R. F. Murray: His Poems with a Memoir

R. F. Murray

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  • R. F. MURRAY—1863-1893
  • THE WASTER SINGING AT MIDNIGHT.
  • TO NUMBER 27x.
  • THE WASTER'S PRESENTIMENT
  • A DECEMBER DAY
  • IMITATED FROM WORDSWORTH
  • A TENNYSONIAN FRAGMENT
  • MOONLIGHT NORTH AND SOUTH
  • WINTER AT ST. ANDREWS
  • PATRIOTISM
  • SLEEP FLIES ME
  • LOVE'S PHANTOM
  • COME BACK TO ST. ANDREWS
  • THE SOLITARY
  • TO ALFRED TENNYSON—1883
  • ICHABOD
  • AT A HIGH CEREMONY
  • THE WASTED DAY
  • INDOLENCE
  • DAWN SONG
  • CAIRNSMILL DEN—TUNE: `A ROVING'
  • A LOST OPPORTUNITY
  • THE CAGED THRUSH
  • MIDNIGHT
  • WHERE'S THE USE
  • A MAY-DAY MADRIGAL
  • SONG IS NOT DEAD
  • A SONG OF TRUCE
  • ONE TEAR
  • A LOVER'S CONFESSION
  • TRAFALGAR SQUARE
  • A SUMMER MORNING
  • WELCOME HOME
  • AN INVITATION
  • FICKLE SUMMER
  • SORROW'S TREACHERY
  • THE CROWN OF YEARS
  • HOPE DEFERRED
  • THE LIFE OF EARTH
  • GOLDEN DREAM
  • TEARS
  • THE HOUSE OF SLEEP
  • THE OUTCAST'S FAREWELL
  • YET A LITTLE SLEEP
  • LOST LIBERTY
  • AN AFTERTHOUGHT
  • TO J. R.
  • THE TEMPTED SOUL
  • YOUTH RENEWED
  • VANITY OF VANITIES
  • LOVE'S WORSHIP RESTORED
  • BELOW HER WINDOW
  • REQUIEM
  • THOU ART QUEEN
  • IN TIME OF DOUBT
  • THE GARDEN OF SIN
  • URSULA
  • UNDESIRED REVENGE
  • POETS
  • A PRESENTIMENT
  • A BIRTHDAY GIFT
  • CYCLAMEN
  • LOVE RECALLED IN SLEEP
  • FOOTSTEPS IN THE STREET
  • FOR A PRESENT OF ROSES
  • IN TIME OF SORROW
  • A NEW SONG TO AN OLD TUNE—FROM VICTOR HUGO
  • THE FIDDLER
  • THE FIRST MEETING
  • A CRITICISM OF CRITICS
  • MY LADY
  • PARTNERSHIP IN FAME
  • A CHRISTMAS FANCY
  • THE BURIAL OF WILLIAM—THE CONQUEROR
  • THE DEATH OF WILLIAM RUFUS
  • AFTER WATERLOO
  • DEATH AT THE WINDOW
  • MAKE-BELIEVES
  • A COINCIDENCE
  • ART'S DISCIPLINE
  • THE TRUE LIBERAL
  • A LATE GOOD NIGHT
  • AN EXILE'S SONG
  • FOR SCOTLAND
  • THE HAUNTED CHAMBER
  • NIGHTFALL
  • IN TIME OF SICKNESS

  • 
    This etext was prepared from the 1894 Longmans, Green, and Co. edition
    
    by David Price, email ccx074@coventry.ac.uk

    R. F. MURRAY—1863-1893




    Much is written about success and failure in the career of
    literature, about the reasons which enable one man to reach the
    front, and another to earn his livelihood, while a third, in
    appearance as likely as either of them, fails and, perhaps, faints
    by the way. Mr. R. F. Murray, the author of The Scarlet Gown, was
    among those who do not attain success, in spite of qualities which
    seem destined to ensure it, and who fall out of the ranks. To him,
    indeed, success and the rewards of this world, money, and praise,
    did by no means seem things to be snatched at. To him success meant
    earning by his pen the very modest sum which sufficed for his wants,
    and the leisure necessary for serious essays in poetry. Fate denied
    him even this, in spite of his charming natural endowment of humour,
    of tenderness, of delight in good letters, and in nature. He died
    young; he was one of those whose talent matures slowly, and he died
    before he came into the full possession of his intellectual kingdom.
    He had the ambition to excel, [Greek text], as the Homeric motto of
    his University runs, and he was on the way to excellence when his
    health broke down. He lingered for two years and passed away.

    It is a familiar story, the story of lettered youth; of an ambition,
    or rather of an ideal; of poverty; of struggles in the `dusty and
    stony ways'; of intellectual task-work; of a true love consoling the
    last months of weakness and pain. The tale is not repeated here
    because it is novel, nor even because in its hero we have to regret
    an `inheritor of unfulfilled renown.' It is not the genius so much
    as the character of this St. Andrews student which has won the
    sympathy of his biographer, and may win, he hopes, the sympathy of
    others. In Mr. Murray I feel that I have lost that rare thing, a
    friend; a friend whom the chances of life threw in my way, and
    withdrew again ere we had time and opportunity for perfect
    recognition. Those who read his Letters and Remains may also feel
    this emotion of sympathy and regret.

    He was young in years, and younger in heart, a lover of youth; and
    youth, if it could learn and could be warned, might win a lesson
    from his life. Many of us have trod in his path, and, by some
    kindness of fate, have found from it a sunnier exit into longer days
    and more fortunate conditions. Others have followed this well-
    beaten road to the same early and quiet end as his.

    The life and the letters of Murray remind one strongly of Thomas
    Davidson's, as published in that admirable and touching biography, A
    Scottish Probationer. It was my own chance to be almost in touch
    with both these gentle, tuneful, and kindly humorists. Davidson was
    a Borderer, born on the skirts of `stormy Ruberslaw,' in the country
    of James Thomson, of Leyden, of the old Ballad minstrels. The son
    of a Scottish peasant line of the old sort, honourable, refined,
    devout, he was educated in Edinburgh for the ministry of the United
    Presbyterian Church. Some beautiful verses of his appeared in the
    St. Andrews University Magazine about 1863, at the time when I first
    `saw myself in print' in the same periodical. Davidson's poem
    delighted me: another of his, `Ariadne in Naxos,' appeared in the
    Cornhill Magazine about the same time. Mr. Thackeray, who was then
    editor, no doubt remembered Pen's prize poem on the same subject. I
    did not succeed in learning anything about the author, did not know
    that he lived within a drive of my own home. When next I heard of
    him, it was in his biography. As a `Probationer,' or unplaced
    minister, he, somehow, was not successful. A humorist, a poet, a
    delightful companion, he never became `a placed minister.' It was
    the old story of an imprudence, a journey made in damp clothes, of
    consumption, of the end of his earthly life and love. His letters
    to his betrothed, his poems, his career, constantly remind one of
    Murray's, who must often have joined in singing Davidson's song, so
    popular with St. Andrews students, The Banks of the Yang-tse-kiang.
    Love of the Border, love of Murray's `dear St. Andrews Bay,' love of
    letters, make one akin to both of these friends who were lost before
    their friendship was won. Why did not Murray succeed to the measure
    of his most modest desire? If we examine the records of literary
    success, we find it won, in the highest fields, by what, for want of
    a better word, we call genius; in the lower paths, by an energy
    which can take pleasure in all and every exercise of pen and ink,
    and can communicate its pleasure to others. Now for Murray one does
    not venture, in face of his still not wholly developed talent, and
    of his checked career, to claim genius. He was not a Keats, a
    Burns, a Shelley: he was not, if one may choose modern examples, a
    Kipling or a Stevenson. On the other hand, his was a high ideal; he
    believed, with Andre Chenier, that he had `something there,'
    something worthy of reverence and of careful training within him.
    Consequently, as we shall see, the drudgery of the pressman was
    excessively repulsive to him. He could take no delight in making
    the best of it. We learn that Mr. Kipling's early tales were
    written as part of hard daily journalistic work in India; written in
    torrid newspaper offices, to fill columns. Yet they were written
    with the delight of the artist, and are masterpieces in their genre.
    Murray could not make the best of ordinary pen-work in this manner.
    Again, he was incapable of `transactions,' of compromises; most
    honourably incapable of earning his bread by agreeing, or seeming to
    agree with opinions which were not his. He could not endure (here I
    think he was wrong) to have his pieces of light and mirthful verse
    touched in any way by an editor. Even where no opinions were
    concerned, even where an editor has (to my mind) a perfect right to
    alter anonymous contributions, Murray declined to be edited. I
    ventured to remonstrate with him, to say non est tanti, but I spoke
    too late, or spoke in vain. He carried independence too far, or
    carried it into the wrong field, for a piece of humorous verse, say
    in Punch, is not an original masterpiece and immaculate work of art,
    but more or less of a joint-stock product between the editor, the
    author, and the public. Macaulay, and Carlyle, and Sir Walter Scott
    suffered editors gladly or with indifference, and who are we that we
    should complain? This extreme sensitiveness would always have stood
    in Murray's way.

    Once more, Murray's interest in letters was much more energetic than
    his zeal in the ordinary industry of a student. As a general rule,
    men of original literary bent are not exemplary students at college.
    `The common curricoolum,' as the Scottish laird called academic
    studies generally, rather repels them. Macaulay took no honours at
    Cambridge; mathematics defied him. Scott was `the Greek dunce,' at
    Edinburgh. Thackeray, Shelley, Gibbon, did not cover themselves
    with college laurels; they read what pleased them, they did not read
    `for the schools.' In short, this behaviour at college is the rule
    among men who are to be distinguished in literature, not the
    exception. The honours attained at Oxford by Mr. Swinburne, whose
    Greek verses are no less poetical than his English poetry, were
    inconspicuous. At St. Andrews, Murray read only `for human
    pleasure,' like Scott, Thackeray, Shelley, and the rest, at
    Edinburgh, Oxford, and Cambridge. In this matter, I think, he made
    an error, and one which affected his whole career. He was not a man
    of private fortune, like some of those whom we have mentioned. He
    had not a business ready for him to step into. He had to force his
    own way in life, had to make himself `self-supporting.' This was
    all the more essential to a man of his honourable independence of
    character, a man who not only would not ask a favour, but who
    actually shrunk back from such chances as were offered to him, if
    these chances seemed to be connected with the least discernible
    shadow of an obligation. At St. Andrews, had he chosen to work hard
    in certain branches of study, he might probably have gained an
    exhibition, gone to Oxford or elsewhere, and, by winning a
    fellowship, secured the leisure which was necessary for the
    development of his powers. I confess to believing in strenuous work
    at the classics, as offering, apart from all material reward, the
    best and most solid basis, especially where there is no exuberant
    original genius, for the career of a man of letters. The mental
    discipline is invaluable, the training in accuracy is invaluable,
    and invaluable is the life led in the society of the greatest minds,
    the noblest poets, the most faultless artists of the world. To
    descend to ordinary truths, scholarship is, at lowest, an honourable
    gagne-pain. But Murray, like the majority of students endowed with
    literary originality, did not share these rather old-fashioned
    ideas. The clever Scottish student is apt to work only too hard,
    and, perhaps, is frequently in danger of exhausting his powers
    before they are mature, and of injuring his health before it is
    confirmed. His ambitions, to lookers-on, may seem narrow and
    school-boyish, as if he were merely emulous, and eager for a high
    place in his `class,' as lectures are called in Scotland. This was
    Murray's own view, and he certainly avoided the dangers of academic
    over-work. He read abundantly, but, as Fitzgerald says, he read
    `for human pleasure.' He never was a Greek scholar, he disliked
    Philosophy, as presented to him in class-work; the gods had made him
    poetical, not metaphysical.

    There was one other cause of his lack of even such slender
    commercial success in letters as was really necessary to a man who
    liked `plain living and high thinking.' He fell early in love with
    a city, with a place—he lost his heart to St. Andrews. Here, at
    all events, his critic can sympathise with him. His `dear St.
    Andrews Bay,' beautiful alike in winter mists and in the crystal
    days of still winter sunshine; the quiet brown streets brightened by
    the scarlet gowns; the long limitless sands; the dark blue distant
    hills, and far-off snowy peaks of the Grampians; the majestic
    melancholy towers, monuments of old religion overthrown; the deep
    dusky porch of the college chapel, with Kennedy's arms in wrought
    iron on the oaken door; the solid houses with their crow steps and
    gables, all the forlorn memories of civil and religious feud, of
    inhabitants saintly, royal, heroic, endeared St. Andrews to Murray.
    He could not say, like our other poet to Oxford, `Farewell, dear
    city of youth and dream!' His whole nature needed the air, `like
    wine.' He found, as he remarks, `health and happiness in the German
    Ocean,' swimming out beyond the `lake' where the witches were
    dipped; walking to the grey little coast-towns, with their wealth of
    historic documents, their ancient kirks and graves; dreaming in the
    vernal woods of Mount Melville or Strathtyrum; rambling (without a
    fishing-rod) in the charmed `dens' of the Kenley burn, a place like
    Tempe in miniature: these things were Murray's usual enjoyments,
    and they became his indispensable needs. His peculiarly shy and, as
    it were, silvan nature, made it physically impossible for him to
    live in crowded streets and push his way through throngs of
    indifferent men. He could not live even in Edinburgh; he made the
    effort, and his health, at no time strong, seems never to have
    recovered from the effects of a few months spent under a roof in a
    large town. He hurried back to St. Andrews: her fascination was
    too powerful. Hence it is that, dying with his work scarcely begun,
    he will always be best remembered as the poet of The Scarlet Gown,
    the Calverley or J. K. S. of Kilrymont; endowed with their humour,
    their skill in parody, their love of youth, but (if I am not
    prejudiced) with more than the tenderness and natural magic of these
    regretted writers. Not to be able to endure crowds and towns, (a
    matter of physical health and constitution, as well as of
    temperament) was, of course, fatal to an ordinary success in
    journalism. On the other hand, Murray's name is inseparably
    connected with the life of youth in the little old college, in the
    University of the Admirable Crichton and Claverhouse, of the great
    Montrose and of Ferguson,—the harmless Villon of Scotland,—the
    University of almost all the famous Covenanters, and of all the
    valiant poet-Cavaliers. Murray has sung of the life and pleasures
    of its students, of examinations and Gaudeamuses—supper parties—he
    has sung of the sands, the links, the sea, the towers, and his name
    and fame are for ever blended with the air of his city of youth and
    dream. It is not a wide name or a great fame, but it is what he
    would have desired, and we trust that it may be long-lived and
    enduring. We are not to wax elegiac, and adopt a tearful tone over
    one so gallant and so uncomplaining. He failed, but he was
    undefeated.

    In the following sketch of Murray's life and work use is made of his
    letters, chiefly of letters to his mother. They always illustrate
    his own ideas and attempts; frequently they throw the light of an
    impartial and critical mind on the distinguished people whom Murray
    observed from without. It is worth remarking that among many
    remarks on persons, I have found not one of a censorious, cynical,
    envious, or unfriendly nature. Youth is often captious and keenly
    critical; partly because youth generally has an ideal, partly,
    perhaps chiefly, from mere intellectual high spirits and sense of
    the incongruous; occasionally the motive is jealousy or spite.
    Murray's sense of fun was keen, his ideal was lofty; of envy, of an
    injured sense of being neglected, he does not show one trace. To
    make fun of their masters and pastors, tutors, professors, is the
    general and not necessarily unkind tendency of pupils. Murray
    rarely mentions any of the professors in St. Andrews except in terms
    of praise, which is often enthusiastic. Now, as he was by no means
    a prize student, or pattern young man for a story-book, this
    generosity is a high proof of an admirable nature. If he chances to
    speak to his mother about a bore, and he did not suffer bores
    gladly, he not only does not name the person, but gives no hint by
    which he might be identified. He had much to embitter him, for he
    had a keen consciousness of `the something within him,' of the
    powers which never found full expression; and he saw others
    advancing and prospering while he seemed to be standing still, or
    losing ground in all ways. But no word of bitterness ever escapes
    him in the correspondence which I have seen. In one case he has to
    speak of a disagreeable and disappointing interview with a man from
    whom he had been led to expect sympathy and encouragement. He told
    me about this affair in conversation; `There were tears in my eyes
    as I turned from the house,' he said, and he was not effusive. In a
    letter to Mrs. Murray he describes this unlucky interview,—a
    discouragement caused by a manner which was strange to Murray,
    rather than by real unkindness,—and he describes it with a
    delicacy, with a reserve, with a toleration, beyond all praise.
    These are traits of a character which was greater and more rare than
    his literary talent: a character quite developed, while his talent
    was only beginning to unfold itself, and to justify his belief in
    his powers.

