Turning on the external bullhorn, Asher said into it, "You, out there."The Wild Beggar glanced up, blinked, shielded his eyes, then waved at Asher through the port. A wrinkled, weathered, hairy old man, grinning at Asher.
"Who are you?" Asher said into the bullhorn.
The old man's lips moved, but of course Asher heard nothing. Rybys's outside mike either wasn't turned on or it wasn't working. To Rybys Asher said, "Please don't shoot him. OK? I'm going to let him in. I think I know who he is."
Slowly and carefully Rybys disarmed her gun.
"Come inside," Asher said into the bullhorn. He activated the hatch mechanism and the intermediate membrane dropped into place. With vigorous steps the Wild Beggar disappeared inside.
"Who is he?" Rybys said.
Asher said, "It's Elias Tate."
"Oh, then that soap opera isn't a soap opera." She turned to the screen of the TV. "I've been intercepting a psychotronic information-transfer. I must have plugged in the wrong cable. Damn. Well, what the hell. I thought it was on the air an awful lot of the time."
Shaking off methane crystals, Elias Tate appeared before them, wild and hairy and gray, and happy to be inside out of the cold. He began at once to remove his helmet and vast robe.
"How are you feeling?" he asked Rybys. "Any better? Has this donkey been taking good care of you? His ass is grass if he hasn't."
Wind blew about him, as if he were the center of a storm.
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To the girl in the white frock Emmanuel said, "I am new. I do not understand where I am."
The bamboo rustled. The children played. And Mr. Plaudet stood with Elias Tate watching the boy and girl. "Do you know me?" the girl said to Emmanuel.
"No," he said. He did not. And yet she seemed familiar. Her face was small and pale and she had long dark hair. Her eyes, Emmanuel thought. They are old. The eyes of wisdom.