better. Heinlein's Starship Troopers shows the training and combat of spaceborne Mobile Infantry fighting an interplanetary war against aliens a couple of centuries from now, and Heinlein's future marines-- parachuting out of orbiting spaceships into alien cities, each man with more firepower than Patton's tank corps--are the toughest sons of bitches alive. Rambo probably would wash out of their training--he's too soft.

You want a Nick-and-Nora-type detective couple caught in a web of occult intrigue? Heinlein's novella The Unpleasant Profession of Jonathan Hoag. The ultimate paranoid fantasy about a man who's convinced the entire world is a charade put on for his benefit--and it is? Heinlein's short story "They" is in that same volume.

An old billionaire has his brain transplanted into the body of his beautiful and accidentally-killed secretary? Heinlein's I Will Fear No Evil (1973).

The ultimate novel of interplanetary revolution and war with a computer, who makes HAL 9000 look stupid by comparison, organizing a moon-based revolution against Earth tyranny? The Moon is a Harsh Mistress (1966).

The ultimate post-nuclear holocaust novel? Farnham's Freehold (1964).

The life story of a 2,300-year-old man--born in 1912--which takes us two millennia into the future and across a couple of dozen planets? It also contains the best sequence about frontiering on another planet ever written. Time Enough For Love (1973).

You want Star Wars, E.T., Aliens, and more all in one neat package? Heinlein was there first and best with Have Space Suit--Will Travel. Seventeen-year-old Kip Russell wins a space suit in a TV contest, fixes it up, is kidnaped out of his back yard by an alien spaceship full of creatures worse looking than Alien, and meets aboardship an 11-year-old girl who's a precocious genius and a friendly alien called The Mother Thing. The evil aliens are staging an invasion of earth, and Kip, the girl, and the Mother Thing have to stop them. The story takes Kip and friends on a dangerous moonwalk, into a dungeon on Pluto, and to an InterGalactic Court which will decide whether or not to destroy Earth because of our race's history of violence. This book is high adventure, high comedy, and serious philosophy all rolled together.

You want time travel that makes Back to the Future and Peggy Sue Got Married look like Edsels sitting next to a Ferrari? In Time Enough For Love the 2,000-year-old hero time- travels back to World War One, has an affair with his own mother, meets himself at five-years old, and enlists into the army for duty overseas. In Heinlein's The Door Into Summer, the hero is drugged and cryonically frozen by business enemies, awakens thirty years in the future, time-travels back thirty years to get even with his business enemies, and travels forward a second time to marry the little girl who fell in love with him in the past, time travel having resolved the age difference.

There's more: Heinlein has written over forty books--all still in print--and if there's a science fiction idea, Heinlein was probably there with it first and best.

[Some personal material deleted]

All best,

Neil

Copies: Robert & Virginia Heinlein

Victor Koman

Go to Next Chapter.


Return to Table of Contents.