    Robert Murray was the eldest child of John and Emmeline Murray: the
    father a Scot, the mother of American birth. He was born at
    Roxbury, in Massachusetts, on December 26th, 1863. It may be fancy,
    but, in his shy reserve, his almost farouche independence, one seems
    to recognise the Scot; while in his cast of literary talent, in his
    natural `culture,' we observe the son of a refined American lady.
    To his mother he could always write about the books which were
    interesting him, with full reliance on her sympathy, though indeed,
    he does not often say very much about literature.

    Till 1869 he lived in various parts of New England, his father being
    a Unitarian minister. `He was a remarkably cheerful and
    affectionate child, and seldom seemed to find anything to trouble
    him.' In 1869 his father carried him to England, Mrs. Murray and a
    child remaining in America. For more than a year the boy lived with
    kinsfolk near Kelso, the beautiful old town on the Tweed where Scott
    passed some of his childish days. In 1871 the family were reunited
    at York, where he was fond of attending the services in the
    Cathedral. Mr. Murray then took charge of the small Unitarian
    chapel of Blackfriars, at Canterbury. Thus Murray's early youth was
    passed in the mingled influences of Unitarianism at home, and of
    Cathedral services at York, and in the church where Becket suffered
    martyrdom. A not unnatural result was a somewhat eclectic and
    unconstrained religion. He thought but little of the differences of
    creed, believing that all good men held, in essentials, much the
    same faith. His view of essentials was generous, as he admitted.
    He occasionally spoke of himself as `sceptical,' that is, in
    contrast with those whose faith was more definite, more dogmatic,
    more securely based on `articles.' To illustrate Murray's religious
    attitude, at least as it was in 1887, one may quote from a letter of
    that year (April 17).


    `There was a University sermon, and I thought I would go and hear
    it. So I donned my old cap and gown and felt quite proud of them.
    The preacher was Bishop Wordsworth. He goes in for the union of the
    Presbyterian and Episcopalian Churches, and is glad to preach in a
    Presbyterian Church, as he did this morning. How the aforesaid
    Union is to be brought about, I'm sure I don't know, for I am pretty
    certain that the Episcopalians won't give up their bishops, and the
    Presbyterians won't have them on any account. However, that's
    neither here nor there—at least it does not affect the fact that
    Wordsworth is a first-rate man, and a fine preacher. I dare say you
    know he is a nephew or grand-nephew of the Poet. He is a most
    venerable old man, and worth looking at, merely for his exterior.
    He is so feeble with age that he can with difficulty climb the three
    short steps that lead into the pulpit; but, once in the pulpit, it
    is another thing. There is no feebleness when he begins to preach.
    He is one of the last voices of the old orthodox school, and I wish
    there were hundreds like him. If ever a man believed in his
    message, Wordsworth does. And though I cannot follow him in his
    veneration for the Thirty-nine Articles, the way in which he does
    makes me half wish I could. . . . It was full of wisdom and the
    beauty of holiness, which even I, poor sceptic and outcast, could
    recognise and appreciate. After all, he didn't get it from the
    Articles, but from his own human heart, which, he told us, was
    deceitful and desperately wicked.

    `Confound it, how stupid we all are! Episcopalians, Presbyterians,
    Unitarians, Agnostics; the whole lot of us. We all believe the same
    things, to a great extent; but we must keep wrangling about the data
    from which we infer these beliefs . . . I believe a great deal that
    he does, but I certainly don't act up to my belief as he does to
    his.'


    The belief `up to' which Murray lived was, if it may be judged by
    its fruits, that of a Christian man. But, in this age, we do find
    the most exemplary Christian conduct in some who have discarded
    dogma and resigned hope. Probably Murray would not the less have
    regarded these persons as Christians. If we must make a choice, it
    is better to have love and charity without belief, than belief of
    the most intense kind, accompanied by such love and charity as John
    Knox bore to all who differed from him about a mass or a chasuble, a
    priest or a presbyter. This letter, illustrative of the effect of
    cathedral services on a young Unitarian, is taken out of its proper
    chronological place.

    From Canterbury Mr. Murray went to Ilminster in Somerset. Here
    Robert attended the Grammar School; in 1879 he went to the Grammar
    School of Crewkerne. In 1881 he entered at the University of St.
    Andrews, with a scholarship won as an external student of Manchester
    New College. This he resigned not long after, as he had abandoned
    the idea of becoming a Unitarian minister.

    No longer a schoolboy, he was now a Bejant (bec jaune?), to use the
    old Scotch term for `freshman.' He liked the picturesque word, and
    opposed the introduction of `freshman.' Indeed he liked all things
    old, and, as a senior man, was a supporter of ancient customs and of
    esprit de corps in college. He fell in love for life with that old
    and grey enchantress, the city of St. Margaret, of Cardinal Beaton,
    of Knox and Andrew Melville, of Archbishop Sharp, and Samuel
    Rutherford. The nature of life and education in a Scottish
    university is now, probably, better understood in England than it
    used to be. Of the Scottish universities, St. Andrews varies least,
    though it varies much, from Oxford and Cambridge. Unlike the
    others, Aberdeen, Glasgow, and Edinburgh, the United College of St.
    Leonard and St. Salvator is not lost in a large town. The College
    and the Divinity Hall of St. Mary's are a survival from the Middle
    Ages. The University itself arose from a voluntary association of
    the learned in 1410. Privileges were conferred on this association
    by Bishop Wardlaw in 1411. It was intended as a bulwark against
    Lollard ideas. In 1413 the Antipope Benedict XIII., to whom
    Scotland then adhered, granted six bulls of confirmation to the new
    University. Not till 1430 did Bishop Wardlaw give a building in
    South Street, the Paedagogium. St. Salvator's College was founded
    by Bishop Kennedy (1440-1466): it was confirmed by Pius II. in
    1458. Kennedy endowed his foundation richly with plate (a silver
    mace is still extant) and with gorgeous furniture and cloth of gold.
    St. Leonard's was founded by Prior Hepburn in 1512. Of St.
    Salvator's the ancient chapel still remains, and is in use. St.
    Leonard's was merged with St. Salvator's in the last century: its
    chapel is now roofless, some of the old buildings remain, much
    modernised, but on the south side fronting the gardens they are
    still picturesque. Both Colleges were, originally, places of
    residence for the students, as at Oxford and Cambridge, and the
    discipline, especially at St. Leonard's, was rather monastic. The
    Reformation caused violent changes; all through these troubled ages
    the new doctrines, and then the violent Presbyterian pretensions to
    clerical influence in politics, and the Covenant and the Restoration
    and Revolution, kept busy the dwellers in what should have been
    `quiet collegiate cloisters.' St. Leonard's was more extreme, on
    Knox's side, than St. Salvator's, but was also more devoted to King
    James in 1715. From St. Andrews Simon Lovat went to lead his
    abominable old father's clan, on the Prince Regent's side, in 1745.
    Golf and archery, since the Reformation at least, were the chief
    recreations of the students, and the archery medals bear all the
    noblest names of the North, including those of Argyll and the great
    Marquis of Montrose. Early in the present century the old ruinous
    college buildings of St. Salvator's ceased to be habitable, except
    by a ghost! There is another spectre of a noisy sort in St.
    Leonard's. The new buildings are mere sets of class-rooms, the
    students live where they please, generally in lodgings, which they
    modestly call bunks. There is a hall for dinners in common; it is
    part of the buildings of the Union, a new hall added to an ancient
    house.

    It was thus to a university with ancient associations, with a
    religio loci, and with more united and harmonious student-life than
    is customary in Scotland, that Murray came in 1881. How clearly his
    biographer remembers coming to the same place, twenty years earlier!
    how vivid is his memory of quaint streets, grey towers, and the
    North Sea breaking in heavy rollers on the little pier!

    Though, like a descendant of Archbishop Sharp, and a winner of the
    archery medal, I boast myself Sancti Leonardi alumnus addictissimus,
    I am unable to give a description, at first hand, of student life in
    St. Andrews. In my time, a small set of `men' lived together in
    what was then St. Leonard's Hall. The buildings that remain on the
    site of Prior Hepburn's foundation, or some of them, were turned
    into a hall, where we lived together, not scattered in bunks. The
    existence was mainly like that of pupils of a private tutor; seven-
    eighths of private tutor to one-eighth of a college in the English
    universities. We attended the lectures in the University, we
    distinguished ourselves no more than Murray would have approved of,
    and many of us have remained united by friendship through half a
    lifetime.

    It was a pleasant existence, and the perfume of buds and flowers in
    the old gardens, hard by those where John Knox sat and talked with
    James Melville and our other predecessors at St. Leonard's, is
    fragrant in our memories. It was pleasant, but St. Leonard's Hall
    has ceased to be, and the life there was not the life of the free
    and hardy bunk-dwellers. Whoso pined for such dissipated pleasures
    as the chill and dark streets of St. Andrews offer to the gay and
    rousing blade, was not encouraged. We were very strictly `gated,'
    though the whole society once got out of window, and, by way of
    protest, made a moonlight march into the country. We attended
    `gaudeamuses' and solatia—University suppers—but little; indeed,
    he who writes does not remember any such diversions of boys who beat
    the floor, and break the glass. To plant the standard of cricket in
    the remoter gardens of our country, in a region devastated by golf,
    was our ambition, and here we had no assistance at all from the
    University. It was chiefly at lecture, at football on the links,
    and in the debating societies that we met our fellow-students; like
    the celebrated starling, `we could not get out,' except to permitted
    dinners and evening parties. Consequently one could only sketch
    student life with a hand faltering and untrained. It was very
    different with Murray and his friends. They were their own masters,
    could sit up to all hours, smoking, talking, and, I dare say,
    drinking. As I gather from his letters, Murray drank nothing
    stronger than water. There was a certain kind of humour in drink,
    he said, but he thought it was chiefly obvious to the sober
    spectator. As the sober spectator, he sang of violent delights
    which have violent ends. He may best be left to illustrate student
    life for himself. The `waster' of whom he chants is the slang name
    borne by the local fast man.


    THE WASTER SINGING AT MIDNIGHT.


    AFTER LONGFELLOW.

    Loud he sang the song Ta Phershon
    For his personal diversion,
    Sang the chorus U-pi-dee,
    Sang about the Barley Bree.

    In that hour when all is quiet
    Sang he songs of noise and riot,
    In a voice so loud and queer
    That I wakened up to hear.

    Songs that distantly resembled
    Those one hears from men assembled
    In the old Cross Keys Hotel,
    Only sung not half so well.

    For the time of this ecstatic
    Amateur was most erratic,
    And he only hit the key
    Once in every melody.

    If "he wot prigs wot isn't his'n
    Ven he's cotched is sent to prison,"
    He who murders sleep might well
    Adorn a solitary cell.

    But, if no obliging peeler
    Will arrest this midnight squealer,
    My own peculiar arm of might
    Must undertake the job to-night.


    The following fragment is but doubtfully autobiographical. `The
    swift four-wheeler' seldom devastates the streets where, of old, the
    Archbishop's jackmen sliced Presbyterian professors with the
    claymore, as James Melville tells us:-


    TO NUMBER 27x.



    Beloved Peeler! friend and guide
    And guard of many a midnight reeler,
    None worthier, though the world is wide,
    Beloved Peeler.

    Thou from before the swift four-wheeler
    Didst pluck me, and didst thrust aside
    A strongly built provision-dealer

    Who menaced me with blows, and cried
    `Come on! come on!' O Paian, Healer,
    Then but for thee I must have died,
    Beloved Peeler!


    The following presentiment, though he was no `waster,' may very well
    have been his own. He was only half Scotch, and not at all
    metaphysical:-


    THE WASTER'S PRESENTIMENT



    I shall be spun. There is a voice within
    Which tells me plainly I am all undone;
    For though I toil not, neither do I spin,
    I shall be spun.

    April approaches. I have not begun
    Schwegler or Mackintosh, nor will begin
    Those lucid works till April 21.

    So my degree I do not hope to win,
    For not by ways like mine degrees are won;
    And though, to please my uncle, I go in,
    I shall be spun.


    Here we must quote, from The Scarlet Gown, one of his most tender
    pieces of affectionate praise bestowed on his favourite city:-


    A DECEMBER DAY



    Blue, blue is the sea to-day,
    Warmly the light
    Sleeps on St. Andrews Bay—
    Blue, fringed with white.

    That's no December sky!
    Surely `tis June
    Holds now her state on high,
    Queen of the noon.

    Only the tree-tops bare
    Crowning the hill,
    Clear-cut in perfect air,
    Warn us that still

    Winter, the aged chief,
    Mighty in power,
    Exiles the tender leaf,
    Exiles the flower.

    Is there a heart to-day,
    A heart that grieves
    For flowers that fade away,
    For fallen leaves?

    Oh, not in leaves or flowers
    Endures the charm
    That clothes those naked towers
    With love-light warm.

    O dear St. Andrews Bay,
    Winter or Spring
    Gives not nor takes away
    Memories that cling

    All round thy girdling reefs,
    That walk thy shore,
    Memories of joys and griefs
    Ours evermore.

    `I have NOT worked for my classes this session,' he writes (1884),
    `and shall not take any places.' The five or six most distinguished
    pupils used, at least in my time, to receive prize-books decorated
    with the University's arms. These prize-men, no doubt, held the
    `places' alluded to by Murray. If HE was idle, `I speak of him but
    brotherly,' having never held any `place' but that of second to Mr.
    Wallace, now Professor of Moral Philosophy at Oxford, in the Greek
    Class (Mr. Sellar's). Why was one so idle, in Latin (Mr. Shairp),
    in Morals (Mr. Ferrier), in Logic (Mr. Veitch)? but Logic was
    unintelligible.

    `I must confess,' remarks Murray, in a similar spirit of pensive
    regret, `that I have not had any ambition to distinguish myself
    either in Knight's (Moral Philosophy) or in Butler's.' {1}

    Murray then speaks with some acrimony about earnest students, whose
    motive, he thinks, is a small ambition. But surely a man may be
    fond of metaphysics for the sweet sake of Queen Entelechy, and,
    moreover, these students looked forward to days in which real work
    would bear fruit.

    `You must grind up the opinions of Plato, Aristotle, and a lot of
    other men, concerning things about which they knew nothing, and we
    know nothing, taking these opinions at second or third hand, and
    never looking into the works of these men; for to a man who wants to
    take a place, there is no time for anything of that sort.'

    Why not? The philosophers ought to be read in their own language,
    as they are now read. The remarks on the most fairy of
    philosophers—Plato; on the greatest of all minds, that of
    Aristotle, are boyish. Again `I speak but brotherly,' remembering
    an old St. Leonard's essay in which Virgil was called `the furtive
    Mantuan,' and another, devoted to ridicule of Euripides. But Plato
    and Aristotle we never blasphemed.

