Caesar or Nothing
  • PROLOGUE. THE AUTHOR HOLDS FORTH IN REGARD TO THE CHARACTER OF HIS HERO MORE OR LESS TRANSCENDENTAL DIGRESSIONS
  • IN MY GARDEN
  • AT TWILIGHT
  • I. THE PARIS-VENTIMIGLIA EXPRESS
  • II. AN EXTRAORDINARY FAMILY
  • III. CAESAR MONCADA
  • IV. PEOPLE WHO PASS CLOSE BY
  • V. THE ABBE PRECIOZI
  • VI. THE LITTLE INTERESTS OF THE PEOPLE IN A ROMAN HOTEL
  • VII. THE CONFIDENCES OF THE ABBE PRECIOZI
  • VIII. OLD PALACES, OLD SALONS, OLD LADIES
  • IX. NEW ACQUAINTANCES
  • X. A BALL
  • XI. A SOUNDING-LINE IN THE DARK WORLD
  • XII. A MEETING ON THE PINCIO
  • XIII. ESTHETICS AND DEMAGOGY
  • XIV. NEW ATTEMPTS, NEW RAMBLES
  • XV. GIOVANNI BATTISTA, PAGAN
  • XVI. THE PORTRAIT OF A POPE
  • XVII. EVIL DAYS
  • XVIII. CAESAR BORGIA'S MOTTO, “AUT CAESAR, AUT NIHIL”
  • XIX. CAESAR'S REFLECTIONS
  • XX. DON CALIXTO AT SAINT PETER'S
  • XXI. DON CALIXTO IN THE CATACOMBS
  • XXII. SENTIMENTALITY AND ARCHEOLOGY
  • XXIII. THE 'SCUTCHEON OF A CHURCH
  • XXIV. TOURIST INTERLUDE
  • PART TWO. CASTRO DURO
  • I. ARRIVAL
  • II. CASTRO DURO
  • III. CAESAR'S LABOURS
  • IV. THE BOOKSELLER AND THE ANARCHISTS
  • V. THE BANQUET
  • VI. UNCLE CHINAMAN
  • VII. A TRYING SCENE
  • VIII. THE ELECTION
  • IX. CAESAR AS DEPUTY
  • X. POLITICAL LABOURS
  • XI. THE PITFALL OF SINIGAGLIA
  • XIII. AMPARITO IN ACTION
  • XIV. INTRANSIGENCE LOST
  • XV. “DRIVELLER” JUAN AND “THE CUB-SLUT”
  • XVI. PITY, A MASK OF COWARDICE
  • XVII. FIRST VICTORY
  • XVIII. DECLARATION OF WAR
  • XIX. THE FIGHT FOR THE ELECTION
  • XX. CONFIDENCE
  • XXI. OUR VENERABLE TRADITIONS! OUR HOLY PRINCIPLES!
  • XXII. FINIS GLORIAE MUNDI
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