Aesthetic as Science of Expression and General Linguistic
INTRODUCTION
I. INTUITION AND EXPRESSION
II. INTUITION AND ART
III. ART AND PHILOSOPHY
IV. HISTORICISM AND INTELLECTUALISM IN AESTHETIC
V. ANALOGOUS ERRORS IN HISTORIC AND LOGIC
VI. THEORETIC AND PRACTICAL ACTIVITY
VII. ANALOGY BETWEEN THE THEORETIC AND THE
PRACTICAL
VIII. EXCLUSION OF OTHER SPIRITUAL FORMS
IX. INDIVISIBILITY OF EXPRESSION INTO MODES OR
GRADES AND CRITIQUE OF RHETORIC
X. AESTHETIC FEELINGS AND THE DISTINCTION BETWEEN
THE UGLY AND THE BEAUTIFUL
XI. CRITIQUE OF AESTHETIC HEDONISM
XII. THE AESTHETIC OF THE SYMPATHETIC AND
PSEUDO-AESTHETIC CONCEPTS
XIII. THE SO-CALLED PHYSICALLY BEAUTIFUL IN NATURE
AND ART
XIV. MISTAKES ARISING FROM THE CONFUSION BETWEEN
PHYSIC AND AESTHETIC
XV. THE ACTIVITY OF EXTERNALIZATION, TECHNIQUE AND
THE THEORY OF THE ARTS
XVI. TASTE AND THE REPRODUCTION OF ART
XVII. THE HISTORY OF LITERATURE AND ART
XVIII. CONCLUSION: IDENTITY OF LINGUISTIC AND
AESTHETIC
HISTORICAL SUMMARY
APPENDIX
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