    Murray adds that he thinks, next year, of taking the highest Greek
    Class, and English Literature. In the latter, under Mr. Baynes, he
    took the first place, which he mentions casually to Mrs. Murray
    about a year after date:-


    `A sweet life and an idle
    He lives from year to year,
    Unknowing bit or bridle,
    There are no Proctors here.'


    In Greek, despite his enthusiastic admiration of the professor, Mr.
    Campbell, he did not much enjoy himself:-


    `Thrice happy are those
    Who ne'er heard of Greek Prose—
    Or Greek Poetry either, as far as that goes;
    For Liddell and Scott
    Shall cumber them not,
    Nor Sargent nor Sidgwick shall break their repose.

    But I, late at night,
    By the very bad light
    Of very bad gas, must painfully write
    Some stuff that a Greek
    With his delicate cheek
    Would smile at as `barbarous'—faith, he well might.

    * * * * *

    So away with Greek Prose,
    The source of my woes!
    (This metre's too tough, I must draw to a close.)
    May Sargent be drowned
    In the ocean profound,
    And Sidgwick be food for the carrion crows!'


    Greek prose is a stubborn thing, and the biographer remembers being
    told that his was `the best, with the worst mistakes'; also
    frequently by Mr. Sellar, that it was `bald.' But Greek prose is
    splendid practice, and no less good practice is Greek and Latin
    verse. These exercises, so much sneered at, are the Dwellers on the
    Threshold of the life of letters. They are haunting forms of fear,
    but they have to be wrestled with, like the Angel (to change the
    figure), till they bless you, and make words become, in your hands,
    like the clay of the modeller. Could we write Greek like Mr. Jebb,
    we would never write anything else.

    Murray had naturally, it seems, certainly not by dint of wrestling
    with Greek prose, the mastery of language. His light verse is
    wonderfully handled, quaint, fluent, right. Modest as he was, he
    was ambitious, as we said, but not ambitious of any gain; merely
    eager, in his own way, to excel. His ideal is plainly stated in the
    following verses:-


    [Greek text]

    Ever to be the best. To lead
    In whatsoever things are true;
    Not stand among the halting crew,
    The faint of heart, the feeble-kneed,
    Who tarry for a certain sign
    To make them follow with the rest—
    Oh, let not their reproach be thine!
    But ever be the best.

    For want of this aspiring soul,
    Great deeds on earth remain undone,
    But, sharpened by the sight of one,
    Many shall press toward the goal.
    Thou running foremost of the throng,
    The fire of striving in thy breast,
    Shalt win, although the race be long,
    And ever be the best.

    And wilt thou question of the prize?
    `Tis not of silver or of gold,
    Nor in applauses manifold,
    But hidden in the heart it lies:
    To know that but for thee not one
    Had run the race or sought the quest,
    To know that thou hast ever done
    And ever been the best.


    Murray was never a great athlete: his ambition did not lead him to
    desire a place in the Scottish Fifteen at Football. Probably he was
    more likely to be found matched against `The Man from Inversnaid.'


    IMITATED FROM WORDSWORTH



    He brought a team from Inversnaid
    To play our Third Fifteen,
    A man whom none of us had played
    And very few had seen.

    He weighed not less than eighteen stone,
    And to a practised eye
    He seemed as little fit to run
    As he was fit to fly.

    He looked so clumsy and so slow,
    And made so little fuss;
    But he got in behind—and oh,
    The difference to us!


    He was never a golfer; one of his best light pieces, published later
    in the Saturday Review, dealt in kindly ridicule of The City of
    Golf.


    `Would you like to see a city given over,
    Soul and body, to a tyrannising game?
    If you would, there's little need to be a rover,
    For St. Andrews is the abject city's name.'


    He was fond, too fond, of long midnight walks, for in these he
    overtasked his strength, and he had all a young man's contempt for
    maxims about not sitting in wet clothes and wet boots. Early in his
    letters he speaks of bad colds, and it is matter of tradition that
    he despised flannel. Most of us have been like him, and have found
    pleasure in wading Tweed, for example, when chill with snaw-bree.
    In brief, while reading about Murray's youth most men must feel that
    they are reading, with slight differences, about their own. He
    writes thus of his long darkling tramps, in a rhymed epistle to his
    friend C. C. C.


    `And I fear we never again shall go,
    The cold and weariness scorning,
    For a ten mile walk through the frozen snow
    At one o'clock in the morning:

    Out by Cameron, in by the Grange,
    And to bed as the moon descended . . .
    To you and to me there has come a change,
    And the days of our youth are ended.'


    One fancies him roaming solitary, after midnight, in the dark
    deserted streets. He passes the deep porch of the College Church,
    and the spot where Patrick Hamilton was burned. He goes down to the
    Castle by the sea, where, some say, the murdered Cardinal may now
    and again be seen, in his red hat. In South Street he hears the
    roll and rattle of the viewless carriage which sounds in that
    thoroughfare. He loiters under the haunted tower on Hepburn's
    precinct wall, the tower where the lady of the bright locks lies,
    with white gloves on her hands. Might he not share, in the desolate
    Cathedral, La Messe des Morts, when all the lost souls of true
    lovers are allowed to meet once a year. Here be they who were too
    fond when Culdees ruled, or who loved young monks of the Priory;
    here be ladies of Queen Mary's Court, and the fair inscrutable Queen
    herself, with Chastelard, that died at St. Andrews for desire of
    her; and poor lassies and lads who were over gay for Andrew Melville
    and Mr. Blair; and Miss Pett, who tended young Montrose, and may
    have had a tenderness for his love-locks. They are a triste good
    company, tender and true, as the lovers of whom M. Anatole France
    has written (La Messe des Morts). Above the witches' lake come
    shadows of the women who suffered under Knox and the Bastard of
    Scotland, poor creatures burned to ashes with none to help or pity.
    The shades of Dominicans flit by the Black Friars wall—verily the
    place is haunted, and among Murray's pleasures was this of pacing
    alone, by night, in that airy press and throng of those who lived
    and loved and suffered so long ago—


    `The mist hangs round the College tower,
    The ghostly street
    Is silent at this midnight hour,
    Save for my feet.

    With none to see, with none to hear,
    Downward I go
    To where, beside the rugged pier,
    The sea sings low.

    It sings a tune well loved and known
    In days gone by,
    When often here, and not alone,
    I watched the sky.'


    But he was not always, nor often, lonely. He was fond of making his
    speech at the Debating Societies, and his speeches are remembered as
    good. If he declined the whisky and water, he did not flee the
    weed. I borrow from College Echoes—


    A TENNYSONIAN FRAGMENT



    So in the village inn the poet dwelt.
    His honey-dew was gone; only the pouch,
    His cousin's work, her empty labour, left.
    But still he sniffed it, still a fragrance clung
    And lingered all about the broidered flowers.
    Then came his landlord, saying in broad Scotch,
    `Smoke plug, mon,' whom he looked at doubtfully.
    Then came the grocer saying, `Hae some twist
    At tippence,' whom he answered with a qualm.
    But when they left him to himself again,
    Twist, like a fiend's breath from a distant room
    Diffusing through the passage, crept; the smell
    Deepening had power upon him, and he mixt
    His fancies with the billow-lifted bay
    Of Biscay, and the rollings of a ship.

    And on that night he made a little song,
    And called his song `The Song of Twist and Plug,'
    And sang it; scarcely could he make or sing.

    `Rank is black plug, though smoked in wind and rain;
    And rank is twist, which gives no end of pain;
    I know not which is ranker, no, not I.

    `Plug, art thou rank? then milder twist must be;
    Plug, thou art milder: rank is twist to me.
    O twist, if plug be milder, let me buy.

    `Rank twist, that seems to make me fade away,
    Rank plug, that navvies smoke in loveless clay,
    I know not which is ranker, no, not I.

    `I fain would purchase flake, if that could be;
    I needs must purchase plug, ah, woe is me!
    Plug and a cutty, a cutty, let me buy.


    His was the best good thing of the night's talk, and the thing that
    was remembered. He excited himself a good deal over Rectorial
    Elections. The duties of the Lord Rector and the mode of his
    election have varied frequently in near five hundred years. In
    Murray's day, as in my own, the students elected their own Rector,
    and before Lord Bute's energetic reign, the Rector had little to do,
    but to make a speech, and give a prize. I vaguely remember
    proposing the author of Tom Brown long ago: he was not, however, in
    the running.

    Politics often inspire the electors; occasionally (I have heard)
    grave seniors use their influence, mainly for reasons of academic
    policy.

    In December 1887 Murray writes about an election in which Mr. Lowell
    was a candidate. `A pitiful protest was entered by an' (epithets
    followed by a proper name) `against Lowell, on the score of his
    being an alien. Mallock, as you learn, was withdrawn, for which I
    am truly thankful.' Unlucky Mr. Mallock! `Lowell polled 100 and
    Gibson 92 . . . The intrigues and corruption appear to be almost
    worthy of an American Presidential election.' Mr. Lowell could not
    accept a compliment which pleased him, because of his official
    position, and the misfortune of his birth!

    Murray was already doing a very little `miniature journalism,' in
    the form of University Notes for a local paper. He complains of the
    ultra Caledonian frankness with which men told him that they were
    very bad. A needless, if friendly, outspokenness was a feature in
    Scottish character which he did not easily endure. He wrote a good
    deal of verse in the little University paper, now called College
    Echoes.

    If Murray ever had any definite idea of being ordained for the
    ministry in any `denomination,' he abandoned it. His `bursaries'
    (scholarships or exhibitions), on which he had been passing rich,
    expired, and he had to earn a livelihood. It seems plain to myself
    that he might easily have done so with his pen. A young friend of
    my own (who will excuse me for thinking that his bright verses are
    not BETTER than Murray's) promptly made, by these alone, an income
    which to Murray would have been affluence. But this could not be
    done at St. Andrews. Again, Murray was not in contact with people
    in the centre of newspapers and magazines. He went very little into
    general society, even at St. Andrews, and thus failed, perhaps, to
    make acquaintances who might have been `useful.' He would have
    scorned the idea of making useful acquaintances. But without
    seeking them, why should we reject any friendliness when it offers
    itself? We are all members one of another. Murray speaks of his
    experience of human beings, as rich in examples of kindness and
    good-will. His shyness, his reserve, his extreme unselfishness,—
    carried to the point of diffidence,—made him rather shun than seek
    older people who were dangerously likely to be serviceable. His
    manner, when once he could be induced to meet strangers, was
    extremely frank and pleasant, but from meeting strangers he shrunk,
    in his inveterate modesty.

    In 1886 Murray had the misfortune to lose is father, and it became,
    perhaps, more prominently needful that he should find a profession.
    He now assisted Professor Meiklejohn of St. Andrews in various kinds
    of literary and academic work, and in him found a friend, with whom
    he remained in close intercourse to the last. He began the weary
    path, which all literary beginners must tread, of sending
    contributions to magazines. He seldom read magazine articles. `I
    do not greatly care for "Problems" and "vexed questions." I am so
    much of a problem and a vexed question that I have quite enough to
    do in searching for a solution of my own personality.' He tried a
    story, based on `a midnight experience' of his own; unluckily he
    does not tell us what that experience was. Had he encountered one
    of the local ghosts?

    `My blood-curdling romance I offered to the editor of Longman's
    Magazine, but that misguided person was so ill-advised as to return
    it, accompanied with one of these abominable lithographed forms
    conveying his hypocritical regrets.' Murray sent a directed
    envelope with a twopenny-halfpenny stamp. The paper came back for
    three-halfpence by book-post. `I have serious thoughts of sueing
    him for the odd penny!' `Why should people be fools enough to read
    my rot when they have twenty volumes of Scott at their command?' He
    confesses to `a Scott-mania almost as intense as if he were the last
    new sensation.' `I was always fond of him, but I am fonder than
    ever now.' This plunge into the immortal romances seems really to
    have discouraged Murray; at all events he says very little more
    about attempts in fiction of his own. `I am a barren rascal,' he
    writes, quoting Johnson on Fielding. Like other men, Murray felt
    extreme difficulty in writing articles or tales which have an
    infinitesimal chance of being accepted. It needs a stout heart to
    face this almost fixed certainty of rejection: a man is weakened by
    his apprehensions of a lithographed form, and of his old manuscript
    coming home to roost, like the Graces of Theocritus, to pine in the
    dusty chest where is their chill abode. If the Alexandrian poets
    knew this ill-fortune, so do all beginners in letters. There is
    nothing for it but `putting a stout heart to a stey brae,' as the
    Scotch proverb says. Editors want good work, and on finding a new
    man who is good, they greatly rejoice. But it is so difficult to do
    vigorous and spontaneous work, as it were, in the dark. Murray had
    not, it is probable, the qualities of the novelist, the narrator.
    An excellent critic he might have been if he had `descended to
    criticism,' but he had, at this time, no introductions, and probably
    did not address reviews at random to editors. As to poetry, these
    much-vexed men receive such enormous quantities of poetry that they
    usually reject it at a venture, and obtain the small necessary
    supplies from agreeable young ladies. Had Murray been in London,
    with a few literary friends, he might soon have been a thriving
    writer of light prose and light verse. But the enchantress held
    him; he hated London, he had no literary friends, he could write
    gaily for pleasure, not for gain. So, like the Scholar Gypsy, he
    remained contemplative,


    `Waiting for the spark from heaven to fall.'


    About this time the present writer was in St. Andrews as Gifford
    Lecturer in Natural Theology. To say that an enthusiasm for totems
    and taboos, ghosts and gods of savage men, was aroused by these
    lectures, would be to exaggerate unpardonably. Efforts to make the
    students write essays or ask questions were so entire a failure that
    only one question was received—as to the proper pronunciation of
    `Myth.' Had one been fortunate enough to interest Murray, it must
    have led to some discussion of his literary attempts. He mentions
    having attended a lecture given by myself to the Literary Society on
    `Literature as a Profession,' and he found the lecturer `far more at
    home in such a subject than in the Gifford Lectures.' Possibly the
    hearer was `more at home' in literature than in discussions as to
    the origin of Huitzilopochtli. `Literature,' he says, `never was,
    is not, and never will be, in the ordinary sense of the term, a
    profession. You can't teach it as you can the professions, you
    can't succeed in it as you can in the professions, by dint of mere
    diligence and without special aptitude . . . I think all this
    chatter about the technical and pecuniary sides of literature is
    extremely foolish and worse than useless. It only serves to glut
    the idle curiosity of the general public about matters with which
    they have no concern, a curiosity which (thanks partly to American
    methods of journalism) has become simply outrageous.'

    Into chatter about the pecuniary aspect of literature the Lecturer
    need hardly say that he did not meander. It is absolutely true that
    literature cannot be taught. Maupassant could have dispensed with
    the instructions of Flaubert. But an `aptitude' is needed in all
    professions, and in such arts as music, and painting, and sculpture,
    teaching is necessary. In literature, teaching can only come from
    general education in letters, from experience, from friendly private
    criticism. But if you cannot succeed in literature `by dint of mere
    diligence,' mere diligence is absolutely essential. Men must read,
    must observe, must practise. Diligence is as necessary to the
    author as to the grocer, the solicitor, the dentist, the barrister,
    the soldier. Nothing but nature can give the aptitude; diligence
    must improve it, and experience may direct it. It is not enough to
    wait for the spark from heaven to fall; the spark must be caught,
    and tended, and cherished. A man must labour till he finds his
    vein, and himself. Again, if literature is an art, it is also a
    profession. A man's very first duty is to support himself and
    those, if any, who are dependent on him. If he cannot do it by
    epics, tragedies, lyrics, he must do it by articles, essays, tales,
    or how he honestly can. He must win his leisure by his labour, and
    give his leisure to his art. Murray, at this time, was diligent in
    helping to compile and correct educational works. He might, but for
    the various conditions of reserve, hatred of towns, and the rest,
    have been earning his leisure by work more brilliant and more
    congenial to most men. But his theory of literature was so lofty
    that he probably found the other, the harder, the less remunerative,
    the less attractive work, more congenial to his tastes.

