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However, the truly spiritual was what mattered most; the topless girls at the beach were simply-well, not vital but pleasant. The total package was highly spiritual. It was amazing how spiri- tual an elaborated beer commercial could get.

And, at the peak of it all, the Dowland songs. The beauty of the universe lay not in the stars figured into it but in the music generated by human minds, human voices, human hands. Vibrolutes mixed on an intricate board by experts, and the voice of Fox. He thought, I know what I must have to keep on going. My job is my delight: I transcribe this and I broadcast it and they pay me. 'This is the Fox," Linda Fox said.

Herb Asher switched the video to holo, and a cube formed in which Linda Fox smiled at him. Meanwhile, the drums spun at furious speed, getting hour upon hour into his permanent possession.

"You are with the Fox," she declared, "and the Fox is with you." She pinned him with her gaze, the hard, bright eyes. The diamond face, feral and wise, feral and true; this is the Fox / Speaking to you. He smiled back.

"Hi, Fox," he said.

"Your behind," the Fox said.

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Well, that explained the soupy string music, the endless Fiddler on the Roof. Yah was responsible. Herb Asher's dome had been infiltrated by the ancient local deity who obviously be- grudged the human settlers the electronic activity that they had brought. I got bugs all in my meal, Herb Asher thought, and I got deities all in my reception. I ought to move off this mountain. What a rinky-dink mountain it is anyhow-no more, really, than a slight hill. Let Yah have it back. The autochthons can start serving up roasted goat meat to the deity once more. Except that all the autochthonic goats had died out, and, along with them, the ritual.

Anyhow his incoming transmission was ruined. He did not have to replay it to know. Yah had cooked the signal before it reached the recording heads; this was not the first time, and the contamination always got onto the tape.

 
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