Aesthetic as Science of Expression and General Linguistic
  • INTRODUCTION
  • I. INTUITION AND EXPRESSION
  • II. INTUITION AND ART
  • III. ART AND PHILOSOPHY
  • IV. HISTORICISM AND INTELLECTUALISM IN AESTHETIC
  • V. ANALOGOUS ERRORS IN HISTORIC AND LOGIC
  • VI. THEORETIC AND PRACTICAL ACTIVITY
  • VII. ANALOGY BETWEEN THE THEORETIC AND THE PRACTICAL
  • VIII. EXCLUSION OF OTHER SPIRITUAL FORMS
  • IX. INDIVISIBILITY OF EXPRESSION INTO MODES OR GRADES AND CRITIQUE OF RHETORIC
  • X. AESTHETIC FEELINGS AND THE DISTINCTION BETWEEN THE UGLY AND THE BEAUTIFUL
  • XI. CRITIQUE OF AESTHETIC HEDONISM
  • XII. THE AESTHETIC OF THE SYMPATHETIC AND PSEUDO-AESTHETIC CONCEPTS
  • XIII. THE SO-CALLED PHYSICALLY BEAUTIFUL IN NATURE AND ART
  • XIV. MISTAKES ARISING FROM THE CONFUSION BETWEEN PHYSIC AND AESTHETIC
  • XV. THE ACTIVITY OF EXTERNALIZATION, TECHNIQUE AND THE THEORY OF THE ARTS
  • XVI. TASTE AND THE REPRODUCTION OF ART
  • XVII. THE HISTORY OF LITERATURE AND ART
  • XVIII. CONCLUSION: IDENTITY OF LINGUISTIC AND AESTHETIC
  • HISTORICAL SUMMARY
  • APPENDIX
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