    He describes, to Mrs. Murray, various notable visitors to St.
    Andrews: Professor Butcher, who lectured on Lucian, and is `very
    handsome,' Mr. Arthur Balfour, the Lord Rector, who is `rather
    handsome,' and delights the listener by his eloquence; Mr.
    Chamberlain, who pleases him too, though he finds Mr. Chamberlain
    rather acrimonious in his political reflections. About Lucian, the
    subject of Mr. Butcher's lecture, Murray says nothing. That
    brilliant man of letters in general, the Alcibiades of literature,
    the wittiest, and, rarely, the most tender, and, always, the most
    graceful, was a model who does not seem to have attracted Murray.
    Lucian amused, and amuses, and lived by amusing: the vein of
    romance and poetry that was his he worked but rarely: perhaps the
    Samosatene did not take himself too seriously, yet he lives through
    the ages, an example, in many ways to be followed, of a man who
    obviously delighted in all that he wrought. He was no model to
    Murray, who only delighted in his moments of inspiration, and could
    not make himself happy even in the trifles which are demanded from
    the professional pen.

    He did, at last, endeavour to ply that servile engine of which
    Pendennis conceived so exalted an opinion. Certainly a false pride
    did not stand in his way when, on May 5, 1889, he announced that he
    was about to leave St. Andrews, and attempt to get work at proof-
    correcting and in the humblest sorts of journalism in Edinburgh.
    The chapter is honourable to his resolution, but most melancholy.
    There were competence and ease waiting for him, probably, in London,
    if he would but let his pen have its way in bright comment and
    occasional verse. But he chose the other course. With letters of
    introduction from Mr. Meiklejohn, he consulted the houses of Messrs.
    Clark and Messrs. Constable in Edinburgh. He did not find that his
    knowledge of Greek was adequate to the higher and more remunerative
    branches of proof-reading, that weary meticulous toil, so fatiguing
    to the eyesight. The hours, too, were very long; he could do more
    and better work in fewer hours. No time, no strength, were left for
    reading and writing. He did, while in Edinburgh, send a few things
    to magazines, but he did not actually `bombard' editors. He is `to
    live in one room, and dine, if not on a red herring, on the next
    cheapest article of diet.' These months of privation, at which he
    laughed, and some weeks of reading proofs, appear to have quite
    undermined health which was never strong, and which had been sorely
    tried by `the wind of a cursed to-day, the curse of a windy to-
    morrow,' at St. Andrews. If a reader observes in Murray a lack of
    strenuous diligence, he must attribute it less to lack of
    resolution, than to defect of physical force and energy. The many
    bad colds of which he speaks were warnings of the end, which came in
    the form of consumption. This lurking malady it was that made him
    wait, and dally with his talent. He hit on the idea of translating
    some of Bossuet's orations for a Scotch theological publisher.
    Alas! the publisher did not anticipate a demand, among Scotch
    ministers, for the Eagle of Meaux. Murray, in his innocence, was
    startled by the caution of the publisher, who certainly would have
    been a heavy loser. `I honestly believe that, if Charles Dickens
    were now alive and unknown, and were to offer the MS. of Pickwick to
    an Edinburgh publisher, that sagacious old individual would shake
    his prudent old head, and refuse (with the utmost politeness) to
    publish it!' There is a good deal of difference between Pickwick
    and a translation of old French sermons about Madame, and Conde, and
    people of whom few modern readers ever heard.

    Alone, in Edinburgh, Murray was saddened by the `unregarding'
    irresponsive faces of the people as they passed. In St. Andrews he
    probably knew every face; even in Edinburgh (a visitor from London
    thinks) there is a friendly look among the passers. Murray did not
    find it so. He approached a newspaper office: `he [the Editor whom
    he met] was extremely frank, and told me that the tone of my article
    on—was underbred, while the verses I had sent him had nothing in
    them. Very pleasant for the feelings of a young author, was it not?
    . . . Unfavourable criticism is an excellent tonic, but it should be
    a little diluted . . . I must, however, do him the justice to say
    that he did me a good turn by introducing me to—, . . . who was
    kind and encouraging in the extreme.'

    Murray now called on the Editor of the Scottish Leader, the
    Gladstonian organ, whom he found very courteous. He was asked to
    write some `leader-notes' as they are called, paragraphs which
    appear in the same columns as the leading articles. These were
    published, to his astonishment, and he was `to be taken on at a
    salary of—a week.' Let us avoid pecuniary chatter, and merely say
    that the sum, while he was on trial, was not likely to tempt many
    young men into the career of journalism. Yet `the work will be very
    exacting, and almost preclude the possibility of my doing anything
    else.' Now, as four leader notes, or, say, six, can be written in
    an hour, it is difficult to see the necessity for this fatigue.
    Probably there were many duties more exacting, and less agreeable,
    than the turning out of epigrams. Indeed there was other work of
    some more or less mechanical kind, and the manufacture of `leader
    notes' was the least part of Murray's industry. At the end of two
    years there was `the prospect of a very fair salary.' But there was
    `night-work and everlasting hurry.' `The interviewing of a half-
    bred Town-Councillor on the subject of gas and paving' did not
    exhilarate Murray. Again, he had to compile a column of Literary
    News, from the Athenaeum, the Academy, and so on, `with comments and
    enlargements where possible.' This might have been made extremely
    amusing, it sounds like a delightful task,—the making of comments
    on `Mr.— has finished a sonnet:' `Mr.—`s poems are in their
    fiftieth thousand:' `Miss— has gone on a tour of health to the
    banks of the Yang-tse-kiang:' `Mrs.— is engaged on a novel about
    the Pilchard Fishery.' One could make comments (if permitted) on
    these topics for love, and they might not be unpopular. But perhaps
    Murray was shackled a little by human respect, or the prejudices of
    his editor. At all events he calls it `not very inspiring
    employment.' The bare idea, I confess, inspirits me extremely.

    But the literary follet, who delights in mild mischief, did not
    haunt Murray. He found an opportunity to write on the Canongate
    Churchyard, where Fergusson lies, under the monument erected by
    Burns to the boy of genius whom he called his master. Of course the
    part of the article which dealt with Fergusson, himself a poet of
    the Scarlet Gown, was cut out. The Scotch do not care to hear about
    Fergusson, in spite of their `myriad mutchkined enthusiasm' for his
    more illustrious imitator and successor, Burns.

    At this time Edinburgh was honouring itself, and Mr. Parnell, by
    conferring its citizenship on that patriot. Murray was actually
    told off `to stand at a given point of the line on which the hero
    marched,' and to write some lines of `picturesque description.'
    This kind of thing could not go on. It was at Nelson's Monument
    that he stood: his enthusiasm was more for Nelson than for Mr.
    Parnell; and he caught a severe cold on this noble occasion.
    Murray's opinions clashed with those of the Scottish Leader, and he
    withdrew from its service.

    Just a week passed between the Parnellian triumph and Murray's
    retreat from daily journalism. `On a newspaper one must have no
    opinions except those which are favourable to the sale of the paper
    and the filling of its advertisement columns.' That is not
    precisely an accurate theory. Without knowing anything of the
    circumstances, one may imagine that Murray was rather impracticable.
    Of course he could not write against his own opinions, but it is
    unusual to expect any one to do that, or to find any one who will do
    it. `Incompatibility of temper' probably caused this secession from
    the newspaper.

    After various attempts to find occupation, he did some proof-reading
    for Messrs. Constable. Among other things he `read' the journal of
    Lady Mary Coke, privately printed for Lord Home. Lady Mary, who
    appears as a lively child in The Heart of Midlothian, `had a taste
    for loo, gossip, and gardening, but the greatest of these is
    gossip.' The best part of the book is Lady Louisa Stuart's
    inimitable introduction. Early in October he decided to give up
    proof-reading: the confinement had already told on his health. In
    the letter which announces this determination he describes a sermon
    of Principal Caird: `Voice, gesture, language, thought—all in the
    highest degree,—combined to make it the most moving and exalted
    speech of a man to men that I ever listened to.' `The world is too
    much with me,' he adds, as if he and the world were ever friends, or
    ever likely to be friendly.

    October 27th found him dating from St. Andrews again. `St. Andrews
    after Edinburgh is Paradise.' His Dalilah had called him home to
    her, and he was never again unfaithful. He worked for his firm
    friend, Professor Meiklejohn, he undertook some teaching, and he
    wrote a little. It was at this time that his biographer made
    Murray's acquaintance. I had been delighted with his verses in
    College Echoes, and I asked him to bring me some of his more serious
    work. But he never brought them: his old enemy, reserve, overcame
    him. A few of his pieces were published `At the Sign of the Ship'
    in Longman's Magazine, to which he contributed occasionally.

    From this point there is little in Murray's life to be chronicled.
    In 1890 his health broke down entirely, and consumption declared
    itself. Very early in 1891 he visited Egypt, where it was thought
    that some educational work might be found for him. But he found
    Egypt cold, wet, and windy; of Alexandria and the Mediterranean he
    says little: indeed he was almost too weak and ill to see what is
    delightful either in nature or art.


    `To aching eyes each landscape lowers,
    To feverish pulse each gale blows chill,
    And Araby's or Eden's bowers
    Were barren as this moorland hill,'


    says the least self-conscious of poets. Even so barren were the
    rich Nile and so bleak the blue Mediterranean waters. Though
    received by the kindest and most hospitable friends, Murray was
    homesick, and pined to be in England, now that spring was there. He
    made the great mistake of coming home too early. At Ilminster, in
    his mother's home, he slowly faded out of life. I have not the
    heart to quote his descriptions of brief yet laborious saunters in
    the coppices, from the letters which he wrote to the lady of his
    heart. He was calm, cheerful, even buoyant. His letters to his
    college friends are all concerned with literature, or with happy old
    times, and are full of interest in them and in their happiness.

    He was not wholly idle. He wrote a number of short pieces of verse
    in Punch, and two or three in the St. James's Gazette. Other work,
    no doubt, he planned, but his strength was gone. In 1891 his book,
    The Scarlet Gown, was published by his friend, Mr. A. M. Holden.
    The little volume, despite its local character, was kindly received
    by the Reviews. Here, it was plain, we had a poet who was to St.
    Andrews what the regretted J. K. S. was to Eton and Cambridge. This
    measure of success was not calculated to displease our alumnus
    addictissimus.

    Friendship and love, he said, made the summer of 1892 very happy to
    him. I last heard from him in the summer of 1893, when he sent me
    some of his most pleasing verses. He was in Scotland; he had
    wandered back, a shadow of himself, to his dear St. Andrews. I
    conceived that he was better; he said nothing about his health. It
    is not easy to quote from his letters to his friend, Mr. Wallace,
    still written in his beautiful firm hand. They are too full of
    affectionate banter: they also contain criticisms on living poets:
    he shows an admiration, discriminating and not wholesale, of Mr.
    Kipling's verse: he censures Mr. Swinburne, whose Jacobite song (as
    he wrote to myself) did not precisely strike him as the kind of
    thing that Jacobites used to sing.

    They certainly celebrated


    `The faith our fathers fought for,
    The kings our fathers knew,'


    in a different tone in the North.

    The perfect health of mind, in these letters of a dying man, is
    admirable. Reading old letters over, he writes to Miss—, `I have
    known a wonderful number of wonderfully kind-hearted people.' That
    is his criticism of a world which had given him but a scanty
    welcome, and a life of foiled endeavour, of disappointed hope. Even
    now there was a disappointment. His poems did not find a publisher:
    what publisher can take the risk of adding another volume of poetry
    to the enormous stock of verse brought out at the author's expense?
    This did not sour or sadden him: he took Montaigne's advice, `not
    to make too much marvel of our own fortunes.' His biographer,
    hearing in the winter of 1893 that Murray's illness was now
    considered hopeless, though its rapid close was not expected, began,
    with Professor Meiklejohn, to make arrangements for the publication
    of the poems. But the poet did not live to have this poor
    gratification. He died in the early hours of 1894.

    Of the merits of his more serious poetry others must speak. To the
    Editor it seems that he is always at his best when he is inspired by
    the Northern Sea, and the long sands and grey sea grasses. Then he
    is most himself. He was improving in his art with every year: his
    development, indeed, was somewhat late.

    It is less of the writer than the man that we prefer to think. His
    letters display, in passages which he would not have desired to see
    quoted, the depth and tenderness and thoughtfulness of his
    affections. He must have been a delightful friend: illness could
    not make him peevish, and his correspondence with old college
    companions could never be taken for that of a consciously dying man.
    He had perfect courage, and resolution even in his seeming
    irresoluteness. He was resolved to be, and continued to be,
    himself. `He had kept the bird in his bosom.' We, who regret him,
    may wish that he had been granted a longer life, and a secure
    success. Happier fortunes might have mellowed him, no fortunes
    could have altered for the worse his admirable nature. He lives in
    the hearts of his friends, and in the pride and sympathy of those
    who, after him, have worn and shall wear the scarlet gown.

    The following examples of his poetry were selected by Murray's
    biographer from a considerable mass, and have been seen through the
    press by Professor Meiklejohn, who possesses the original
    manuscript, beautifully written.



    MOONLIGHT NORTH AND SOUTH





    Love, we have heard together
    The North Sea sing his tune,
    And felt the wind's wild feather
    Brush past our cheeks at noon,
    And seen the cloudy weather
    Made wondrous with the moon.

    Where loveliness is rarest,
    `Tis also prized the most:
    The moonlight shone her fairest
    Along that level coast
    Where sands and dunes the barest,
    Of beauty seldom boast,

    Far from that bleak and rude land
    An exile I remain
    Fixed in a fair and good land,
    A valley and a plain
    Rich in fat fields and woodland,
    And watered well with rain.

    Last night the full moon's splendour
    Shone down on Taunton Dene,
    And pasture fresh and tender,
    And coppice dusky green,
    The heavenly light did render
    In one enchanted scene,

    One fair unearthly vision.
    Yet soon mine eyes were cloyed,
    And found those fields Elysian
    Too rich to be enjoyed.
    Or was it our division
    Made all my pleasure void?

    Across the window glasses
    The curtain then I drew,
    And, as a sea-bird passes,
    In sleep my spirit flew
    To grey and windswept grasses
    And moonlit sands—and you.



    WINTER AT ST. ANDREWS





    The city once again doth wear
    Her wonted dress of winter's bride,
    Her mantle woven of misty air,
    With saffron sunlight faintly dyed.
    She sits above the seething tide,
    Of all her summer robes forlorn—
    And dead is all her summer pride—
    The leaves are off Queen Mary's Thorn.

    All round, the landscape stretches bare,
    The bleak fields lying far and wide,
    Monotonous, with here and there
    A lone tree on a lone hillside.
    No more the land is glorified
    With golden gleams of ripening corn,
    Scarce is a cheerful hue descried—
    The leaves are off Queen Mary's Thorn.

    For me, I do not greatly care
    Though leaves be dead, and mists abide.
    To me the place is thrice as fair
    In winter as in summer-tide:
    With kindlier memories allied
    Of pleasure past and pain o'erworn.
    What care I, though the earth may hide
    The leaves from off Queen Mary's Thorn?

    Thus I unto my friend replied,
    When, on a chill late autumn morn,
    He pointed to the tree, and cried,
    `The leaves are off Queen Mary's Thorn!'



    PATRIOTISM





    There was a time when it was counted high
    To be a patriot—whether by the zeal
    Of peaceful labour for the country's weal,
    Or by the courage in her cause to die:

    FOR KING AND COUNTRY was a rallying cry
    That turned men's hearts to fire, their nerves to steel;
    Not to unheeding ears did it appeal,
    A pulpit formula, a platform lie.

    Only a fool will wantonly desire
    That war should come, outpouring blood and fire,
    And bringing grief and hunger in her train.
    And yet, if there be found no other way,
    God send us war, and with it send the day
    When love of country shall be real again!



    SLEEP FLIES ME





    Sleep flies me like a lover
    Too eagerly pursued,
    Or like a bird to cover
    Within some distant wood,
    Where thickest boughs roof over
    Her secret solitude.

    The nets I spread to snare her,
    Although with cunning wrought,
    Have only served to scare her,
    And now she'll not be caught.
    To those who best could spare her,
    She ever comes unsought.

    She lights upon their pillows;
    She gives them pleasant dreams,
    Grey-green with leaves of willows,
    And cool with sound of streams,
    Or big with tranquil billows,
    On which the starlight gleams.

    No vision fair entrances
    My weary open eye,
    No marvellous romances
    Make night go swiftly by;
    But only feverish fancies
    Beset me where I lie.

    The black midnight is steeping
    The hillside and the lawn,
    But still I lie unsleeping,
    With curtains backward drawn,
    To catch the earliest peeping
    Of the desired dawn.

    Perhaps, when day is breaking;
    When birds their song begin,
    And, worn with all night waking,
    I call their music din,
    Sweet sleep, some pity taking,
    At last may enter in.



    LOVE'S PHANTOM





    Whene'er I try to read a book,
    Across the page your face will look,
    And then I neither know nor care
    What sense the printed words may bear.

    At night when I would go to sleep,
    Thinking of you, awake I keep,
    And still repeat the words you said,
    Like sick men murmuring prayers in bed.

    And when, with weariness oppressed,
    I sink in spite of you to rest,
    Your image, like a lovely sprite,
    Haunts me in dreams through half the night.

    I wake upon the autumn morn
    To find the sunrise hardly born,
    And in the sky a soft pale blue,
    And in my heart your image true.

    When out I walk to take the air,
    Your image is for ever there,
    Among the woods that lose their leaves,
    Or where the North Sea sadly heaves.

    By what enchantment shall be laid
    This ghost, which does not make afraid,
    But vexes with dim loveliness
    And many a shadowy caress?

    There is no other way I know
    But unto you forthwith to go,
    That I may look upon the maid
    Whereof that other is the shade.

    As the strong sun puts out the moon,
    Whose borrowed rays are all his own,
    So, in your living presence, dies
    The phantom kindled at your eyes.

    By this most blessed spell, each day
    The vexing ghost awhile I lay.
    Yet am I glad to know that when
    I leave you it will rise again.



    COME BACK TO ST. ANDREWS





    Come back to St. Andrews! Before you went away
    You said you would be wretched where you could not see the Bay,
    The East sands and the West sands and the castle in the sea
    Come back to St. Andrews—St. Andrews and me.

    Oh, it's dreary along South Street when the rain is coming down,
    And the east wind makes the student draw more close his warm red
    gown,
    As I often saw you do, when I watched you going by
    On the stormy days to College, from my window up on high.

    I wander on the Lade Braes, where I used to walk with you,
    And purple are the woods of Mount Melville, budding new,
    But I cannot bear to look, for the tears keep coming so,
    And the Spring has lost the freshness which it had a year ago.

    Yet often I could fancy, where the pathway takes a turn,
    I shall see you in a moment, coming round beside the burn,
    Coming round beside the burn, with your swinging step and free,
    And your face lit up with pleasure at the sudden sight of me.

    Beyond the Rock and Spindle, where we watched the water clear
    In the happy April sunshine, with a happy sound to hear,
    There I sat this afternoon, but no hand was holding mine,
    And the water sounded eerie, though the April sun did shine.

    Oh, why should I complain of what I know was bound to be?
    For you had your way to make, and you must not think of me.
    But a woman's heart is weak, and a woman's joys are few—
    There are times when I could die for a moment's sight of you.

    It may be you will come again, before my hair is grey
    As the sea is in the twilight of a weary winter's day.
    When success is grown a burden, and your heart would fain be free,
    Come back to St. Andrews—St. Andrews and me.



    THE SOLITARY





    I have been lonely all my days on earth,
    Living a life within my secret soul,
    With mine own springs of sorrow and of mirth,
    Beyond the world's control.

    Though sometimes with vain longing I have sought
    To walk the paths where other mortals tread,
    To wear the clothes for other mortals wrought,
    And eat the selfsame bread—

    Yet have I ever found, when thus I strove
    To mould my life upon the common plan,
    That I was furthest from all truth and love,
    And least a living man.

    Truth frowned upon my poor hypocrisy,
    Life left my soul, and dwelt but in my sense;
    No man could love me, for all men could see
    The hollow vain pretence.

    Their clothes sat on me with outlandish air,
    Upon their easy road I tripped and fell,
    And still I sickened of the wholesome fare
    On which they nourished well.

    I was a stranger in that company,
    A Galilean whom his speech bewrayed,
    And when they lifted up their songs of glee,
    My voice sad discord made.

    Peace for mine own self I could never find,
    And still my presence marred the general peace,
    And when I parted, leaving them behind,
    They felt, and I, release.

    So will I follow now my spirit's bent,
    Not scorning those who walk the beaten track,
    Yet not despising mine own banishment,
    Nor often looking back.

    Their way is best for them, but mine for me.
    And there is comfort for my lonely heart,
    To think perhaps our journeys' ends may be
    Not very far apart.



    TO ALFRED TENNYSON—1883





    Familiar with thy melody,
    We go debating of its power,
    As churls, who hear it hour by hour,
    Contemn the skylark's minstrelsy—

    As shepherds on a Highland lea
    Think lightly of the heather flower
    Which makes the moorland's purple dower,
    As far away as eye can see.

    Let churl or shepherd change his sky,
    And labour in the city dark,
    Where there is neither air nor room—
    How often will the exile sigh
    To hear again the unwearied lark,
    And see the heather's lavish bloom!



    ICHABOD





    Gone is the glory from the hills,
    The autumn sunshine from the mere,
    Which mourns for the declining year
    In all her tributary rills.

    A sense of change obscurely chills
    The misty twilight atmosphere,
    In which familiar things appear
    Like alien ghosts, foreboding ills.

    The twilight hour a month ago
    Was full of pleasant warmth and ease,
    The pearl of all the twenty-four.
    Erelong the winter gales shall blow,
    Erelong the winter frosts shall freeze—
    And oh, that it were June once more!



    AT A HIGH CEREMONY





    Not the proudest damsel here
    Looks so well as doth my dear.
    All the borrowed light of dress
    Outshining not her loveliness,

    A loveliness not born of art,
    But growing outwards from her heart,
    Illuminating all her face,
    And filling all her form with grace.

    Said I, of dress the borrowed light
    Could rival not her beauty bright?
    Yet, looking round, `tis truth to tell,
    No damsel here is dressed so well.

    Only in them the dress one sees,
    Because more greatly it doth please
    Than any other charm that's theirs,
    Than all their manners, all their airs.

    But dress in her, although indeed
    It perfect be, we do not heed,
    Because the face, the form, the air
    Are all so gentle and so rare.



    THE WASTED DAY





    Another day let slip! Its hours have run,
    Its golden hours, with prodigal excess,
    All run to waste. A day of life the less;
    Of many wasted days, alas, but one!

    Through my west window streams the setting sun.
    I kneel within my chamber, and confess
    My sin and sorrow, filled with vain distress,
    In place of honest joy for work well done.

    At noon I passed some labourers in a field.
    The sweat ran down upon each sunburnt face,
    Which shone like copper in the ardent glow.
    And one looked up, with envy unconcealed,
    Beholding my cool cheeks and listless pace,
    Yet he was happier, though he did not know.



    INDOLENCE





    Fain would I shake thee off, but weak am I
    Thy strong solicitations to withstand.
    Plenty of work lies ready to my hand,
    Which rests irresolute, and lets it lie.

    How can I work, when that seductive sky
    Smiles through the window, beautiful and bland,
    And seems to half entreat and half command
    My presence out of doors beneath its eye?

    Will not the air be fresh, the water blue,
    The smell of beanfields, blowing to the shore,
    Better than these poor drooping purchased flowers?
    Good-bye, dull books! Hot room, good-bye to you!
    And think it strange if I return before
    The sea grows purple in the evening hours.



    DAWN SONG





    I hear a twittering of birds,
    And now they burst in song.
    How sweet, although it wants the words!
    It shall not want them long,
    For I will set some to the note
    Which bubbles from the thrush's throat.

    O jewelled night, that reign'st on high,
    Where is thy crescent moon?
    Thy stars have faded from the sky,
    The sun is coming soon.
    The summer night is passed away,
    Sing welcome to the summer day.



    CAIRNSMILL DEN—TUNE: `A ROVING'





    As I, with hopeless love o'erthrown,
    With love o'erthrown, with love o'erthrown,
    And this is truth I tell,
    As I, with hopeless love o'erthrown,
    Was sadly walking all alone,

    I met my love one morning
    In Cairnsmill Den.
    One morning, one morning,
    One blue and blowy morning,
    I met my love one morning
    In Cairnsmill Den.

    A dead bough broke within the wood
    Within the wood, within the wood,
    And this is truth I tell.
    A dead bough broke within the wood,
    And I looked up, and there she stood.

    I asked what was it brought her there,
    What brought her there, what brought her there,
    And this is truth I tell.
    I asked what was it brought her there.
    Says she, `To pull the primrose fair.'

    Says I, `Come, let me pull with you,
    Along with you, along with you,'
    And this is truth I tell.
    Says I, `Come let me pull with you,
    For one is not so good as two.'

    But when at noon we climbed the hill,
    We climbed the hill, we climbed the hill,
    And this is truth I tell.
    But when at noon we climbed the hill,
    Her hands and mine were empty still.

    And when we reached the top so high,
    The top so high, the top so high,
    And this is truth I tell.
    And when we reached the top so high
    Says I, `I'll kiss you, if I die!'

    I kissed my love in Cairnsmill Den,
    In Cairnsmill Den, in Cairnsmill Den,
    And this is truth I tell.
    I kissed my love in Cairnsmill Den,
    And my love kissed me back again.

    I met my love one morning
    In Cairnsmill Den.
    One morning, one morning,
    One blue and blowy morning,
    I met my love one morning
    In Cairnsmill Den.



    A LOST OPPORTUNITY





    One dark, dark night—it was long ago,
    The air was heavy and still and warm—
    It fell to me and a man I know,
    To see two girls to their father's farm.

    There was little seeing, that I recall:
    We seemed to grope in a cave profound.
    They might have come by a painful fall,
    Had we not helped them over the ground.

    The girls were sisters. Both were fair,
    But mine was the fairer (so I say).
    The dark soon severed us, pair from pair,
    And not long after we lost our way.

    We wandered over the country-side,
    And we frightened most of the sheep about,
    And I do not think that we greatly tried,
    Having lost our way, to find it out.

    The night being fine, it was not worth while.
    We strayed through furrow and corn and grass
    We met with many a fence and stile,
    And a quickset hedge, which we failed to pass.

    At last we came on a road she knew;
    She said we were near her father's place.
    I heard the steps of the other two,
    And my heart stood still for a moment's space.

    Then I pleaded, `Give me a good-night kiss.'
    I have learned, but I did not know in time,
    The fruits that hang on the tree of bliss
    Are not for cravens who will not climb.

    We met all four by the farmyard gate,
    We parted laughing, with half a sigh,
    And home we went, at a quicker rate,
    A shorter journey, my friend and I.

    When we reached the house, it was late enough,
    And many impertinent things were said,
    Of time and distance, and such dull stuff,
    But we said little, and went to bed.

    We went to bed, but one at least
    Went not to sleep till the black turned grey,
    And the sun rose up, and the light increased,
    And the birds awoke to a summer day.

    And sometimes now, when the nights are mild,
    And the moon is away, and no stars shine,
    I wander out, and I go half-wild,
    To think of the kiss which was not mine.

    Let great minds laugh at a grief so small,
    Let small minds laugh at a fool so great.
    Kind maidens, pity me, one and all.
    Shy youths, take warning by this my fate.



    THE CAGED THRUSH





    Alas for the bird who was born to sing!
    They have made him a cage; they have clipped his wing;
    They have shut him up in a dingy street,
    And they praise his singing and call it sweet.
    But his heart and his song are saddened and filled
    With the woods, and the nest he never will build,
    And the wild young dawn coming into the tree,
    And the mate that never his mate will be.
    And day by day, when his notes are heard
    They freshen the street—but alas for the bird



    MIDNIGHT





    The air is dark and fragrant
    With memories of a shower,
    And sanctified with stillness
    By this most holy hour.

    The leaves forget to whisper
    Of soft and secret things,
    And every bird is silent,
    With folded eyes and wings.

    O blessed hour of midnight,
    Of sleep and of release,
    Thou yieldest to the toiler
    The wages of thy peace.

    And I, who have not laboured,
    Nor borne the heat of noon,
    Receive thy tranquil quiet—
    An undeserved boon.

    Yes, truly God is gracious,
    Who makes His sun to shine
    Upon the good and evil,
    And idle lives like mine.

    Upon the just and unjust
    He sends His rain to fall,
    And gives this hour of blessing
    Freely alike to all.



    WHERE'S THE USE





    Oh, where's the use of having gifts that can't be turned to money?
    And where's the use of singing, when there's no one wants to hear?
    It may be one or two will say your songs are sweet as honey,
    But where's the use of honey, when the loaf of bread is dear?



    A MAY-DAY MADRIGAL





    The sun shines fair on Tweedside, the river flowing bright,
    Your heart is full of pleasure, your eyes are full of light,
    Your cheeks are like the morning, your pearls are like the dew,
    Or morning and her dew-drops are like your pearls and you.

    Because you are a princess, a princess of the land,
    You will not turn your lightsome eyes a moment where I stand,
    A poor unnoticed poet, a-making of his rhymes;
    But I have found a mistress, more fair a thousand times.

    `Tis May, the elfish maiden, the daughter of the Spring,
    Upon whose birthday morning the birds delight to sing.
    They would not sing one note for you, if you should so command,
    Although you are a princess, a princess of the land.



    SONG IS NOT DEAD





    Song is not dead, although to-day
    Men tell us everything is said.
    There yet is something left to say,
    Song is not dead.

    While still the evening sky is red,
    While still the morning gold and grey,
    While still the autumn leaves are shed,

    While still the heart of youth is gay,
    And honour crowns the hoary head,
    While men and women love and pray
    Song is not dead.



    A SONG OF TRUCE





    Till the tread of marching feet
    Through the quiet grass-grown street
    Of the little town shall come,
    Soldier, rest awhile at home.

    While the banners idly hang,
    While the bugles do not clang,
    While is hushed the clamorous drum,
    Soldier, rest awhile at home.

    In the breathing-time of Death,
    While the sword is in its sheath,
    While the cannon's mouth is dumb,
    Soldier, rest awhile at home.

    Not too long the rest shall be.
    Soon enough, to Death and thee,
    The assembly call shall come.
    Soldier, rest awhile at home.



    ONE TEAR





    Last night, when at parting
    Awhile we did stand,
    Suddenly starting,
    There fell on my hand

    Something that burned it,
    Something that shone
    In the moon as I turned it,
    And then it was gone.

    One bright stray jewel—
    What made it stray?
    Was I cold or cruel,
    At the close of day?

    Oh, do not cry, lass!
    What is crying worth?
    There is no lass like my lass
    In the whole wide earth.



    A LOVER'S CONFESSION





    When people tell me they have loved
    But once in youth,
    I wonder, are they always moved
    To speak the truth?

    Not that they wilfully deceive:
    They fondly cherish
    A constancy which they would grieve
    To think might perish.

    They cherish it until they think
    `Twas always theirs.
    So, if the truth they sometimes blink,
    `Tis unawares.

    Yet unawares, I must profess,
    They do deceive
    Themselves, and those who questionless
    Their tale believe.

    For I have loved, I freely own,
    A score of times,
    And woven, out of love alone,
    A hundred rhymes.

    Boys will be fickle. Yet, when all
    Is said and done,
    I was not one whom you could call
    A flirt—not one

    Of those who into three or four
    Their hearts divide.
    My queens came singly to the door,
    Not side by side.

    Each, while she reigned, possessed alone
    My spirit loyal,
    Then left an undisputed throne
    To one more royal,

    To one more fair in form and face
    Sweeter and stronger,
    Who filled the throne with truer grace,
    And filled it longer.

    So, love by love, they came and passed,
    These loves of mine,
    And each one brighter than the last
    Their lights did shine.

    Until—but am I not too free,
    Most courteous stranger,
    With secrets which belong to me?
    There is a danger.

    Until, I say, the perfect love,
    The last, the best,
    Like flame descending from above,
    Kindled my breast,

    Kindled my breast like ardent flame,
    With quenchless glow.
    I knew not love until it came,
    But now I know.

    You smile. The twenty loves before
    Were each in turn,
    You say, the final flame that o'er
    My soul should burn.

    Smile on, my friend. I will not say
    You have no reason;
    But if the love I feel to-day
    Depart, `tis treason!

    If this depart, not once again
    Will I on paper
    Declare the loves that waste and wane,
    Like some poor taper.

    No, no! This flame, I cannot doubt,
    Despite your laughter,
    Will burn till Death shall put it out,
    And may be after.



    TRAFALGAR SQUARE





    These verses have I pilfered like a bee
    Out of a letter from my C. C. C.
    In London, showing what befell him there,
    With other things, of interest to me.

    One page described a night in open air
    He spent last summer in Trafalgar Square,
    With men and women who by want are driven
    Thither for lodging, when the nights are fair.

    No roof there is between their heads and heaven,
    No warmth but what by ragged clothes is given,
    No comfort but the company of those
    Who with despair, like them, have vainly striven.

    On benches there uneasily they doze,
    Snatching brief morsels of a poor repose,
    And if through weariness they might sleep sound,
    Their eyes must open almost ere they close.

    With even tramp upon the paven ground,
    Twice every hour the night patrol comes round
    To clear these wretches off, who may not keep
    The miserable couches they have found.

    Yet the stern shepherds of the poor black sheep
    Will soften when they see a woman weep.
    There was a mother there who strove in vain,
    With sobs, to hush a starving child to sleep.

    And through the night which took so long to wane,
    He saw sad sufferers relieving pain,
    And daughters of iniquity and scorn
    Performing deeds which God will not disdain.

    There was a girl, forlorn of the forlorn,
    Whose dress was white, but draggled, soiled, and torn,
    Who wandered like a ghost without a home.
    She spoke to him before the day was born.

    She, who all night, when spoken to, was dumb,
    Earning dislike from most, abuse from some,
    Now asked the hour, and when he told her `Two,'
    Wailed, `O my God, will daylight never come?'

    Yes, it will come, and change the sky anew
    From star-besprinkled black to sunlit blue,
    And bring sweet thoughts and innocent desires
    To countless girls. What will it bring to you?



    A SUMMER MORNING





    Never was sun so bright before,
    No matin of the lark so sweet,
    No grass so green beneath my feet,
    Nor with such dewdrops jewelled o'er.

    I stand with thee outside the door,
    The air not yet is close with heat,
    And far across the yellowing wheat
    The waves are breaking on the shore.

    A lovely day! Yet many such,
    Each like to each, this month have passed,
    And none did so supremely shine.
    One thing they lacked: the perfect touch
    Of thee—and thou art come at last,
    And half this loveliness is thine.



    WELCOME HOME





    The fire burns bright
    And the hearth is clean swept,
    As she likes it kept,
    And the lamp is alight.
    She is coming to-night.

    The wind's east of late.
    When she comes, she'll be cold,
    So the big chair is rolled
    Close up to the grate,
    And I listen and wait.

    The shutters are fast,
    And the red curtains hide
    Every hint of outside.
    But hark, how the blast
    Whistled then as it passed!

    Or was it the train?
    How long shall I stand,
    With my watch in my hand,
    And listen in vain
    For the wheels in the lane?

    Hark! A rumble I hear
    (Will the wind not be still?),
    And it comes down the hill,
    And it grows on the ear,
    And now it is near.

    Quick, a fresh log to burn!
    Run and open the door,
    Hold a lamp out before
    To light up the turn,
    And bring in the urn.

    You are come, then, at last!
    O my dear, is it you?
    I can scarce think it true
    I am holding you fast,
    And sorrow is past.



    AN INVITATION





    Dear Ritchie, I am waiting for the signal word to fly,
    And tell me that the visit which has suffered such belating
    Is to be a thing of now, and no more of by-and-by.
    Dear Ritchie, I am waiting.

    The sea is at its bluest, and the Spring is new creating
    The woods and dens we know of, and the fields rejoicing lie,
    And the air is soft as summer, and the hedge-birds all are mating.

    The Links are full of larks' nests, and the larks possess the sky,
    Like a choir of happy spirits, melodiously debating,
    All is ready for your coming, dear Ritchie—yes, and I,
    Dear Ritchie, I am waiting.



    FICKLE SUMMER





    Fickle Summer's fled away,
    Shall we see her face again?
    Hearken to the weeping rain,
    Never sunbeam greets the day.

    More inconstant than the May,
    She cares nothing for our pain,
    Nor will hear the birds complain
    In their bowers that once were gay.

    Summer, Summer, come once more,
    Drive the shadows from the field,
    All thy radiance round thee fling,
    Be our lady as of yore;
    Then the earth her fruits shall yield,
    Then the morning stars shall sing.



    SORROW'S TREACHERY





    I made a truce last night with Sorrow,
    The queen of tears, the foe of sleep,
    To keep her tents until the morrow,
    Nor send such dreams to make me weep.

    Before the lusty day was springing,
    Before the tired moon was set,
    I dreamed I heard my dead love singing,
    And when I woke my eyes were wet.



    THE CROWN OF YEARS





    Years grow and gather—each a gem
    Lustrous with laughter and with tears,
    And cunning Time a crown of years
    Contrives for her who weareth them.

    No chance can snatch this diadem,
    It trembles not with hopes or fears,
    It shines before the rose appears,
    And when the leaves forsake her stem.

    Time sets his jewels one by one.
    Then wherefore mourn the wreaths that lie
    In attic chambers of the past?
    They withered ere the day was done.
    This coronal will never die,
    Nor shall you lose it at the last.



    HOPE DEFERRED





    When the weary night is fled,
    And the morning sky is red,
    Then my heart doth rise and say,
    `Surely she will come to-day.'

    In the golden blaze of noon,
    `Surely she is coming soon.'
    In the twilight, `Will she come?'
    Then my heart with fear is dumb.

    When the night wind in the trees
    Plays its mournful melodies,
    Then I know my trust is vain,
    And she will not come again.



    THE LIFE OF EARTH





    The life of earth, how full of pain,
    Which greets us on our day of birth,
    Nor leaves us while we yet retain
    The life of earth.

    There is a shadow on our mirth,
    Our sun is blotted out with rain,
    And all our joys are little worth.

    Yet oh, when life begins to wane,
    And we must sail the doubtful firth,
    How wild the longing to regain
    The life of earth!



    GOLDEN DREAM





    Golden dream of summer morn,
    By a well-remembered stream
    In the land where I was born,
    Golden dream!

    Ripples, by the glancing beam
    Lightly kissed in playful scorn,
    Meadows moist with sunlit steam.

    When I lift my eyelids worn
    Like a fair mirage you seem,
    In the winter dawn forlorn,
    Golden dream!



    TEARS





    Mourn that which will not come again,
    The joy, the strength of early years.
    Bow down thy head, and let thy tears
    Water the grave where hope lies slain.

    For tears are like a summer rain,
    To murmur in a mourner's ears,
    To soften all the field of fears,
    To moisten valleys parched with pain.

    And though thy tears will not awake
    What lies beneath of young or fair
    And sleeps so sound it draws no breath,
    Yet, watered thus, the sod may break
    In flowers which sweeten all the air,
    And fill with life the place of death.



    THE HOUSE OF SLEEP





    When we have laid aside our last endeavour,
    And said farewell to one or two that weep,
    And issued from the house of life for ever,
    To find a lodging in the house of sleep—

    With eyes fast shut, in sunless chambers lying,
    With folded arms unmoved upon the breast,
    Beyond the noise of sorrow and of crying,
    Beyond the dread of dreaming, shall we rest?

    Or shall there come at last desire of waking,
    To walk again on hillsides that we know,
    When sunrise through the cold white mist is breaking,
    Or in the stillness of the after-glow?

    Shall there be yearning for the sound of voices,
    The sight of faces, and the touch of hands,
    The will that works, the spirit that rejoices,
    The heart that feels, the mind that understands?

    Shall dreams and memories crowding from the distance,
    Shall ghosts of old ambition or of mirth,
    Create for us a shadow of existence,
    A dim reflection of the life of earth?

    And being dead, and powerless to recover
    The substance of the show whereon we gaze,
    Shall we be likened to the hapless lover,
    Who broods upon the unreturning days?

    Not so: for we have known how swift to perish
    Is man's delight when youth and health take wing,
    Until the winter leaves him nought to cherish
    But recollections of a vanished spring.

    Dream as we may, desire of life shall never
    Disturb our slumbers in the house of sleep.
    Yet oh, to think we may not greet for ever
    The one or two that, when we leave them, weep!



    THE OUTCAST'S FAREWELL





    The sun is banished,
    The daylight vanished,
    No rosy traces
    Are left behind.
    Here in the meadow
    I watch the shadow
    Of forms and faces
    Upon your blind.

    Through swift transitions,
    In new positions,
    My eyes still follow
    One shape most fair.
    My heart delaying
    Awhile, is playing
    With pleasures hollow,
    Which mock despair.

    I feel so lonely,
    I long once only
    To pass an hour
    With you, O sweet!
    To touch your fingers,
    Where fragrance lingers
    From some rare flower,
    And kiss your feet.

    But not this even
    To me is given.
    Of all sad mortals
    Most sad am I,
    Never to meet you,
    Never to greet you,
    Nor pass your portals
    Before I die.

    All men scorn me,
    Not one will mourn me,
    When from their city
    I pass away.
    Will you to-morrow
    Recall with sorrow
    Him whom with pity
    You saw to-day?

    Outcast and lonely,
    One thing only
    Beyond misgiving
    I hold for true,
    That, had you known me,
    You would have shown me
    A life worth living—
    A life for you.

    Yes: five years younger
    My manhood's hunger
    Had you come filling
    With plenty sweet,
    My life so nourished,
    Had grown and flourished,
    Had God been willing
    That we should meet.

    How vain to fashion
    From dreams and passion
    The rich existence
    Which might have been!
    Can God's own power
    Recall the hour,
    Or bridge the distance
    That lies between?

    Before the morning,
    From pain and scorning
    I sail death's river
    To sleep or hell.
    To you is given
    The life of heaven.
    Farewell for ever,
    Farewell, farewell!



    YET A LITTLE SLEEP





    Beside the drowsy streams that creep
    Within this island of repose,
    Oh, let us rest from cares and woes,
    Oh, let us fold our hands to sleep!

    Is it ignoble, then, to keep
    Awhile from where the rough wind blows,
    And all is strife, and no man knows
    What end awaits him on the deep?

    The voyager may rest awhile,
    When rest invites, and yet may be
    Neither a sluggard nor a craven.
    With strength renewed he quits the isle,
    And putting out again to sea,
    Makes sail for his desired haven.



    LOST LIBERTY





    Of our own will we are not free,
    When freedom lies within our power.
    We wait for some decisive hour,
    To rise and take our liberty.

    Still we delay, content to be
    Imprisoned in our own high tower.
    What is it but a strong-built bower?
    Ours are the warders, ours the key.

    But we through indolence grow weak.
    Our warders, fed with power so long,
    Become at last our lords indeed.
    We vainly threaten, vainly seek
    To move their ruth. The bars are strong.
    We dash against them till we bleed.



    AN AFTERTHOUGHT





    You found my life, a poor lame bird
    That had no heart to sing,
    You would not speak the magic word
    To give it voice and wing.

    Yet sometimes, dreaming of that hour,
    I think, if you had known
    How much my life was in your power,
    It might have sung and flown.



    TO J. R.





    Last Sunday night I read the saddening story
    Of the unanswered love of fair Elaine,
    The `faith unfaithful' and the joyless glory
    Of Lancelot, `groaning in remorseful pain.'

    I thought of all those nights in wintry weather,
    Those Sunday nights that seem not long ago,
    When we two read our Poet's words together,
    Till summer warmth within our hearts did glow.

    Ah, when shall we renew that bygone pleasure,
    Sit down together at our Merlin's feet,
    Drink from one cup the overflowing measure,
    And find, in sharing it, the draught more sweet?

    That time perchance is far, beyond divining.
    Till then we drain the `magic cup' apart;
    Yet not apart, for hope and memory twining
    Smile upon each, uniting heart to heart.



    THE TEMPTED SOUL





    Weak soul, by sense still led astray,
    Why wilt thou parley with the foe?
    He seeks to work thine overthrow,
    And thou, poor fool! dost point the way.

    Hast thou forgotten many a day,
    When thou exulting forth didst go,
    And ere the noon wert lying low,
    A broken and defenceless prey?

    If thou wouldst live, avoid his face;
    Dwell in the wilderness apart,
    And gather force for vanquishing,
    Ere thou returnest to his place.
    Then arm, and with undaunted heart
    Give battle, till he own thee king.



    YOUTH RENEWED





    When one who has wandered out of the way
    Which leads to the hills of joy,
    Whose heart has grown both cold and grey,
    Though it be but the heart of a boy—
    When such a one turns back his feet
    From the valley of shadow and pain,
    Is not the sunshine passing sweet,
    When a man grows young again?

    How gladly he mounts up the steep hillside,
    With strength that is born anew,
    And in his veins, like a full springtide,
    The blood streams through and through.
    And far above is the summit clear,
    And his heart to be there is fain,
    And all too slowly it comes more near
    When a man grows young again.

    He breathes the pure sweet mountain breath,
    And it widens all his heart,
    And life seems no more kin to death,
    Nor death the better part.
    And in tones that are strong and rich and deep
    He sings a grand refrain,
    For the soul has awakened from mortal sleep,
    When a man grows young again.



    VANITY OF VANITIES





    Be ye happy, if ye may,
    In the years that pass away.
    Ye shall pass and be forgot,
    And your place shall know you not.

    Other generations rise,
    With the same hope in their eyes
    That in yours is kindled now,
    And the same light on their brow.

    They shall see the selfsame sun
    That your eyes now gaze upon,
    They shall breathe the same sweet air,
    And shall reck not who ye were.

    Yet they too shall fade at last
    In the twilight of the past,
    They and you alike shall be
    Lost from the world's memory.

    Then, while yet ye breathe and live,
    Drink the cup that life can give.
    Be ye happy, if ye may,
    In the years that pass away,

    Ere the golden bowl be broken,
    Ere ye pass and leave no token,
    Ere the silver cord be loosed,
    Ere ye turn again to dust.

    `And shall this be all,' ye cry,
    `But to eat and drink and die?
    If no more than this there be,
    Vanity of vanity!'

    Yea, all things are vanity,
    And what else but vain are ye?
    Ye who boast yourselves the kings
    Over all created things.

    Kings! whence came your right to reign?
    Ye shall be dethroned again.
    Yet for this, your one brief hour,
    Wield your mockery of power.

    Dupes of Fate, that treads you down
    Wear awhile your tinsel crown
    Be ye happy, if ye may,
    In the years that pass away.



    LOVE'S WORSHIP RESTORED





    O Love, thine empire is not dead,
    Nor will we let thy worship go,
    Although thine early flush be fled,
    Thine ardent eyes more faintly glow,
    And thy light wings be fallen slow
    Since when as novices we came
    Into the temple of thy name.

    Not now with garlands in our hair,
    And singing lips, we come to thee.
    There is a coldness in the air,
    A dulness on the encircling sea,
    Which doth not well with songs agree.
    And we forget the words we sang
    When first to thee our voices rang.

    When we recall that magic prime,
    We needs must weep its early death.
    How pleasant from thy towers the chime
    Of bells, and sweet the incense breath
    That rose while we, who kept thy faith,
    Chanting our creed, and chanting bore
    Our offerings to thine altar store!

    Now are our voices out of tune,
    Our gifts unworthy of thy name.
    December frowns, in place of June.
    Who smiled when to thy house we came,
    We who came leaping, now are lame.
    Dull ears and failing eyes are ours,
    And who shall lead us to thy towers?

    O hark! A sound across the air,
    Which tells not of December's cold,
    A sound most musical and rare.
    Thy bells are ringing as of old,
    With silver throats and tongues of gold.
    Alas! it is too sweet for truth,
    An empty echo of our youth.

    Nay, never echo spake so loud!
    It is indeed thy bells that ring.
    And lo, against the leaden cloud,
    Thy towers! Once more we leap and spring,
    Once more melodiously we sing,
    We sing, and in our song forget
    That winter lies around us yet.

    Oh, what is winter, now we know,
    Full surely, thou canst never fail?
    Forgive our weak untrustful woe,
    Which deemed thy glowing face grown pale.
    We know thee, mighty to prevail.
    Doubt and decrepitude depart,
    And youth comes back into the heart.

    O Love, who turnest frost to flame
    With ardent and immortal eyes,
    Whose spirit sorrow cannot tame,
    Nor time subdue in any wise—
    While sun and moon for us shall rise,
    Oh, may we in thy service keep
    Till in thy faith we fall asleep!



    BELOW HER WINDOW





    Where she sleeps, no moonlight shines
    No pale beam unbidden creeps.
    Darkest shade the place enshrines
    Where she sleeps.

    Like a diamond in the deeps
    Of the rich unopened mines
    There her lovely rest she keeps.

    Though the jealous dark confines
    All her beauty, Love's heart leaps.
    His unerring thought divines
    Where she sleeps.



    REQUIEM





    For thee the birds shall never sing again,
    Nor fresh green leaves come out upon the tree,
    The brook shall no more murmur the refrain
    For thee.

    Thou liest underneath the windswept lea,
    Thou dreamest not of pleasure or of pain,
    Thou dreadest no to-morrow that shall be.

    Deep rest is thine, unbroken by the rain,
    Ay, or the thunder. Brother, canst thou see
    The tears that night and morning fall in vain
    For thee?



    THOU ART QUEEN





    Thou art queen to every eye,
    When the fairest maids convene.
    Envy's self can not deny
    Thou art queen.

    In thy step thy right is seen,
    In thy beauty pure and high,
    In thy grace of air and mien.

    Thine unworthy vassal I,
    Lay my hands thy hands between;
    Kneeling at thy feet I cry
    Thou art queen!



    IN TIME OF DOUBT





    `In the shadow of Thy wings, O Lord of Hosts, whom I extol,
    I will put my trust for ever,' so the kingly David sings.
    `Thou shalt help me, Thou shalt save me, only
    Thou shalt keep me whole,
    In the shadow of Thy wings.'

    In our ears this voice triumphant, like a blowing trumpet, rings,
    But our hearts have heard another, as of funeral bells that toll,
    `God of David where to find Thee?' No reply the question brings.

    Shadows are there overhead, but they are of the clouds that roll,
    Blotting out the sun from sight, and overwhelming earthly things.
    Oh, that we might feel Thy presence! Surely we could rest our soul
    In the shadow of Thy wings.



    THE GARDEN OF SIN





    I know the garden-close of sin,
    The cloying fruits, the noxious flowers,
    I long have roamed the walks and bowers,
    Desiring what no man shall win:

    A secret place to shelter in,
    When soon or late the angry powers
    Come down to seek the wretch who cowers,
    Expecting judgment to begin.

    The pleasure long has passed away
    From flowers and fruit, each hour I dread
    My doom will find me where I lie.
    I dare not go, I dare not stay.
    Without the walks, my hope is dead,
    Within them, I myself must die.



    URSULA





    There is a village in a southern land,
    By rounded hills closed in on every hand.
    The streets slope steeply to the market-square,
    Long lines of white-washed houses, clean and fair,
    With roofs irregular, and steps of stone
    Ascending to the front of every one.
    The people swarthy, idle, full of mirth,
    Live mostly by the tillage of the earth.

    Upon the northern hill-top, looking down,
    Like some sequestered saint upon the town,
    Stands the great convent.

    On a summer night,
    Ten years ago, the moon with rising light
    Made all the convent towers as clear as day,
    While still in deepest shade the village lay.
    Both light and shadow with repose were filled,
    The village sounds, the convent bells were stilled.
    No foot in all the streets was now astir,
    And in the convent none kept watch but her
    Whom they called Ursula. The moonlight fell
    Brightly around her in the lonely cell.
    Her eyes were dark, and full of unshed woe,
    Like mountain tarns which cannot overflow,
    Surcharged with rain, and round about the eyes
    Deep rings recorded sleepless nights, and cries
    Stifled before their birth. Her brow was pale,
    And like a marble temple in a vale
    Of cypress trees, shone shadowed by her hair.
    So still she was, that had you seen her there,
    You might have thought you were beholding death.
    Her lips were parted, but if any breath
    Came from between them, it were hard to know
    By any movement of her breast of snow.

    But when the summer night was now far spent,
    She kneeled upon the floor. Her head she leant
    Down on the cold stone of the window-seat.
    God knows if there were any vital heat
    In those pale brows, or if they chilled the stone.
    And as she knelt, she made a bitter moan,
    With words that issued from a bitter soul,—
    `O Mary, Mother, and is this thy goal,
    Thy peace which waiteth for the world-worn heart?
    Is it for this I live and die apart
    From all that once I knew? O Holy God,
    Is this the blessed chastening of Thy rod,
    Which only wounds to heal? Is this the cross
    That I must carry, counting all for loss
    Which once was precious in the world to me?
    If Thou be God, blot out my memory,
    And let me come, forsaking all, to Thee.
    But here, though that old world beholds me not,
    Here, though I seek Thee through my lonely lot,
    Here, though I fast, do penance day by day,
    Kneel at Thy feet, and ever watch and pray,
    Beloved forms from that forsaken world
    Revisit me. The pale blue smoke is curled
    Up from the dwellings of the sons of men.
    I see it, and all my heart turns back again
    From seeking Thee, to find the forms I love.

    `Thou, with Thy saints abiding far above,
    What canst Thou know of this, my earthly pain?
    They said to me, Thou shalt be born again,
    And learn that worldly things are nothing worth,
    In that new state. O God, is this new birth,
    Birth of the spirit dying to the flesh?
    Are these the living waters which refresh
    The thirsty spirit, that it thirst no more?
    Still all my life is thirsting to the core.
    Thou canst not satisfy, if this be Thou.
    And yet I dream, or I remember how,
    Before I came here, while I tarried yet
    Among the friends they tell me to forget,
    I never seemed to seek Thee, but I found
    Thou wert in all the loveliness around,
    And most of all in hearts that loved me well.

    `And then I came to seek Thee in this cell,
    To crucify my worldliness and pride,
    To lay my heart's affections all aside,
    As carnal hindrances which held my soul
    From hasting unencumbered to her goal.
    And all this have I done, or else have striven
    To do, obeying the behest of Heaven,
    And my reward is bitterness. I seem
    To wander always in a feverish dream
    On plains where there is only sun and sand,
    No rock or tree in all the weary land,
    My thirst unquenchable, my heart burnt dry.
    And still in my parched throat I faintly cry,
    Deliver me, O Lord: bow down Thine ear!

    `He will not answer me. He does not hear.
    I am alone within the universe.
    Oh for a strength of will to rise and curse
    God, and defy Him here to strike me dead!
    But my heart fails me, and I bow my head,
    And cry to Him for mercy, still in vain.
    Oh for some sudden agony of pain,
    To make such insurrection in my soul
    That I might burst all bondage of control,
    Be for one moment as the beasts that die,
    And pour my life in one blaspheming cry!'

    The morning came, and all the convent towers
    Were gilt with glory by the golden hours.
    But where was Ursula? The sisters came
    With quiet footsteps, calling her by name,
    But there was none that answered. In her cell,
    The glad, illuminating sunshine fell
    On form and face, and showed that she was dead.
    `May Christ receive her soul!' the sisters said,
    And spoke in whispers of her holy life,
    And how God's mercy spared her pain and strife,
    And gave this quiet death. The face was still,
    Like a tired child's, that lies and sleeps its fill.



    UNDESIRED REVENGE





    Sorrow and sin have worked their will
    For years upon your sovereign face,
    And yet it keeps a faded trace
    Of its unequalled beauty still,
    As ruined sanctuaries hold
    A crumbled trace of perfect mould
    In shrines which saints no longer fill.

    I knew you in your splendid morn,
    Oh, how imperiously sweet!
    I bowed and worshipped at your feet,
    And you received my love with scorn.
    Now I scorn you. It is a change,
    When I consider it, how strange
    That you, not I, should be forlorn.

    Do you suppose I have no pain
    To see you play this sorry part,
    With faded face and broken heart,
    And life lived utterly in vain?
    Oh would to God that you once more
    Might scorn me as you did of yore,
    And I might worship you again!



    POETS





    Children of earth are we,
    Lovers of land and sea,
    Of hill, of brook, of tree,
    Of all things fair;
    Of all things dark or bright,
    Born of the day and night,
    Red rose and lily white
    And dusky hair.

    Yet not alone from earth
    Do we derive our birth.
    What were our singing worth
    Were this the whole?
    Somewhere from heaven afar
    Hath dropped a fiery star,
    Which makes us what we are,
    Which is our soul.



    A PRESENTIMENT





    It seems a little word to say—
    FAREWELL—but may it not, when said,
    Be like the kiss we give the dead,
    Before they pass the doors for aye?

    Who knows if, on some after day,
    Your lips shall utter in its stead
    A welcome, and the broken thread
    Be joined again, the selfsame way?

    The word is said, I turn to go,
    But on the threshold seem to hear
    A sound as of a passing bell,
    Tolling monotonous and slow,
    Which strikes despair upon my ear,
    And says it is a last farewell.



    A BIRTHDAY GIFT





    No gift I bring but worship, and the love
    Which all must bear to lovely souls and pure,
    Those lights, that, when all else is dark, endure;
    Stars in the night, to lift our eyes above;

    To lift our eyes and hearts, and make us move
    Less doubtful, though our journey be obscure,
    Less fearful of its ending, being sure
    That they watch over us, where'er we rove.

    And though my gift itself have little worth,
    Yet worth it gains from her to whom `tis given,
    As a weak flower gets colour from the sun.
    Or rather, as when angels walk the earth,
    All things they look on take the look of heaven—
    For of those blessed angels thou art one.



    CYCLAMEN





    I had a plant which would not thrive,
    Although I watered it with care,
    I could not save the blossoms fair,
    Nor even keep the leaves alive.

    I strove till it was vain to strive.
    I gave it light, I gave it air,
    I sought from skill and counsel rare
    The means to make it yet survive.

    A lady sent it me, to prove
    She held my friendship in esteem;
    I would not have it as she said,
    I wanted it to be for love;
    And now not even friends we seem,
    And now the cyclamen is dead.



    LOVE RECALLED IN SLEEP





    There was a time when in your face
    There dwelt such power, and in your smile
    I know not what of magic grace;
    They held me captive for a while.

    Ah, then I listened for your voice!
    Like music every word did fall,
    Making the hearts of men rejoice,
    And mine rejoiced the most of all.

    At sight of you, my soul took flame.
    But now, alas! the spell is fled.
    Is it that you are not the same,
    Or only that my love is dead?

    I know not—but last night I dreamed
    That you were walking by my side,
    And sweet, as once you were, you seemed,
    And all my heart was glorified.

    Your head against my shoulder lay,
    And round your waist my arm was pressed,
    And as we walked a well-known way,
    Love was between us both confessed.

    But when with dawn I woke from sleep,
    And slow came back the unlovely truth,
    I wept, as an old man might weep
    For the lost paradise of youth.



    FOOTSTEPS IN THE STREET





    Oh, will the footsteps never be done?
    The insolent feet
    Thronging the street,
    Forsaken now of the only one.

    The only one out of all the throng,
    Whose footfall I knew,
    And could tell it so true,
    That I leapt to see as she passed along,

    As she passed along with her beautiful face,
    Which knew full well
    Though it did not tell,
    That I was there in the window-space.

    Now my sense is never so clear.
    It cheats my heart,
    Making me start
    A thousand times, when she is not near.

    When she is not near, but so far away,
    I could not come
    To the place of her home,
    Though I travelled and sought for a month and a day.

    Do you wonder then if I wish the street
    Were grown with grass,
    And no foot might pass
    Till she treads it again with her sacred feet?



    FOR A PRESENT OF ROSES





    Crimson and cream and white—
    My room is a garden of roses!
    Centre and left and right,
    Three several splendid posies.

    As the sender is, they are sweet,
    These lovely gifts of your sending,
    With the stifling summer heat
    Their delicate fragrance blending.

    What more can my heart desire?
    Has it lost the power to be grateful?
    Is it only a burnt-out fire,
    Whose ashes are dull and hateful?

    Yet still to itself it doth say,
    `I should have loved far better
    To have found, coming in to-day,
    The merest scrap of a letter.'



    IN TIME OF SORROW





    Despair is in the suns that shine,
    And in the rains that fall,
    This sad forsaken soul of mine
    Is weary of them all.

    They fall and shine on alien streets
    From those I love and know.
    I cannot hear amid the heats
    The North Sea's freshening flow

    The people hurry up and down,
    Like ghosts that cannot lie;
    And wandering through the phantom town
    The weariest ghost am I.



    A NEW SONG TO AN OLD TUNE—FROM VICTOR HUGO





    If a pleasant lawn there grow
    By the showers caressed,
    Where in all the seasons blow
    Flowers gaily dressed,
    Where by handfuls one may win
    Lilies, woodbine, jessamine,
    I will make a path therein
    For thy feet to rest.

    If there live in honour's sway
    An all-loving breast
    Whose devotion cannot stray,
    Never gloom-oppressed—
    If this noble breast still wake
    For a worthy motive's sake,
    There a pillow I will make
    For thy head to rest.

    If there be a dream of love,
    Dream that God has blest,
    Yielding daily treasure-trove
    Of delightful zest,
    With the scent of roses filled,
    With the soul's communion thrilled,
    There, oh! there a nest I'll build
    For thy heart to rest.



    THE FIDDLER





    There's a fiddler in the street,
    And the children all are dancing:
    Two dozen lightsome feet
    Springing and prancing.

    Pleasure he gives to you,
    Dance then, and spare not!
    For the poor fiddler's due,
    Know not and care not.

    While you are prancing,
    Let the fiddler play.
    When you're tired of dancing
    He may go away.



    THE FIRST MEETING





    Last night for the first time, O Heart's Delight,
    I held your hand a moment in my own,
    The dearest moment which my soul has known,
    Since I beheld and loved you at first sight.

    I left you, and I wandered in the night,
    Under the rain, beside the ocean's moan.
    All was black dark, but in the north alone
    There was a glimmer of the Northern Light.

    My heart was singing like a happy bird,
    Glad of the present, and from forethought free,
    Save for one note amid its music heard:
    God grant, whatever end of this may be,
    That when the tale is told, the final word
    May be of peace and benison to thee.



    A CRITICISM OF CRITICS





    How often have the critics, trained
    To look upon the sky
    Through telescopes securely chained,
    Forgot the naked eye.

    Within the compass of their glass
    Each smallest star they knew,
    And not a meteor could pass
    But they were looking through.

    When a new planet shed its rays
    Beyond their field of vision,
    And simple folk ran out to gaze,
    They laughed in high derision.

    They railed upon the senseless throng
    Who cheered the brave new light.
    And yet the learned men were wrong,
    The simple folk were right.



    MY LADY





    My Lady of all ladies! Queen by right
    Of tender beauty; full of gentle moods;
    With eyes that look divine beatitudes,
    Large eyes illumined with her spirit's light;

    Lips that are lovely both by sound and sight,
    Breathing such music as the dove, which broods
    Within the dark and silence of the woods,
    Croons to the mate that is her heart's delight.

    Where is a line, in cloud or wave or hill,
    To match the curve which rounds her soft-flushed cheek?
    A colour, in the sky of morn or of even,
    To match that flush? Ah, let me now be still!
    If of her spirit I should strive to speak,
    I should come short, as earth comes short of heaven.



    PARTNERSHIP IN FAME





    Love, when the present is become the past,
    And dust has covered all that now is new,
    When many a fame has faded out of view,
    And many a later fame is fading fast—

    If then these songs of mine might hope to last,
    Which sing most sweetly when they sing of you,
    Though queen and empress wore oblivion's hue,
    Your loveliness would not be overcast.

    Now, while the present stays with you and me,
    In love's copartnery our hearts combine,
    Life's loss and gain in equal shares to take.
    Partners in fame our memories then would be:
    Your name remembered for my songs; and mine
    Still unforgotten for your sweetness' sake.



    A CHRISTMAS FANCY





    Early on Christmas Day,
    Love, as awake I lay,
    And heard the Christmas bells ring sweet and clearly,
    My heart stole through the gloom
    Into your silent room,
    And whispered to your heart, `I love you dearly.'

    There, in the dark profound,
    Your heart was sleeping sound,
    And dreaming some fair dream of summer weather.
    At my heart's word it woke,
    And, ere the morning broke,
    They sang a Christmas carol both together.

    Glory to God on high!
    Stars of the morning sky,
    Sing as ye sang upon the first creation,
    When all the Sons of God
    Shouted for joy abroad,
    And earth was laid upon a sure foundation.

    Glory to God again!
    Peace and goodwill to men,
    And kindly feeling all the wide world over,
    Where friends with joy and mirth
    Meet round the Christmas hearth,
    Or dreams of home the solitary rover.

    Glory to God! True hearts,
    Lo, now the dark departs,
    And morning on the snow-clad hills grows grey.
    Oh, may love's dawning light
    Kindled from loveless night,
    Shine more and more unto the perfect day!



    THE BURIAL OF WILLIAM—THE CONQUEROR





    Oh, who may this dead warrior be
    That to his grave they bring?
    `Tis William, Duke of Normandy,
    The conqueror and king.

    Across the sea, with fire and sword,
    The English crown he won;
    The lawless Scots they owned him lord,
    But now his rule is done.

    A king should die from length of years,
    A conqueror in the field,
    A king amid his people's tears,
    A conqueror on his shield.

    But he, who ruled by sword and flame,
    Who swore to ravage France,
    Like some poor serf without a name,
    Has died by mere mischance.

    To Caen now he comes to sleep,
    The minster bells they toll,
    A solemn sound it is and deep,
    May God receive his soul!

    With priests that chant a wailing hymn,
    He slowly comes this way,
    To where the painted windows dim
    The lively light of day.

    He enters in. The townsfolk stand
    In reverent silence round,
    To see the lord of all the land
    Take house in narrow ground.

    While, in the dwelling-place he seeks,
    To lay him they prepare,
    One Asselin FitzArthur speaks,
    And bids the priests forbear.

    `The ground whereon this abbey stands
    Is mine,' he cries, `by right.
    `Twas wrested from my father's hands
    By lawlessness and might.

    Duke William took the land away,
    To build this minster high.
    Bury the robber where ye may,
    But here he shall not lie.'

    The holy brethren bid him cease;
    But he will not be stilled,
    And soon the house of God's own peace
    With noise and strife is filled.

    And some cry shame on Asselin,
    Such tumult to excite,
    Some say, it was Duke William's sin,
    And Asselin does right.

    But he round whom their quarrels keep,
    Lies still and takes no heed.
    No strife can mar a dead man's sleep,
    And this is rest indeed.

    Now Asselin at length is won
    The land's full price to take,
    And let the burial rites go on,
    And so a peace they make.

    When Harold, king of Englishmen,
    Was killed in Senlac fight,
    Duke William would not yield him then
    A Christian grave or rite.

    Because he fought for keeping free
    His kingdom and his throne,
    No Christian rite nor grave had he
    In land that was his own.

    And just it is, this Duke unkind,
    Now he has come to die,
    In plundered land should hardly find
    Sufficient space to lie.



    THE DEATH OF WILLIAM RUFUS





    The Red King's gone a-hunting, in the woods his father made
    For the tall red deer to wander through the thicket and the glade,
    The King and Walter Tyrrel, Prince Henry and the rest
    Are all gone out upon the sport the Red King loves the best.

    Last night, when they were feasting in the royal banquet-hall,
    De Breteuil told a dream he had, that evil would befall
    If the King should go to-morrow to the hunting of the deer,
    And while he spoke, the fiery face grew well-nigh pale to hear.

    He drank until the fire came back, and all his heart was brave,
    Then bade them keep such woman's tales to tell an English slave,
    For he would hunt to-morrow, though a thousand dreams foretold
    All the sorrow and the mischief De Breteuil's brain could hold.

    So the Red King's gone a-hunting, for all that they could do,
    And an arrow in the greenwood made De Breteuil's dream come true.
    They said `twas Walter Tyrrel, and so it may have been,
    But there's many walk the forest when the leaves are thick and
    green.

    There's many walk the forest, who would gladly see the sport,
    When the King goes out a-hunting with the nobles of his court,
    And when the nobles scatter, and the King is left alone,
    There are thickets where an English slave might string his bow
    unknown.

    The forest laws are cruel, and the time is hard as steel
    To English slaves, trod down and bruised beneath the Norman heel.
    Like worms they writhe, but by-and-by the Norman heel may learn
    There are worms that carry poison, and that are not slow to turn.

    The lords came back, by one and two, from straying far apart,
    And they found the Red King lying with an arrow in his heart.
    Who should have done the deed, but him by whom it first was seen?
    So they said `twas Walter Tyrrel, and so it may have been.

    They cried upon Prince Henry, the brother of the King,
    And he came up the greenwood, and rode into the ring.
    He looked upon his brother's face, and then he turned away,
    And galloped off to Winchester, where all the treasure lay.

    `God strike me,' cried De Breteuil, `but brothers' blood is thin!
    And why should ours be thicker that are neither kith nor kin?'
    They spurred their horses in the flank, and swiftly thence they
    passed,
    But Walter Tyrrel lingered and forsook his liege the last.

    They say it was enchantment, that fixed him to the scene,
    To look upon his traitor's work, and so it may have been.
    But presently he got to horse, and took the seaward way,
    And all alone within the glade, in state the Red King lay.

    Then a creaking cart came slowly, which a charcoal-burner drove.
    He found the dead man lying, a ghastly treasure-trove;
    He raised the corpse for charity, and on his wagon laid,
    And so the Red King drove in state from out the forest glade.

    His hair was like a yellow flame about the bloated face,
    The blood had stained his tunic from the fatal arrow-place.
    Not good to look upon was he, in life, nor yet when dead.
    The driver of the cart drove on, and never turned his head.

    When next the nobles throng at night the royal banquet-hall,
    Another King will rule the feast, the drinking and the brawl,
    While Walter Tyrrel walks alone upon the Norman shore,
    And the Red King in the forest will chase the deer no more.



    AFTER WATERLOO





    On the field of Waterloo we made Napoleon rue
    That ever out of Elba he decided for to come,
    For we finished him that day, and he had to run away,
    And yield himself to Maitland on the Billy-ruffium.

    `Twas a stubborn fight, no doubt, and the fortune wheeled about,
    And the brave Mossoos kept coming most uncomfortable near,
    And says Wellington the hero, as his hopes went down to zero,
    `I wish to God that Blooker or the night was only here!'

    But Blooker came at length, and we broke Napoleon's strength,
    And the flower of his army—that's the old Imperial Guard—
    They made a final sally, but they found they could not rally,
    And at last they broke and fled, after fighting bitter hard.

    Now Napoleon he had thought, when a British ship he sought,
    And gave himself uncalled-for, in a manner, you might say,
    He'd be treated like a king with the best of every thing,
    And maybe have a palace for to live in every day.

    He was treated very well, as became a noble swell,
    But we couldn't leave him loose, not in Europe anywhere,
    For we knew he would be making some gigantic undertaking,
    While the trustful British lion was reposing in his lair.

    We tried him once before near the European shore,
    Having planted him in Elba, where he promised to remain,
    But when he saw his chance, why, he bolted off to France,
    And he made a lot of trouble—but it wouldn't do again.

    Says the Prince to him, `You know, far away you'll have to go,
    To a pleasant little island off the coast of Africay,
    Where they tell me that the view of the ocean deep and blue,
    Is remarkable extensive, and it's there you'll have to stay.'

    So Napoleon wiped his eye, and he wished the Prince good-bye,
    And being stony-broke, made the best of it he could,
    And they kept him snugly pensioned, where his Royal Highness
    mentioned,
    And Napoleon Boneyparty is provided for for good.

    Now of that I don't complain, but I ask and ask in vain,
    Why me, a British soldier, as has lost a useful arm
    Through fighting of the foe, when the trumpets ceased to blow,
    Should be forced to feed the pigs on a little Surrey farm,

    While him as fought with us, and created such a fuss,
    And in the whole of Europe did a mighty deal of harm,
    Should be kept upon a rock, like a precious fighting cock,
    And be found in beer and baccy, which would suit me to a charm?



    DEATH AT THE WINDOW





    This morning, while we sat in talk
    Of spring and apple-bloom,
    Lo! Death stood in the garden walk,
    And peered into the room.

    Your back was turned, you did not see
    The shadow that he made.
    He bent his head and looked at me;
    It made my soul afraid.

    The words I had begun to speak
    Fell broken in the air.
    You saw the pallor of my cheek,
    And turned—but none was there.

    He came as sudden as a thought,
    And so departed too.
    What made him leave his task unwrought?
    It was the sight of you.

    Though Death but seldom turns aside
    From those he means to take,
    He would not yet our hearts divide,
    For love and pity's sake.



    MAKE-BELIEVES





    When I was young and well and glad,
    I used to play at being sad;
    Now youth and health are fled away,
    At being glad I sometimes play.



    A COINCIDENCE





    Every critic in the town
    Runs the minor poet down;
    Every critic—don't you know it?
    Is himself a minor poet.



    ART'S DISCIPLINE





    Long since I came into the school of Art,
    A child in works, but not a child in heart.
    Slowly I learn, by her instruction mild,
    To be in works a man, in heart a child.



    THE TRUE LIBERAL





    The truest Liberal is he
    Who sees the man in each degree,
    Who merit in a churl can prize,
    And baseness in an earl despise,
    Yet censures baseness in a churl,
    And dares find merit in an earl.



    A LATE GOOD NIGHT





    My lamp is out, my task is done,
    And up the stair with lingering feet
    I climb. The staircase clock strikes one.
    Good night, my love! good night, my sweet!

    My solitary room I gain.
    A single star makes incomplete
    The blackness of the window pane.
    Good night, my love! good night, my sweet!

    Dim and more dim its sparkle grows,
    And ere my head the pillows meet,
    My lids are fain themselves to close.
    Good night, my love! good night, my sweet!

    My lips no other words can say,
    But still they murmur and repeat
    To you, who slumber far away,
    Good night, my love! good night, my sweet!



    AN EXILE'S SONG





    My soul is like a prisoned lark,
    That sings and dreams of liberty,
    The nights are long, the days are dark,
    Away from home, away from thee!

    My only joy is in my dreams,
    When I thy loving face can see.
    How dreary the awakening seems,
    Away from home, away from thee!

    At dawn I hasten to the shore,
    To gaze across the sparkling sea—
    The sea is bright to me no more,
    Which parts me from my home and thee.

    At twilight, when the air grows chill,
    And cold and leaden is the sea,
    My tears like bitter dews distil,
    Away from home, away from thee.

    I could not live, did I not know
    That thou art ever true to me,
    I could not bear a doubtful woe,
    Away from home, away from thee.

    I could not live, did I not hear
    A voice that sings the day to be,
    When hitherward a ship shall steer,
    To bear me back to home and thee.

    Oh, when at last that day shall break
    In sunshine on the dancing sea,
    It will be brighter for the sake
    Of my return to home and thee!



    FOR SCOTLAND





    Beyond the Cheviots and the Tweed,
    Beyond the Firth of Forth,
    My memory returns at speed
    To Scotland and the North.

    For still I keep, and ever shall,
    A warm place in my heart for Scotland,
    Scotland, Scotland,
    A warm place in my heart for Scotland.

    Oh, cruel off St. Andrew's Bay
    The winds are wont to blow!
    They either rest or gently play,
    When there in dreams I go.

    And there I wander, young again,
    With limbs that do not tire,
    Along the coast to Kittock's Den,
    With whinbloom all afire.

    I climb the Spindle Rock, and lie
    And take my doubtful ease,
    Between the ocean and the sky,
    Derided by the breeze.

    Where coloured mushrooms thickly grow,
    Like flowers of brittle stalk,
    To haunted Magus Muir I go,
    By Lady Catherine's Walk.

    In dreams the year I linger through,
    In that familiar town,
    Where all the youth I ever knew,
    Burned up and flickered down.

    There's not a rock that fronts the sea,
    There's not an inland grove,
    But has a tale to tell to me
    Of friendship or of love.

    And so I keep, and ever shall,
    The best place in my heart for Scotland,
    Scotland, Scotland,
    The best place in my heart for Scotland!



    THE HAUNTED CHAMBER





    Life is a house where many chambers be,
    And all the doors will yield to him who tries,
    Save one, whereof men say, behind it lies
    The haunting secret. He who keeps the key,

    Keeps it securely, smiles perchance to see
    The eager hands stretched out to clutch the prize,
    Or looks with pity in the yearning eyes,
    And is half moved to let the secret free.

    And truly some at every hour pass through,
    Pass through, and tread upon that solemn floor,
    Yet come not back to tell what they have found.
    We will not importune, as others do,
    With tears and cries, the keeper of the door,
    But wait till our appointed hour comes round.



    NIGHTFALL





    Let me sleep. The day is past,
    And the folded shadows keep
    Weary mortals safe and fast.
    Let me sleep.

    I am all too tired to weep
    For the sunlight of the Past
    Sunk within the drowning deep.

    Treasured vanities I cast
    In an unregarded heap.
    Time has given rest at last.
    Let me sleep.



    IN TIME OF SICKNESS





    Lost Youth, come back again!
    Laugh at weariness and pain.
    Come not in dreams, but come in truth,
    Lost Youth.

    Sweetheart of long ago,
    Why do you haunt me so?
    Were you not glad to part,
    Sweetheart?

    Still Death, that draws so near,
    Is it hope you bring, or fear?
    Is it only ease of breath,
    Still Death?



    Footnotes:

    {1} Mr. Butler lectures on Physics, or, as it is called in
    Scotland, Natural Philosophy.